Rougon did not allow her to finish, but took her and her husband

into the window-recess on the right hand, once more abandoning his

portfolios without any great sign of impatience.

'We have received a letter from your mother,' repeated Madame

Charbonnel, and she was going to read the letter in question, when

Rougon took it from her and glanced over it. Charbonnel was a retired

oil merchant of Plassans, and he and his wife had been protected by

Madame Félicité, as Rougon's mother was called in her own little

town. She had given them a letter of introduction to her son on the

occasion of their presenting a petition to the Council of State. A

cousin of theirs, one Chevassu, a lawyer at Faverolles, the chief town

of a neighbouring department, had died, leaving his fortune of five

hundred thousand francs to the Sisters of the Holy Family. Originally

the Charbonnels had not expected to inherit his fortune, but having

suddenly become his next heirs, owing to his brother's death, they

contested the will on the ground of undue influence; and the Sisterhood

having petitioned the Council of State to authorise the payment of the

bequest to them, they had left their old home at Plassans, hastened to

Paris, and taken lodgings at the Hôtel du Périgord in the Rue Jacob in

order that they might be on the spot to look after their interests. The

matter had been lingering on for the past six months.

'We are feeling extremely depressed,' sighed Madame Charbonnel, while

Rougon was reading the letter. 'I myself was always against bringing

this action, but Monsieur Charbonnel said that with you on our side

we should certainly get the money, as you had only to say a word to

put the five hundred thousand francs into our pocket. Isn't that so,

Monsieur Charbonnel?'

The retired oil merchant nodded his head with a hopeless air.

'And for such a sum as that,' continued Madame Charbonnel, 'it did seem

worth while to make a change in our old way of life. And it has been

nicely changed and disturbed, indeed. Will you believe it, Monsieur

Rougon, they actually refused to change our dirty towels at the hotel

yesterday? We who have five chests full of linen at home!'

She went on railing at Paris, which she detested. They had originally

come thither for a week. Then, as they had always hoped to be able to

return home during the following week, they had not thought it worth

while to send for anything, and, their case still being unsettled,

they doggedly lingered on in their furnished lodgings, eating whatever

it pleased the cook to provide, short too of clean linen and almost of

clothes. Madame Charbonnel was obliged to dress her hair with a broken

comb. Sometimes they sat down on their little valise and wept from very

weariness and indignation.

'And the hotel is frequented by such queer characters!' complained M.

Charbonnel, with a shocked expression. 'A young man has the room next

to ours, and the things we hear----'

But Rougon was folding up the letter. 'My mother,' said he, 'gives you

excellent advice in telling you to be patient. I can only suggest to

you to take fresh courage. You seem, to me, to have a good case, but

now that I have resigned I dare not promise you anything.'

'Then we will leave Paris to-morrow!' cried Madame Charbonnel, in an

outburst of despair.

As soon as this cry had escaped her lips, she turned very pale and her

husband had to support her. For a moment they both remained speechless,

looking at each other with trembling lips and feeling a great desire

to burst into tears. They felt faint and dazed as though they had just

seen the five hundred thousand francs dashed out of their hands.

'You have had to deal with a powerful opponent,' Rougon continued

kindly. 'Monseigneur Rochart, the Bishop of Faverolles, has himself

come to Paris to support the claim of the Sisters of the Holy Family.

If it had not been for his intervention, you would long ago have gained

your cause. Unfortunately the clergy are now very powerful. However, I

am leaving friends here behind me, and I hope to bring some influence

to bear in your favour, while I myself keep in the background. You have

waited so long that if you go away to-morrow----'

'We will remain, we will remain!' Madame Charbonnel hastily gasped.

'Ah, Monsieur Rougon, this inheritance will have cost us very dear!'

Rougon now hastened back to his papers. He cast a glance of

satisfaction round the room, delighted that there was no one else to

take him off into one of the window-recesses. They had all had their

say. And so for a few minutes he made great progress with his task.

Then he waxed bitterly jocose and avenged himself on his visitors for

the bother they had caused him by attacking them with biting satire.

