As I have already explained, Madame Caillaux knew, as every

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Transcriber's note:

Text enclosed by underscores is in italics (_italics_).

Text enclosed by equal signs was underlined in the

original text (=underlined=).

A carat character is used to denote superscription. A

single character following the carat is superscripted

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THE CAILLAUX DRAMA

[Illustration: _Waiting._]

THE CAILLAUX DRAMA

by

JOHN N. RAPHAEL

London: Max Goschen Ltd

20 Great Russell Street W.C.

MCMXIV

TO MY MOTHER

CONTENTS

CHAP. PAGE

I THE STORY OF THE DRAMA 1

II CELL NO. 12 44

III THE CRIME AND THE PUBLIC 64

IV MONSIEUR CAILLAUX’S EXAMINATION 87

V THE CAMPAIGN OF THE “FIGARO” 102

VI CALMETTE _v._ CAILLAUX 114

VII THE “TON JO” LETTER 143

VIII AGADIR 150

IX L’AFFAIRE ROCHETTE 179

X “THE TRUTH, THE WHOLE TRUTH ...” 230

XI ABOUT FRENCH POLITICS 251

XII BEFORE THE LAST ACT OF THE DRAMA 267

INDEX 307

ILLUSTRATIONS

“WAITING” _Frontispiece_

OFFICES OF “LE FIGARO” ON THE EVENING OF THE MURDER 20

GASTON CALMETTE IN HIS OFFICE AT THE “FIGARO” 20

M. BOUCARD (THE EXAMINING MAGISTRATE) AND THE DOCTORS

LEAVING THE PRIVATE HOSPITAL WHERE M. CALMETTE DIED 26

M. VICTOR FABRE, THE PROCUREUR GÉNÉRAL 57

THE FUNERAL OF M. CALMETTE 63

THE BROTHERS, SONS AND RELATIVES OF M. CALMETTE AT THE

FUNERAL 67

MME. CAILLAUX (AND DETECTIVE) ON HER WAY TO THE LAW COURTS

TO BE EXAMINED 71

SŒUR LEONIDE 77

THE CORRIDOR OUTSIDE THE PISTOLES 81

“JEANNE,” THE “SOUBRETTE” OF PISTOLE NO. 12 85

THE LORRY WHICH PARIS JOURNALISTS THOUGHT WAS FULL OF

MME. CAILLAUX’S FURNITURE 90

LA COUR DES FILLES IN SAINT LAZARE 90

MADAME CAILLAUX’S CELL EXACTLY AS IT IS 102

MONSIEUR CAILLAUX IN HIS OFFICE AT THE MINISTÈRE DES

FINANCES 108

PRESIDENT POINCARÉ GIVES EVIDENCE ON OATH IN THE CAILLAUX

DRAMA BEFORE THE PRESIDENT OF THE APPEAL COURT, WHO

WAITED ON HIM FOR THIS PURPOSE AT THE ELYSÉE 122

MONSIEUR CAILLAUX LEAVING THE LAW COURTS 131

M. PRIVAT-DESCHANEL WHO WITNESSED THE DESTRUCTION OF

THE LETTERS BY MME. GUEYDAN-CAILLAUX 140

M. BARTHOU MOUNTING THE STAIRS OF THE LAW COURTS ON HIS

WAY TO GIVE EVIDENCE IN THE CAILLAUX CASE 149

MONSIEUR CAILLAUX’S FRIEND, M. CECCALDI 179

THE “TON JO” LETTER FROM THE “FIGARO” 197

ROCHETTE IN COURT 241

MONSIEUR BARTHOU 300

MME. CAILLAUX IN THE DRESS SHE WAS TO WEAR AT THE

ITALIAN EMBASSY ON THE EVENING OF THE MURDER 339

M. JOSEPH CAILLAUX 350

I

THE STORY OF THE DRAMA

Late on Monday afternoon, March 16, 1914, a rumour fired imaginations,

like a train of gunpowder, all over Paris. In newspaper offices, in

cafés, in clubs, people asked one another whether they had heard the

news and whether the news were true. It seemed incredible. The wife of

the Minister of Finance, said rumour, Madame Joseph Caillaux, one of

the spoiled children of Paris society, had gone to the office of the

_Figaro_, had waited there an hour or more for the managing editor,

Monsieur Gaston Calmette, had been received by him, and had shot him

dead in his own office. Nobody believed the story at first. Nobody

could believe it. The very possibility of such a happening made it

appear impossible. It was known, of course, that for some weeks before

the _Figaro_ had been waging an unsparing campaign against the Minister

of Finance. It was known that Monsieur Caillaux had been and was

infuriated at this campaign, but nobody believed that tragedy had

followed. There was a rush to the _Figaro_ office. Paris is a small

town compared with London, and the _Figaro_ building in the Rue

Drouot is in a more central position in the throbbing news and

sensation-loving heart of Paris than is either Piccadilly or Fleet

Street in London. Within ten minutes of the first news of the tragedy

there was a large crowd gathered in the Rue Drouot, and even those who

could not get into the _Figaro_ building soon received confirmation

that the drama really had occurred. People had seen a large and

luxurious motor-car stationed outside the building. There was nothing

at all unusual in this, for the offices of the _Figaro_ are the resort

in the afternoon of many people with big motor-cars. What was unusual,

and had attracted notice, was the fact that the driver of the car had

worn the tricolour cockade which in Paris is worn only by the drivers

of cars or carriages belonging to the Ministers. Even this evidence was

in no way conclusive, for courtesy permits Ambassadors and Ministers

accredited to the French Government by foreign countries to give their

servants the red white and blue cockade, and it was thought by many

that the car had not belonged to a French Minister at all, but was the

property of an Ambassador. Then the story gained precision. A woman, it

was said, escorted by police, had come out of the _Figaro_ office and

seated herself in the car. The driver, as she entered, had removed his

tricolour cockade and driven round the corner to the police-station.

