'Ah! here comes the youngster! Hurry up and pay the score, old man, and

then follow me all of you!'

Madame Correur grasped his yellow duck coat so as not to lose him, and

Madame Charbonnel panted along close behind, while her husband was

almost lost in the crowd. Gilquin, by much resolute pushing, managed

to open a passage through the dense throng, making such a show of

authority that people drew back even at the most crowded parts. When

he at last reached the quay, he lifted the ladies with an effort, and

seated them on the parapet, with their legs dangling over, on the water

side, and this in spite of their little shrieks of alarm. He himself

and M. Charbonnel remained standing behind.

'Well, my little dears, you're in the front boxes now,' he said, to

reassure the women; 'don't be frightened, we'll take hold of your

waists.'

Thereupon he slipped both arms round Madame Correur's plump figure.

She smiled at him. It was impossible to get angry with such a jovial

fellow. As yet, however, they could see nothing. The Place de l'Hôtel

de Ville was full of surging heads, and echoed with continuous

cheering. Hats were waving in the distance, held aloft by hands which

were indistinguishable, and forming a huge black billow which slowly

rolled nearer and nearer. Then the occupants of the houses on the Quai

Napoléon, which fronted the Place, began to show signs of excitement.

They leant out of the windows, crowding against each other, with

beaming faces, and arms outstretched to call attention to something in

the direction of the Rue de Rivoli. For three minutes, which seemed

very long, however, the bridge still remained empty. The bells of Notre

Dame were ringing louder than ever, as though in some wild fit of

joyful excitement.

Suddenly the anxious multitude beheld a company of trumpeters upon

the empty bridge. There was a great sigh of expectation. Behind the

trumpeters and the mounted band which followed them, came a general,

escorted by his staff. Then, behind squadrons of carabineers,

dragoons and hussars, followed the state-carriages. There were eight

of them, each drawn by six horses. In those that came first sat the

ladies-in-waiting, the chamberlains, the officers of the household of

the Emperor and Empress, and the ladies in attendance upon the Grand

Duchess of Baden, who had been deputed to represent the young prince's

godmother. Gilquin, without letting go his hold of Madame Correur, told

her from behind that the godmother, the Queen of Sweden, had not put

herself out any more than the godfather had done. Then, as the seventh

and eighth carriages went past, he told her the names of those who

occupied them, with a glibness which bespoke great familiarity with

court matters. Those two ladies, he said, were the Princess Mathilde

and the Princess Marie. Those three gentlemen were King Jérôme, Prince

Napoleon and the Crown Prince of Sweden. The lady with them was the

Grand Duchess of Baden. Meanwhile, the procession swept on slowly. The

equerries and aides-de-camp and gentlemen-in-waiting all rode with

short reins to keep their horses at a walk.

'But where is the baby?' asked Madame Charbonnel impatiently.

'Oh! don't be frightened,' said Gilquin, with a laugh; 'they haven't

put him under a seat. Wait a little and you'll see him.'

So saying, he tightened his grasp round Madame Correur, who allowed him

to do so, she explained, because she was afraid of slipping into the

water. Then, growing enthusiastic over the display, he continued, while

his eyes glistened brightly: 'Isn't it really splendid? See how they

take their ease, the rascals, in their satin-quilted coaches! And to

think that I worked for all this!'

Then he began to puff himself out as though the procession, the crowd

and everything that was to be seen owed their origin to him. However,

after the temporary lull, caused by the appearance of the first

carriages, there came a tremendous uproar. It was upon the quay itself

now that hats were waving over the surging heads of the crowd. Six

imperial outriders, wearing green liveries and round caps, from which

dangled large gold tassels, had made their appearance on the bridge.

Then at last the Empress's carriage came in sight. It was drawn by

eight horses; and at each of its four corners there was a magnificent

lamp. Large and rounded, panelled almost entirely with glass, this

coach resembled a huge crystal casket with gold settings, mounted upon

golden wheels. Inside it, amidst a cloud of snowy lace, one could

clearly distinguish the rosy face of the Prince Imperial, carried

upon the knees of the Governess of the Children of France, by whose

side sat the wet nurse, a young, handsome, and buxom Burgundian. Then

a short distance behind, following a group of mounted equerries and

grooms on foot, came the Emperor's carriage, which also was drawn by

eight horses, and was as magnificent as the previous one. In it sat the

Emperor and Empress, who bowed to the people as they passed. Beside

these two last carriages rode several marshals of France, who, without

sign of impatience, let all the dust from the wheels settle on their

richly broidered uniforms.