For a quarter of an hour he proved a perfect scourge to those friends

of his to whose various stories he had just listened so obligingly. His

language and manner to pretty Madame Bouchard became indeed so harsh

and cutting that the young woman's eyes filled with tears, though she

still continued to smile. All the others laughed, accustomed as they

were to Rougon's rough ways. They knew that their prospects were never

better than when he was belabouring them in this fashion.

However, all at once, there was a gentle knock at the door. 'No, no!'

cried Rougon to Delestang, who was going to see who was there; 'don't

open it! Am I never to be left in peace? My head is splitting already.'

Then, as the knocking continued with greater energy, he growled between

his teeth: 'Ah, if I were going to stay here, I would send Merle about

his business!'

The knocking ceased, but suddenly a little door in a corner of the room

was thrown back and gave entrance to a huge blue silk skirt, which

came in backwards. This skirt, which was very bright and profusely

ornamented with bows of ribbon, remained stationary for a moment,

half inside the room and half outside, without anything further being

visible. However, a soft female voice was heard speaking.

'Monsieur Rougon!' exclaimed the lady, at last showing her face.

It was Madame Correur, wearing a bonnet with a cluster of roses on it.

Rougon, who had stepped angrily towards the door, with fists clenched,

now bowed and grasped the new-comer's hand.

'I was asking Merle how he liked being here,' she said, casting a

tender glance at the big lanky usher, who stood smiling in front of

her. 'And you, Monsieur Rougon, are you satisfied with him?'

'Oh, yes, certainly,' replied Rougon pleasantly.

Merle's face still retained its sanctimonious smile, and he kept his

eyes fixed upon Madame Correur's plump neck. The latter braced herself

up to her full height and then brought her curls over her forehead.

'I am glad to hear that, my man,' she continued. 'When I get any one a

place, I am anxious that all parties should be satisfied. If you ever

want any advice, Merle, you can come and see me any morning, you know,

between eight and nine. Mind you keep steady, now.'

Then she came inside the room, and said to Rougon: 'There are no

servants so good as those old soldiers.'

And afterwards she took hold of him and made him cross the room,

leading him with short steps to the window at the other end. There

she scolded him for not having admitted her. If Merle had not allowed

her to come in by the little door, she would still have been waiting

outside. And it was absolutely necessary that she should see him, she

said, for he really could not take himself off in that way without

letting her know how her petitions were progressing. Forthwith she drew

from her pocket a little memorandum-book, very richly ornamented and

bound in rose-coloured watered silk.

'I did not see the _Moniteur_ till after _déjeuner_,' she continued;

'and then I took a cab at once. Tell me, now, how is the matter of

Madame Leturc, the captain's widow, who wants a tobacco shop, getting

on? I promised her that she should have a definite answer next week.

There's also the case of Herminie Billecoq, you remember, who used to

be a pupil of Saint Denis. Her seducer, an officer, has consented to

marry her if any charitable soul will give her the regulation dowry. We

thought about applying to the Empress. Then there are all those ladies,

Madame Chardon, Madame Testanière, and Madame Jalaguier, who have been

waiting for months.'

Rougon quietly gave her the replies she sought, explained the various

causes of the delays that had occurred, and entered into minute

details. However, he gave her to understand that she must not reckon

so much upon him in the future as she had done in the past. This threw

her into great distress. It made her so happy, she said, to be able

to be of service to any one. What would become of her with all those

ladies? Then she spoke of her own affairs, with which Rougon was fully

acquainted. She again reminded him that she was a Martineau, one of the

Martineaus of Coulonges, a good family of La Vendée, in which fathers

and sons had been notaries without a break over seven successive

generations. She never clearly explained how she came to bear the name

of Correur. When she was twenty-four years old she had eloped with a

young journeyman butcher, and for six months her father had suffered

the greatest distress from this disgraceful scandal, about which the

neighbourhood still gossiped. Ever since then she had been living in

Paris, utterly ignored by her family. She had written fully a dozen

times to her brother, who was now at the head of the family practice,

but had failed to get any reply from him. His silence, she said,

was due to her sister-in-law, a woman who 'carried on with priests,

and led that imbecile brother of hers by the nose.' One of her most

cherished ambitions, as in Du Poizat's case, was to return to her own

neighbourhood as a well-to-do and honoured woman.

