CHAPTER I

Transcriber’s Notes:

The original spelling, hyphenation, and punctuation have been retained,

with the exception of apparent typographical errors which have been

corrected.

Text in Italics is indicated between _underscores_.

Text in small capitals has been replaced by regular uppercase text.

Superscripts are indicated by a single caret (^) followed by the

superscripted text between curly braces { and }.

Columbia University

STUDIES IN ROMANCE PHILOLOGY AND

LITERATURE

TIRANT LO BLANCH

COLUMBIA UNIVERSITY PRESS SALES AGENTS

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TIRANT LO BLANCH

A STUDY OF ITS AUTHORSHIP

PRINCIPAL SOURCES AND HISTORICAL

SETTING

BY

JOSEPH A. VAETH, PH.D.

INSTRUCTOR IN ROMANCE LANGUAGES

IN NEW YORK UNIVERSITY

[Illustration]

New York

COLUMBIA UNIVERSITY PRESS

1918

_All rights reserved_

Copyright, 1918

BY COLUMBIA UNIVERSITY PRESS

Printed from type, May, 1918

_Approved for publication, on behalf of the Department of Romance

Languages and Literatures of Columbia University._

HENRY ALFRED TODD

NEW YORK, December, 1917.

TO

PROFESSOR RAYMOND WEEKS

WHOSE ENTHUSIASM, SCHOLARSHIP AND DEVOTION TO FRANCE

HAVE BEEN OF SUCH FAR-REACHING INFLUENCE IN

THE DEVELOPMENT OF THE STUDY OF

ROMANCE LANGUAGES IN AMERICA,

THIS BOOK IS GRATEFULLY DEDICATED

PREFACE

On my return to Columbia University in the fall of 1914 for the purpose

of continuing my studies, I consulted Professor H.A. Todd in regard to

available subjects for a doctoral dissertation. In the course of our

conversation he called my attention to a large volume which had been

presented to him by Mr. Archer M. Huntington. It was a facsimile copy

of the first edition of the Catalan romance of chivalry, _Tirant lo

Blanch_. Realizing that here was an opportunity to become intimately

acquainted with a work that was made well known, in name at least,

by Cervantes in his celebrated _Don Quijote_, I eagerly accepted

the suggestion of Professor Todd to examine the book with a view of

ascertaining what possibilities _Tirant lo Blanch_ might offer in the

field of literary investigation. I immediately began to consult the

local libraries, and discovered that no elaborate and extensive study

of this work had been made. After I had read the romance my mind was

made up that the subject of my dissertation would be based on this

Catalan work. I saw in it an abundance of material which provided

excellent opportunities for research work. I experienced no little

difficulty in selecting the special problems and investigations which

were to claim my close and serious attention. Fortunately I again

looked over the cards in the Catalogue of the Library of the Hispanic

Society, and to my surprise I found a new card which indicated that a

critical study of this Catalan work had been published in 1912, the

_Estudio crítico de Tirant lo Blanch_ by Givanel Mas. After a careful

study of this comprehensive and scholarly production and all other

available sources of information pertaining to this subject, I found

myself deeply interested in the question of the authorship of this

romance, its principal sources, and its historical setting.

During the course of my researches and investigations, I have on

numerous occasions been the recipient of favors and acts of kindness

which, although not bearing directly on my work, nevertheless

facilitated my labors and stimulated my efforts. I therefore take

advantage of this opportunity to express my most sincere thanks to

the following persons: to Doctor Peter H. Goldsmith, Director of the

Inter-American Division of the American Association for International

Conciliation, and Editor of the _Inter-America_; to Don F. Javier

Salas, Consul General of Spain at New York; to Professor H.C. Heaton of

New York University; and to Mr. Louis Imbert of Columbia University.

To Professor E.B. Babcock of New York University I am deeply indebted

for sympathetic encouragement and valuable suggestions, and for his

patient reading of the proof-sheets.

I am exceedingly grateful to Professor J.L. Gerig of Columbia

University for a critical reading of the MS., for suggesting certain

improvements, for his good will and helpful advice, and for his final

reading of the proof-sheets.

It is extremely difficult to express in an adequate manner my

appreciation and gratitude to Professor H.A. Todd, who, from the

beginning to the end of the work, advised, guided, and encouraged me.

His kind and never-failing interest in his students and their work is,

it is needless to say, a constant source of inspiration.

CONTENTS

PAGE

INTRODUCTION 1

Quotation from _Don Quijote_, with comments.—Valencia

edition of _Tirant lo Blanch_.—Barcelona edition of 1497,

of which the only complete copy known is in the library of the

Hispanic Society.—Other editions and translations published.—Scope

of this study.

PART I. ANALYSIS OF _TIRANT LO BLANCH_

CHAPTER I. THE WILLIAM OF WARWICK EPISODE 7

William of Warwick a noble and valiant English knight.—He

makes a pilgrimage to Jerusalem, returns, and lives as

a hermit near Warwick.—Moorish invasion of England.—William

of Warwick becomes the hermit-king and the

commander of the English forces.—Defeat and annihilation

of the Moors.—He gives back to the former king the

royal insignia, and retires to a new hermitage.—The King

of England announces an assembly of the General Court in

London.—Meeting of Tirant lo Blanch and the hermit,

William of Warwick, at the hermitage.—The marriage of

the king and the festivities of the General Court.—On his

way back to Brittany Tirant visits the hermit.—The

principal events that took place near and in London.—Tirant

proclaimed the best knight.—His exploits: he vanquishes

two champions of the field, also the Lord of Viles

Hermes; without arms he kills a fierce mastiff; he vanquishes

the kings of Friesland and of Poland, and the dukes

of Burgundy and of Bavaria; his prospective combat with

Kirielayson de Muntalba; he defeats Thomas de Muntalba;

combat with the Knight Villa Formosa.—Narration concerning

the Order of the Garter.—Tirant takes leave of the

hermit and returns to Brittany.

CHAPTER II. TIRANT SUCCORS THE KNIGHTS OF RHODES 26

Tirant is received with great honors in the city of Nantes.

He learns that the knights of Rhodes are besieged by the

Moors and are in a desperate plight.—On a large ship

heavily laden with provisions he, accompanied by Philip,

the youngest son of the King of France, sets sail for Rhodes.—Makes

landing at Lisbon.—Voyage resumed.—Ship

attacked by Moorish vessels but finally reaches Sicily.—Philip

becomes a suitor for the hand of the Sicilian princess,

Ricomana.—The king of Sicily accompanies Tirant and

the ship succeeds in reaching the castle of Rhodes.—The

Moors raise the siege.—Tirant, with his royal companions,

goes to Jerusalem and then to Alexandria, where he ransoms

many Christian captives.—Philip marries Ricomana.

