Hedwig watched his patient keenly. He suggested "Until----?"

But Dean's tense face relaxed. He had caught himself just in time.

"No, Doctor Hedwig. You must be right. It's overwork and nervousness,

as you say. If I believed what the Mexicans had told me about Morella

Godolfo--well, I'd be mad and a fool."

"Who is this Morella Godolfo? Some woman who has been filling you with

foolish tales?"

Dean smiled. "No need to worry about Morella. She was my

great-great-grand-aunt. She used to live in the San Pedro house and

started the legends, I think."

Hedwig had been scribbling on a slip of paper. "Well, I see, young man!

You heard these legends; your imagination ran riot; you dreamed. This

prescription will fix you up."

"Thanks."

Dean took the paper, lifted his hat from the table, and started for the

door. In the doorway he paused, smiling wryly.

"But you're not quite correct in thinking the legends started me

dreaming, Doctor. I began to dream before I learned the history of the

house."

And with that he went out.

* * * * *

Driving back to San Pedro, Dean tried to understand what had happened

to him. But always he came up against a blank wall of impossibility.

Any logical explanation wandered off into a tangle of fantasy. The one

thing he could not explain--which Doctor Hedwig had not been able to

explain--was the dreams.

The dreams started soon after he came into his legacy; this ancient

house north of San Pedro, which had so long stood deserted. The place

was picturesquely old, and that attracted Dean from the first. It had

been built by one of his ancestors when the Spaniards still ruled

California. One of the Deans--the name was Dena, then--had gone to

Spain and returned with a bride. Her name was Morella Godolfo, and it

was this long-vanished woman about whom all the subsequent legends

centered.

Even yet there were wrinkled, toothless Mexicans in San Pedro who

whispered incredible tales of Morella Godolfo--she who had never

grown old and who had a weirdly evil power over the sea. The Godolfos

had been among the proudest families of Granada, but furtive legends

spoke of their intercourse with the terrible Moorish sorcerers and

necromancers. Morella, according to these same hinted horrors, had

learned uncanny secrets in the black towers of Moorish Spain, and when

Dena had brought her as his bride across the sea she had already sealed

a pact with dark Powers and had undergone a _change_.

So ran the tales, and they further told of Morella's life in the old

San Pedro house. Her husband had lived for ten years or more after

the marriage, but rumors said that he no longer possessed a soul. It

is certain that his death was very mysteriously hushed up by Morella

Godolfo, who went on living alone in the great house beside the sea.

The whispers of the peons were hereafter monstrously augmented. They

had to do with the _change_ in Morella Godolfo; the sorcerous change

which caused her to swim far out to sea on moonlit nights so that

watchers saw her white body gleaming amidst the spray. Men bold enough

to gaze from the cliffs might catch glimpses of her then, sporting

with queer sea-creatures that gamboled about her in the black waters,

nuzzling her with shockingly deformed heads. These creatures were not

seals, or any known form of submarine life, it was averred; although

sometimes bursts of chuckling, gobbling laughter could be heard. It is

said that Morella Godolfo had swum out there one night, and that she

never came back. But thereafter the laughter was louder from afar, and

the sporting amidst the black rocks continued, so that the tales of the

early peons had been nourished down to the present day.

[Illustration: "Watchers saw her white body gleaming amidst the spray."]

Such were the legends known to Dean. The facts were sparse and

inconclusive. The old house had fallen into decrepitude, and was only

occasionally rented through the years. These rentals had been as short

as they were infrequent. There was nothing definitely wrong with the

house between White's Point and Point Fermin, but those who had lived

there said that the crashing of the surf sounded subtly different when

heard through windows that overlooked the sea, and, too, they dreamed

unpleasantly. Sometimes the occasional tenants had mentioned with

peculiar horror the moonlit nights, when the sea became altogether too

clearly visible. At any rate, occupants often vacated the house hastily.

Dean had moved in immediately after inheriting, because he had thought

the place ideal for painting the scenes he loved. He had learned the

legend and the facts behind it later, and by this time his dreams had

started.

At first they had been conventional enough, though, oddly, all centered

about the sea which he so loved. But it was not the sea he loved that

he knew in sleep.

The Gorgons lived in his dreams. Scylla writhed hideously across dark

and surging waters, where harpies flew screaming. Weird creatures

crawled sluggishly up from the black, inky depths where eyeless,

bloated sea-beasts dwelt. Gigantic and terrible leviathans leapt and

plunged, while monstrous serpents squirmed a strange obeisance to a

mocking moon. Foul and hidden horrors of the sea's depths engulfed him

in sleep.

This was bad enough, but it was only a prelude. The dreams began to

change. It was almost as though the first few formed a definite setting

for the greater terrors to come. From the mythic images of old sea-gods

another vision emerged. It was inchoate at first, taking definite form

and meaning very slowly over a period of several weeks. And it was this

dream which Dean now feared.

It had occurred generally just before he awoke--a vision of green,

translucent light, in which dark shadows swam slowly. Night after night

the limpid emerald glow grew brighter, and the shadows twisted into

a more visible horror. These were never clearly seen, although their

amorphous heads held a strangely repellent recognizable quality for

Dean.

Presently, in this dream of his, the shadow-creatures would move aside

as though to permit the passage of another. Swimming into the green

haze would come a coiling shape--whether similar to the rest or not

Dean could not tell, for his dream always ended there. The approach of

this last shape always caused him to awake in a nightmare paroxysm of

terror.

He dreamt of being somewhere under the sea, amidst swimming shadows

with deformed heads; and each night one particular shadow was coming

closer and closer.

* * * * *

Each day, now, when he awoke with the cold sea-wind of early dawn

blowing through the windows, he would lie in a lazy, languid mood

till long past daybreak. When he rose these days he felt inexplicably

tired, and he could not paint. This particular morning the sight of his

haggard face in the mirror had forced him to visit a physician. But

Doctor Hedwig had not been helpful.

Nevertheless Dean filled the prescription on the way home. A swallow of

the bitter, brownish tonic strengthened him somewhat, but as he parked

his car the feeling of depression settled down on him again. He walked

up to the house still puzzled and strangely afraid.

Under the door was a telegram. Dean read it with a puzzled frown.

JUST LEARNED YOU ARE LIVING IN SAN PEDRO HOUSE STOP VITALLY

IMPORTANT YOU VACATE IMMEDIATELY STOP SHOW THIS CABLE TO DOCTOR

MAKOTO YAMADA 17 BUENA STREET SAN PEDRO STOP AM RETURNING VIA

AIRPLANE STOP SEE YAMADA TODAY

The black kiss · 第 3 / 7 题