CHAPTER XXIV

EDNA FERBER

The most interesting thing about Edna Ferber is that she was born in

Kalamazoo. No, the most interesting thing is that she threw her first

novel in the wastebasket whence, like Kipling’s _Recessional_, it was

retrieved by another. No, no! the most interesting thing about Edna

Ferber is that she’s a superb short story writer, one of the best in

America, one of the dozen best.

You are all wrong. The supremely interesting fact about Edna Ferber is

this: She invented the Tired Business Woman.

When writing about Miss Ferber why be dull? Why go in for the higher

criticism? As for the lower criticism, we hope we are above it.

Certainly _she_ is.

To get back to name, dates, etc.: Chicago, Des Moines and Appleton,

Wisconsin, all have a stake in Miss Ferber’s success. Kalamazoo doesn’t

vociferate. It doesn’t have to, for she was born there and though seven

cities claimed Homer dead it will be no use for seven or eight or six

places to claim Edna Ferber living. Kalamazoo will see to that;

Kalamazoo, Michigan, where she made her debut--the only debut that’s

really worth making--on August 15, 1887. That is why we shall speak of

her very respectfully. She is a month older than we are and a month is

everything.

The daughter of Jacob Charles Ferber and Julia (Neuman) Ferber. Educated

in the public and high schools of--alas for Kalamazoo!--Appleton,

Wisconsin. At seventeen she became a reporter on the Appleton _Daily

Crescent_--“the youngest real reporter in the world.” She has it on us.

We were almost nineteen when--but never mind. Appleton, we hear, soon

became too small for Miss Ferber. Appletons have a way of doing that, or

isn’t it rather that the Edna Ferbers have a way of growing too big for

the Appletons? Anyway, Miss Ferber went to Milwaukee and then to a big

Chicago daily, the _Tribune_, to be exact. In Milwaukee she worked on

the _Journal_. _Dawn O’Hara_, her first book, was written in the time

she could spare from newspaper work. After it was completed she did not

like it. It was her mother who rescued the manuscript from the

wastebasket and sent it to a publisher, the same person mentioned in the

dedication of the novel: “To my dear mother who frequently interrupts

and to my sister Fannie who says ‘Sh-sh-sh!’ outside my door.”

The best piece of work Mrs. Ferber ever did! The book took publisher and

public by storm. It came out in 1911 and in the same year the new

American author attained the dignity of twenty-four years. Our copy of

_Dawn O’Hara_ is marked “eighth edition,” but as it is a reprinted copy

that may understate, or rather under-indicate, the book’s success. A few

thousands one way or another hardly matters among so many thousands of

copies sold!

Without pressing the autobiographical idea too hard it is perfectly

evident that much of the background of _Dawn O’Hara_ is from Miss

Ferber’s own experience, notably the settings in Milwaukee. How she

could ever have been so dissatisfied with her story as to discard it

utterly any present-day reader will be puzzled to imagine. It is

extremely well told. It is full of the perfect human--humorously

human--quality which lifts so many of Miss Ferber’s short stories into

high place. Take this passage:

“The Whalens live just around the corner. The Whalens are omniscient.

They have a system of news gathering which would make the efforts of a

New York daily appear antiquated. They know that Jenny Laffin feeds the

family on soup meat and oatmeal when Mr. Laffin is on the road; they

know that Mrs. Pearson only shakes out her rugs once in four weeks; they

can tell you the number of times a week that Sam Dempster comes home

drunk; they know that the Merkles never have cream with their coffee

because little Lizzie Merkle goes to the creamery every day with just

one pail and three cents; they gloat over the knowledge that Professor

Grimes, who is a married man, is sweet on Gertie Ashe, who teaches

second reader in his school; they can tell you where Mrs. Black got her

seal coat, and her husband only earning two thousand a year; they know

who is going to run for mayor, and how long poor Angela Sims has to

live, and what Guy Donnelly said to Min when he asked her to marry him.

“The three Whalens--mother and daughters--hunt in a group. They send

meaning glances to one another across the room, and at parties they get

together and exchange bulletins in a corner. On passing the Whalen house

one is uncomfortably aware of shadowy forms lurking in the windows, and

of parlor curtains that are agitated for no apparent cause.”

Beautiful! Gardiner of Harvard could have turned it inside out for you

and have shown you just where Miss Ferber impinged on your sensations

and how and to what end.... But the thing shows the facility of her best

work. Are the Whalens important to the story of _Dawn O’Hara_? They are

not. They are merely figures on the canvas, amusing but unimportant

people, no more than “brushed in” but brushed in with a firmness of

touch, a fidelity of detail, a humorous artist eye that is, as we say,

“taking” or “fetching” and wholly delightful.

Since 1911 with short stories and a book a year there is nothing to

chronicle but a progressive and uninterrupted success. Nothing except

the Tired Business Woman. Make no mistake; this creation of Miss

Ferber’s is _not_ a feminine counterpart of the Tired Business Man. The

T. B. W. does not go to musical shows and sit in the front rows. She

does not telephone home to the husband that she is sorry but important

business will detain her downtown this evening. She does not bring home

old friends unexpectedly to dinner, or worse, _not_ bring them home to

dinner. She is man-less but not because she need be. She is unmarried or

a widow. She has a boy, like Jock McChesney, and finds the task of

making a man of him, in outside hours not devoted to earning their

living, a woman-sized job! Give Edna Ferber credit for this, that she

has done as much as the cleverest feminist to make the world see the

self-reliant woman as she is, and not as the world deduces she may be. A

woman, yes, and a mother, yes! But a regular person above everything

else. Read, or re-read, _Emma McChesney & Co._ with this in a corner of

your mind and you will be thankful to Miss Ferber when you have

finished. Some thanks, too, may go to Ethel Barrymore, whose

impersonation of the Tired But Admired (and admirable) Business Woman of

Miss Ferber’s fiction reënforced the lesson of the book with the ocular

demonstration of the play.

Miss Ferber is going forward. The evidence of it will be found in the

stories contained in her latest book, _Cheerful--By Request_ (1918) and

perhaps particularly in the story in that volume called _The Gay Old

Dog_. At thirty-one she has her best years--as literary records

go--before her. No painstaking appraisal of her work would be wise at

this time. In the next two or three years she may overshadow everything

she has done so far. We hope so. Because then, bearing in mind that

month’s initial difference, we shall have high hopes ourselves!

BOOKS BY EDNA FERBER

_Dawn O’Hara_, 1911.

_Buttered Side Down_, 1912.

_Roast Beef Medium_, 1913.

_Personality Plus_, 1914.

_Emma McChesney & Co._, 1915.

_Fanny Herself_, 1917.

_Cheerful--By Request_, 1918.

_Half Portions_, 1920.

_$1200 a Year_, 1920.

_The Girls_, 1921.

_Gigolo_, 1922.

_First six books published by Frederick A. Stokes Company, New York; the

others by Doubleday, Page & Company, New York._

The Women Who Make Our Novels · 第 24 / 35 章