CHAPTER IV.

THE BRONZE FACE.

Though Archie La Planta had met Cora Hartsilver frequently since the

Armistice, he did not know her intimately, and had therefore been

rather surprised at her asking him to dine. He concluded that she

must be giving a dinner party, so when on the evening Preston had

called to see him, he arrived at the big house in Park Crescent, he

was astonished to find that Yootha Hagerston was to be the only other

guest. Then and there his quick brain began to act and, while carrying

on light conversation with the two ladies, he kept asking himself what

reason Mrs. Hartsilver could have had for inviting him.

She had an excellent cook who had been with her since her marriage,

and the little dinner was irreproachable. La Planta, an epicure to his

fingertips, had realized this at once, and towards the end of the meal

he began to feel at peace with the world at large.

“It is awfully good of you to have invited me to a nice, friendly

little dinner like this,” he remarked presently, looking his hostess

straight in the eyes across the table. “I don’t like big dinner

parties, you know, and was half afraid you might have a lot of people

to-night.”

“I never give big dinner parties if I can help it,” Cora answered,

“though one has to sometimes. Like you, I prefer an informal little

gathering, just one or two friends with whom one can exchange ideas. So

many people are colorless, don’t you find? And dull people bore me to

death. Let me pass you the port.”

It was ’48 port which had belonged to her late husband. La Planta

poured himself out another glass, and presently his gaze became fixed

upon the widow. It had never struck him before, he thought, what a

pretty woman she was.

“When are we going to see your charming friend again?” Yootha presently

said carelessly. “I do think her so attractive.”

“Which charming friend is that?”

“Why, Mrs. Mervyn-Robertson, of course. Who else could it be?”

At once La Planta was on the alert. The words flashed back into his

partly bemused brain: “Mrs. Hartsilver and her friend Yootha Hagerston

are making inquiries about me now. Do you know that they have gone so

far as to instruct a personal inquiry agency to find out all about me?”

Could that be the reason he had been invited to dine? Were they going

to try to find out from him something about Mrs. Mervyn-Robertson,

though perhaps with greater tact than Preston had displayed?

He pulled himself together, and answered:

“I am sure Mrs. Mervyn-Robertson would like to meet you at any time.”

Then he added as an afterthought: “Though she has many acquaintances,

she has comparatively few friends.”

“Do you think she would dine with me one night if I invited her?” Mrs.

Hartsilver asked quickly. “We have met only casually.”

“I am sure she would. She is not one of those people who stand always

on ceremony. Like most people who have traveled, she takes a broad view

of life.”

“Oh, has she traveled a lot?” Yootha asked. “How interesting. Tell

me--where has she been?”

“Rather you should say, ‘Where has she not been?’ She has been almost

everywhere, I believe.”

“I do think she is lovely, don’t you?” Yootha persisted. “If I were a

man I should be head over heels in love with her.”

“Some men are,” La Planta answered in an odd tone. “But she doesn’t

care about men, I think. I mean in a general way.”

“Did you say she had been in China?” Yootha suddenly asked abruptly.

“I didn’t--but she has been. She was in Shanghai a good while.”

“She is a widow, I am told,” Cora presently hazarded.

“Yes.”

“Did you know her husband?”

“No. He died several years ago.”

“But you have known her a good while?”

“Only a year or two.”

“Is she entirely English? I sometimes think----”

“Yes?”

“I was only going to say she sometimes gives me the impression that she

has a foreign strain.”

“If Australians are ‘foreigners,’” La Planta said lightly, “then she

has a ‘foreign’ strain, because her parents were Australians--they were

sheep farmers in Queensland.”

“You don’t say so. That no doubt accounts for the queer expressions she

sometimes uses. They were rich people, no doubt.”

“Well off, I fancy, but not enormously rich.”

“Then her fortune, I take it, came to her from her husband?”

La Planta had been answering more or less mechanically, for the wine he

had drunk had dulled, to some extent, his ordinarily keen intelligence.

Now, all at once, he seemed to become alive again.