'Just fancy if the bridge were to break down!' exclaimed Gilquin with a

grin. He was fond of indulging in the most awful suppositions.

Madame Correur, frightened at the thought of such a thing, tried to

stop him, but he would dwell on the subject, remarking that iron

bridges were never safe. He even asserted that he could see the

platform oscillating when the two carriages were but half-way across.

What a splash, he continued; if papa and mamma and baby went down they

would get such a drink as would keep them from ever wanting another!

The carriages, however, rolled softly and silently over the bridge,

and the frame-work of the gently-curving arch was so light that they

looked almost as though suspended in space over the river, in whose

blue depths they were reflected like strange gold-fishes, carried up by

the flow of the tide. The Emperor and Empress, feeling a little tired,

leaned back against the buttoned satin, glad to escape the crowd for

a moment and the necessity of bowing to it. The Governess, too, took

advantage of the stretch of empty space to raise the little prince,

who was slipping from her knees, while the nurse, leaning forward,

amused him with a smile. The whole procession was steeped in bright

sunshine. The uniforms, the gay gowns, and the horse-trappings shone

out brilliantly, while the sparkling planet-like coaches cast tremulous

beams of reflected sunlight along the fronts of the dingy houses on

the Quai Napoléon. In the distance, above the bridge, the colossal

advertisement of the giant grey overcoat, painted on the wall of a

six-storeyed house, and now illumined with radiant splendour by the

sun, formed a sort of background to the magnificent picture.

Gilquin noticed the overcoat just as it towered above the two

carriages. 'Look!' he cried, 'there's the uncle[7] over yonder!'

A laugh ran through the surrounding crowd. M. Charbonnel, who did not

catch the point, wanted to have it explained to him, but his request

was drowned by the deafening cheering and clapping of hands that arose

from the three hundred thousand people there pressed together. A mighty

thrill of enthusiasm had sped through the mass of sight-seers as the

little prince, followed by the Emperor and Empress, came into sight

on the middle of the bridge, of which they had a full, unbroken view.

Men rose on tip-toe, and set their dazed youngsters astride their

necks, while women wept or stammered out expressions of love for 'the

little darling,' showing a heartfelt sympathy with the happiness of the

imperial parents. A storm of shouts still rolled on from the Place de

l'Hôtel de Ville; and upon the quays, both up and down the river, there

was a forest of waving, outstretched arms. Handkerchiefs fluttered from

the windows, and men and women craned forward with glistening eyes

and gaping mouths. Away in the distance the windows of the Ile Saint

Louis, which looked like narrow streaks of charcoal, were lighted up

with white gleams and evidences of life too far away to be clearly

distinguished. However, the boatmen in red jackets stood up in the

middle of the river, where the current swept them along, and shouted

their loudest, while the washerwomen, leaning out of the windows of the

floating laundry, waved their bare arms excitedly, and, in their desire

to be heard, dealt blow after blow with their beetles till they nearly

broke them.

'There, it's all over!' exclaimed Gilquin; 'let us be off.'

The Charbonnels, however, wanted to see the end of everything. The

tail of the procession--squadrons of Cent Gardes, cuirassiers and

carabineers--was plunging into the Rue d'Arcole. Then there came a

scene of dreadful confusion. In several places people broke through the

double line of National Guards and regulars, and women began to scream.

'Come along! come along!' repeated Gilquin. 'We shall be crushed to

death!'

When he had deposited the ladies on the footway, he made them cross

the road in spite of the crowd. Madame Correur and the Charbonnels had

wanted to keep near the parapet, so as to make their way to the bridge

of Notre Dame and see what was happening on the Place du Parvis. But

Gilquin would not hear of it, and dragged them after him. When they

once more reached the little café, he gave them a push and made them

sit down again at the table which they had recently left.

'What perverse creatures you are!' he cried. 'Do you suppose that I

want to have my feet crushed by all those louts? We'll have something

to drink, we will! We are much better off here than in that crush.

We've had enough sight-seeing. It was beginning to get wearisome. Come,

old lady, what will you drink?'

