The painter said: "And you're still in the old place, Mr. Whitwell?"

"Yes, I like my own house. They've wanted me to come up here often

enough, but I'm satisfied where I am. It's quiet down there, and, when I

get through for the day, I can read. And I like to keep my family

together. Cynthy and Frank always sleep at home, and Jombateeste eats

with me. You remember Jombateeste?"

Westover had to say that he did not.

"Well, I don't know as you did see him much. He was that Canuck I had

helpin' me clear that piece over on Lion's Head for the pulp-mill;

pulp-mill went all to thunder, and I never got a cent. And sometimes

Jackson comes down with his plantchette, and we have a good time."

"Jackson still believes in the manifestations?"

"Yes. But he's never developed much himself. He can't seem to do much

without the plantchette. We've had up some of them old philosophers

lately. We've had up Socrates."

"Is that so? It must be very interesting."

Whitwell did not answer, and Westover saw his eye wander. He looked

round. Several ladies were coming across the grass toward him from the

hotel, lifting their skirts and tiptoeing through the dew. They called to

him, "Good-morning, Mr. Whitwell!" and "Are you going up Lion's Head

to-day?" and "Don't you think it will rain?"--"Guess not," said Whitwell,

with a fatherly urbanity and an air of amusement at the anxieties of the

sex which seemed habitual to him. He waited tranquilly for them to come

up, and then asked, with a wave of his hand toward Westover: "Acquainted

with Mr. Westover, the attist?" He named each of them, and it would have

been no great vanity in Westover to think they had made their little

movement across the grass quite as much in the hope of an introduction to

him as in the wish to consult Whitwell about his plans.

The painter found himself the centre of an agreeable excitement with all

the ladies in the house. For this it was perhaps sufficient to be a man.

To be reasonably young and decently good-looking, to be an artist, and an

artist not unknown, were advantages which had the splendor of

superfluity.

He liked finding himself in the simple and innocent American circumstance

again, and he was not sorry to be confronted at once with one of the most

characteristic aspects of our summer. He could read in the present

development of Lion's Head House all the history of its evolution from

the first conception of farm-board, which sufficed the earliest comers,

to its growth in the comforts and conveniences which more fastidious

tastes and larger purses demanded. Before this point was reached, the

boarders would be of a good and wholesome sort, but they would be people

of no social advantages, and not of much cultivation, though they might

be intelligent; they would certainly not be fashionable; five dollars a

week implied all that, except in the case of some wandering artist or the

family of some poor young professor. But when the farm became a

boarding-house and called itself a hotel, as at present with Lion's Head

House, and people paid ten dollars a week, or twelve for transients, a

moment of its character was reached which could not be surpassed when its

prosperity became greater and its inmates more pretentious. In fact, the

people who can afford to pay ten dollars a week for summer board, and not

much more, are often the best of the American people, or, at least, of

the New England people. They may not know it, and those who are richer

may not imagine it. They are apt to be middle-aged maiden ladies from

university towns, living upon carefully guarded investments; young

married ladies with a scant child or two, and needing rest and change of

air; college professors with nothing but their modest salaries; literary

men or women in the beginning of their tempered success; clergymen and

their wives away from their churches in the larger country towns or the

smaller suburbs of the cities; here and there an agreeable bachelor in

middle life, fond of literature and nature; hosts of young and pretty

girls with distinct tastes in art, and devoted to the clever young

painter who leads them to the sources of inspiration in the fields and

woods. Such people are refined, humane, appreciative, sympathetic; and

Westover, fresh from the life abroad where life is seldom so free as ours

without some stain, was glad to find himself in the midst of this

unrestraint, which was so sweet and pure. He had seen enough of rich

people to know that riches seldom bought the highest qualities, even

among his fellow-countrymen who suppose that riches can do everything,

and the first aspects of society at Lion's Head seemed to him Arcadian.

There really proved to be a shepherd or two among all that troop of

shepherdesses, old and young; though it was in the middle of the week,

remote alike from the Saturday of arrivals and the Monday of departures.

To be sure, there was none quite so young as himself, except Jeff Durgin,

who was officially exterior to the social life.

The painter who gave lessons to the ladies was already a man of forty,

and he was strongly dragoned round by a wife almost as old, who had taken

great pains to secure him for herself, and who worked him to far greater

advantage in his profession than he could possibly have worked himself:

she got him orders; sold his pictures, even in Boston, where they never

buy American pictures; found him pupils, and kept the boldest of these

from flirting with him. Westover, who was so newly from Paris, was able

to console him with talk of the salons and ateliers, which he had not

heard from so directly in ten years. After the first inevitable moment of

jealousy, his wife forgave Westover when she found that he did not want

pupils, and she took a leading part in the movement to have him read

Browning at a picnic, organized by the ladies shortly after he came.

The Landlord at Lion's Head — Volume 1 · 第 21 / 45 题