The editor started. Mrs. Dimmidge! Then she was not a myth. An absurd

similarity between her attitude with the whip and her husband's entrance

with his gun six weeks before forced itself upon him and made her an

invincible presence.

“Then you have returned to your husband?” he said hesitatingly.

“Not much!” she returned, with a slight curl of her lip.

“But you read his advertisement?”

“I saw that column of fool nonsense he put in your paper--ef that's

what you mean,” she said with decision, “but I didn't come here to see

HIM--but YOU.”

The editor looked at her with a forced smile, but a vague misgiving. He

was alone at night in a deserted part of the settlement, with a plump,

self-possessed woman who had a contralto voice, a horsewhip, and--he

could not help feeling--an evident grievance.

“To see me?” he repeated, with a faint attempt at gallantry. “You are

paying me a great compliment, but really”--

“When I tell you I've come three thousand miles from Kansas straight

here without stopping, ye kin reckon it's so,” she replied firmly.

“Three thousand miles!” echoed the editor wonderingly.

“Yes. Three thousand miles from my own folks' home in Kansas, where six

years ago I married Mr. Dimmidge,--a British furriner as could scarcely

make himself understood in any Christian language! Well, he got round

me and dad, allowin' he was a reg'lar out-and-out profeshnal miner,--had

lived in mines ever since he was a boy; and so, not knowin' what kind o'

mines, and dad just bilin' over with the gold fever, we were married and

kem across the plains to Californy. He was a good enough man to look at,

but it warn't three months before I discovered that he allowed a wife

was no better nor a nigger slave, and he the master. That made me open

my eyes; but then, as he didn't drink, and didn't gamble, and didn't

swear, and was a good provider and laid by money, why I shifted along

with him as best I could. We drifted down the first year to Sonora, at

Red Dog, where there wasn't another woman. Well, I did the nigger slave

business,--never stirring out o' the settlement, never seein' a town

or a crowd o' decent people,--and he did the lord and master! We played

that game for two years, and I got tired. But when at last he allowed

he'd go up to Elktown Hill, where there was a passel o' his countrymen

at work, with never a sign o' any other folks, and leave me alone at Red

Dog until he fixed up a place for me at Elktown Hill,--I kicked! I gave

him fair warning! I did as other nigger slaves did,--I ran away!”

A recollection of the wretched woodcut which Mr. Dimmidge had selected

to personify his wife flashed upon the editor with a new meaning.

Yet perhaps she had not seen it, and had only read a copy of the

advertisement. What could she want? The “Calaveras Clarion,” although a

“Palladium” and a “Sentinel upon the Heights of Freedom” in reference to

wagon roads, was not a redresser of domestic wrongs,--except through its

advertising columns! Her next words intensified that suggestion.

“I've come here to put an advertisement in your paper.”

The editor heaved a sigh of relief, as once before. “Certainly,” he said

briskly. “But that's another department of the paper, and the printers

have gone home. Come to-morrow morning early.”

“To-morrow morning I shall be miles away,” she said decisively,

“and what I want done has got to be done NOW! I don't want to see no

printers; I don't want ANYBODY to know I've been here but you. That's

why I kem here at night, and rode all the way from Sawyer's Station,

and wouldn't take the stage-coach. And when we've settled about the

advertisement, I'm going to mount my horse, out thar in the bushes, and

scoot outer the settlement.”

“Very good,” said the editor resignedly. “Of course I can deliver your

instructions to the foreman. And now--let me see--I suppose you wish to

intimate in a personal notice to your husband that you've returned.”

“Nothin' o' the kind!” said Mrs. Dimmidge coolly. “I want to placard him

as he did me. I've got it all written out here. Sabe?”

She took from her pocket a folded paper, and spreading it out on the

editor's desk, with a certain pride of authorship read as follows:--

“Whereas my husband, Micah J. Dimmidge, having given out that I have

left his bed and board,--the same being a bunk in a log cabin and pork

and molasses three times a day,--and having advertised that he'd pay

no debts of MY contractin',--which, as thar ain't any, might be easier

collected than debts of his own contractin',--this is to certify that

unless he returns from Elktown Hill to his only home in Sonora in one

week from date, payin' the cost of this advertisement, I'll know the

reason why.--Eliza Jane Dimmidge.”