'I wrote again a week ago,' she said; 'but I have no doubt she throws

my letters into the fire. However, if my brother should die, she would

be obliged to let me go to the house, for they have no child, and I

should have interests to look after. My brother is fifteen years older

than I am, and I hear that he suffers from gout.' Then she suddenly

changed her tone, and continued: 'However, don't let us bother about

that now. It's for you that we must use all our energies at present,

Eugène. We will do our best, you shall see. It is necessary that you

should be everything in order that we may be something. You remember

'51, don't you, eh?'

Rougon smiled, and as Madame Correur pressed his hands with a maternal

air, he bent down and whispered into her ear: 'If you see Gilquin, tell

him to be prudent. Only the other week, when he got himself locked up,

he took it into his head to give my name, so that I might bail him out.'

Madame Correur promised to speak to Gilquin, one of her tenants at

the time when Rougon had lodged at the Hôtel Vanneau, and withal a

very useful fellow on certain occasions, though apt to be extremely

compromising. 'I have a cab below, and so now I'll be off,' she said

aloud with a smile as she stepped into the middle of the room.

Nevertheless, she lingered for a few minutes longer, hoping that the

others would take their departure at the same time. In her desire to

effect this, she offered to take one of them with her in her cab. The

colonel accepted the offer, and it was settled that young Auguste

should sit beside the driver. Then general hand-shaking began. Rougon

took up a position by the door, which was thrown wide open; and as his

visitors passed out, each gave him a parting assurance of sympathy.

M. Kahn, Du Poizat, and the colonel stretched out their necks and

whispered a few words in his ear, begging him not to forget them.

However, when the Charbonnels had already reached the first step of

the staircase, and Madame Correur was chatting with Merle at the far

end of the ante-room, Madame Bouchard, for whom her husband and M.

d'Escorailles waited a few paces away, still lingered smilingly before

Rougon, asking him at what time she could see him privately in the Rue

Marbeuf, because she felt too stupid, said she, when he had visitors

with him. At this the colonel, hearing her, suddenly darted back into

the room, and then the others followed, there being a general return.

'We will all come to see you,' the colonel cried.

'You mustn't hide yourself away from every one,' added several voices.

But M. Kahn waved his hand to obtain silence. And then he made that

famous remark of his: 'You don't belong to yourself; you belong to your

friends, and to France.'

At last they all went away, and Rougon was able to close the door. He

heaved a great sigh of relief. Delestang, whom he had quite forgotten,

now made his appearance from behind the heap of pasteboard boxes, in

the shelter of which he had just finished classifying different papers,

like a conscientious friend. He was feeling a little proud of his

work. He had been acting, while the others had merely been talking;

so it was with genuine satisfaction that he received the great man's

thanks. It was only he, so the latter said, who could have rendered

him this service; he had an orderly mind, and a methodical manner of

working which would carry him far. And Rougon made other flattering

observations, without it being possible for one to know whether he was

really in earnest or only jesting. Then, turning round, and glancing

into the different corners, he said: 'There, I think we've finished

everything now, thanks to you. There's nothing more to be done, except

to tell Merle to have these packets carried to my house.'

He called the usher, and pointed out his private papers. And in

reply to all his instructions the usher repeated: 'Yes, Monsieur le

Président.'

'Don't call me President any more, you stupid,' Rougon at last

exclaimed in irritation; 'I'm one no longer.'

Merle bowed, and took a step towards the door. Then he stopped and

seemed to hesitate. Finally he came back and said: 'There's a lady on

horseback down below who wants to see you, sir. She laughed, and said

she would come up, horse and all, if the staircase were wide enough.

She declared that she only wanted to shake hands with you, sir.'

Rougon clenched his fists, thinking this to be some joke; but

Delestang, who had gone to look out of the window on the landing,

hastened back, exclaiming, with an expression of emotion: 'Mademoiselle

Clorinde!'

Then Rougon said that he would go downstairs; and as he and Delestang

took their hats, he looked at his friend, and with a frown and a

suspicious air, prompted by the latter's emotion, exclaimed: 'Beware of

women!'