“You seem greatly interested in Mrs. Mervyn-Robertson’s private life,

Mrs. Hartsilver, and you too, Miss Hagerston,” he said suddenly.

“Oddly enough a man you know, in fact it was I who introduced him to

you, called to see me only an hour ago for the express purpose of

cross-questioning me with regard to the same lady. Merely a coincidence

no doubt, but a singular coincidence.”

His tone, as he said this, resembled the tone he had adopted whilst

addressing Preston, though it was not quite so marked. Mrs. Hartsilver

and Yootha Hagerston winced nevertheless, and presently they changed

the subject.

He joined them in the drawing-room about ten minutes later, and half

an hour or so afterwards took his departure rather abruptly. Though he

had drunk more than was good for him, he knew he had not said anything

that he would wish to recall. He walked leisurely down Portland Place

in search of a taxi, then decided to walk home.

In Regent Street, as he passed into the halo of light shed down by a

street lamp, he came face to face with Stapleton.

“Why Archie,” the latter exclaimed, “I was just thinking of you. Aren’t

you dining with Mrs. Hartsilver?”

“I was,” La Planta answered, “but she and Yootha Hagerston rather bored

me, so I came away early.”

“Wasn’t it a dinner party?”

“No, only those two.”

“Only the two! Then why were you invited?”

“I don’t know, but I think I can guess. Come along home with me. There

are one or two things I want to talk to you about.”

At first Stapleton hesitated, alleging that he had an appointment, but

finally he decided to do as his friend suggested.

Two telegrams lay awaiting La Planta in his sitting-room, and after

reading them he handed them to Stapleton.

As Stapleton read the second, he raised his eyebrows.

“Curious, isn’t it?” he asked.

“I think not. I expected as much.”

“Won’t it upset your calculations?”

“Not necessarily.”

A tantalus and syphons stood on the table. Without saying more,

Stapleton mixed himself a brandy and soda. Then he took a cigar from La

Planta’s box.

“One or two things have happened lately,” he said at last, “which

rather puzzle me. And the last is why those women should have asked you

to dine alone with them.”

“No puzzle about that,” Archie answered, then went on to explain how

Mrs. Hartsilver and Yootha Hagerston had obviously tried to pick his

brain regarding Mrs. Mervyn-Robertson and her past life.

“Strange,” Stapleton said thoughtfully. “That fits in with something

that was said to me within the last hour. You know that little Jew who

lends money to his friends--Levi Schomberg?”

“By name.”

“I know him only slightly, but we walked along Jermyn Street together

just now--he was bound for the Turkish baths--and he warned me to be

on my guard against ‘Hartsilver’s widow’--said she was a ‘designing

woman,’ as I might presently find out, and added that she was trying,

for a reason which he stated, to get a case up against--well, you can

guess whom.”

“What sort of case?”

“A scandalous case. So, putting two and two together, I can only

suppose that Cora Hartsilver is either jealous of our friend, or that

for some reason she bears her a grudge.”

For a little while they continued talking.

And, while they talked, interesting events were in progress not far

away.

“The house with the bronze face,” as it was called by people living

in the neighborhood, was situated in a quiet street just off Russell

Square. It had acquired that curious appellation owing to its front

door being made conspicuous by a huge old Florentine bronze knocker

representing a woman’s laughing face. The face was really that of a

bacchante, and a very wicked-looking bacchante at that, and many were

the stories told about the house in consequence. Some said the woman’s

face possessed a lurid significance, and that within those portals....

Another rumor often credited was that the face could cast a spell

over those who sought to probe its history, and that on more than one

occasion persons who had entered the house had never come out again.

Those were, of course, foolish legends, yet the fact remained that

an atmosphere of mystery surrounded the house with the bronze face.

Obviously at some period it had been a private residence. Now it was

ostensibly the headquarters of a private inquiry agency which had

sprung into existence shortly before the war, and was known to be

patronized by many fashionable and rich people.