“Thar,” she added, drawing a long breath, “put that in a column of the

'Clarion,' same size as the last, and let it work, and that's all I want

of you.”

“A column?” repeated the editor. “Do you know the cost is very

expensive, and I COULD put it in a single paragraph?”

“I reckon I kin pay the same as Mr. Dimmidge did for HIS,” said the lady

complacently. “I didn't see your paper myself, but the paper as copied

it--one of them big New York dailies--said that it took up a whole

column.”

The editor breathed more freely; she had not seen the infamous woodcut

which her husband had selected. At the same moment he was struck with a

sense of retribution, justice, and compensation.

“Would you,” he asked hesitatingly,--“would you like it illustrated--by

a cut?”

“With which?”

“Wait a moment; I'll show you.”

He went into the dark composing-room, lit a candle, and rummaging in a

drawer sacred to weather-beaten, old-fashioned electrotyped advertising

symbols of various trades, finally selected one and brought it to Mrs.

Dimmidge. It represented a bare and exceedingly stalwart arm wielding a

large hammer.

“Your husband being a miner,--a quartz miner,--would that do?” he asked.

(It had been previously used to advertise a blacksmith, a gold-beater,

and a stone-mason.)

The lady examined it critically.

“It does look a little like Micah's arm,” she said meditatively.

“Well--you kin put it in.”

The editor was so well pleased with his success that he must needs make

another suggestion. “I suppose,” he said ingenuously, “that you don't

want to answer the 'Personal'?”

“'Personal'?” she repeated quickly, “what's that? I ain't seen no

'Personal.'” The editor saw his blunder. She, of course, had never seen

Mr. Dimmidge's artful “Personal;” THAT the big dailies naturally had not

noticed nor copied. But it was too late to withdraw now. He brought

out a file of the “Clarion,” and snipping out the paragraph with his

scissors, laid it before the lady.

She stared at it with wrinkled brows and a darkening face.

“And THIS was in the same paper?--put in by Mr. Dimmidge?” she asked

breathlessly.

The editor, somewhat alarmed, stammered “Yes.” But the next moment he

was reassured. The wrinkles disappeared, a dozen dimples broke out where

they had been, and the determined, matter-of-fact Mrs. Dimmidge burst

into a fit of rosy merriment. Again and again she laughed, shaking

the building, startling the sedate, melancholy woods beyond, until the

editor himself laughed in sheer vacant sympathy.

“Lordy!” she said at last, gasping, and wiping the laughter from her wet

eyes. “I never thought of THAT.”

“No,” explained the editor smilingly; “of course you didn't. Don't you

see, the papers that copied the big advertisement never saw that little

paragraph, or if they did, they never connected the two together.”

“Oh, it ain't that,” said Mrs. Dimmidge, trying to regain her composure

and holding her sides. “It's that blessed DEAR old dunderhead of a

Dimmidge I'm thinking of. That gets me. I see it all now. Only, sakes

alive! I never thought THAT of him. Oh, it's just too much!” and she

again relapsed behind her handkerchief.

“Then I suppose you don't want to reply to it,” said the editor.

Her laughter instantly ceased. “Don't I?” she said, wiping her face into

its previous complacent determination. “Well, young man, I reckon that's

just what I WANT to do! Now, wait a moment; let's see what he said,”

she went on, taking up and reperusing the “Personal” paragraph. “Well,

then,” she went on, after a moment's silent composition with moving

lips, “you just put these lines in.”

The editor took up his pencil.

“To Mr. J. D. Dimmidge.--Hope you're still on R. B.'s tracks. Keep

there!--E. J. D.”

The editor wrote down the line, and then, remembering Mr. Dimmidge's

voluntary explanation of HIS “Personal,” waited with some confidence for

a like frankness from Mrs. Dimmidge. But he was mistaken.

“You think that he--R. B.--or Mr. Dimmidge--will understand this?” he at

last asked tentatively. “Is it enough?”

“Quite enough,” said Mrs. Dimmidge emphatically. She took a roll of

greenbacks from her pocket, selected a hundred-dollar bill and then a

five, and laid them before the editor. “Young man,” she said, with a

certain demure gravity, “you've done me a heap o' good. I never spent

money with more satisfaction than this. I never thought much o' the

'power o' the Press,' as you call it, afore. But this has been a right

comfortable visit, and I'm glad I ketched you alone. But you understand

one thing: this yer visit, and WHO I am, is betwixt you and me only.”