The doors of the _Figaro_ office were closed and guarded. A few minutes

later all Paris knew the story. In the big grey motor-car in which

she had driven to the Rue Drouot that afternoon, Madame Caillaux had

been taken in custody to the police-station in the Rue du Faubourg

Montmartre. Monsieur Gaston Calmette, the editor of the _Figaro_,

lay dying in his office. His friend, Doctor Reymond, who was with

him, gave little hope that his life could be saved, and those of the

members of the staff of the paper who could be approached could only

murmur confirmation of the same sad news. Later in the evening Monsieur

Calmette was taken out to Neuilly to the private hospital of another

friend, Professor Hartmann. He died there just before midnight.

Madame Caillaux had arrived in her motor-car at No. 26 Rue Drouot at

about five o’clock, and had asked for Monsieur Calmette. She was told

that Monsieur Calmette was out, but that he would certainly arrive

before long. “Then I will wait,” she said.

[Illustration: _Agence Nouvelle—Photo, Paris_

OFFICES OF _LE FIGARO_ ON THE EVENING OF THE MURDER]

[Illustration: _Agence Nouvelle—Photo, Paris_

GASTON CALMETTE IN HIS OFFICE AT THE _FIGARO_]

The customs of a Paris newspaper differ considerably from those of

newspapers in London. They are, if I may put it so, more social. In a

London newspaper office nearly all the business of the day with the

outside world is transacted by express letter, by telegram, or over the

telephone. The editor and his collaborators see fewer members of the

public in a week in the offices of a London newspaper than the editor

and collaborators of a Paris newspaper of the same importance see in an

afternoon. The difference in the hours of newspaper work in Paris and

in London, the difference in the characteristics of Frenchmen and of

Englishmen have a great deal to do with this difference in newspaper

methods. To begin with, the London newspaper goes to press much earlier

than does the newspaper in Paris, for Paris papers have fewer and later

trains to catch, and “copy” is therefore finished much later in Paris.

The principal London editors are invariably in their offices at latest

at noon every day, and prefer to see their visitors between the hours

of twelve and four o’clock. In Paris practically every newspaper editor

receives between five and seven in the evening, and it is very rare

to find heads of newspaper departments (the business side of course

excepted) in their offices before five P.M. In other words the

business of the day begins at about five o’clock in a Paris newspaper

office, when the business of the evening begins in London and the

business of the day is finished, and the real hard work of the night

staff hardly begins until ten. The hour at which Madame Caillaux called

therefore, to see Monsieur Calmette, was a perfectly normal one. She

was told that he would certainly come in before long, and was asked

for her name. She did not give it, said that she would wait, and was

shown into a waiting-room where curiously enough she sat down directly

beneath a large framed portrait of the King of Greece, who met his

death at the hands of a murderer not very long ago. Madame Caillaux

waited over an hour. We learned, afterwards, that in her muff, during

this long period of waiting, she carried the little revolver which she

had bought that day, and with which she was presently to shoot Monsieur

Calmette to death. She grew impatient at length, made inquiries of

one of the men in uniform whose duty it is to announce visitors, and

learned that Monsieur Calmette, who had just arrived, was now in his

office with his friend Monsieur Paul Bourget, the well-known novelist.

“If Madame will give me her card,” said the man. Madame Caillaux took a

card from her case, slipped it into an envelope which was on the table

by her side, and gave it to the man in uniform, who took it to Monsieur

Calmette’s office. Monsieur Calmette and Monsieur Bourget were on the

point of leaving the _Figaro_ office together for dinner. Monsieur

Calmette showed his friend the visiting card which had just been handed

to him. “Surely you will not see her?” Monsieur Bourget said. “Oh yes,”

said Monsieur Calmette, “she is a woman, and I must receive her.”

Monsieur Bourget left his friend as Madame Caillaux was shown into the

room. A few moments afterwards the crack of a revolver startled everybody

in the building. The interview had been a very short and tragic one.

Madame Caillaux, drawing her revolver from her muff, had emptied all

six chambers of it. Gaston Calmette fell up against a bookcase in the

room. He was mortally wounded. There was a rush from all the other

offices of members of the _Figaro_ staff, the revolver was snatched

from the woman’s hand, a member of the staff who happened to be a

doctor made a hasty examination, and a friend of M. Calmette’s, Dr.

Reymond, was telephoned for immediately. Somebody ran or telephoned for

the police, but for a long time Madame Caillaux remained in a passage

near the room where her victim lay dying. Before the ambulance was

brought on which Monsieur Calmette was carried out into the street he

had time to give his keys and pocket-book to one of his collaborators,

and to say farewell to them. Madame Caillaux had said very little

before she was taken away. When the revolver was snatched from her hand

she had said, “There is no more justice in France.” She had also said:

“There was no other way of putting a stop to it,” alluding, no doubt, to

the campaign in the _Figaro_ against her husband. Then she had given

herself into the hands of the police, and the curtain had fallen on

this first act of the drama.

[Illustration: _Agence Nouvelle—Photo, Paris_

M. BOUCARD (THE EXAMINING MAGISTRATE) AND THE DOCTORS LEAVING

THE PRIVATE HOSPITAL WHERE M. CALMETTE DIED.

