ORIGINAL POETRY.

For the Southern Literary Messenger.

I have been permitted to copy the original verses which I send you,

from a young lady's album. They were written by a gentleman of literary

merit, whose modesty will probably be somewhat startled at seeing

himself in print. I could not resist the opportunity however, of

adorning the columns of your first number with so fine a specimen of

native genius. According to my poor taste, and humble judgment in such

matters, these lines are beautiful. They are tinged with the deep

misanthropy of Byron, and yet have all the flowing smoothness and

vivacity of Moore. Shall it be said after reading such poetry, that the

muses are altogether neglected in the Ancient Dominion--that there is

no genuine ore in our intellectual mines which with a little labor may

be refined into pure gold? Shall it be longer contended that we are

altogether a nation of talkers, and that politics, summer barbecues and

horse-racing are our all engrossing and exclusive recreations. In

truth, is not this the very land of poetry! Our colonial and

revolutionary history is itself fruitful in the materials of song; and

even our noble rivers--our lofty mountains--our vast and impenetrable

forests--and our warm and prolific sun, are so many sublime sources of

inspiration. With respect to the belle passion,--_that_ has in all

ages, climates and countries, constituted one of the strongest

incitements to poetical genius. The imagination, warmed by impressions

of feminine beauty and innocence, at once takes wing, and wanders

through regions of thought and melancholy--investing the object of its

idolatry with attributes and perfections which more properly belong to

a purer state of being. Whether the philosophy of the subjoined stanzas

is equal to their harmony, I leave to your readers to decide. The

voluntary sacrifice of the heart at the shrine of prudence is doubtless

heroic; but there are few lovers, and especially of the poetic

temperament, who are willing to submit to "brokenness of heart" rather

than encounter the hazard of sharing with a beloved object the "cup of

sorrow." Whether, moreover, the ingenious author was actually breathing

in eloquent earnestness his own "private griefs," or amusing himself

only by the creations of fancy,--I am not prepared to determine. One

thing I do know, however--that the charming nymph in whose album these

lines were written, though not "too dear to love," possesses a heart

both "warm and soft," and is in every respect worthy of all the

admiration which the most romantic lover could bestow.

The southern literary messenger, Vol. I., No. 1, August, 1834 · 第 28 / 40 题