“Of course I must say that the advertisement was AUTHORIZED,” returned

the editor. “I'm only the temporary editor. The proprietor is away.”

“So much the better,” said the lady complacently. “You just say you

found it on your desk with the money; but don't you give me away.”

“I can promise you that the secret of your personal visit is safe with

me,” said the young man, with a bow, as Mrs. Dimmidge rose. “Let me see

you to your horse,” he added. “It's quite dark in the woods.”

“I can see well enough alone, and it's just as well you shouldn't know

HOW I kem or HOW I went away. Enough for you to know that I'll be miles

away before that paper comes out. So stay where you are.”

She pressed his hand frankly and firmly, gathered up her riding-skirt,

slipped backwards to the door, and the next moment rustled away into the

darkness.

Early the next morning the editor handed Mrs. Dimmidge's advertisement,

and the woodcut he had selected, to his foreman. He was purposely brief

in his directions, so as to avoid inquiry, and retired to his sanctum.

In the space of a few moments the foreman entered with a slight

embarrassment of manner.

“You'll excuse my speaking to you, sir,” he said, with a singular

mixture of humility and cunning. “It's no business of mine, I know; but

I thought I ought to tell you that this yer kind o' thing won't pay any

more,--it's about played out!”

“I don't think I understand you,” said the editor loftily, but with

an inward misgiving. “You don't mean to say that a regular, actual

advertisement”--

“Of course, I know all that,” said the foreman, with a peculiar smile;

“and I'm ready to back you up in it, and so's the boy; but it won't

pay.”

“It HAS paid a hundred and five dollars,” said the editor, taking the

notes from his pocket; “so I'd advise you to simply attend to your duty

and set it up.”

A look of surprise, followed, however, by a kind of pitying smile,

passed over the foreman's face. “Of course, sir, THAT'S all right, and

you know your own business; but if you think that the new advertisement

will pay this time as the other one did, and whoop up another column

from an advertiser, I'm afraid you'll slip up. It's a little 'off color'

now,--not 'up to date,'--if it ain't a regular 'back number,' as you'll

see.”

“Meantime I'll dispense with your advice,” said the editor curtly, “and

I think you had better let our subscribers and advertisers do the same,

or the 'Clarion' might also be obliged to dispense with your SERVICES.”

“I ain't no blab,” said the foreman, in an aggrieved manner, “and I

don't intend to give the show away even if it don't PAY. But I thought

I'd tell you, because I know the folks round here better than you do.”

He was right. No sooner had the advertisement appeared than the editor

found that everybody believed it to be a sheer invention of his own to

“once more boom” the “Clarion.” If they had doubted MR. Dimmidge, they

utterly rejected MRS. Dimmidge as an advertiser! It was a stale joke

that nobody would follow up; and on the heels of this came a letter from

the editor-in-chief.

MY DEAR BOY,--You meant well, I know, but the second Dimmidge “ad” was

a mistake. Still, it was a big bluff of yours to show the money, and I

send you back your hundred dollars, hoping you won't “do it again.”

Of course you'll have to keep the advertisement in the paper for two

issues, just as if it were a real thing, and it's lucky that there's

just now no pressure in our columns. You might have told a better story

than that hogwash about your finding the “ad” and a hundred dollars

lying loose on your desk one morning. It was rather thin, and I don't

wonder the foreman kicked.

The young editor was in despair. At first he thought of writing to Mrs.

Dimmidge at the Elktown Post-Office, asking her to relieve him of his

vow of secrecy; but his pride forbade. There was a humorous concern, not

without a touch of pity, in the faces of his contributors as he passed;

a few affected to believe in the new advertisement, and asked him vague,

perfunctory questions about it. His position was trying, and he was not

sorry when the term of his engagement expired the next week, and he left

Calaveras to take his new position on the San Francisco paper.

He was standing in the saloon of the Sacramento boat when he felt a

sudden heavy pressure on his shoulder, and looking round sharply, beheld

not only the black-bearded face of Mr. Dimmidge, lit up by a smile, but

beside it the beaming, buxom face of Mrs. Dimmidge, overflowing with

good-humor. Still a little sore from his past experience, he was about

to address them abruptly, when he was utterly vanquished by the hearty

pressure of their hands and the unmistakable look of gratitude in their

eyes.