It was nearly midnight, and in a comfortably furnished office in the

middle of the building, so that no light showed in the street outside,

a venerable-looking old gentleman and a handsome young woman, the

latter with a semitic cast of countenance, sat side by side examining

some documents.

A shaded electric reading-lamp on the table gave the only light in the

room, and the documents lay in the ray which it shed immediately in

front of them.

Neither spoke. Both were working rapidly. First the old man would take

a document off the pile, read through it carefully, then pass it to

his companion, who, after quickly scanning its contents, would make

a marginal note or two, and then docket it. Thus they continued in

silence for over half an hour, when the pile of papers came to an end.

The man leant back in his chair, stretched himself, and yawned.

“We have had about enough of this, eh, Camille?” he said, turning with

a curious expression to his companion.

“Not half!” she answered with a foreign accent, which made the slang

sound quaint. “_Après minuit_,” she added, glancing at her wrist-watch.

“I call it crewel.”

“Never mind; it can’t last,” he said. “Or at least it won’t if I have

much to do with it. Give me one of your chipre cigarettes.”

She took a cigarette herself and lit it, then handed him her case.

The room in some respects resembled a boudoir rather than an office,

but hung on its walls were charts marked with colored chalks. In all

there were eight of these charts, and below each was a row of numerals.

At one end of the room the framed portrait of a dark man with curly

hair and a waxed mustache, a man obviously a foreigner, stood on the

overmantle. In a corner near by were stacked twenty or more japanned

tin boxes which might have been deed boxes, though none bore any name,

while at the opposite end, close to the window, were several luxurious

fauteuils, a comfortable settee, some occasional tables and Chippendale

chairs. No sound of any sort found its way into the room.

The man rose in silence, and began slowly to pace the floor. Suddenly

he stopped.

“This case interests me a good deal, Camille,” he said at last. “I feel

sure she must have married the man.”

“_Naturellement_,” the woman answered with a shrug. “And now she

wish--how you say--to be rids of him?”

“Rid of him, not ‘rids.’ But why?”

“_Ma foi_, you ask me one more. He has much money, _hein_?”

“It would seem so, judging by the sums he spends.”

“_Alors naturellement._ What else?”

“But proofs of the marriage have to be obtained, or she doesn’t get the

money.”

“Oh, the proof can be obtained. I obtain him.”

“And what if----”

He stopped abruptly. Both looked quickly towards the door. For some

moments neither spoke. No sound broke the perfect stillness.

“_Qu’est-ce que ca?_” the woman asked in a nervous undertone, putting

her hand on his arm. Both were still staring at the closed door.

“Wait, and I will see.”

He rose, but the woman clutched him.

“No, no,” she exclaimed hoarsely, “you must not go out there!”

“Indeed, I must, and I am going.”

He tried to shake her off, but she only tightened her hold.

“If you must--here,” and as she spoke she produced from under her skirt

a small automatic pistol, pressed forward the safety-bolt, and slipped

the weapon into his hand. Then she released him.

Noiselessly he stepped across the room on the thick carpet, placed his

hand carefully on the door handle, turned it very slowly and gently

drew open the door.

As he did so a streak of light, as if from an electric torch, shone

into the room. The old man hurried out on to the landing with wonderful

agility, but the light had vanished. He switched on the electric lamp

at the head of the stairs. Nowhere was anybody visible.

Glancing quickly in every direction, and with his finger on the trigger

of the automatic, he crept cautiously down the stairs. Presently the

woman, who had now ventured a little way down the stairs after him,

heard him moving in the hall. Soon she heard the spring baize door,

which opened on to a passage leading to the kitchen quarters, open with

a squeak, then shut with a dull thud.

For a minute she waited, hardly breathing. There could be no doubt that

somebody besides themselves must be in the house. Yet how could anybody

have entered, seeing that since early in the evening both front and

back doors had been securely bolted and locked?

She was trying to summon courage enough to follow her companion, when a

sound just behind her made her turn with a cry of alarm.

Behind the bronze door · 第 4 / 31 章