The people in the Abbey discovered that Mary Glenday was entirely

changed. Her cheek became blanched, and her blue eyes dim; while her

general appearance was that of a person labouring under a consumption.

She was seldom seen going out, except to church; and even there she

never looked up. Many questions were put to her, as to the cause of her

dejection, but no satisfactory answers could be got from her. Towards

her father, her kindness continued. It was indeed a kindness altogether

overdone--the result of a wish to heap attentions on him, as if from a

morbid fear that he would not long be preserved to receive or she to

impart them. William Glenday was extremely pained by the change which

had taken place on his daughter. He could not go out without producing

terror in her mind. She was even at times seen following him; and, when

he would turn round and perceive her, she would, as if caught and

ashamed, slip out of his sight. If any person knocked at the door, she

trembled; and if a question was put to her, as to where her father was,

her answer was so confused, that very often the inquirer was obliged to

go away without the information sought. If any one approached the place

where the sword hung, she betrayed uneasiness; and, on one occasion, one

of the grooms under her father having taken down the sword to look at

it, she fainted. She never allowed her father to wear the coat he had on

that night when the murder was committed; and, when he asked for it, she

said she could not find it, although it was carefully secreted in one of

her drawers.

This state of mind in the unhappy girl was not unknown to Giulio

Massetto. He observed her changed appearance, and was well pleased to

hear that there was at present no great likelihood of a union between

her and John Connal. He was observed often to be watching about the door

of the house; and his bold and blustering manner towards John, and his

readiness to speak in his presence about Mary, betrayed a kind of

triumph, mixed with a hope that he might yet succeed where his most

ardent wishes still pointed. He had the boldness, indeed, one day to

make up to her, as she came from church; but she shrank away from him,

and left him in conversation with her father, who still kept on friendly

terms with him.

William Glenday took every method of dispelling his daughter's

melancholy. He proposed, one afternoon, a walk to Duddingston, which she

reluctantly agreed to. They set off accordingly, and visited an

acquaintance who resided there. After they had been there for some time,

a messenger, on horseback, and holding another horse, saddled and

bridled, in his hand, inquired at the door if William Glenday was

within. Mary heard the question, and, having seen the messenger and the

horses from the window, rushed out, and cried that her father was not

within. Her manner betrayed the utmost agitation. She endeavoured to

prevent the servant from stating that William Glenday was in the house;

and it was not until her father, who heard the noise, came out, that the

messenger could know what was the truth. The people of the house could

not account for her conduct on any other principle than that she was

deranged. The messenger bore a request that William Glenday should

instantly repair to the palace; and having committed Mary to the charge

of his friends, he departed.

Mary returned home in the evening. The weather was calm and delightful,

and the sun was setting in that fine amber-coloured radiance, which, in

Scotland, is often so remarkable on an autumn evening. Wearied by her

day's fatigues, she sat down to rest herself. A train of images rose in

her mind, which took away all perception of time, or of the increasing

shades of evening that gradually closed over her. In the midst of her

reverie, she was suddenly startled by a human voice. It was that of

Giulio Massetto.

"Anima mia!" cried the Italian, when he saw her. "Mary Glenday here, on

the brow of the hill, in the gloom of approaching night! Io Godo! Io

Godo! I am well pleased. And now we shall, if it please thee, have some

conversation on a subject which, notwithstanding thy coldness, still

lies next my heart. Thou knowest how I love thee, my sweet Mary; and I

am well pleased to know that thou hast discarded thy old lover, Connal,

who was not, indeed, worthy of the love of such a maiden. Thy father I

shall yet appease and persuade, if thou wilt but answer to my love." And

he held out his hands to embrace her.

"Stand back, sir," said the indignant Mary. "The power does not exist on

this earth that can e'er mak Mary Glenday love Giulio Massetto; and

Heaven winna interfere in sic an affair. I hae tauld ye aften--and this,

I hope, will be the last time--that it is waur than useless to persevere

in a suit which I can ne'er gie ony favour or countenance to. Ye may

perceive, sir, that I am very far frae being in a guid state o' bodily

health; the bloom has gane frae my cheek, and sorrow has flung her

gloomy mantle owre the heart whar joy loved ance to dwell. Ye may, if it

be yer pleasure, continue to persecute ane wha ne'er wranged ye--ye may

shake doun the few lingering grains that remain in the sand-glass o' my

life, and hasten the end o' a miserable existence. Ye may do a' this,

sir; and when ye hae dune it, what will ye hae accomplished? When ye see

the green turf lying on the grave ye hae helped to dig, will that be ony

cause o' pride, or exultation, or thanksgiving? If it will, or if it

can, then I truly say that the heart o' an Italian is no like that o' a

Scotsman. Let me gang, sir, or I will wauken the spirit o' this place

wi' the cries o' a determined and desperate woman."

