NATURE IN ENGLAND

I

The first whiff we got of transatlantic nature was the peaty breath of

the peasant chimneys of Ireland while we were yet many miles at sea.

What a homelike, fireside smell it was! it seemed to make something long

forgotten stir within one. One recognizes it as a characteristic Old

World odor, it savors so of the soil and of a ripe and mellow antiquity.

I know no other fuel that yields so agreeable a perfume as peat. Unless

the Irishman in one has dwindled to a very small fraction, he will be

pretty sure to dilate his nostrils and feel some dim awakening of memory

on catching the scent of this ancestral fuel. The fat, unctuous

peat,--the pith and marrow of ages of vegetable growth,--how typical it

is of much that lies there before us in the elder world; of the slow

ripenings and accumulations, of extinct life and forms, decayed

civilizations, of ten thousand growths and achievements of the hand and

soul of man, now reduced to their last modicum of fertilizing mould!

With the breath of the chimney there came presently the chimney swallow,

and dropped much fatigued upon the deck of the steamer. It was a still

more welcome and suggestive token,--the bird of Virgil and of

Theocritus, acquainted with every cottage roof and chimney in Europe,

and with the ruined abbeys and castle walls. Except its lighter-colored

breast, it seemed identical with our barn swallow; its little black cap

appeared pulled down over its eyes in the same manner, and its glossy

steel-blue coat, its forked tail, its infantile feet, and its cheerful

twitter were the same. But its habits are different; for in Europe this

swallow builds in chimneys, and the bird that answers to our chimney

swallow, or swift, builds in crevices in barns and houses.

We did not suspect we had taken aboard our pilot in the little swallow,

yet so it proved: this light navigator always hails from the port of

bright, warm skies; and the next morning we found ourselves sailing

between shores basking in full summer sunshine. Those who, after ten

days of sorrowing and fasting in the desert of the ocean, have sailed up

the Frith of Clyde, and thence up the Clyde to Glasgow, on the morning

of a perfect mid-May day, the sky all sunshine, the earth all verdure,

know what this experience is; and only those can know it. It takes a

good many foul days in Scotland to breed one fair one; but when the

fair day does come, it is worth the price paid for it. The soul and

sentiment of all fair weather is in it; it is the flowering of the

meteorological influences, the rose on this thorn of rain and mist.

These fair days, I was told, may be quite confidently looked for in May;

we were so fortunate as to experience a series of them, and the day we

entered port was such a one as you would select from a hundred.

The traveler is in a mood to be pleased after clearing the Atlantic

gulf; the eye in its exuberance is full of caresses and flattery, and

the deck of a steamer is a rare vantage-ground on any occasion of

sight-seeing; it affords just the isolation and elevation needed. Yet

fully discounting these favorable conditions, the fact remains that

Scotch sunshine is bewitching, and that the scenery of the Clyde is

unequaled by any other approach to Europe. It is Europe, abridged and

assorted and passed before you in the space of a few hours,--the

highlands and lochs and castle-crowned crags on the one hand; and the

lowlands, with their parks and farms, their manor halls and matchless

verdure, on the other. The eye is conservative, and loves a look of

permanence and order, of peace and contentment; and these Scotch shores,

with their stone houses, compact masonry, clean fields, grazing herds,

ivied walls, massive foliage, perfect roads, verdant mountains, etc.,

fill all the conditions. We pause an hour in front of Greenock, and

then, on the crest of the tide, make our way slowly upward. The

landscape closes around us. We can almost hear the cattle ripping off

the lush grass in the fields. One feels as if he could eat grass

himself. It is pastoral paradise. We can see the daisies and buttercups;

and from above a meadow on the right a part of the song of a skylark

reaches my ear. Indeed, not a little of the charm and novelty of this

part of the voyage was the impression it made as of going afield in an

ocean steamer. We had suddenly passed from a wilderness of waters into a

verdurous, sunlit landscape, where scarcely any water was visible. The

Clyde, soon after you leave Greenock, becomes little more than a large,

deep canal, inclosed between meadow banks, and from the deck of the

great steamer only the most charming rural sights and sounds greet you.