M. Boucard is in front]

The first feeling in Paris when the crime became generally known

was one of stupefaction. The special editions of the evening papers

appeared while Paris was at dinner, were snatched with wild eagerness

from the hands of the hawkers, and nothing else was talked of all

that evening. Gradually, as details became known, a popular wave of

indignation against the murderess became so fierce that the police,

informed of it, took special measures to preserve order, and numbers

of police with revolvers in the great leather cases which are worn in

emergencies appeared in the streets. As a proof of the hold which the

drama took immediately on the imagination of the public, it may be

mentioned that the theatres were almost empty that evening and that in

each entr’acte the audience rushed out of the theatre altogether to

get further news, or if a few remained, they waited in the auditorium

for news to appear on the screens usually devoted to advertisements,

instead of strolling about the theatre corridors as they usually do. An

immense crowd gathered round the police-station in the Rue du Faubourg

Montmartre, where Madame Caillaux had been taken. The crowd, composed

for the most part of riffraff—for the Rue du Faubourg Montmartre is a

favourite haunt of the very worst kind of criminals—formed a surging

mass in front of the police-station with which the strong force of

police found it difficult to cope. Barely a quarter of an hour after

the police commissioner, Monsieur Carpin, had begun to question Madame

Caillaux, her husband arrived at the police-station in a taxicab. He

was recognized and hooted by the crowd, but though his usually ruddy

face was deadly pale he gave no other sign that he had noticed this

hostility. The only man who did not recognize Monsieur Caillaux was the

policeman on duty at the door. He had orders to allow no one to pass,

and barred his passage. “I am the Minister of Finance,” said Monsieur

Caillaux, and pushing past the man, who stood and stared at him, he

added, “You might as well salute me.” Other Ministers and politicians

of note had forced their way into the police-station, and a number of

journalists were among them. Stories of all sorts circulated, one to

the effect that Monsieur and Madame Caillaux had had a stormy scene,

and that the Minister had reproached his wife bitterly for what she had

done; another, which proved to be true later on, that he had telephoned

to the Prime Minister, and resigned his portfolio and his seat in the

Cabinet. Monsieur Carpin, the police commissioner, received some of the

journalists in his office, and gave them a short report of what had

occurred. “I saw Madame Caillaux at once when she came,” he said. “She

was perfectly self-possessed, but complained of feeling cold.” “You are

aware,” she said, “of the campaign which Monsieur Gaston Calmette was

waging against my husband. I went to some one, whose name I prefer not

to mention, for advice how to put a stop to this campaign. He told me

that it could not be stopped. A letter was published. I knew that other

letters were to be published too. This morning I bought a revolver, and

this afternoon I went to the office of the _Figaro_. I had no intention

of killing Monsieur Calmette. This I affirm, and I regret my act

deeply.” I quote this first statement of Madame Caillaux as Monsieur

Carpin repeated it to the journalists in his office on the evening

on which the crime was committed, and as the _Figaro_ and other

newspapers reproduced it word for word next morning. As will be seen

later, these first statements which the prisoner made are of vital

importance. It was now nine o’clock. The journalists were told that

Monsieur Boucard, the examining magistrate, had given orders for Madame

Caillaux to be locked up in St. Lazare prison, and were asked to leave

the police-station. The crowd outside in the streets had in some way

learned that Madame Caillaux was going, and became denser and more

menacing. The officials inside the police-station realized that there

was danger to the safety of their prisoner, and heard the cries from

the mob in the street below against the Minister of Finance. These

were if anything more threatening than those which Madame Caillaux’s

name provoked. All of a sudden a yell rose from below. “He’s getting

out by the back way! Down with the murderer! Death to Caillaux!” The

police-station has two entrances, one, the main one, in the Rue

du Faubourg Montmartre, the other leading through a passage and a

grocer’s shop out into a little side street, the Rue de la Grange

Batelière. There was a wild stampede round to this little

shop, and the first of the crowd to arrive there were in time to see

Monsieur Caillaux and the Minister of Commerce, Monsieur Malvy, jump

into a taxicab at the door. The cab got away amid a storm of shouts

and imprecations. “Death to Caillaux! Murderer! Démission!—Resign!

Resign!” Madame Caillaux, under the escort of two high police

officials, had been smuggled out of the police-station through the

grocery shop and taken away in another cab a few moments before her

husband left, but the crowd had missed her. She was taken directly to

St. Lazare prison, where she has been since, and locked into _pistole_,

or cell No. 12, where Madame Steinheil, Madame Humbert, and other

prisoners of notoriety awaited trial in their day.

On the morning of Monday, March 16, Madame Caillaux had held a

conference at her house in the Rue Alphonse de Neuville with the

President of the Civil Court, Monsieur Monier. It was to Monsieur

Monier she referred when she told Monsieur Carpin and Monsieur Boucard,

the examining magistrate, that she had been informed by a person, whom

she preferred not to mention, that there was no means of putting a

stop to the _Figaro_ campaign against her husband. A few moments after

Monsieur Monier had left the Rue Alphonse de Neuville Madame Caillaux

was called up on the telephone by Monsieur Pierre de Fouquières of the

Protocol. There was to be a dinner-party, in honour of the President

of the Republic, at the Italian Embassy in Paris that evening, and

Monsieur de Fouquières rang Madame Caillaux up on the telephone to know

at what time exactly she and her husband would arrive at the Embassy.