"I cry thee mercy, maiden," replied Giulio, perfectly unmoved, except by

hurt pride and bitterness. "I'osservo something troubles thee, and thou

makest that a reason for rejecting my love; but what wouldst thou say if

Giulio Massetto, whom thou despisest so much, could tell thee of the

cause of thy illness. It is sometimes more easy to take the grief from

the heart of an unwilling maiden, than to wash the gore from a sword, or

from a garment which has been drenched in the heart's blood of a

friend."

These words operated like lightning on the unhappy Mary. She intuitively

fell on her knees, clasped the Italian's legs, clinging to them with the

grasp of death--struggled for breath and power to speak, and

convulsively screamed, "Tak--tak back thae words, and tell me that ye

never uttered them--say that ye didna see me wash the sword, and scoor

it, and hang it up i' my faither's room--say that I didna wash the

bluid frae my faither's coat, and dry it at the fire--say that,

and--and--Mary Glenday will----"

"What?" said the cold-blooded Italian; "wilt thou become my wife?" These

words recalled Mary's wandering senses, but only to consign them to the

power of exhausted nature. She fell senseless at the feet of her

perfidious persecutor. Approaching footsteps were at this instant heard,

which caused the Italian to retreat; and, when Mary recovered, she found

herself in the arms of her father, who led her slowly home.

When examined by her father, Mary pretended that some unknown person had

surprised her on the hill. Her father stated that he thought he

perceived Giulio Massetto part from her when he came up. To this she

gave no very distinct answer, pretending that she was not very sure

whether it was Giulio or not. This was not at all satisfactory to her

father, because he was aware that she had fainted in consequence of the

violence of the person who had suddenly left her on his approach; and if

Giulio had been the individual, she could not have failed to know him.

He felt unwilling, however, to press his daughter farther, because she

seemed quite incapable of supporting any lengthened conversation on this

subject, which seemed to be one of great pain to her.

The weight upon the mind of Mary increased; for she was now overcome by

a feeling of total dependence upon the will of another. The depression

of spirits produced by this accession to her disquietude acted with

increased force on her frame, which daily became more attenuated. It was

observed that she now ceased entirely from speaking of Giulio Massetto

with disrespect or anger. When his name was mentioned, she was

spell-bound and silent. One night a noise was heard at the window, as if

some person had tapped at it in a peculiar and concerted way. William

Glenday looked at his daughter, and asked what it was; she replied it

was rats, and that she had heard the sound often. In a short interval,

however, she arose from her seat, and signified to her father that she

had occasion to leave the house for a few minutes. The latter asked her

whither she intended to go, adding, that, in her present weak state, she

had better remain in the house. She replied, she was just going to visit

a neighbour; and her father not having suspected any connection between

the sound at the window and the departure of his daughter, offered no

further opposition to her expressed wish.

It was about ten o'clock when Mary went out; eleven struck, and she was

no yet come home. William Glenday became alarmed, and sent to inquire if

she was in the neighbour's house she had mentioned. The servant came

back, and informed him that she had not called there for many months.

This increased her father's alarm, and he ran immediately over to the

house of John Connal, to inquire if she was there. John said that he had

not seen her for some days; but his affection for her suggested stronger

dread than that felt even by her father; and seizing his hat, he rushed

out of the house to search for the object nearest to his heart. On going

round the King's Park, he thought he observed two people standing in the

shadow of a house at the corner of the clump of trees, called at that

time the "King's Orchard." On coming nearer, he heard the voice of

Giulio Massetto, and then that of Mary Glenday. He was struck with

intense agony. Could it be that he was now, in his turn, the

unsuccessful rival of the Italian? Everything indicated that fact; and

his fancy, fired by jealousy, now saw distinctly the reason why Mary

would not consent to name another day for their marriage. Her statements

about the murder of his father were used as a device to get quit of her

obligation and pledge to him, and leave her at liberty to wed his rival.