You are at sea amid verdant parks and fields of clover and grain. You

behold farm occupations--sowing, planting, plowing--as from the middle

of the Atlantic. Playful heifers and skipping lambs take the place of

the leaping dolphins and the basking swordfish. The ship steers her way

amid turnip-fields and broad acres of newly planted potatoes. You are

not surprised that she needs piloting. A little tug with a rope at her

bow pulls her first this way and then that, while one at her stern

nudges her right flank and then her left. Presently we come to the

ship-building yards of the Clyde, where rural, pastoral scenes are

strangely mingled with those of quite another sort. "First a cow and

then an iron ship," as one of the voyagers observed. Here a pasture or a

meadow, or a field of wheat or oats, and close beside it, without an

inch of waste or neutral ground between, rise the skeletons of

innumerable ships, like a forest of slender growths of iron, with the

workmen hammering amid it like so many noisy woodpeckers. It is doubtful

if such a scene can be witnessed anywhere else in the world,--an

enormous mechanical, commercial, and architectural interest, alternating

with the quiet and simplicity of inland farms and home occupations. You

could leap from the deck of a half-finished ocean steamer into a field

of waving wheat or Winchester beans. These vast shipyards appear to be

set down here upon the banks of the Clyde without any interference with

the natural surroundings of the place.

Of the factories and foundries that put this iron in shape you get no

hint; here the ships rise as if they sprouted from the soil, without

waste or litter, but with an incessant din. They stand as thickly as a

row of cattle in stanchions, almost touching each other, and in all

stages of development. Now and then a stall will be vacant, the ship

having just been launched, and others will be standing with flags flying

and timbers greased or soaped, ready to take to the water at the word.

Two such, both large ocean steamers, waited for us to pass. We looked

back, saw the last block or wedge knocked away from one of them, and the

monster ship sauntered down to the water and glided out into the current

in the most gentle, nonchalant way imaginable. I wondered at her slow

pace, and at the grace and composure with which she took to the water;

the problem nicely studied and solved,--just power enough, and not an

ounce to spare. The vessels are launched diagonally up or down stream,

on account of the narrowness of the channel. But to see such a brood of

ships, the largest in the world, hatched upon the banks of such a placid

little river, amid such quiet country scenes, is a novel experience. But

this is Britain,--a little island, with little lakes, little rivers,

quiet, bosky fields, but mighty interests and power that reach round the

world. I was conscious that the same scene at home would have been less

pleasing. It would not have been so compact and tidy. There would not

have been a garden of ships and a garden of turnips side by side;

haymakers and shipbuilders in adjoining fields; milch-cows and iron

steamers seeking the water within sight of each other. We leave wide

margins and ragged edges in this country, and both man and nature sprawl

about at greater lengths than in the Old World.

For the rest I was perhaps least prepared for the utter tranquillity,

and shall I say domesticity, of the mountains. At a distance they appear

to be covered with a tender green mould that one could brush away with

his hand. On nearer approach it is seen to be grass. They look nearly as

rural and pastoral as the fields. Goat Fell is steep and stony, but even

it does not have a wild and barren look. At home, one thinks of a

mountain as either a vast pile of barren, frowning rocks and precipices,

or else a steep acclivity covered with a tangle of primitive forest

timber. But here, the mountains are high, grassy sheep-walks, smooth,

treeless, rounded, and as green as if dipped in a fountain of perpetual

spring. I did not wish my Catskills any different; but I wondered what

would need to be done to them to make them look like these Scotch

highlands. Cut away their forests, rub down all inequalities in their

surfaces, pulverizing their loose bowlders; turf them over, leaving the

rock to show through here and there,--then, with a few large black

patches to represent the heather, and the softening and ameliorating

effect of a mild, humid climate, they might in time come to bear some

resemblance to these shepherd mountains. Then over all the landscape is

that new look,--that mellow, legendary, half-human expression which

nature wears in these ancestral lands, an expression familiar in

pictures and in literature, but which a native of our side of the

Atlantic has never before seen in gross, material objects and open-air

spaces,--the added charm of the sentiment of time and human history, the

ripening and ameliorating influence of long ages of close and loving

occupation of the soil,--naturally a deep, fertile soil under a mild,

very humid climate.

There is an unexpected, an unexplained lure and attraction in the

landscape,--a pensive, reminiscent feeling in the air itself. Nature has

grown mellow under these humid skies, as in our fiercer climate she

grows harsh and severe. One sees at once why this fragrant Old World

has so dominated the affections and the imaginations of our artists and

poets: it is saturated with human qualities; it is unctuous with the

ripeness of ages, the very marrowfat of time.

Fresh Fields · 第 17 / 49 题