The Charbonnels, upon whom he kept his perturbing eyes, began to make

timid objections. They would have liked to see the procession leave

the church. But Gilquin assured them that it would be best to give the

crowd time to disperse, and that he would take them to the church in a

quarter of an hour, if the crush was not too thick. However, while he

was telling Jules to bring a supply of cigars and beer, Madame Correur

prudently made her escape. 'Well, stay and rest yourselves a little,'

she said to the Charbonnels. 'You will find me over yonder by-and-bye.'

She made her way to the bridge of Notre Dame and then into the Rue de

la Cité. But the crush there was still so great that it took her a good

quarter of an hour to reach the Rue de Constantine. At last she made

a cut through the Rue de la Licorne and the Rue des Trois Canettes,

and in this way emerged upon the Place du Parvis, after losing at

the ventilator of a suspicious house one of the flounces of her

dove-coloured dress. Round the square, strewn with sand and flowers,

stood tall masts, from which hung banners bearing the imperial arms.

In front of the church a vast tent-shaped porch draped the stone-work

with curtains of crimson velvet, having fringes and tassels of gold.

Here Madame Correur was checked by a body of troops who kept back

the crowd. In the middle of the space from which the public had been

excluded, footmen were pacing up and down beside the carriages, which

were drawn up in five rows, their coachmen still occupying their seats

and holding their reins. As Madame Correur craned her head forward in

the hope of finding some gap through which she might pass, she caught

sight of Du Poizat quietly smoking a cigar in a corner of the square

among some of the footmen.

'Don't you think you could get me in?' she asked him, when she had

attracted his attention by waving her handkerchief.

Du Poizat went and spoke to an officer, and then led Madame Correur in

front of the church.

'If you'll take my advice,' he said to her, 'you'll stay here with me.

It's perfectly packed inside. I was nearly suffocated myself, and so

I came out. See, there are Colonel Jobelin and Monsieur Bouchard, who

have given up all hope of finding room.'

She looked and saw the two men on her left, near the Rue du Cloître

Notre Dame. M. Bouchard was saying that he had just left his wife in

charge of M. d'Escorailles, who had an excellent seat for a lady at his

disposal, while the colonel's chief regret seemed to be that he was not

able to explain the ceremony to his son Auguste.

'I much wished to show him the famous vase,' he said. 'It is, as you

know, the genuine vase of Saint Louis--a vase of copper, damascened

and ornamented with niello work in the most perfect Persian manner.

It is a relic of the times of the Crusades, and has been used at the

christenings of all our kings ever since.'

'Did you see all the insignia?' M. Bouchard asked Du Poizat.

'Yes,' replied the latter. 'Madame de Llorentz was carrying the

chrisom.'

Then he entered into details. The chrisom was the christening cloth,

a fact of which neither of the men had been aware. But Du Poizat

went on to enumerate, not only the insignia of the Prince Imperial,

the chrisom, the candle and the salt-cellar, but the insignia of the

godfather and godmother, the basin, the ewer and the towel, all of

which were carried by ladies-in-waiting. Then there was also the

little prince's mantle, a most magnificent and wonderful mantle, which

was hung over an arm-chair near the font.

'Isn't there really the smallest corner where I could squeeze myself?'

cried Madame Correur, in whom all these details had roused a fever of

curiosity.

Then they told her of all the great state bodies and high officials

and innumerable deputations that they had seen pass. It was an almost

endless procession, they said; the Diplomatic body, the Senate,

the Corps Législatif, the Council of State, the Supreme Court, the

Exchequer Court, the Appeal Court, the Tribunals of Commerce and of

First Instance; to say nothing of the ministers, the prefects, the

mayors and their deputies, the academicians, the general officers,

and a host of others, including even delegates from the Jewish and

Protestant consistories.

'Oh! what a splendid sight it must be!' Madame Correur exclaimed with a

sigh.

Du Poizat shrugged his shoulders. He was in a very bad humour. All

those people bored him, he said, and he seemed irritated by the length

of the ceremony. How much longer would they be? They had sung the _Veni

Creator_ and had censed themselves and walked about and saluted one

another. Surely the child must be christened by this time!