Her bad health was produced by the intensity of a new passion, and the

struggle between conscience and inclination. Her distress, on being

surprised by her father on the night of their visit to Duddingston, was

all affectation; for, as her father himself had stated, she had been in

the company of the Italian, and wished to conceal it.

Stung to the heart by this supposed baseness on the part of his lover,

John went forward, determined that either he or Giulio should die on the

spot. Before he came up, however, the pair separated--the Italian going

one way, and Mary another. John followed Mary, and overtook her.

"Is that you, Mary Glenday?" he cried. "What are ye doing here at this

time o' nicht?"

"O John, dinna ask me what I'm doing here," answered Mary; "but let me

get hame, where I hae mair need to be than in this place at sic an

untimous hour."

"Why are ye here, then, Mary?" said John, with asperity.

"Because I have need to be here," answered she. "And if ye love me,

dinna, for heaven's sake, ask me ony mair aboot it."

"Had Giulio, the Italian, need to be here too?" asked John,

significantly.

"I winna answer that question, John," answered Mary, "nor ony ither ye

may put to me. I can only say, that, if ye wish to add to the misery o'

ane wha loves ye wi' a' the force o' a breakin heart--wha is worn down

to the weakness o' a silly thread, by what she canna reveal to

mortal--ye hae it in yer power noo to snap it asunder, and send yer ain

Mary to sleep wi' yer murdered faither, in the Canongate kirkyard. Speak

but ane or twa mair o' thae sharp words ye hae noo spoken, and ye will

hae nae mair to do. I hae only to beg, that if ye love me, ye will say

naething o' what ye hae seen or heard this nicht. The chough and the

craw are gane to their rest--gae awa to yours; and, as they were

heedless o' what was said and heard by me as I stood yonder under their

sheltering tree, be ye equally heedless and equally mute. Nae mair. The

life o' Mary Glenday depends on yer discretion!"

As she said these words, she beckoned to John not to go with her. She

went in the direction of home; and he, with a heavy heart, stung with

jealousy--and yet satisfied by her extraordinary conduct that there was

something unexplained, feeling himself bound to conceal his emotions and

obey her commands--went home also.

In the morning, William Glenday called at John's house, to inquire if he

had seen Mary on the previous night. She had been, he said, late in

returning--her spirits were getting worse, her health fast declining,

and everything indicated some mental disease, or some secret of an

extraordinary character, preying upon her mind. John denied having seen

her, and gave a confused assent to what her father stated. This account

did not agree with that given by Mary, who had said that she saw John

Connal on the previous night. William Glenday became, in his turn,

suspicious of John, and now began to think that he was acting

dishonourably by his daughter--a circumstance that would, of itself,

account for her state of health and spirits. He, however, said nothing,

and departed.

Two nights afterwards, when William Glenday returned home about ten

o'clock at night, he was told that Mary had gone out; and the servant

said she thought there was some strange noise at the window before she

departed. Her father was now satisfied that she had left the house to

meet John, and resolved to go himself and ascertain the truth of his

suspicions. He went and called at John's house; and having found that he

had not yet come in, went away to the darkest parts of the

neighbourhood, to see if he could discover whither they had gone. He had

not proceeded far when he met two men carrying a female. This was his

daughter, in a state of insensibility. She was supported by John and

another person. They conveyed her to the house; and having applied some

stimulants, she recovered. William Glenday, with much asperity, blamed

young Connal for not acting honourably towards his daughter, whose

affections he said he was trampling on. The other defended himself as

far as he could, without betraying Mary. He said he had met the stranger

bearing her in his arms, and that he assisted him merely in carrying her

homewards. The stranger, on his part, said he belonged to Leith, and

that, as he went along by the entry from the south back of the Canongate

to the Abbey, he saw the young woman standing with a man--that she was

supplicating him not to do something which he threatened to do;

whereupon he said, in a threatening and angry tone, that, unless she

yielded to him within an hour, he would lodge an information the next

day; and he swore that he would fulfil his threat. On his swearing, the

young girl fell into a swoon; and her companion suddenly disappeared on

seeing the narrator come up to her assistance. William Glenday could

make nothing of this story, and Mary refused to say anything in

explanation.