“I was just saying to 'Lizy Jane,” began Mr. Dimmidge breathlessly,

“if I could only meet that young man o' the 'Clarion' what brought us

together again”--

“You'd be willin' to pay four times the amount we both paid him,”

interpolated the laughing Mrs. Dimmidge.

“But I didn't bring you together,” burst out the dazed young man, “and

I'd like to know, in the name of Heaven, what brought you together now?”

“Don't you see, lad,” said the imperturbable Mr. Dimmidge, “'Lizy Jane

and myself had qua'lled, and we just unpacked our fool nonsense in your

paper and let the hull world know it! And we both felt kinder skeert and

shamed like, and it looked such small hogwash, and of so little account,

for all the talk it made, that we kinder felt lonely as two separated

fools that really ought to share their foolishness together.”

“And that ain't all,” said Mrs. Dimmidge, with a sly glance at her

spouse, “for I found out from that 'Personal' you showed me that this

particular old fool was actooally jealous!--JEALOUS!”

“And then?” said the editor impatiently.

“And then I KNEW he loved me all the time.”

THE SECRET OF SOBRIENTE'S WELL

Even to the eye of the most inexperienced traveler there was no doubt

that Buena Vista was a “played-out” mining camp. There, seamed and

scarred by hydraulic engines, was the old hillside, over whose denuded

surface the grass had begun to spring again in fitful patches; there

were the abandoned heaps of tailings already blackened by sun and rain,

and worn into mounds like ruins of masonry; there were the waterless

ditches, like giant graves, and the pools of slumgullion, now dried into

shining, glazed cement. There were two or three wooden “stores,” from

which the windows and doors had been taken and conveyed to the newer

settlement of Wynyard's Gulch. Four or five buildings that still were

inhabited--the blacksmith's shop, the post-office, a pioneer's

cabin, and the old hotel and stage-office--only accented the general

desolation. The latter building had a remoteness of prosperity far

beyond the others, having been a wayside Spanish-American posada, with

adobe walls of two feet in thickness, that shamed the later shells of

half-inch plank, which were slowly warping and cracking like dried pods

in the oven-like heat.

The proprietor of this building, Colonel Swinger, had been looked

upon by the community as a person quite as remote, old-fashioned, and

inconsistent with present progress as the house itself. He was an old

Virginian, who had emigrated from his decaying plantation on the James

River only to find the slaves, which he had brought with him, freed men

when they touched Californian soil; to be driven by Northern progress

and “smartness” out of the larger cities into the mountains, to fix

himself at last, with the hopeless fatuity of his race, upon an already

impoverished settlement; to sink his scant capital in hopeless shafts

and ledges, and finally to take over the decaying hostelry of Buena

Vista, with its desultory custom and few, lingering, impecunious guests.

Here, too, his old Virginian ideas of hospitality were against his

financial success; he could not dun nor turn from his door those

unfortunate prospectors whom the ebbing fortunes of Buena Vista had left

stranded by his side.

Colonel Swinger was sitting in a wicker-work rocking-chair on the

veranda of his hotel--sipping a mint julep which he held in his hand,

while he gazed into the dusty distance. Nothing could have convinced him

that he was not performing a serious part of his duty as hotel-keeper

in this attitude, even though there were no travelers expected, and the

road at this hour of the day was deserted. On a bench at his side Larry

Hawkins stretched his lazy length,--one foot dropped on the veranda,

and one arm occasionally groping under the bench for his own tumbler

of refreshment. Apart from this community of occupation, there was

apparently no interchange of sentiment between the pair. The silence

had continued for some moments, when the colonel put down his glass and

gazed earnestly into the distance.

“Seein' anything?” remarked the man on the bench, who had sleepily

regarded him.

“No,” said the colonel, “that is--it's only Dick Ruggles crossin' the

road.”

“Thought you looked a little startled, ez if you'd seen that ar

wanderin' stranger.”

“When I see that wandering stranger, sah,” said the colonel decisively,

“I won't be sittin' long in this yer chyar. I'll let him know in about

ten seconds that I don't harbor any vagrants prowlin' about like poor

whites or free niggers on my propahty, sah!”

“All the same, I kinder wish ye did see him, for you'd be settled in

YOUR mind and I'd be easier in MINE, ef you found out what he was doin'

round yer, or ye had to admit that it wasn't no LIVIN' man.”