She told him that they would be there punctually at a quarter-past

eight, and reminded Monsieur de Fouquières, at the same time, that she

was counting on his help to place her guests at an important dinner

which was to be given at the Ministry of Finance on March 23. This

dinner of course never took place. After her conversation with Monsieur

de Fouquières, Madame Caillaux telephoned to her hairdresser, whom she

ordered to call and do her hair at seven o’clock for the dinner at the

Italian Embassy. At eleven o’clock that morning, her manicure called,

and Madame Caillaux then drove to her dentist, Dr. Gaillard, whom,

on leaving, she arranged to see again on the Wednesday at half-past

two. From the dentist’s Madame Caillaux drove to the Ministry of

Finance, to fetch her husband. On her way back in the car with him to

the Rue Alphonse de Neuville, Madame Caillaux told her husband of her

conference with the President of the Civil Tribunal, Monsieur Monier,

that morning, and of his declaration that there was no legal means

to put an end to the campaign in the _Figaro_ against the Minister

of Finance. Monsieur Caillaux is a hot-tempered man. He flew into a

violent rage, and declared to his wife “Very well then! If there’s

nothing to be done I’ll go and smash his face.” From my personal

knowledge of Monsieur Joseph Caillaux, from my personal experience of

his attitude when anything annoys him, I consider it quite probable

that his rage would cause him to lose quite sufficient control of

himself to speak in this manner under the circumstances. On one

occasion, not very long ago, Monsieur Caillaux received me in his

office at the Ministry of Finance and spoke of his causes of complaint

against the British Ambassador, Sir Francis Bertie. Although he was

talking to an English journalist about the Ambassador of his king

his language on that occasion was so unmeasured, and his anger was

expressed with such freedom, that in the interview I published after

our conversation I was obliged to suppress many of the things he said.

In fact when he read some of them in the interview which I took to the

Ministry to show him before I had it telephoned to London, Monsieur

Caillaux himself suggested their suppression. Madame Caillaux knew, she

has said afterwards, that her husband’s anger and violence of temper

were such that his threat was by no means a vague one. She has declared

that it was this threat of Monsieur Caillaux’s which gave her the first

idea of taking her husband’s place, and going to inflict personal

chastisement on the editor of the _Figaro_. It is a truism that small

occurrences often have results out of all proportion to their own

importance. That morning Monsieur and Madame Caillaux made a very bad

luncheon. Madame Caillaux, who has been under medical treatment for

some time, ate nothing at all, and the bad luncheon threw her husband

into another rage. He was so angry that they almost quarrelled, and

Madame Caillaux, to pacify him, promised that she would dismiss the

cook there and then, go to a registry office that afternoon, and secure

another cook for the next day. Monsieur Caillaux went back to the

Ministry of Finance immediately after luncheon, and his wife, who had

an engagement for tea at the Hôtel Ritz in the afternoon, rang for her

maid to put her into an afternoon dress. She says that she felt very

ill while she was dressing, and very worried by her husband’s outburst

with regard to the _Figaro_ campaign against him. She felt that she

must do all she could, she has declared, to prevent the publication of

certain letters which she believed, rightly or wrongly, that it was

Monsieur Calmette’s intention to publish in the _Figaro_. At half-past

two that afternoon, before going out, Madame Caillaux was, she has told

the examining magistrate, taken ill in her room and obliged to lie

down, and she described with great vividness a sort of vision which she

declares passed like a picture on the cinematograph before her eyes. “I

knew my husband to be a good swordsman, and a good pistol shot,” she

said. “I saw him killing Monsieur Calmette, I saw his arrest, I saw him

in the Assize Court standing in the dock. All the terrible consequences

of the ghastly drama which I foresaw passed before my eyes, and little

by little I made up my mind to take my husband’s place, and I decided

to go and see Monsieur Calmette that same evening.”

As I have already explained, Madame Caillaux knew, as every Parisian

knows, that the most likely time to find a newspaper editor in his

office was after five o’clock, and, as we know, she had promised to be

at the Italian Embassy at a quarter-past eight and had telephoned to

her hairdresser to go to her and dress her hair in the Rue Alphonse de

Neuville at seven. It is fairly clear therefore, that when she left

her house at three she had no very definite idea of what she was going

to do. At three o’clock Madame Caillaux left home—the home to which

neither she nor her husband has returned since—and drove in her grey

motor-car to a registry office, where she engaged a new cook for the

next day. She then drove to the sale-rooms of the armourer Monsieur

Gastinne-Renette in the Avenue d’Antin. Even then, she declares, she

had no intention of killing the editor of the _Figaro_, but intended

to ask him to cease his campaign against her husband, to refrain from

publishing letters which she was convinced he intended to publish, and

in the event of his refusal, to “show him of what she was capable”

(these words are a quotation from her statement to the examining

magistrate, Monsieur Boucard), and fire her revolver not to kill, but

to wound him. I wish it to be understood, clearly, that I am quoting

the foregoing from the evidence of Madame Caillaux herself. I do not

wish in any way to comment on this evidence. It is my object merely

to try, to the best of my endeavour, to place before the public the

state of this wretched woman’s mind immediately before the crime which

she committed, and by so doing to allow my readers to form their own

judgment of her motives. Madame Caillaux was well known to Monsieur

Gastinne-Renette, who for that matter knows everybody in Paris society.