CHAPTER III. TIRANT JOINS THE EXPEDITION OF THE KING

OF FRANCE AGAINST THE INFIDELS 31

Tirant, in a galley of his own, joins the combined fleet

of the Christians.—Attack on the city of Tripoli in Syria

fails.—Quarrel between Tirant and Ricart lo Venturos for

the honor of being the last to board the ship.—The Turkish

coast is plundered and devastated and fleet sails for Tunis.—In

the attack on that city Tirant falls in a ditch and is

rescued by Ricart.—Tunis is captured.—Fleet sailed along

coast of Barbary and finally disbanded at Marseilles.—Tirant

visits his parents and then, at the request of Philip,

returns to Sicily.

CHAPTER IV. TIRANT ENTERS THE SERVICE OF THE EMPEROR

OF CONSTANTINOPLE 33

At the request of the Emperor of Constantinople, Tirant

sets sail for that imperial city, and immediately upon his

arrival is named commander of the Emperor’s forces.—He

falls in love with the charming princess, Carmesina.—Opposition

to Tirant.—Princess warns him against the

treacherous Duke of Macedonia.—Tirant’s novel way of

confessing his love.—Review of the Imperial troops.—First

encounter with the Turks.—The Duke defies Tirant.—Two

thousand soldiers sent by the Grand Master of

the Knights of Rhodes arrive to help Tirant.—Tirant’s

strategy wins another victory.—The Turks decide that

Tirant must be slain.—The King of Egypt’s challenge

accepted by Tirant.—Quarrel between Tirant and the

Duke.—Five thousand men sent by Philip, now king of

Sicily, arrive to join Tirant.—Emperor and Princess visit

the camp.—Great rout of the Turks.—Tirant’s companion,

Diaphebus, appointed Constable.—Tirant captures

ships laden with provisions for the enemy.—Fleet of the

Grand Caramany and the King of Sobirana India dispersed

and the royal leaders captured.—Tirant obliged to remain

in bed in Constantinople in order that a serious wound received

in naval battle may heal.—Arrival of five thousand

“franc archers.”—Tirant’s passionate love.—Viuda

Reposada’s jealousy.—Diaphebus marries Stephania.—Tirant

in Carmesina’s chamber.—Hippolyte and the Empress.—Tirant

and Carmesina exchange vows.—Tirant

embarks to return to camp.—Tirant’s ship is driven by a

storm to the shores of Barbary, where it is wrecked.

CHAPTER V. TIRANT CONQUERS ALL BARBARY 54

Tirant reaches the shore and takes refuge in a cave.—He

is discovered and sent to a castle in the kingdom of

Tremicen as a prisoner.—He takes up arms in defense of this

kingdom, which is attacked by Scariano, the King of Tunis.—Maragdina,

the daughter of the King of Tremicen, is

captured by Scariano, who, in his turn, is captured by

Tirant.—Maragdina, Scariano, and a multitude of Moors

become Christians.—Several Moorish kings of Barbary determine

to exterminate the Christians, but are forced to

give up their designs.—Tirant now makes up his mind to

conquer all Barbary.—The siege of Montagata.—Senyor

Dagramunt and Plaer de mi Vida become the king and queen

of Fez and Bugia.—Caramen, the last city to oppose the

Christians, is captured.—Tirant gathers an army of

250,000 men at Constantine to reconquer all the lost territory

for the Emperor of Constantinople.—Christianity is

firmly established in Barbary.

CHAPTER VI. TIRANT RETURNS TO CONSTANTINOPLE AND

THE GREEK EMPIRE IS COMPLETELY RESTORED 61

Tirant’s immense expedition surprises the Moorish vessels

which blockade the port of Constantinople.—The Sultan

and the Grand Turk sue for peace.—Tirant’s visit to the

Imperial Palace.—The Emperor’s conditions of peace

accepted by the Moors.—The betrothal of Tirant and

Carmesina.—He is proclaimed Caesar of the Empire and

successor to the imperial crown.—He sets out with a large

army to accomplish the restoration of the empire.—This

task completed, he starts back for Constantinople.—His

death.—The despair and passing away of the Emperor

and Carmesina.—Hippolyte becomes Emperor.

PART II. AUTHORSHIP OF _TIRANT LO BLANCH_

CHAPTER I. IN WHAT LANGUAGE WAS _Tirant lo Blanch_

FIRST WRITTEN? 69

Purport of dedicatory letter.—Note at the conclusion

of the book.—Reasons for doubting the accuracy of the

statements made by Martorell and de Galba.—Was there

an English original of _Tirant lo Blanch_?—Was there a

Portuguese translation or a Portuguese original?—Parallel

passages from Lull’s _Libre del Orde d’Cauayleria_ and from

_Tirant lo Blanch_.—Others from _Lo Somni d’En Bernat

Metge_ and from Martorell’s work.—Strong evidence that

_Tirant lo Blanch_ was originally written in Catalan.

CHAPTER II. IN WHAT WAY WAS DE GALBA CONNECTED

WITH THE PRODUCTION OF _Tirant lo Blanch_? 91

De Galba asserts that he translated the fourth part, the

end of the work.—The book is not divided into four parts.—The

inconsistency of the proposed seven parts explained.—Internal

evidence refutes the statements of de Galba.—Perhaps

he composed the last chapter.—Probably did no

more than to prepare the MS. for the printer.

PART III. COMPARATIVE STUDY OF _TIRANT

LO BLANCH_ AND THE SOURCES: _GUY OF

WARWICK_; LIFE OF ROGER DE FLOR IN

MUNTANER’S _CHRONICA_; AND LULL’S _LIBRE

DEL ORDE D’CAUAYLERIA_

CHAPTER I. WILLIAM OF WARWICK STANDS FOR THE MATURE

GUY OF WARWICK 97

View generally held that Tirant lo Blanch stands for

Roger de Flor.—A close study of _Guy of Warwick_ tends to

change that view.—The William of Warwick episode is

based on the latter part of the career of Guy of Warwick.—The

principal part of Lull’s work which was utilized

in the episode.

CHAPTER II. TIRANT LO BLANCH RESEMBLES YOUNG GUY

OF WARWICK 104

Tirant and Guy are victors in knightly contests.—Their

love affairs.—Guy’s career at Constantinople.—Comparison

with Tirant’s career at that imperial city.

CHAPTER III. ROGER DE FLOR’S CAREER AT CONSTANTINOPLE 112

Arrival of the Catalan-Aragonese expedition.—Battle

between the _almogávares_ and the Genoese.—First victory

over the Turks.—Roger begins his triumphant march

through Anatolia.—Arrival of reinforcements.—The

power of the Turks completely broken.—Roger proclaimed

Caesar of the empire.—He is slain at Adrianople.—Points

of resemblance in the careers of Tirant lo Blanch and Roger

de Flor.

