CHAPTER XII.

The sleep of Glyndon that night was unusually profound, and the sun

streamed full upon his eyes as he opened them to the day. He rose

refreshed, and with a strange sentiment of calmness, that seemed more

the result of resolution than exhaustion. The incidents and emotions

of the past night had settled into distinct and clear impressions. He

thought of them but slightly,--he thought rather of the future. He was

as one of the Initiated in the old Egyptian Mysteries, who have crossed

the Gate only to look more ardently for the Penetralia.

He dressed himself, and was relieved to find that Merton had joined a

party of his countrymen on an excursion to Ischia. He spent the heat of

noon in thoughtful solitude, and gradually the image of Isabel returned

to his heart. It was a holy--for it was a human--image; he had resigned

her, and he repented. The light of day served, if not to dissipate, at

least to sober, the turbulence and fervor of the preceding night. But

was it indeed too late to retract his resolve? “Too late!” terrible

words! Of what do we not repent, when the Ghost of the Deed returns to

us to say, “Thou hast no recall?”

He started impatiently from his seat, seized his hat and sword, and

strode with rapid steps to the humble abode of the actress.

The distance was considerable, and the air oppressive. Glyndon arrived

at the door breathless and heated he knocked, no answer came; he lifted

the latch and entered. No sound, no sight of life, met his ear and eye.

In the front chamber, on a table, lay the guitar of the actress and some

manuscript parts in plays. He paused, and summoning courage, tapped at

the door which seemed to lead into the inner apartment. The door

was ajar; and hearing no sound within, he pushed it open. It was the

sleeping chamber of the young actress,--that holiest ground to a lover.

And well did the place become the presiding deity: none of the tawdry

finery of the Profession was visible on the one hand, none of the

slovenly disorder common to the humbler classes of the South on the

other. All was pure and simple; even the ornaments were those of an

innocent refinement,--a few books placed carefully on shelves, a few

half-faded flowers in an earthen vase which was modelled and painted in

the Etruscan fashion. The sunlight streamed over the snowy draperies

of the bed, and a few articles of clothing, neatly folded, on the

chair beside it. Isabel was not there; and Glyndon, as he gazed around,

observed that the casement which opened to the ground was wrenched and

broken, and several fragments of the shattered glass lay below. The

light flashed at once upon Glyndon’s mind,--the ravisher had borne away

his prize. The ominous words of Zicci were fulfilled: it was too late!

Wretch that he was, perhaps he might have saved her! But the nurse,--was

she gone also? He made the house resound with the name of Gionetta, but

there was not even an echo to reply. He resolved to repair at once to

the abode of Zicci. On arriving at the palace of the Corsican, he was

informed that the signor was gone to the banquet of the Prince di--,

and would not return until late. He turned in dismay from the door,

and perceived the heavy carriage of the Count Cetoxa rolling along the

narrow street. Cetoxa recognized him and stopped the carriage.

“Ah my dear Signor Glyndon,” said he, leaning out of the window, “and

how goes your health? You heard the news?”

“What news?” asked Glyndon, mechanically.

“Why, the beautiful actress,--the wonder of Naples! I always thought she

would have good luck.”

“Well, well, what of her?”

“The Prince di--has taken a prodigious fancy to her, and has carried her

to his own palace. The Court is a little scandalized.”

“The villain! by force?”

“Force! Ha! ha! my dear signor, what need of force to persuade an

actress to accept the splendid protection of one of the wealthiest

noblemen in Italy? Oh, no! you may be sure she went willingly enough. I

only just heard the news: the prince himself proclaimed his triumph this

morning, and the accommodating Mascari has been permitted to circulate

it. I hope the connection will not last long, or we shall lose our best

singer. Addio!”

Glyndon stood mute and motionless. He knew not what to think, to

believe, or how to act. Even Merton was not at hand to advise him.

His conscience smote him bitterly; and half in despair, half in the

courageous wrath of jealousy, he resolved to repair to the palace of

the prince himself, and demand his captive in the face of his assembled

guests.

Zicci: A Tale — Complete · 第 11 / 17 章