On the following day, two officers called at William Glenday's house,

and showed him a warrant for his apprehension upon a charge for the

murder of Peter Connal. Mary heard the statement of the men, and went

again into a swoon. When she recovered, her father had been taken to

prison.

A precognition was now led by the crown lawyers. Giulio Massetto was

examined, and stated that, on the night of the murder, he saw Mary

Glenday pick up a sword, which she found lying on the ground near the

place where Peter Connal was slain; that he afterwards saw her, through

the window, washing the blood from her father's sword and coat.

Glenday's servant was next examined, who stated that she saw Mary

washing the sword and her father's coat, by looking through the key-hole

of the door. Mary was next called; but she refused to say anything

against her father; and she was not pressed. Several witnesses,

however, were examined, who asserted that a quarrel took place between

Peter Connal and William Glenday, on the day of the murder, respecting

the amount of the tocher which Peter's son was to get from William

Glenday with his daughter. This evidence the crown-officers conceived to

be very strong, and nothing that the prisoner could say tended to affect

it. The gentleman to whom, on the night that the murder was perpetrated,

he said he conveyed the hound, was a Frenchman, then living at Leith,

who wished to introduce a breed into France, for which country he had

departed. He therefore could not prove an _alibi_. In addition to all

this, the sword itself was produced, and a coat was found in Mary's

cabinet, which presented all the appearances of having been washed. It

was proved, too, that her father was never seen to wear that coat; and

the groom referred to in a previous part of this narrative, said that

Mary Glenday had nearly fainted one day when he took down the sword to

look at it.

As the evidence gradually transpired and came to the ears of Mary, the

effect produced upon her was of a character so intense, that no person

thought she could support life under its influence. A series of swoons

for many days seemed to divide her life with death. Her nerves suffered

alternations of high excitement and the lowest depression; and, at

times, her screams were heard far from the house, and by passengers

going along the street. In quieter moments, she cried for Giulio

Massetto, and said she would now consent to his conditions. The people

around her conceived she was raving, and paid no attention to her wild

request; though they could not restrain their tears, when they thought

of the extraordinary fate of the unfortunate girl. Her early and

romantic love for John Connal--the interruption of her marriage by the

death of her intended father-in-law--her sufferings under the terror,

very far from being causeless, that her father would expiate on the

scaffold the crime of murdering her lover's parent;--these things

became topics of ordinary conversation, and brought tears to the eyes of

many; but no one on earth knew all the sufferings of Mary Glenday. Her

restless nights--her frightful dreams--her cold shivering fears, real

and imaginary--her dependence on the word of a villain for the life of a

parent--the conduct she was obliged to pursue towards her lover, for

whom her affection had not diminished--and the nervous state of body

into which she had fallen, formed a load of misery which would have

bowed the head of an ordinary mortal to the grave.

Nor was the poor maiden now far from that place of rest. No extenuating

evidence could be procured for her father, and the trial was fixed to

take place within a fortnight. Every day of this period brought her more

near to the termination of a mortal's career. She gradually sank to the

last stage of life. The medical gentleman who attended her saw that she

could not survive the period of the trial. John Connal was continually

by her bedside. He had forgotten and forgiven all; though he had not got

a proper explanation of her mysterious conduct. A faint glimmering of

light, however, found its way into his mind; but any hope produced by it

was in a moment clouded by the dreadful thought, that she had all along

suspected her father to be the murderer of his parent, and had even

taken means to conceal it, if she did not, by washing the sword and her

father's coat, absolutely approve of it. When these thoughts came across

young Connal's mind, he flew from the object of his love, beating his

breast in agony; but pity again recalled him; and between so many

conflicting passions, he was next to being a madman.

One night he had been sitting with her to a late hour. She was too far

reduced to enter into anything like conversation--a few words being all

that ever passed; and these were of the most ominous character. After a

long pause, and when she seemed to be occupied with thoughts of her

approaching death, she started up in an instant, and laid hold of John,

who was sitting by her bedside. "Ken ye Mary Gray, John?" she cried,

with a wild scream--"ken ye that woman that is ca'ed Mary's Marion?"

"I do," answered John; "what aboot her, my dear Mary?"