CHAPTER IV. OTHER MATERIAL FROM THE _Chronica_ UTILIZED

BY MARTORELL 117

The Emperor’s attitude towards the Genoese.—Xor

Miqueli.—Arrival of reinforcements.—The story of Paris

and Helen.—En Fernan de Ahones.—The raising of the

siege of Messina.

CHAPTER V. OTHER MATERIAL FROM _Guy of Warwick_ 122

The shipwreck of Heraud.—The story of Earl Jonas of

Darras.—Felice was well versed in the seven arts.—Guy’s

desperate love.—Oisel’s devotion to Tirri.—Felice justifies

her attitude towards Guy.—Felice’s expression of

grief and despair as Guy lies dead on the bier before her.—The

love story which unfortunately is debased by the

author.—Conclusion: Tirant lo Blanch bears a stronger

resemblance to Guy of Warwick than to Roger de Flor.—The

exploits of Roger de Flor do not constitute the principal

source of _Tirant lo Blanch_.

PART IV. THE HISTORICAL BASES UPON WHICH

TIRANT’S SPHERES OF OPERATION ARE FOUNDED

CHAPTER I. THE WILLIAM OF WARWICK EPISODE 133

This episode is given a setting in the first part of the

fifteenth century.—Henry VI and Richard of Beauchamp.—Sir

John Stuart and the Duke of Exeter.—The author’s

method in composing his work.

CHAPTER II. CONCERNING THE ORDER OF THE GARTER 140

Inconsistency of two passages in _Tirant lo Blanch_.—Circumstances

that led to the institution of this Order.—Names

of members selected by the King.—Golden Collar of

the members.—Although some of the details are inaccurate

from a historical standpoint, yet Martorell reveals an intimate

knowledge of the Order.

CHAPTER III. TIRANT SUCCORS THE KNIGHTS OF RHODES 146

The attempt of the Genoese to capture Rhodes.—Rhodes

threatened by the Turks.—Siege of Rhodes, in 1444,

forms the historical background of Tirant’s enterprise.

CHAPTER IV. TIRANT JOINS THE EXPEDITION OF THE KING

OF FRANCE AGAINST THE INFIDELS 150

Certain incidents and geographical names pertaining to

this expedition coincide with certain others in connection

with the Crusades of Louis IX.—Joinville’s description

of the king’s leap into the sea compared with a later version.

CHAPTER V. TIRANT CONQUERS AND CHRISTIANIZES ALL

BARBARY 152

Portuguese campaigns against the Moors do not furnish

any material for this undertaking.—Statements in regard to

the origin of _Tirant lo Blanch_ apparently refuted.—Muntaner’s

_Chronica_ furnished historical background for Tirant’s

activities in Barbary, perhaps suggested by Guy of Warwick.

CONCLUSION 158

General description of _Tirant lo Blanch_.—This Catalan

romance of chivalry is a composite historical novel, with

a hero of a composite historical character.

BIBLIOGRAPHY 163

INDEX 165

TIRANT LO BLANCH

INTRODUCTION

In Chapter VI of the immortal work, _Don Quijote de la Mancha_, is

given a glowing account of the burning of the books to which were

ascribed the mental derangement of the “ingenioso hidalgo.” In the

passage in question, Cervantes, speaking through the priest, pays

the following tribute to the Catalan romance of chivalry, _Tirant lo

Blanch_:

[1]Válame Dios, dijo el Cura, dando una gran voz.—Que aquí esté

Tirante el Blanco! Dádmele acá, compadre; que hago cuenta que he

hallado en él un tesoro de contento y una mina de pasatiempos. Aquí

está D. Quirieleisón de Montalbán, valeroso caballero, y su hermano

Tomás de Montalbán, y el caballero Fonseca, con la batalla que el

valiente de Tirante hizo con el alano, y las agudezas de la doncella

Placerdemivida, con los amores y embustes de la viuda Reposada, y la

señora Emperatriz, enamorada de Hipólito, su escudero. Dígoos verdad,

señor compadre, que, por su estilo es éste el mejor libro del mundo:

aquí comen los caballeros, y duermen, y mueren en sus camas, y hacen

testamento antes de su muerte, con otras cosas de que todos los demás

libros deste género carecen. Con todo eso, os digo que merecía el que

lo compuso, pues no hizo tantas necedades de industria, que le echaran

á galeras por todos los días de su vida.[2]

[1] Bless me, cried the Priest in a low voice, and is _Tirante

the White_ here? Give it to me, gossip, for I reckon that I have

found herein a treasure of delight and a mine of entertainment.

Here you have Don Qurieleison of Montalvan, the valiant cavalier,

and his brother Thomas of Montalvan, and the Knight Fonseca, with

the fight which the valiant Tirante had with the big mastiff,

and the witty conceits of the damsel Placer-de-mi-vida, and the

amours and tricks of the widow Reposada, and my Lady the Empress

in love with Hippolito, her squire. I tell you truth, good master

gossip, that this for its style is the best book in the world.

Here the Knights eat and sleep and die in their beds, and make

their wills before dying, with other things that are wanting

in all other books of this sort. For all this, I say that he

who wrote it is well-deserving; for he did not commit follies

purposely which should send him to the galleys for the term of

his life—_Don Quixote of La Mancha_, translated by Henry Edward

Watts, London, 1888.

[2] _Cervantes, El ingenioso hidalgo Don Quijote de la Mancha._

Edited and annotated by Francisco Rodríguez Marín, Madrid, 1911;

vol. I, chap. vi, pp. 160-163.

The last sentence of this quotation is not clear. It has become

the subject of many comments and discussions, but no wholly

satisfactory explanation has resulted. Menéndez y Pelayo

intimates that probably the sign of negation should be omitted

from the clause “pues no hizo tantas necedades de industria.”

If this were done the passage would make good sense. In the

second volume, page 76, of his _Introducción a los Orígenes de

la Novela_ he suggests another explanation. He quotes a passage

from Juan Rufo which reads as follows: “mas a fe que en algo

errárades, y yo fuera presidente, que os avia de _echar a galeras

pues no_ podiades _hazello de ignorancia_.” He is of the opinion

that Cervantes expressed or intended to express the same idea

as that contained in the words just quoted, but that in some

way “industria” was substituted for “ignorancia.” If Cervantes

had used the latter word instead of the former, the sentence in

question would be free from obscurity. However that may be, it

is evident that the judgment of Cervantes concerning _Tirant lo

Blanch_ was expressed in a humorous way. Almost the whole of

it consists of words of praise. The only adverse criticism is

to be found in the last sentence, whereby Cervantes voices his

objections to the nonsense and obscene features of the work.