She told the armourer that she would be motoring a good deal, by

herself, between Paris and her husband’s constituency of Mamers, during

Monsieur Caillaux’s coming electoral campaign, and that she wanted

a revolver for her own protection. The first weapon which was shown

her did not satisfy her. It was expensive, costing £3 19_s._ 6_d._,

and she hurt her finger, she says, when she pulled the trigger. She

was then shown a Browning which cost only £2 4_s._, and worked more

easily. She went downstairs to the shooting-gallery below Monsieur

Gastinne-Renette’s sale-rooms, and tried her new acquisition, firing

six shots from it. By a tragic coincidence her shots struck the metal

figure in almost exactly the same places as the bullets she fired

afterwards struck her victim. She then put six bullets into the loader,

and she told the examining magistrate that her first intention was to

put only two cartridges in, but that the salesman was watching her and

she thought he might think it strange if she only loaded her revolver

partially. At this point in Madame Caillaux’s examination, Monsieur

Boucard interrupted her. “If you did this,” said the magistrate, “you

must surely have made your mind up to murder Monsieur Calmette?” “Not

at all,” said Madame Caillaux. “The thought in my mind was that if he

refused to stop his campaign I would wound him.” From the armourer’s,

Madame Caillaux drove home again to the Rue Alphonse de Neuville, where

she wrote a note to her husband. In this note, which is now in the

hands of the lawyers, she wrote, “You said that you would smash his

face, and I will not let you sacrifice yourself for me. France and the

Republic need you. I will do it for you.” I have not seen this letter

myself. My quotation from it is taken from the report in the French

papers of March 25 of the examination of Madame Caillaux by Monsieur

Boucard. She gave this letter to her daughter’s English governess Miss

Baxter, telling her that she was to give it to Monsieur Caillaux at

seven o’clock if she had not returned home by then. It seems only fair

to believe that Madame Caillaux at that time, while she foresaw the

likelihood of a stormy interview with the editor of the _Figaro_, did

not intend committing murder. Madame Caillaux’s engagement for tea with

friends was at the Hôtel Ritz, but she did not go there to keep it. She

arrived at the _Figaro_ office exactly at a quarter-past five, and she

waited until a little after six o’clock for Monsieur Calmette to come

in. When she heard that he had arrived, she asked one of the men in

uniform to tell him that a lady whom he knew, but who did not wish to

give her name, wanted to speak to him. “He will only receive you,” said

the man, “if you let him know your name.” Madame Caillaux then, as I

have already said, put her visiting card in an envelope, and sent it

in to Monsieur Calmette. In her evidence to the examining magistrate

Madame Caillaux stated that she heard Monsieur Calmette a few moments

afterwards say aloud, “Let Madame Caillaux come in.” This statement of

the prisoner is flatly contradicted by the man who took her card in to

the editor of the _Figaro_, and by Monsieur Paul Bourget, who was with

Monsieur Calmette when Madame Caillaux’s card was brought to him. It

is contradicted also by a gentleman, who was in the waiting-room with

Madame Caillaux, waiting to see another member of the _Figaro_ staff,

and by a friend who was there with him. Madame Caillaux, however,

declared in her evidence to Monsieur Boucard that she heard Monsieur

Calmette speak her name aloud, and that she was furiously angry

because her identity had been made known. This is Madame Caillaux’s

own account of the crime itself. “The man opened the door to usher me

into Monsieur Calmette’s office, and as I walked to his room from the

visiting-room, I had slipped my revolver, which was in my muff, out of

its case. I held the weapon in my right hand, inside the muff, when

I entered Monsieur Calmette’s private office. He was putting his hat

on an armchair and said to me, ‘Bonjour madame.’ I replied, ‘Bonjour

Monsieur,’ and added, ‘No doubt you can guess the object of my visit.’

‘Please sit down,’ he said.” Madame Caillaux declares that she lost her

head entirely when she found herself facing her husband’s mortal enemy.

“I did not think of asking him anything,” she said. “I fired, and fired

again. The mouth of my revolver pointed downwards.” This statement is

undoubtedly true, for the first two bullets fired were found in the

bookcase quite near the ground. Madame Caillaux says that she went

on firing without knowing what she did. Two of her bullets inflicted

mortal wounds, and though everything was done that science could do,

her victim died a few hours later.