When he reached the door, he gave a last glance round the room. The

full light of day was streaming through the three open windows,

illumining the open pasteboard boxes, the scattered drawers and the

packets of papers, tied up and heaped together in the middle of the

carpet. The apartment looked very spacious and very mournful. In the

grate only a small heap of black ashes was now left of all the handfuls

of burnt papers. And as Rougon closed the door behind him, the taper,

which had been forgotten on the edge of the writing-table, burnt out,

splitting the cut-glass socket of the candlestick to pieces amid the

silence of the empty room.

III

MADEMOISELLE CLORINDE

Rougon occasionally went to Countess Balbi's for a few minutes towards

four in the afternoon. He walked there in a neighbourly way, for she

lived in a small house overlooking the avenue of the Champs Élysées,

only a few yards from the Rue Marbeuf. She was seldom at home, and

when by chance she did happen to be there she was in bed, and had to

send excuses for not making her appearance. This, however, did not

prevent the staircase of the little house from being crowded with

noisy visitors, or the drawing-room doors from being perpetually on

the swing. Her daughter Clorinde was wont to receive her friends in

a gallery, something like an artist's studio, with large windows

overlooking the avenue.

For nearly three months Rougon, with his blunt distaste for female

wiles, had responded very coldly to the advances of these ladies, who

had managed to get introduced to him at a ball given by the Minister

for Foreign Affairs. He met them everywhere, both of them smiling with

the same winning smile--the mother always silent, while the daughter

always chattered and looked him straight in the face. However, he

still went on avoiding them, lowering his eyes so as not to see

them, and refusing the invitations which they sent him. Then as they

continued to press him hard and pursued him even to his own house, past

which Clorinde used to ride ostentatiously, he made inquiries before at

last venturing to call on them.

At the Sardinian Legation the ladies were spoken of in very favourable

terms. There had been a real Count Balbi, it appeared; the Countess

still kept up relations with persons of high position at Turin, and the

daughter, during the preceding year, had been on the point of marrying

a petty German prince. But at the Duchess of Sanquirino's, where Rougon

made his next inquiries, he heard a different story. There he was

told that Clorinde had been born two years after the Count's death,

and a very complicated history of the Balbis was retailed to him. The

husband and wife had led most adventurous and dissolute lives; they had

been divorced in France, but had afterwards become reconciled to each

other in Italy, their subsequent cohabitation being an illicit one, in

consequence of their previous divorce.

A young attaché, who was thoroughly acquainted with what went on at

the court of King Victor Emmanuel, was still more explicit. According

to him, whatever influence the Countess still retained in Italy was

due to an old connection with a very highly placed personage there,

and he hinted that she would not have left Turin had it not been for a

terrible scandal into the details of which he would not enter. Rougon,

whose interest in the matter was increasing with the extent of his

inquiries, now went to the police authorities, but they could give him

no precise information. Their entries relating to the two foreigners

simply described them as women who kept up a great show without any

proof that they were really in possession of a substantial fortune.

They asserted that they had property in Piedmont; but, as a matter of

fact, there were sudden breaks in their life of luxury, during which

they abruptly disappeared, only to reappear shortly afterwards in

fresh splendour. Briefly, all that the police could say was that they

really knew nothing about them and would prefer to know nothing. At

the same time, it was certain that the women associated with the best

society, and that their house was looked upon as neutral ground, where

Clorinde's eccentricities were tolerated and excused on account of her

being a foreigner. And so Rougon at last made up his mind to see the

ladies.

By the time he had paid his third visit, the great man's curiosity

with respect to them had still further increased. He was of a cold

dispassionate nature which was not easily stirred into life. What

first attracted him in Clorinde was the mystery surrounding her, the

story of a past-away life and the yearning for a new existence which

he could read in the depths of her big goddess-like eyes. He had heard

disgraceful scandal about her--an early love-affair with a coachman,

and a subsequent connection with a banker who had presented her with

the little house in the Champs Élysées. However, every now and then she

seemed to him so child-like that he doubted the truth of what he had

been told, and again and again essayed to find out the secret of this

strange girl, who became to him a living enigma, the solution of which

interested him as much as some intricate political problem. Until then

he had felt a scornful disdain for women, and the first one who excited

his interest was certainly as singular and complicated a being as could

be imagined.