According to Menéndez y Pelayo, the whole sentence would be clear

if the clause, “pues no hizo tantas necedades de industria,” were

not one of negation. It seems to me possible and practicable to

remove the negative meaning from the clause without omitting or

changing any words that are now found in the text. The clause

may be made affirmative, emphatically affirmative, by resorting

to the rhetorical device of converting it into a negative

interrogation. The sentence may as a result appear complicated,

but orally expressed it would not seem unnatural or forced. The

passage, with this change in punctuation, would read: “Con todo

eso, os digo que merecía el que lo compuso, pues, ¿no hizo tantas

necedades de industria? que le echaran á galeras por todos los

días de su vida.”

_Tirant Lo Blanch_ was first published in Valencia, in 1490. Of this

edition there are three copies extant: one in the British Museum,

another in the Biblioteca Provincial in Valencia, and the third in

the library of the Hispanic Society of New York.[3] Mr. Archer M.

Huntington, founder of the above Society and a distinguished patron of

Spanish letters, had two hundred facsimile copies made from the last

one mentioned.[4] One of these was used in the investigations connected

with this dissertation.

[3] For the history and description of these three copies see

D. Isidro Bonsoms y Sicart, _La Edición príncipe del “Tirant lo

Blanch” Cotejo de los tres ejemplares impresos en Valencia, en

1490, únicos conocidos hoy día_ (_Discursos leídos en la Real

Academia de Buenas Letras de Barcelona en la recepción pública

de D. Isidro Bonsoms y Sicart_, Barcelona, 1907). Also see Juan

Givanel Mas, _Estudio crítico de Tirant lo Blanch_, Madrid, 1912;

pp. 27-34.

[4] _Ibid._, p. 59.

A second edition was published in Barcelona, in 1497. While I was in

that city in the summer of 1915, I saw fragments of a copy of this

edition in the Institut d’Estudis Catalans. It is to these fragments

that Givanel Mas refers in the following words: “Los únicos pliegos

que se conocen hoy día de la edición barcelonesa de 1497 del Tirant lo

Blanch, se hallan en la Biblioteca del Institut d’Estudis Catalans;

comprenden desde el capítulo ccxviiii al ccccxciii y del ccccxxxix al

ccccxlv.”[5]

[5] _Ibid._, p. 41, footnote 2.

It therefore affords me great pleasure to be able to announce that the

Hispanic Society of New York has in its possession a complete copy

of the edition of 1497. It is gilt edged and is bound in leather of

a yellowish, almost brown, color. Its back is decorated with gilded

lines and bears the title _Roman del Cavaller_ | _Tirant Blanc_ |

Barcelona | 1497. The title page is missing, but at the end of the

book a fragment of paper bearing the words “Tirant lo Blanch” in large

letters is pasted on a flyleaf. This fragment is probably a part of

the title page. The edges of several pages at the beginning and at the

close of the book had been torn, but they have been neatly mended. A

considerable number of pages are somewhat soiled, but all are easily

legible. The facsimile reproduction of a page of the fragments in

Barcelona, which Givanel Mas has inserted in his work, coincides

exactly with the corresponding page of the book in the library of the

Hispanic Society. This author has also set forth other interesting

details concerning the edition of 1497.[6] The colophon of the edition

reads:

[6] _Ibid._, pp. 38-42.

A honor y gloria d’nostre senyor deu Jeusucrist: fon principiat a

stampar lo present libre per mestre Pere miquel condam y es acabat

per Diego de gumiel castella en la molt noble e insigne ciutat de

Barcelona a .xvi. de Setembre d’l any .M. CCCC. XCVII.[7]

[7] To the honor and glory of our Lord God, Jesus Christ: the

printing of this book was begun by Master Pere Miquel Condam and

is completed by Diego de Gumiel, a Castilian, in the most noble

and excellent city of Barcelona on the sixteenth day of September

of the year 1497.

In 1873 Don Mariano Aguiló y Fuster of Barcelona began the publication

of a new edition, but it was not completed until 1905. In this edition

the work is divided into four volumes.[8]

[8] For further information concerning this edition, see Juan

Givanel Mas, _op. cit._, pp. 43-58.

A Spanish translation of _Tirant lo Blanch_ was published in

Valladolid, in 1511.[9] The name of the translator is not known. The

eminent Catalan book-lover and scholar, Don Isidro Bonsoms y Sicart, of

Barcelona, has a copy of it in his library. We have no information in

regard to the existence of any other copy. An Italian translation was

made by Lelio Manfredi and published in Venice, in 1538.[10] A French

translation by the Comte de Caylus was published about 1737; London is

given as the place of publication, but this is probably incorrect.[11]

[9] _Ibid._, pp. 61-76.

[10] _Ibid._, pp. 70-89.

[11] _Ibid._, pp. 90-104.

In the course of my studies of _Tirant lo Blanch_, I have found myself

confronted by three important questions: (1) What are the real facts

concerning the authorship of this book of chivalry? (2) Is it true

that Tirant, the hero of the book, stands for the historic personage

Roger de Flor, in connection with the Catalan-Aragonese expedition to

Constantinople in the early years of the fourteenth century? (3) What

are the historical data utilized by the author in the composition of

his work? Each of these problems I have investigated, and the processes

and results are duly set forth in their appropriate places in this

work. Three distinct parts of it will be devoted to a consideration of

these three questions. They will be preceded by an analysis of _Tirant

lo Blanch_, to which the reader will be referred whenever it may be

deemed expedient or necessary. The analysis is, moreover, intended to

throw light on all the points mentioned in the quotation from _Don

Quijote_; to give a fuller account of the activities of Tirant than has

been done up to the present time; and to give as accurate an idea of

the book as a reasonable allotment of space will permit.

PART I

ANALYSIS OF TIRANT LO BLANCH

CHAPTER I

THE WILLIAM OF WARWICK EPISODE

On the delightful island of England there lived a noble and valiant

knight. For many years he performed with great honor the duties

pertaining to knighthood. This noble representative of chivalry was

Earl William of Warwick. He was very strong and well-trained in the

use of arms. Many were the battles in which he took part, and many a

formidable adversary was vanquished by him. (Chap. 2)

Having reached the age of fifty-five years, moved by sorrow and

contrition for the many deaths he had caused in his knightly career,

he resolved to do penance for his sins by making a pilgrimage to

Jerusalem. The announcement of his intention to the Countess, his

wife, caused her a severe shock. The Earl called his servants before

him and paid them all that was due them and much more. To the Countess

he gave possession of the whole county, with the privilege of doing

with it what she wished. He caused a gold ring to be made bearing his

escutcheon and that of the Countess. This ring was wrought in such a

way that it could be divided into two parts, each being a complete

ring in itself, but showing only one half of the escutcheons. One

of these he gave to the Countess, asking her to keep it until his

return. In long lamentations she bewailed her sad fate. But the Earl

was resolute, and with tears streaming down his cheeks took leave of

his wife and son, the latter being only three months old. Leaving the

city of Warwick accompanied by a squire, he sailed to Alexandria, and

thence made his way to Jerusalem. Here he made a careful and contrite

confession of his sins and received Holy Communion. After visiting

the Holy Sepulcher and other holy places in this city, he returned to

Alexandria, and set sail for Venice, where he dismissed his squire,

who, in accordance with the instructions given him by his master,

spread the report that Earl William of Warwick was dead. The Earl also

had merchants write letters to England, in which they told that William

of Warwick had died while returning from Jerusalem. The Countess was

grief-stricken when she received the bad tidings, and caused funeral

obsequies to be celebrated in a manner befitting the Earl’s station.