"Awa to her!" she cried--"awa to her! wi' the flicht o' light. A thocht

has come into my head--why has it been sae lang o' comin? Ask her if she

threw ony bluid on my faither's coat on that awfu nicht when yer faither

was murdered?"

With the effort produced by speaking these words, she fell back

exhausted. John went in search of Mary Gray. She was not in the house;

but a young girl told him that she had met her with a man in the

Hunter's Bog. He hurried away to that lonely place. It was now dark, but

the night was quiet; and, though he could not see far, he could hear

with the greatest distinctness. About the middle of the glen, he heard

two persons engaged in conversation.

"For the twa gowd pieces ye gied to me," said a woman, "for assistin ye

in the matter o' fat Peter's death, I dinna thank ye, Giulio, because I

wrocht for it! Hang ye for an Italian dog! do ye think that Scotch

lasses are sae blate as to forget their bargains! Na, na--I hae got

naething frae ye for this last fortnicht, and I'm this nicht in want--so

gie me the silver pieces ye are awin me."

"It is neither gold nor silver that insolence will get out of an

Italian, Mary Gray," said Giulio. "It is another metal that he gives--at

least to a male."

"And did puir Peter Connal," answered she, "gie ye ony insolence when ye

slew him sae unmercifully wi' William Glenday's sword, that ye got me to

steal for ye frae his house, as if ye hadna had ane o' yer ain."

"Yes," answered the Italian. "He was insolent to me when he abused my

master, calling him an Italian piper, and saying he should be hanged for

his services to our gracious queen."

"And wherefore did ye put the crime on William Glenday," asked Mary, "by

using his sword, and getting me to throw bluid on the puir man's coat

when he passed my hoose?"

"Because," said Giulio, "he was also insolent to me. He refused me his

daughter--taunted me about my money, my speech, and my country. Besides,

I wished to stop his daughter's marriage with John Connal, which the

suspicion attaching to him could not fail to do. I was, besides, freed

from any suspicion of doing the deed myself. Other circumstances arose

from chance, favourable to me; for I did not count upon Mary's secreting

the sword, and washing her father's coat, which thou knowest has come

out in evidence against her."

"And it is a strange thing, Giulio," said she, "seeing that yer life is

in my hands, that ye should treat me as ye are noo doin, denyin me the

silver piece sae justly due to me. Are ye no feared I gang up the street

yonder, to the council chaumer, and mak a contract atween you and the

black knave wha hugs his freends sae closely aboot the craig?"

"Thy life would answer for it," said Giulio, sternly.

"And what would Mary's Marion," answered she, "care for a spark, whilk

only noo throws oot a glimmer to show her her shame?"

"Thou jokest, I presume," answered Giulio.

"I will tell ye that," answered Mary, "when I get my silver piece. Tempt

nae mair the wrath o' an angry woman, wha has only to say the word that

will mak yer feet dance i' the air, to a tune o' your ain whistling. It

winna be Davie Rizzio that will save ye if Mary says the word."

The Italian struck the woman violently, who fell, uttering a loud

scream. As John Connal rushed forward, Giulio fled, pursued by the

threats and imprecations of Mary, who, upon returning, was grateful to

John for delivering her from his violence.

Next day Mary Gray was examined by the procurator-fiscal. She gave a

detailed account of Giulio's having bribed her to steal William

Glenday's sword; and afterwards, when he had killed Peter Connal, to

throw blood on Glenday's coat as he passed her door. John Connal gave

next his account of the conversation he had heard between the Italian

and Mary Gray. Other witnesses were examined to prove Giulio's quarrel

with Peter, and also with William Glenday; and one man stated, that when

Giulio joined the people who were rushing out of the palace to see the

fray, he seemed to approach them at an angle, as if he had not come

direct from the palace. In addition to all this, Mary Glenday, who was

examined in bed, gave a satisfactory account of her actings, as they

have been already detailed.

The aspect of matters was now changed. William Glenday was liberated,

and the Italian put in his place. He was afterwards tried, condemned,

and hanged. Mary Glenday recovered, and explained everything to the

satisfaction of her lover to whom she was afterwards married.

THE RESTORED SON.

Wilson's Tales of the Borders and of Scotland, Volume 14 · 第 13 / 21 段