Meanwhile M. Bouchard and the colonel manifested greater patience and

examined the decorated windows of the square; then, as a sudden peal

of the bells shook the towers, they turned their heads and quivered

uneasily at their close proximity to the huge church, whose summit they

could not even discern in the sky. However, Auguste had slipped towards

the porch, whither Madame Correur followed him. But when she reached

the great door, which was wide open, the magnificent sight she beheld

kept her rooted to the ground.

Between the two great curtains of the porch the church appeared like

a vision of some superhuman temple. The vaulted arches, of a soft

blue, were spangled with stars. Around this wondrous firmament the

stained-glass windows gleamed like mystic planets, sparkling with

burning jewels. From the lofty pillars on all sides hung drapery of

crimson velvet, which still further shut the daylight out of the

usually dim nave; and in the centre of this roseate twilight there

blazed a multitude of tapers--thousands of tapers--so closely crowded

that they seemed like a great sun flaming out amidst a rain of stars.

This blaze was that of the altar, set on a platform in the centre of

the transept. Thrones were placed on the right and left of it. Over

the higher of the two thrones a spreading canopy of velvet lined with

ermine showed like a huge bird with snowy breast and purple wings.

The church was filled with a glittering crowd, bright with gold and

jewels. Near the altar a group of clergy, bishops with mitres and

croziers, formed, as it were, a glory, one of those dazzling splendours

which suggest heaven itself. Around the altar princes, princesses and

great dignitaries were ranged in sovereign pomp and circumstance.

Then tiers of seats had been set up in the arms of the transept, for

the Diplomatic body and the Senate, on the right, and for the Corps

Législatif and the Council of State on the left; while representative

bodies of every kind crowded the rest of the nave, and ladies displayed

their bright, variegated gowns in the galleries above. A sanguineous

haze floated over everything. The heads which showed in tiers on all

sides had the roseate hue of painted porcelain. The dresses, the satin

and silk and velvet, glowed with a dull splendour as though they would

soon burst into a blaze. Rows of people suddenly seemed to flare. The

whole deep church was like some wondrous furnace.

Then Madame Correur saw an assistant master of the ceremonies advance

to the centre of the choir, where he thrice shouted energetically:

'Long live the Prince Imperial! Long live the Prince Imperial! Long

live the Prince Imperial!'

And as the lofty arches shook with a mighty acclamation, Madame Correur

saw the Emperor standing on the altar steps overlooking the throng. He

stood out black and distinct against the background of blazing gold

which the bishops formed behind him. He was presenting the Prince

Imperial to the people, holding the infant, who seemed a mere bundle of

white lace, aloft in his upstretched arms.

But a beadle suddenly motioned to Madame Correur to retire. She took

a couple of steps backwards, and the next moment saw nothing but one

of the curtains of the porch. The vision had disappeared. The bright

daylight made her blink, and for an instant she remained confused, half

fancying that she had been gazing upon some old picture like those

in the Louvre, some picture baked by age, purpled and gilded, and

depicting people of a past-away time, such as one no longer met in the

streets.

'Don't stop there,' Du Poizat said to her, as he led her back to the

colonel and M. Bouchard.

The latter were now discussing the floods, which had caused terrible

destruction in the valleys of the Rhone and the Loire. Thousands of

families had been rendered homeless. The subscriptions which had been

opened on all sides were insufficient for the relief of such great

distress. However, they asserted that the Emperor had exhibited most

admirable courage and generosity. At Lyons he had been seen fording the

low parts of the inundated city, and at Tours he had spent three hours

rowing in a boat through the submerged streets; and everywhere he had

lavishly distributed alms.

'Ah, listen!' interrupted the colonel.

The organ was now pealing through the church, and a sonorous chant

rolled through the porch, whose curtains swayed as the great gust of

sound swept out.

'It is the _Te Deum_!' exclaimed M. Bouchard.

Du Poizat heaved a sigh of relief. They were getting to an end at last!

M. Bouchard, however, informed him that the registers had yet to be

signed, and, afterwards, the Cardinal-Legate would have to give the

pontifical benediction. Some of the congregation were, however, already

leaving. Rougon was one of the first to appear, giving his arm to a

lady of slight build, who had a sallow complexion, and was very plainly

dressed. They were accompanied by a personage who wore the dress of a

president of an Appeal Court.

'Who are those?' asked Madame Correur.