(Chaps. 2-4)

After some time had elapsed the Earl returned to his native land. He

was greatly changed in appearance. Long hair hung over his shoulders,

and his snow-white beard reached to his girdle. In the garb of a

Franciscan monk, he came to a hermitage of Our Lady not far distant

from the city of Warwick, and there lived all alone, avoiding all

worldly affairs in order that he might make atonement for his

transgressions. Once a week he went into the city of Warwick to solicit

alms. No one recognized him, on account of his beard and long hair. He

used to go to the Countess to ask for charity, and she, touched by his

profound humility, would give to him more than to the other mendicants.

And thus he lived undisturbed for some time. (Chap. 4)

Now it happened that corsairs had plundered a city belonging to the

King of Canary. This Moorish king became enraged when he heard of it,

and prepared a great fleet to invade England. One dark night this

fleet entered the port of Dantona [Hampton, i.e. Southampton]. The

Moors disembarked without being seen or heard by the English. When

the English king was informed of this invasion, he quickly gathered

all his available men to drive back the invaders, but his forces were

defeated and he was obliged to retreat towards the city of Saint Thomas

of Canterbury. Along a river near this place he made a stand, but

was again defeated. After losing nine battles, one after another, he

sought refuge in the city of London. But the scarcity of provisions

soon compelled him to evacuate this place, and he withdrew to the

city of Warwick, which was well supplied with food, arms and all the

instruments of warfare. The Countess offered all that was in her county

to the unfortunate monarch. The Moors pursued the retreating forces,

and on the way captured the castle of Alimburch [Wellingborough?].

The English king from a tower in the city of Warwick could see the

Moors devastating the land and slaying his Christian people, both men

and women. Dark despair came over him. He could not bear this sight,

but came down from the tower and retired to a small chamber where he

lamented and prayed. In his great affliction, he bowed his head upon

the bed, and presently it seemed to him that a beautiful lady in white,

with a child in her arms, entered the chamber. She was attended by

many other ladies who were chanting the “Magnificat.” When the singing

ceased, the Lady approached him, and, placing her hand on his head, she

said: “Fear not, O King; have confidence; the Son and the Mother will

help you in your great tribulation. As a sign of peace, kiss on the

mouth the first man with a long beard whom you shall see, and who will

ask you for alms. Request him to lay aside his garment, and make him

captain of all your forces.” When the king opened his eyes the vision

had vanished, but the dream had been so vivid that he could not forget

it. The next morning the hermit, William of Warwick, while gathering

herbs, saw the Moorish forces overrunning all the surrounding country,

and sought refuge in the city of Warwick. He went to the castle to

ask the Countess for alms, and there met the king, whom he immediately

approached. He knelt down before him and asked for charity. The king,

bidding him arise, kissed him on the mouth and led him into a room of

the castle, where he asked him to put aside his penitent garb and to

take up arms. The hermit at first declined, but finally agreed to yield

to the wishes of the king, since he would be taking up arms to defend

Christianity and to spread the Holy Catholic faith. (Chaps. 5-10)

In his travels in the East the hermit had learned to make certain

grenades which would burn and which no water could extinguish. For

several days he was busy making some of these. One day he informed

the king he was ready to carry out a plan by which he hoped to deal

a severe blow to the enemy. That night he disguised himself as a

Moor and, carrying a number of grenades, reached the camp of the

invaders. He set fire to the camp, and while the infidels were trying

to extinguish the fire, the English came out of the city and attacked

them. Many Moors were slain, and the rest fled in disorder to the

castle of Alimburch. (Chaps. 10-12)

From this place, the great King of Canary sent ambassadors to the

English king with a letter in which he proposed that, to avoid further

bloodshed, the two kings should engage in mortal combat. If the Moorish

king should be the victor, the English king was to recognize him as

his lord and pay a heavy tribute every year. If, on the other hand,

the English king should win, then the Moors were to return to their

own land, and England should again enjoy peace. This proposal was

immediately accepted by the English sovereign. (Chaps. 13-14)

Then the King of England convened the General Council to deliberate

over the matter. The hermit was first asked to give his advice. He

suggested that since the Moorish king was a strong and hardy man, and

the English king young and feeble, some one who was more likely to win

over such a formidable adversary should fight in place of England’s

king. Moreover, he proposed that the Duke of Lancaster, the uncle of

the king, should be the person to represent him in the combat. But

immediately three dukes, the Duke of Gloucester, the Duke of Bedford,

and the Duke of Exeter, protested loudly that, since they were more

closely related to the king, the honor of representing him should

devolve upon them. But the king was unwilling that any one should fight

in his place. However, he was finally persuaded that this should be

done, and he yielded only on condition that he be permitted to name

the substitute, to whom he also intended to surrender the royal crown

and scepter. He nominated the hermit, who wished to decline, but was

finally induced to put on the royal robes. The regal power was then

conferred upon him in the presence of a notary. Arms were brought, from

which he was to select those that he preferred. But he chose none of

these. He asked that the arms of William of Warwick be obtained from

the Countess. The latter sent certain arms, but they were not the ones

that he wanted. Those that he desired were kept in the chamber of the

Countess. The astonished lady gave the hermit permission to enter her

chamber, and he there equipped himself for the coming combat. (Chaps.

14-19)

The hermit-king spent all that night in the church, kneeling before the

altar, upon which he had placed his arms. After mass the next morning

he ate to strengthen his body and then armed himself for the fight.

Finally the adversaries met, and the fighting was fast and furious.