Monsieur Caillaux had spent the greater part of the afternoon in the

Chamber of Deputies, and his first news of the crime, which his wife

had committed, reached him at the Ministry of Finance. He had returned

to his office there to sign some necessary papers before returning

home to dress for the dinner at the Italian Embassy, and he did not

therefore receive his wife’s note until much later in the evening,

after the commission of the crime. Monsieur Caillaux, whatever his

faults may be, is a strong man and a plucky one. He turned ashy pale

when he heard what had happened, but said nothing further than to ask

for a cab, and without a moment’s loss of time he went as fast as

the cab could take him to the police-station in the Rue du Faubourg

Montmartre. There he was at once allowed to see his wife. Before

leaving the police-station Monsieur Caillaux telephoned to his chief,

Monsieur Doumergue, the Prime Minister, resigning his position in the

Cabinet as Minister of Finance. He told the Prime Minister then, that

nothing would induce him to reconsider his resignation, and that he

would devote himself exclusively to his wife’s defence, and take no

further part in the political life of the country. The news of the

murder was not definitely known at the Italian Embassy until fairly

late in the evening, although all the guests were surprised at the

absence of Monsieur Caillaux and his wife. Monsieur Poincaré was the

first to be told the news, and left the Embassy immediately, followed

by all the other guests. A little later in the evening, at about ten

o’clock, Monsieur Doumergue summoned his colleagues to a Cabinet

Council which was held at the Ministry for Foreign Affairs. The Council

lasted from ten o’clock till after midnight. Just before the Ministers

separated the news of Monsieur Gaston Calmette’s death reached them

over the telephone wire. The Ministers’ first thought was to save the

political situation. They realized the grave dangers of a Cabinet

crisis at this moment, and dispatched Monsieur Malvy, the Minister of

Commerce, to Monsieur Caillaux to endeavour to induce him to reconsider

his decision to resign. Monsieur Caillaux refused to reconsider it, and

Monsieur Doumergue himself failed, though he tried hard, to get him

to withdraw his resignation and to remain in office. Even then the

colleagues in the Cabinet of Monsieur Caillaux refused to accept his

resignation definitely, and the Council adjourned until the Tuesday

without coming to any definite decision. On Tuesday, realizing the

political impossibility of his retaining his portfolio, even if he

could have been persuaded to retain it, the Government decided that

the Minister for Home Affairs, Monsieur René Renoult, should become

Minister of Finance in Monsieur Caillaux’s stead, that the Minister

of Commerce, Monsieur Malvy, should succeed him at the Home Office,

and that the Under Secretary of State for Home Affairs, Monsieur Raoul

Péret, should take the portfolio of Commerce. These decisions were made

known on the morning following the murder, the morning of Tuesday March

17, and the necessary decrees were signed before luncheon by President

Poincaré, enabling a full Cabinet to meet the Chamber of Deputies that

same afternoon. But that same afternoon a storm burst in the Chamber

with a violence which shook France as she has not been shaken by a

political upheaval for many years.

In the course of his campaign against Monsieur Caillaux in the

_Figaro_, Monsieur Gaston Calmette had, on several occasions, spoken

of undue interference by members of the Government with the course of

justice in the Rochette affair. I shall endeavour later in this book to

attempt to give my readers some explanation of the broad lines of the

“Affaire Rochette,” though it is so complicated, and the intricacy of

its details such, that very few Parisians, even, understand them, and

even the parliamentary commission which has sat on the case has never

been able to unravel it to the satisfaction and comprehension of the

man in the street. Monsieur Calmette spoke in these articles of his of

a letter written and signed by Monsieur Victor Fabre, the Procureur

Général, or Public Prosecutor, in which Monsieur Fabre was said to have

accused members of the Government of interference with the course of

justice, and to have stated that influence had been brought to bear on

him to postpone the Rochette trial. This story had always been denied

hotly by the parties most interested. At five o’clock in the afternoon

of March 17, the day after the murder of Monsieur Calmette by Madame

Caillaux, Monsieur Delahaye, a member of the Opposition, climbed the

steps of the rostrum and placed this motion before the House: _The

Chamber, deeply moved by the crime which was committed yesterday, and

which apparently was committed in order to prevent divulgations of a

nature likely to cast a slur on a magistrate who was acting by order,

invites the Government either to dismiss this magistrate from his post

or to give him the permission necessary to enable him to take legal

action against those who accuse him_.

The Chamber had been half empty when Monsieur Delahaye rose. It filled

in a moment with excited members who poured into their seats from the

lobbies. Monsieur Gaston Doumergue, and nearly all the members of the

Cabinet, took their places on the Government bench, and when Monsieur

Delahaye began his speech the House was in that tremor of excitement

which is the invariable prelude to a big sensation. Nobody knew,

however, with one or two exceptions, what the sensation was going to

be, and probably the members of the Government knew least of all. In an

excited speech Monsieur Delahaye referred first of all to an open

letter which had been written by a member of the Chamber, Monsieur

Thalamas, to Madame Caillaux immediately after her arrest. Monsieur

Thalamas, whose letter I subjoin in a footnote,[1] had written as no

decent man had any right to express himself on the commission of the

murder, and those members of the Chamber who remained unblinded by

political prejudice were fully aware of this. After reading the letter,

the reading of which was interrupted constantly, Monsieur Delahaye

declared that Monsieur Calmette had had the much-talked-about letter,

written three years ago, by the Public Prosecutor in his possession,

that he had intended to publish it in the _Figaro_, and that it made

a direct accusation against Monsieur Monis who had been Prime Minister

at the time that it was written and who was now, on March 17, Minister

of Marine. Monsieur Delahaye addressed a question directly to Monsieur

Monis. “Permit me to ask you,” he said, “whether this letter exists

or not, whether you knew it, and whether or not it states that you

gave orders to Judge Bidault de L’Isle, through the Public Prosecutor,

Monsieur Fabre, to order the postponement of the Rochette affair?”

There was a tumult of excitement in the House. The excitement centred

of course round Monsieur Monis, who had risen to reply, but who was

prevented by his friends from speaking. Altercations arose on all

sides, and in the midst of the tumult Monsieur Monis rose in his seat

and made signs that he insisted on being heard. A deadly silence

succeeded the uproar. “The first question you asked me,” said Monsieur

Monis in a loud and clear voice, “is whether I knew of the document to

which you have alluded, or whether I knew what was contained in it. My

answer is No. You asked me whether I gave orders, or caused orders to

be given, for the adjournment of the Rochette trial. My answer to that

question is emphatically No. And I do more than deny these statements:

I call on the President of the Parliamentary Commission of Inquiry into

the Rochette case, to read to the Chamber the evidence given before the

commission by Judge Bidault de L’Isle. That evidence is in complete

conformity with what I have just said.” There was a roar of applause

from the Left, and Monsieur Jaurès, the President of the Parliamentary

Commission of Inquiry into the Rochette case, rose in his seat, and

made this important declaration: “Judge Bidault de L’Isle affirmed on

his honour, as a man and as a magistrate, that he had never received

any order of the kind. But it appears impossible to me that, if it is

in existence, we should not be informed about the existence of this

document. Does it exist, or does it not exist? If it has disappeared

let us be told so.” The declaration of Monsieur Jaurès was responsible

for more uproar in the House, in the middle of which Monsieur Delahaye

was heard to declare that the declaration of Monsieur Fabre had

existed, and that Monsieur Calmette, who had obtained possession of it,

always carried it about with him. Monsieur Delahaye declared further

that he had seen it, that Monsieur Briand, who was Minister of Justice

in the Monis Cabinet, had received it when he became Minister of

Justice, and that the document confirmed the accusation of Ministerial

intervention, which Monsieur Calmette had published in the _Figaro_.