“What do you mean?” said the colonel, testily facing around in his

chair.

His companion also altered his attitude by dropping his other foot

to the floor, sitting up, and leaning lazily forward with his hands

clasped.

“Look yer, colonel. When you took this place, I felt I didn't have no

call to tell ye all I know about it, nor to pizen yer mind by any darned

fool yarns I mout hev heard. Ye know it was one o' them old Spanish

haciendas?”

“I know,” said the colonel loftily, “that it was held by a grant from

Charles the Fifth of Spain, just as my propahty on the James River was

given to my people by King James of England, sah!”

“That ez as may be,” returned his companion, in lazy indifference;

“though I reckon that Charles the Fifth of Spain and King James of

England ain't got much to do with what I'm goin' to tell ye. Ye see, I

was here long afore YOUR time, or any of the boys that hev now cleared

out; and at that time the hacienda belonged to a man named Juan

Sobriente. He was that kind o' fool that he took no stock in mining.

When the boys were whoopin' up the place and finding the color

everywhere, and there was a hundred men working down there in the gulch,

he was either ridin' round lookin' up the wild horses he owned, or

sittin' with two or three lazy peons and Injins that was fed and looked

arter by the priests. Gosh! now I think of it, it was mighty like YOU

when you first kem here with your niggers. That's curious, too, ain't

it?”

He had stopped, gazing with an odd, superstitious wonderment at the

colonel, as if overcome by this not very remarkable coincidence.

The colonel, overlooking or totally oblivious to its somewhat

uncomplimentary significance, simply said, “Go on. What about him?”

“Well, ez I was sayin', he warn't in it nohow, but kept on his reg'lar

way when the boom was the biggest. Some of the boys allowed it was

mighty oncivil for him to stand off like that, and others--when he

refused a big pile for his hacienda and the garden, that ran right into

the gold-bearing ledge--war for lynching him and driving him outer the

settlement. But as he had a pretty darter or niece livin' with him,

and, except for his partickler cussedness towards mining, was kinder

peaceable and perlite, they thought better of it. Things went along like

this, until one day the boys noticed--particklerly the boys that had

slipped up on their luck--that old man Sobriente was gettin' rich,--had

stocked a ranch over on the Divide, and had given some gold candlesticks

to the mission church. That would have been only human nature and

business, ef he'd had any during them flush times; but he hadn't. This

kinder puzzled them. They tackled the peons,--his niggers,--but it was

all 'No sabe.' They tackled another man,--a kind of half-breed Kanaka,

who, except the priest, was the only man who came to see him, and was

supposed to be mighty sweet on the darter or niece,--but they didn't

even get the color outer HIM. Then the first thing we knowed was that

old Sobriente was found dead in the well!”

“In the well, sah!” said the colonel, starting up. “The well on my

propahty?”

“No,” said his companion. “The old well that was afterwards shut up.

Yours was dug by the last tenant, Jack Raintree, who allowed that he

didn't want to 'take any Sobriente in his reg'lar whiskey and water.'

Well, the half-breed Kanaka cleared out after the old man's death, and

so did that darter or niece; and the church, to whom old Sobriente had

left this house, let it to Raintree for next to nothin'.”

“I don't see what all that has got to do with that wandering tramp,”

said the colonel, who was by no means pleased with this history of his

property.

“I'll tell ye. A few days after Raintree took it over, he was lookin'

round the garden, which old Sobriente had always kept shut up agin

strangers, and he finds a lot of dried-up 'slumgullion' * scattered all

about the borders and beds, just as if the old man had been using it for

fertilizing. Well, Raintree ain't no fool; he allowed the old man wasn't

one, either; and he knew that slumgullion wasn't worth no more than mud

for any good it would do the garden. So he put this yer together with

Sobriente's good luck, and allowed to himself that the old coyote had

been secretly gold-washin' all the while he seemed to be standin' off

agin it! But where was the mine? Whar did he get the gold? That's what

got Raintree. He hunted all over the garden, prospected every part of

it,--ye kin see the holes yet,--but he never even got the color!”

* That is, a viscid cement-like refuse of gold-washing.

He paused, and then, as the colonel made an impatient gesture, he went

on.

Mr. Jack Hamlin's Mediation · 第 9 / 12 段