Suddenly the hermit-king cut off one of his opponent’s arms, and a few

moments later, his head. England’s champion had won, and great was the

rejoicing among the Christians. (Chap. 19)

The next day the English sent ambassadors to the infidels to request

them to leave the country, as had been stipulated in the agreement made

before the combat took place, but the Moors in great wrath cut off the

heads of these ambassadors. They put the heads in a sack and sent them

back to the English. The hermit-king was astounded when this cruel and

treacherous deed was reported to him, and he made a solemn vow never to

go under any roof except that of the church to hear mass, until he had

driven the whole Moorish tribe out of the kingdom. And he ordered that

all male subjects of the crown over the age of eleven years and under

seventy should take up arms to fight the invaders. (Chaps. 19-20)

When the Countess learned that her son, who was barely eleven years

old, would be obliged to fight the Moors, she became frantic. She

implored the hermit-king to permit her to keep her son, the only

comfort of her life, but he would not yield to her entreaties. And when

the boy himself expressed an eagerness to go against the enemy, she

realized that all her petitions would be in vain, and, with despair in

her heart, she gave the lad her blessing. (Chaps. 20-22)

The hermit-king gathered his forces and led them out upon a plain

before the city, and there they established their camp. Around it a

high wall was thrown up. An opening was left on one side and there

caltrops were placed and pitfalls were dug. When the Moors attacked

the camp, they were slaughtered in great numbers. Finally they began

to retreat. The Christians followed them and killed many more in the

pursuit. The young son of the Countess slew a doughty Moor, and the

king, after dubbing him, threw him upon the slain Saracen, so that the

boy’s hands and face became covered with blood. That was the lad’s

baptism of blood. (Chaps. 24-25)

After this disastrous defeat the Moors again returned to the castle

of Alimburch. The English made an assault upon this stronghold and

succeeded in setting it on fire. The infidels were obliged to come out,

and all that emerged were slain, while all the rest that were found in

the kingdom were put to death. The victorious English then marched to

Dantona, threw into the sea all the Moors that they encountered there,

and destroyed all the ships in which they had come. (Chap. 25)

When peace and order were again established on the island of England,

the hermit-king decided to make himself known to the Countess, and

in order that he might be free to return to his hermitage and his

penitential life, he purposed to restore the kingdom to the former

sovereign. (Chap. 26)

Accordingly, he sent a chamberlain with the half-ring to the Countess.

The messenger said to her: “He who has loved you with infinite love,

and who still loves you, sends you this ring.” She took it and was

startled. She hurried to her chamber, where she said a short prayer.

Then she opened the jewel-case and took a ring from it. She placed

one of the rings on top of the other, and behold they fitted together

perfectly and the escutcheons were complete. All perturbed and excited,

she rushed towards the door, but before she was able to reach it, she

fell to the floor in a swoon. The chamberlain hurried to the king and

announced that the Countess had fallen dead. The king hurried to her

room. Doctors were already there trying to revive her. Finally she

recovered her senses, arose, and threw herself on her knees before the

king, who raised her up from the floor and embraced her and kissed her

many times. Then he announced that he was the Earl of Warwick. And when

the people generally knew that the hermit-king was their own William of

Warwick, there was great rejoicing. All the nobility went to the church

with the reunited couple and offered up to heaven infinite praise and

thanks. Then, in a triumphant procession, they returned to the castle,

where a sumptuous banquet was served. (Chap. 26)

Nine days later there arrived four hundred carts laden with gold

and silver, all of which had been taken from the Moors. The Duke of

Bedford, the Duke of Gloucester, the Earl of Salisbury, and the Earl of

Stafford were put in charge of this immense treasure. A meeting of the

General Council was ordered for the next day. (Chap. 26)

At this council the earl gave instructions concerning the distribution

of the booty, and restored to the former ruler the crown, scepter,

and royal robes. He himself immediately put on again the garb of the

Franciscan order. The reinstated king begged him to remain at his

court. He offered him the principality of Wales, but he would not

accept it. All the members of the council besought him to stay, but

he answered that he must return to serve God. When the king realized

that he could not induce him to dwell amongst them, he gave half of

the kingdom of Cornwall to the earl’s son, to whom was also granted

the privilege of wearing an iron crown. The hermit gave thanks to the

king for the gift and the honors bestowed on his son, and then bade

farewell to His Majesty and his court. He went to a small villa in his

county, where he remained several days. The king sent him thirty carts

loaded with the most precious things contained in the booty captured

from the Moors, but he refused to accept any of it. When the king left

the city of Warwick he sent for the earl’s son, and, at the city gate,

he appointed him Grand Constable of all England. Then the king departed

for London. (Chap. 27)

The Countess visited her husband, the hermit, in the villa, and finally

persuaded him to have a hermitage built, which was to consist of a

church, with an apartment on each side of it, one for him and the

other for her. After its completion, and just about the time that they

were going to live there, the Earl of Northumberland came to them as an

ambassador of the king. His mission was to request the noble couple to

come to London. The king was going to marry the daughter of the King

of France, and was anxious that the Countess should instruct the queen

in the practices and customs of England. The hermit replied that he

must keep the vow that he had made to serve God, but he should be very

happy if the Countess would be willing to go. And the Countess, moved

by the wish of her husband and by a sense of duty to her sovereign

lord, expressed her willingness to comply with the king’s request. And

thus, William of Warwick and his wife were again separated; she went to

London, and he entered the new hermitage, which stood in a dense grove,

in which there was a clear spring, whose waters flowed with a gentle

murmur through the flowers and green grasses of a beautiful meadow. And

every day after the hermit had finished his hours he would come out

under a beautiful pine tree that stood in the center of this meadow, to

watch the animals that came to drink from this crystal spring. (Chap.

27)

The King of England, in order to keep his people well-trained in the

use of arms, and to celebrate his approaching marriage in a befitting

manner, announced that a General Court would be held in London at which

many exercises of arms should take place. The announcement of the great

festivities which the king was preparing was spread throughout all the

Christian lands. Now it happened that a young nobleman from Brittany

started on his way to attend the great event, and with him several

other youths. And as they were riding along, he dropped somewhat behind

the others, and, being weary from the long journey, fell asleep. His

steed, instead of following the company, took a path which led to the

crystal spring where the hermit was reading a book entitled _Arbre de

Batalles_. When the horse came to the spring, it lowered its head to

drink, and this movement awakened the rider, who opened his eyes and

saw before him the white-bearded hermit. Quickly dismounting, he bowed

to him. The hermit received him kindly, and asked his name, and why he

had come to that deserted place. The youth answered: “My father is Lord

of the March of Tirania, and my mother’s name is Blancha; therefore it

has pleased them to call me Tirant lo Blanch.” He then related that

he and several young noblemen were on their way to attend the General

Court which the English king had announced and at which those who

wished to become knights would have an opportunity to realize their

ambition. When he had said this, the hermit grew pensive and, when

asked wherefore, replied that he was thinking of knighthood and the

duties and obligations of knights. Young Tirant then begged him to tell

about the order of knighthood. The hermit read to him a chapter from

the _Arbre de Batalles_, which was a kind of treatise on the order of

chivalry. And he explained the origin of chivalry; its noble purpose;

the significance of the arms and the different parts of armor; how

a knight who has disgraced the order is degraded; and he named some

of the great knights of olden times. When asked who were the best

knights of England at that very time, he mentioned the names of the

good knight Muntanyanegre, the Duke of Exeter, and Sir John Stuart.