Monsieur Doumergue followed Monsieur Delahaye in the rostrum. The Prime

Minister, who was evidently much affected, declared his horror of these

accusations against members of the Cabinet. “I have read the official

summary of the work of the Commission of Inquiry,” he said, “and it

states that Monsieur Bidault de L’Isle declared that he had been under

no pressure whatever, and that he had adjourned the Rochette trial of

his own free will. Monsieur Delahaye has declared,” said the Prime

Minister, “that the letter he saw was a copy of the original. What is

the value of this copy? The Government is perfectly prepared to favour

a fresh Inquiry, perfectly ready to bring a clear light to bear on

this question, but we want proof. Where is the proof?” And the Prime

Minister sat down amid a yell of applause from his political friends.

Then the bombshell fell. Monsieur Barthou stepped into the rostrum,

declared that the declaration of the Public Prosecutor Monsieur Fabre

was in his possession, and with one of those dramatic gestures of which

Frenchmen have the secret, produced a faded sheet of paper from his

pocket, unfolded it, slapped it on the desk in front of him, and cried

“And here it is!” (“Ce document, le voici!”) “This statement,” he said,

written by Monsieur Victor Fabre, “was handed to Monsieur Briand when

he was Minister of Justice. When I succeeded Monsieur Briand he handed

it over to me. I refused to allow it to become known, but I consider

that the time has come for its production in this house.” And in a

clear voice Monsieur Barthou read the following aloud:

Le mercredi 2 mars 1911, j’ai été mandé par M. Monis,

Président du Conseil.

Il voulait me parler de l’affaire Rochette.

Il me dit que le gouvernement tenait à ce qu’elle ne

vînt pas devant la Cour le 27 avril, date fixée depuis

longtemps; qu’elle pouvait créer des embarras au ministre

des finances, au moment où celui-ci avait déjà les

affaires des liquidations des congrégations religieuses,

celles du Crédit Foncier et autres du même genre.

Le président du Conseil me donna l’ordre d’obtenir

du président de la Chambre correctionnelle la remise

de cette affaire après les vacances judiciaires

d’août-septembre.

J’ai protesté avec énergie. J’ai indiqué combien il

m’était pénible de remplir une pareille mission.

J’ai supplié qu’on laissât l’affaire Rochette suivre son

cours normal. Le président du Conseil maintint ses ordres

et m’invita à aller le revoir pour lui rendre compte.

J’étais indigné. Je sentais bien que c’était les amis de

Rochette qui avaient monté ce coup invraisemblable.

Le vendredi 24 mars Monsieur M.B. ... vint au Parquet.

Il me déclara que, cédant aux sollicitations de son ami

le ministre des finances, il allait se porter malade et

demander la remise après les grandes vacances de son ami

Rochette.

Je lui répondis qu’il avait l’air fort bien portant, mais

qu’il ne m’appartenait pas de discuter les raisons de

santé personnelle invoquées par un avocat, et que je ne

pouvais, le cas échéant, que m’en rapporter à la sagesse

du Président.

Il écrivit au magistrat.

Celui-ci, que je n’avais pas vu et que je ne voulais pas

voir, lui répondit par un refus.

M^e Maurice Bernard s’en montra fort irrité. Il vint récriminer

auprès de moi et me fit comprendre, par des allusions à peine

voilées, qu’il était au courant de tout.

Que devais-je faire?

Après un violent combat intérieur, après une véritable

crise dont fut témoin, seul témoin d’ailleurs, mon ami et

substitut Bloch-Laroque, je me suis décidé, contraint par

la violence morale exercée sur moi, à obéir.

J’ai fait venir Monsieur le président Bidault de L’Isle.

Je lui ai exposé avec émotion la situation où je me

trouvais. Finalement, M. Bidault de L’Isle consentit, par

affection pour moi, à la remise demandée.

Le soir même, c’est-à-dire le jeudi 30 mars, je suis allé

chez M. le président du Conseil et lui ai dit ce que

j’avais fait.

Il a paru fort content.

Je l’étais beaucoup moins.

Dans l’antichambre j’avais vu M. du Mesnil,

directeur du _Rappel_, journal favorable à Rochette et

m’outrageant fréquemment. Il venait, sans doute, demander

si je m’étais soumis.

Jamais je n’ai subi une telle humiliation.

Ce 31 mars 1911.

V. FABRE.

_Annexe._ [This was not read in the Chamber.]

Le jour même de la réunion, pendant la suspension

d’audience, des conseillers qui siégeaient à côté de M.

Bidault de L’Isle se sont élevés en termes véhéments

contre la forfaiture qu’on venait de lui imposer.

Pourquoi ne les a-t-on pas entendus à la commission

d’enquête?

On aurait pu, par exemple, interroger M. Francois-Poncet

qui n’a dissimulé à personne, ni son indignation ni son

dégoût pour les manœuvres inqualifiables imposées par le

président du Conseil au Procureur Général.

