CHAPTER XIX.

THE JOYS.

“Why went that young life out

On honor’s perilous road?

The carping tongue and the jealous mind

Stay here to wound and goad.

“A picture once I saw--

Three crosses against the sky!

And the heaviest cross was the highest one;

Perhaps that answers why.”

Mrs. Doring was surprised and delighted at receiving a visit from the

Joys one evening. Having parted with everything that goes by the name

of property, they had come to New York to seek fortune on the dramatic

stage, both having talent and taste for mimic art. As joyful as ever,

they met their changed fortunes with their old-time merry laugh. Their

two children were in an excellent school, and the business now in hand

was seeking a chance to earn the money necessary to keep the machinery

of life moving for them all.

“Our time for looking about is somewhat limited,” said Burton, with

cheery humor, “as the cash box is not overflowing.”

“We shall find something,” said Lilla, with calm assurance.

“MUST,” said Mrs. Doring. “Must is a magnet. What we must have, we

always get.”

The difficult search began at once in dead earnest. Thousands had

walked the rough road before them, some of whom had found foothold, but

others by scores and hundreds had gone down in the city’s remorseless

maelstrom. It was like being wrecked in mid-ocean. Some managed to

seize a plank and keep afloat. Some spent their strength and sank

early. Others buffeted the waves long and bravely, only to go down at

last, a pitiful, a woful, a heart-breaking spectacle.

The animal known as the dramatic agent was an unknown quantity to

the Joys, hence they were not prepared for his peculiar antics.

Snubs, insults and sneers rained down upon them. Still they kept

on and still they wore cheerful faces, still the sunshine of their

hearts was unclouded--the heavenly sunshine that was rated as mere

empty-headedness by duller, coarser souls.

Days and weeks rolled on, for “time carries no anchor,” until the money

that constituted their plank on the city’s rough ocean was gone.

When talking with Cartice one evening, Lilla Joy said: “If we did not

_know_ that we outlast death and have endless life before us, Burton

and I would end our troubles and our children’s too, perhaps. It would

require less courage than we need for one day of life now. But we

_know_ that we can’t kill ourselves, however much we might try because

there is no death. In spite of bullets, knives, poisons and rivers, we

should still be alive, wondering, no doubt, why we were so blind as to

think we could destroy that which is indestructible. No; our salvation

must be worked out clear to the end, uncomplainingly. We are here to

learn, and must stay until we are ready to go higher. At the longest,

our probation is short, and it means so much to us. We are building

the edifice of character, which is to last for all time. This little

chapter of existence is but a day in the great cycle. No; I shall not

give up; I shall never despair, let come what may.”

Day succeeded day, but no brighter outlook opened, yet never were they

seen with a cloud on their faces. Though their purses were empty,

friendship and compassion kept away bitter need, and their spirits were

sweet enough to accept the goods the gods sent without letting their

pride be wounded. It needs a sweeter spirit to receive than to give.

At last a foothold on the stage was gained for both--an opportunity

more likely to increase humility than foster vanity, but they accepted

it thankfully, and it led on to better things.

All went well for a time; but one day a telegram came announcing the

dangerous illness of their children, who had fallen victims to an

epidemic. They went at once. The children died, and a few days later

their father also closed his eyes to this world.

Lilla returned to New York to go on with the grim business of life.

Was the joy gone from her face? No; it was still there, softened,

heightened and illumined by a new and holy light.

“Dear friend,” she said, as she and Cartice talked together on the

evening of her return, “there are three new graves in the old cemetery

at home, but they do not hold my husband and children. That which each

contains is an unreality, a thing never destined to endure,--a garment

which the real being wore to make itself seen by our dim eyes. Alice

Carey has described it well:

Though you wore something earthly about you

Which once we called you--

A robe all transparent and brightened

With the soul shining through.

But when you had dropped it in going--

’Twas but yours for a day--

Safe back in the bosom of Nature,

We laid it away.

Strewing over it odorous blossoms,

Their perfume to shed:

But you never were buried beneath them,

And never were dead.

“Friends say that I am left alone; but it is not true. I am never

alone. There is no separation for those whom love unites. We are one

in the universal spirit of love--God. Did not one friend beyond

the grave tell us that every death is a resurrection? Is not the

stone already rolled away from every sepulchre? Would I call my dear

ones back to face the cruel conditions of life here? No, a thousand

times no. When I looked at the dead face of my husband, so calm, and

profoundly at peace with everything, I said ‘My love, my dear love,

heart of my heart and soul of my soul, love of my youth and companion

of my spirit forevermore, I thank God that the hard things of the

world can hurt you no more.’ The cruelest pang poverty has given me

was seeing him bear humiliation and insult in silence, with heavenly

patience. Poverty for oneself is bad enough, but when we see those we

love suffer because of it, we know exquisite anguish. I can make the

fight alone, and it is better so. He is safe. That will sustain me.

“And my children; they, too, are safe. It is well with them. They are

not lost. All things we call lost are in the angels’ keeping.

“I shall go on with my work, thankful for the chance, disagreeable as

much of it is, because of unavoidable contact with shallow, inferior

people. But my true life is away from it all, sacred and safe. There is

a reason beyond my fathoming for my being what and where I am. It is

all right--all wisely directed, and I shall go on, not sullenly, but in

patience and hope. My faith is that all is well. I must live it and

not simply talk it.”

Looking at Lilla’s beautiful face, brightened with the radiance of

belief, Cartice Doring knew that one by one she was finding her

people--the people whom she dimly remembered as having been a part

of her life in the remote past, and who were linked by the ties of

sympathy and love to the present and all the endless future.

Her own people,--the faithful, the heroic, the aspiring, the

wide-minded, the loving, the true.

Lilla was one of them--Lilla of the light heart and rippling laugh in

days gone by; and of the sturdy soul and dauntless faith in sorrow and

misfortune.

Now Cartice saw that her own people all became acquainted with

suffering, sooner or later, and that this was the greatest of teachers

to the human race. Without suffering nothing is born, nothing grows.

“Who are these in white garments?” asked the saint of the heavenly

visions.

“They are those who have passed through great tribulation,” was the

answer.

In fancy she saw again the long procession, made up of her people. Out

of the dim and far distant past they came, filing steadily on into

the unseen, endless future. In each spirit burned the quenchless fire

we name genius; on each face were signs of suffering; “but no voice

uttered plaints.” Not all were victors. Many were of the baffled and

beaten, the disappointed and defeated, but they went to the wall with

unbent head and silent, smiling lips.

“My people, my dear people,” she said, “with you I breathe the air

native to my soul. You sought the truth, you found it, you lived it,

and it made you free.”

What is truth? Who can answer the Roman governor’s question? In the

Syriac tongue it is described as “the arrow which flies to the mark.”

Nothing else reaches the mark. Nothing else has a mark. Life has no

other aim and end than to free oneself from error, through a knowledge

of truth. This is the only power that can set us free, and only in

freedom is happiness.

But with most people the search is not for truth but success--success

on the commonplace, external plane--which is the very negation of moral

growth and spiritual progress. High minds, dedicated to noble ideals

are few, but mediocres are numerous.

“When we have escaped from the region of mediocrity we revel in a purer

atmosphere, where we may join hands with the elect and dance a round,”

said Marie Bashkirtseff, one of the youngest, bravest and brightest of

the elect.

The mediocre mass is an aggregation of self-enslaved minds, against

whose self-satisfied stupidity the gods themselves are powerless.

An index finger · 第 19 / 25 章