Tirant, disappointed at this answer, asked why he did not make mention

of the Earl William of Warwick, who had won so many battles in France

and Italy, and in many other countries; who had saved the life of the

Countess of Belestar, accused of adultery by her husband and her three

sons; who had snatched a child away from a lion and returned it to

its mother; and who vanquished the Moors in England and liberated many

English captives. The hermit replied that he had heard of William of

Warwick, but having never seen him he did not mention his name. (Chaps.

28-38)

While Tirant was receiving instructions in knighthood from the hermit,

his companions were traveling on, and, although he would gladly have

remained longer, it was necessary to depart if he did not wish to

travel to London alone. The hermit bade him farewell, and gave him the

book. He invited Tirant to visit him on his return, and the invitation

was accepted. Then the young aspirant for the honors of knighthood

resumed his journey to London. Some of his companions, when they missed

him, turned back, and when they found him, he was riding along reading

the book. The company of young men arrived in London a few days before

the beginning of the festivities. (Chap. 39)

The feast of St. John was the wedding day of the king, and on that day

began the festivities of the General Court. The celebration continued

for a year and a day. Then the visitors took leave of the king and the

queen, and returned to their respective homes. Tirant, remembering

his promise, stopped at the hermitage with his companions. They were

embraced one by one by the venerable man, and then they sat down with

him on the grass underneath the large pine tree. At the request of the

hermit, Tirant described the principal events that had taken place at

London. He told of the generous hospitality of the king; of the great

procession when the king went out of the city to meet his betrothed;

of the manner in which the exercises of arms were conducted; and of

the splendor and merriment at the royal nuptials. He spoke also of

those who essayed their skill in knightly combats, praising highly

the Duke of Aygues Vives, the Duke of Cleves, and the brother of the

Duke of Burgundy. But the contest that he admired most of all was the

one in which a youth who did not seem to be more than fourteen or

fifteen years old took part. This youthful knight was called the Grand

Constable of England. His mother and the king, too, had forbidden him

to participate in any of the combats. But he came to Tirant and asked

him for permission to use his arms and steed. He begged so well that

Tirant was unable to refuse. In this contest the youth slew the Senyor

de Escala Rompuda. The king chided him for having entered the lists

without permission, but the young Constable answered that it was not

right that he should be denied the privilege of following the footsteps

of his valiant father, William, Earl of Warwick. The Countess sent

for Tirant and begged him never again to do anything that might cause

her to lose the only joy and comfort that she had in this life. And

he promised that he would never willingly put the life of her son in

jeopardy. (Chaps. 39-57)

The hermit had already twice asked who had been declared the best

and greatest knight among the victors. But Tirant seemed to pay no

attention to his questions. And finally the hermit said: “But, Tirant,

why do you not answer my question?” Then arose one of the company and

his name was Diaphebus. He drew forth a parchment saying that the

document in his hands would answer the question. This he read to the

hermit, who was delighted when he heard that it was a proclamation to

the world that the noble and valiant Tirant lo Blanch was declared the

best knight of all those that had taken part in the exercises of arms

at the festivities connected with the General Court. It also contained

the instructions given by the king that Tirant should be placed on a

white steed and that all, walking with the king, should escort the

hero to the church of Saint George, where a solemn high mass would be

celebrated in honor of this most excellent knight. The document was

signed by “Rex Enricus,” and by judges of the field, heralds, and the

great lords in attendance. (Chaps. 57-58)

After the reading of the document, the hermit asked Diaphebus to tell

of some of Tirant’s exploits, whereupon our hero withdrew from the

company to busy himself with giving orders for the putting up of the

tents and the preparation of supper. Diaphebus then related how Tirant

was the first person upon whom the honor of knighthood was conferred,

and the first one to engage in combat with one of the champions of

the field. In this contest, which was fought on horseback, he slew

his adversary. Then he challenged another champion of the field to

a _combat à outrance_ on foot. In this he succeeded in striking his

opponent to the ground. Not wishing to take his life, he asked the

fallen knight to beg for mercy, but the latter answered that he was

the Caualler de Muntalt, knighted by the Earl of Warwick, loved and

feared by many, and that he preferred to die with honor rather than

live in disgrace. And Tirant, regretting that knights were by their

very profession obliged to be cruel, placed the point of his dagger

over the eye of his victim, and then struck a sharp blow on the end of

the handle so that the point came out on the other side of his head.

(Chaps. 58-60)

One day the king and the queen, accompanied by many knights and ladies,

went out into a meadow for recreation. With them was “Beautiful Agnes,”

the daughter of the Duke of Berry. On this day she wore a precious

brooch. Tirant approached her and praised her many excellent qualities.

He then asked her for that brooch, saying that in return for the favor

he would be willing to meet any knight in a _combat à outrance_. She

gave him permission to take it. Thereupon Tirant detached it from her

bodice and fastened it on his cap. The following day the Senyor de les

Viles Ermes, a valiant and well-trained knight, came to Tirant, and,

after telling him that from his very childhood he had loved Agnes,

demanded that the brooch be given him. Threatening to kill Tirant

if the latter should refuse, he tried to take it from him by force,

whereupon a fight ensued in which the friends of each took part, and

twelve men were killed before peace could be restored. Three days

later, the Senyor de les Viles Ermes sent a challenge to Tirant and

it was immediately accepted. Tirant relinquished his right to select

the arms, and also gave his adversary the privilege of designating

the manner in which the duel was to be fought. Thereupon the latter

specified that the combat should be fought on foot. Each of the

combatants should wear a plain shirt, and have a wreath of flowers on

his head. No other clothing was to be worn. Each should be provided

with a paper shield and a pointed double-edged Genoese dagger. The

duel was fought in a neighboring forest early in the morning. The two

adversaries inflicted many horrible wounds on each other. Their white

shirts were red with the blood that flowed copiously from their wounds.

Gradually they grew weaker and weaker. Finally Tirant made a desperate

thrust and struck his opponent just over the heart. At the same time he

himself received a blow on the head which made him sink to the ground

even before his antagonist fell dead. Four of Tirant’s wounds were

pronounced fatal, but fortunately they gradually healed and his life

was saved. (Chaps. 60-68)

The Prince of Wales, too, had come to attend the festivities, and since

he was fond of hunting he brought with him several enormous dogs. One

day the king, accompanied by several knights, visited him. And it

happened that on that same day Tirant was riding by the house in which

the prince lived. A large mastiff having broken loose from his chain,

came out and rushed towards Tirant. Our hero dismounted and drew his

sword, and when the dog saw the gleaming blade, it turned away. The

king and the prince saw this, and the latter, knowing the ferocious

nature of the animal, remarked that a splendid fight was in prospect.