[Illustration: _Agence Nouvelle—Photo, Paris_

M. VICTOR FABRE, THE PROCUREUR GÉNÉRAL]

For English readers to realize the full importance of this document

I must explain that the Public Prosecutor or Procureur Général ranks

as a Government official, and holds almost the same position as a

judge holds in England, with the difference that he does not judge but

prosecutes. For influence to be brought to bear on such an official

by members of the Government is much the same thing as though Cabinet

Ministers in England had ordered the Director of Public Prosecutions

and the judge who was to try Mr. Jabez Balfour to adjourn the trial for

six or seven months for political reasons. Supposing such a thing to

have been possible, and Jabez Balfour to have disappeared from England

so that he never came up for trial at all, one can imagine the outcry

which would have been raised. Here in plain English, as plain and

as simple English as I can summon to my help, is the translation of

Monsieur Fabre’s accusing document:

On Wednesday March 2, 1911, I was summoned by Monsieur

Monis, the Prime Minister. He wished to talk to me about

the Rochette affair. He told me that the Government did

not wish the case to come before the courts on April 27,

which date had been fixed a long time ago. He told me

that it might create trouble for the Minister of Finance

at a moment when he had already on hand the liquidation

of the religious congregations, the Crédit Foncier case,

and others of the same kind. The Prime Minister ordered

me to induce the President of the Correctional Court

(Judge Bidault de L’Isle) to adjourn this affair till the

end of the legal vacation August-September. I protested

with energy. I pointed out how painful it was for me

to carry out such a mission. I begged (the Premier) to

allow the Rochette case to follow its normal course. The

Premier adhered to his order, and told me to see him

again and give him news of my mission. I was deeply hurt

and indignant. I had no doubt that Rochette’s friends

had organized this incredible _coup_. On Friday March

24 Mr. M. B. ... (Rochette’s lawyer, Maître Maurice

Bernard) came to my office. He stated that, yielding to

the solicitations of his friend the Minister of Finance,

(Monsieur Caillaux) he was going to plead illness and

asked for the adjournment of his friend Rochette’s trial.

I replied to that, that he looked perfectly well, but

that it was no part of my duty to question a plea of

personal ill-health made by a lawyer, and that I should

simply refer the matter to the wisdom of the judge. He

wrote to the judge. Judge Bidault de L’Isle, whom I

had not seen and did not want to see, met his request

with a refusal. Maître Maurice Bernard showed great

irritation at this refusal. He called on me again,

used recriminatory language, and made me understand by

means of thinly veiled allusions that he was perfectly

informed of everything. What could I do? After much

self-communion, after a veritable crisis of mental agony

of which the witness, in fact the only witness, was my

friend and deputy, Bloch-Laroque, I decided that I must

obey the moral pressure which had been brought to bear

on me. I sent for Judge Bidault de L’Isle. I laid before

him, with emotion, the situation in which I had been

placed. Eventually Judge Bidault de L’Isle consented

from affection for me to the adjournment which had been

demanded. That same evening, that is to say, Thursday,

March 30, I went to the Prime Minister and told him what

I had done. He appeared very pleased. I was much less

pleased. In the ante-chamber I had seen Monsieur Du

Mesnil, the managing editor of the _Rappel_, a newspaper

which was favourable to Rochette and was in the habit of

attacking me frequently. He had come, no doubt, to ask

the Prime Minister whether I had allowed myself to be

coerced. I have never undergone such humiliation before.

_March 31, 1911._ V. FABRE.

_Annexe._

On the day of the meeting during a suspension the

councillors (that is to say the two judges) who sat

on the bench with Judge Bidault de L’Isle expressed

themselves very vehemently against the pressure which had

been brought to bear on them. Why were they not heard by

the Commission of Inquiry? For instance it would have

been easy to question Monsieur François-Poncet, who had

taken no pains to conceal either his indignation or his

disgust at the unqualifiable manœuvres which the Prime

Minister had forced on the Public Prosecutor.

[Illustration:

_Agence Nouvelle—Photo, Paris_

THE FUNERAL OF M. CALMETTE]

The reading of this statement from the rostrum of the Chamber was

followed within forty-eight hours by the resignation of Monsieur Monis

from the Cabinet, and its immediate result was the resumption of the

work of the Parliamentary Commission of Inquiry which had sat on the

Rochette case. This commission (over which of course Monsieur Jaurès

presided, as he had presided over the others) conducted the inquiry,

as all such inquiries invariably are conducted in France, on political

lines. The sessions of the commission did not pass off without the

resignation of some of its members, the public was inclined to shrug

its shoulders at the leniency of its examination of past Ministers

of the State, and the wording of its verdict when delivered was a

farce, not altogether unworthy of the date on which the Paris morning

papers published it, the first of April. The Parliamentary Commission

could find no stronger words to stigmatize the situation described in

Monsieur Fabre’s statement, which description the inquiry proved to be

true, than “a deplorable abuse of influence.” The phrase has become a

joke in Paris now, and is in popular use on the boulevards. The Chamber

of Deputies, however, before the close of the Parliamentary session,

found other words to express the nation’s displeasure, and after a

session which lasted from two o’clock in the afternoon of April 3 till

two o’clock in the morning of April 4, the Chamber of Deputies

adjourned for the Easter holidays, having voted the following order

of the day:

The Chamber,

Takes note of the statements and findings of the

Parliamentary Commission of Inquiry.

The Caillaux Drama · 第 1 / 15 段