Upon the morrow of the day when Clorinde had gone on her hired horse

to give Rougon a sympathetic shake of the hand at the door of the

Council of State, Rougon himself went to pay her a visit. She had made

him give a solemn promise to do so. She wanted, she said, to show him

something which would brighten his gloomy moods. He laughingly called

her his 'pet vice'; forgot his worries when he was with her, and felt

cheerful and amused. The more so as she kept his mind on the alert, for

he was still seeking the key to her history, and was as yet no nearer

a solution than on the first day. As he turned the corner of the Rue

Marbeuf, he glanced at the house in the Rue du Colisée tenanted by

Delestang, whom he fancied he had several times seen peering through

the half open shutters of his study at Clorinde's window across the

avenue; but to-day the shutters were closed. Delestang had probably

gone off to his model-farm at La Chamade.

The door of the Balbis' house was always wide open. At the foot of the

staircase Rougon met a little dark-complexioned woman, with untidy hair

and a tattered yellow dress. She was biting at an orange as though it

were an apple.

'Is your mistress at home, Antonia?' he asked her.

Her mouth was too full to allow her to reply, so she nodded her head

energetically and smiled. Her lips were streaming with orange juice,

and her little eyes, as she screwed them up, looked like drops of ink

upon her dark skin.

Rougon was already accustomed to the irregular ways of the Balbis'

servants, so without more ado he went up the stairs. On his way he met

a big lanky man-servant, with a face like a brigand's and a long black

beard, who coolly stared at him without giving him the balustrade-side.

When he reached the first floor, he found himself confronted by three

open doors, but saw no one about. The door on his left hand was that

of Clorinde's bedroom. Curiosity prompted him to peep inside. Although

it was four o'clock in the afternoon, the bed had not been made or

the room tidied. Upon a screen standing in front of the bed and half

concealing the tumbled coverlets, some splashed petticoats which

the girl had worn on the previous day had been hung to dry, while a

wash-basin, full of soapy water, stood on the floor in front of the

window, and the cat of the house, a grey one, slept, comfortably

curled, in the midst of a heap of garments.

It was, however, upon the second floor that Clorinde was generally

to be found, in the gallery which she had successively turned into a

studio, a smoking-room, a hot-house, and a summer drawing-room. As

Rougon ascended upwards he heard a growing uproar of voices, shrill

laughter and a noise as of furniture being overturned; and when he

reached the door he could distinguish the notes of a consumptive piano

and sounds of singing. He knocked at the door twice without receiving

any answer, and then determined to enter.

'Ah! bravo, bravo, here he is!' cried Clorinde, clapping her hands.

Rougon, whom it was generally so difficult to put out of countenance,

for a moment remained timidly on the threshold. Chevalier Rusconi, the

Sardinian Minister, a handsome dark-complexioned man, who, under other

circumstances, was a grave diplomatist, sat in front of the piano, the

keys of which he was striking furiously so as to extract a fuller sound

from the instrument. In the middle of the room deputy La Rouquette was

waltzing with a chair, the back of which he amorously encircled with

his arms, and he was so absorbed in his amusement that he had littered

the carpet with other chairs which he had overturned. Then, in the

bright light of one of the window-recesses, Clorinde stood upon the

centre of a table, posing, with perfect unconcern, as the huntress

Diana, in front of a young man who was sketching her with charcoal upon

white canvas. Finally, on a couch, three serious-looking men with their

legs crossed were silently smoking big cigars and looking at Clorinde.

'Wait a moment! don't move!' cried Chevalier Rusconi to Clorinde, who

was about to jump off the table. 'I am going to make the presentations.'

Then, followed by Rougon, he said playfully, as he went past M. La

Rouquette, who had dropped breathless into an easy chair: 'Monsieur

La Rouquette whom you know; a future minister.' And going up to the

artist, he continued: 'Signor Luigi Pozzo, my secretary; diplomatist,

painter, musician, and lover.'

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