Tirant remounted his steed and proceeded on his way, but he had hardly

advanced twenty paces, when the mastiff again rushed at him with great

fury, and the rider was a second time obliged to alight from his horse.

He again drew his sword and advanced towards the savage animal, when

the latter, being afraid of the shining weapon, retreated. Then Tirant

threw aside his sword, for he concluded that it was not right nor fair

that he should use arms when the dog had none. The mastiff rushed for

the weapon, seized it with his teeth, and carried it a short distance

away. And as he came back towards Tirant, the latter said: “Now we

shall fight on equal terms; I shall use the same kind of weapons to do

you harm, as you will employ against me.” They attacked each other with

fierceness. The gigantic mastiff caused Tirant to fall three times.

Finally the latter seized the raging beast by the throat and strangled

it with all his might. At the same time he bit its cheek so savagely

that the animal fell dead on the ground. The king and others came out

immediately, and carried Tirant into the house. Doctors were called and

they treated the many wounds on his arms and legs. For this victory he

received the same honors as if he had vanquished a formidable knight in

the lists. (Chap. 68)

The King of Friesland, the King of Poland, the Duke of Burgundy, and

the Duke of Bavaria met in the city of Rome on the occasion of an

important celebration of the Church. Among other subjects of their

conversation, they came to speak of the King of England and the

wonderful festivities and exercises of arms that were taking place at

his court. They decided to go there _incognito_ and try their fortune

in the lists. Tirant met each of them in mortal combat, and vanquished

them all. (Chaps. 68-73)

Some time after came the knight Villa Fermosa from Scotland. The lady

who had captivated his soul would not listen to him, nor would she

speak to him until he had vanquished the renowned knight, Tirant lo

Blanch. But the latter did not wish to accept the challenge, for his

wounds were not yet healed. The Scottish knight, however, would not

take a refusal, and finally Tirant consented to meet him, and promised

that he would not fight any other knight until after their combat.

(Chap. 74)

But this promise Tirant was obliged to break, for the following

reasons. When the news of the death of the King of Friesland reached

his kingdom, there was great grief among his subjects. The favorite

of the dead king, Kirielayson de Muntalba, who was a man strong and

valorous, and descended from a race of giants, determined to make

Tirant pay dearly for slaying his lord the king. He sent a challenge,

in which he accused him of having vanquished the two kings and the two

dukes through treachery. Tirant, in his answer, gave him the lie and

accepted the challenge. The giant-knight came, but before the combat

he went to visit the tombs of those whose death he wished to avenge.

Seeing the shields of the vanquished, over which the shields of Tirant

had been placed, he began to weep and lament. In a fit of anger he took

down Tirant’s shields and threw them on the ground. Then he noticed

that they were painted on the tabernacle over the tomb. Blind with

rage, he struck them with his head so violently that he fell half

unconscious. A few moments later, when he opened the tabernacle and saw

the lifeless body of his king and sovereign, his gall bladder burst,

and he died instantly. (Chaps. 74-80)

The unsuccessful avenger of the King of Friesland had a brother whose

name was Thomas de Muntalba, and he had been the favorite of the

other monarch, the King of Poland. Thomas came to England with a grim

determination to avenge the death not only of the kings and dukes, but

also of his brother. He was well built, of great strength, and so tall

that Tirant scarcely reached up to his waist. It was said that he was

the tallest man in all Christendom. He, too, accused our distinguished

champion of having slain his victims treacherously, and challenged him

to mortal combat. The challenge was accepted. The friends of Tirant

tried to prevent the duel, for they feared that he might be vanquished.

Finally the combat took place and it was of long duration. The giant’s

blows were powerful. Once they forced Tirant to his knees, but at that

very moment he wounded his opponent in the groin. In the violence of

the fight the big knight let fall his ax. Tirant told him that he would

permit him to pick it up, if he would retract his false accusation of

treachery. Thomas de Muntalba did so, and recovered his ax. Then the

combat began again and it became more furious than before. Finally the

gigantic adversary had difficulty in breathing, and was becoming weak

from loss of blood. Tirant made a desperate effort to put an end to

the fight. He succeeded in landing two powerful blows on the head of

his opponent, who fell to the ground. Tirant quickly placed the point

of his dagger over one of the eyes of the giant, and at the same time

told him if he would acknowledge that he was vanquished his life would

be spared. The fallen knight answered that since Fate willed it, he

would deliver himself into his hands. Then Tirant went into the middle

of the field, knelt down, and gave praise and thanks to God for the

victory. Thomas de Muntalba was degraded and later he became a monk of

the Franciscan order. (Chaps. 80-84)

A few days after this event Tirant went to Scotland to engage in combat

with the knight Villa Fermosa. The Queen of Scotland acted as judge of

the contest. She stopped the combat before either of the knights had

come to grief. (Chap. 84)

When the hermit had heard all these things, he expressed his delight

at the many successes and great honors that young Tirant had won.

In the meantime our modest hero had tables set up beside the clear

spring, and an excellent supper was awaiting the hermit and all the

rest. After supper the venerable man retired to the hermitage. The

next day, after he had said his hours, he came out again. Tirant and

his companions went to receive him, and they sat on the grass as the

day before. Then Diaphebus tells about the institution of the Order of

the Garter. He narrates the well-known incident which caused the king

to say; “Puni soyt qui mal hi pense.” He relates how His Royal Majesty

instituted the above-named fraternity as a result of that incident.

He gives a detailed description of the Church of St. George in the

castle of Windsor; he recounts the rules of the Order and describes the

ceremonies; he repeats the oaths of the members of the Order, and the

vows of the ladies of honor. He tells how the king selected twenty-five

knights to make up the membership so that with the king the members

numbered twenty-six, and that the king himself was the first to swear

to obey all the rules. Tirant, being the best knight of all those at

the court, was the first to be chosen. And among the other members

selected was John of Warwick, the Grand Constable of England. (Chaps.

84-97)

Tirant and his companions stayed with the hermit for ten days. On the

eve of their departure for Brittany, they asked him to sleep in one

of their tents for that night, since they were going to leave early

in the morning and were eager to have his blessing before starting.

Their request was granted. The next morning, after they had departed,

he returned to the hermitage, which, to his great surprise, he found

well stocked with all manner of provisions. He even found wood and

coal within, so that it would not be necessary for him to go out

when the weather was bad. The hermit was deeply moved by this act of

kindness, and attributed it to Tirant, who, he resolved, should ever be

remembered in his prayers. (Chap. 97)

Tirant lo Blanch; a study of its authorship, principal sources and historical setting · 第 1 / 7 章