Du Poizat told her their names. M. Beulin-d'Orchère, the president, had

become acquainted with Rougon some time before the Coup d'État, and had

manifested much esteem for him since that period, without, however,

attempting to establish any close intimacy. Mademoiselle Véronique,

his sister, lived with him in a house in the Rue Garancière, which she

seldom left except to attend low mass at Saint Sulpice.

'Ah!' said the colonel, lowering his voice, 'that is the wife for

Rougon!'

'Exactly,' assented M. Bouchard. 'She has got a suitable fortune; her

family is good, and she is a steady-going woman of experience. He will

never find a wife more fitted for him.'

Du Poizat, however, protested. The lady, he said, was as over-ripe as a

forgotten medlar. She was at least thirty-six years of age, and looked

forty. A nice broom-handle in all truth! A devotee with hair brushed

smooth and smug! As faded and as washed-out as though she had been

soaking her head in holy water for the last six months!

'You are young,' rejoined the head-clerk, gravely. 'Rougon ought to

make a sensible marriage. I myself married for love, but that does not

succeed with everyone.'

'Oh! I don't apprehend any danger from the lady herself,' continued

Du Poizat; 'it's Beulin-d'Orchère's look that alarms me. He's got a

regular dog's jaw. Just look at him with his heavy muzzle and forest

of woolly hair, without a single silver thread in it, in spite of his

fifty years. What's he thinking about, I wonder? Why does he still

drive his sister into Rougon's arms now that our friend is out of

favour?'

M. Bouchard and the colonel kept silent, and exchanged uneasy glances.

Was 'the dog,' as the ex-sub-prefect called him, going to make Rougon

his own prey?

However, Madame Correur slowly opined: 'It is a good thing to have the

judicial bench on one's side.'

Meantime, Rougon was conducting Mademoiselle Véronique to her carriage,

and, before she got into it, he bowed to her. Just at that moment the

fair Clorinde came out of the church, leaning upon Delestang's arm.

She became quite grave, and cast a fiery glance at that tall sallow

creature, the door of whose carriage Rougon was gallantly closing,

notwithstanding his senatorial uniform. And as soon as the carriage had

gone off, Clorinde dropped Delestang's arm, and stepped straight up

to the great man, breaking out into her old gay laugh. All the others

followed.

'I have lost my mother!' merrily said the girl to Rougon. 'She has been

carried off somewhere in the crowd. Will you give me a little corner in

your brougham?'

At this Delestang, who had hoped to take her home, seemed very much

annoyed. She was wearing a dress of orange silk, brocaded with

such showy flowers that the very footmen stared at her. Rougon had

immediately granted her request, but they had to wait for the brougham

for another ten minutes. And they all remained standing where they

were, even Delestang, though his carriage was in the first row, only

a yard or two away. In the meanwhile the congregation continued to

leave the church. M. Kahn and M. Béjuin, who were passing, came up and

joined the group. And as the great man shook hands in a listless way,

and looked somewhat out of sorts, M. Kahn asked with anxious concern:

'Aren't you feeling well?'

'Oh, yes,' he answered, 'but those lights inside there rather dazed

me.' He remained silent for a moment, and then continued in a low

voice: 'It was a splendid sight. I never saw such an expression of

happiness upon a man's face before.'

He was referring to the Emperor, and, as he spoke, he slowly spread

out his arms with a sweeping majestic gesture, as though he were

recalling the scene in the church. But he added not a word, and the

others likewise kept silence. They formed quite a little group in a

corner of the square. In front of them the stream of people leaving

the church grew larger; there were judges in their robes, officers and

functionaries in full uniform, a crowd of belaced and bedizened and

decorated personages who trod over the flowers strewing the square,

amidst the calls of footmen and sudden rolling of carriage-wheels.

The soaring glory of the Empire blazed, as it were, in the crimson

of the setting sun; and the towers of Notre Dame, all roseate and

musical, seemed to attest the lofty peace and greatness to which the

future reign of the child, baptized beneath their shadow, would some

day attain. But in Rougon's group, the splendour of the ceremony, the

pealing bells, the streaming banners, and the enthusiasm of the city

only aroused feelings of envy and desire. For the first time Rougon

himself felt the chilly weight of the disfavour into which he had

fallen. His face was very pale, and, as he stood there deep in thought,

he envied the Emperor.

His Excellency [Son Exc. Eugène Rougon] · 第 9 / 35 段