(_Now and Then._ By SAMUEL WARREN, F.R.S. Author of “Ten Thousand
a-Year,” and the “Diary of a Late Physician.” William Blackwood and
Sons, Edinburgh and London. 1848.)
It would be an unpardonable affectation of modesty indeed, if Maga
suffered any considerations whatever to interfere between herself and
the cordial recognition of a success achieved by a favourite child, and
acknowledged by all the world. Is the parent alone to hold her peace,
when crowds are flinging up their caps rejoicing at the triumph of the
son? Is nature to resign her dearest prerogative, in order to comply
with the unnatural requirements of a dastard hypocrisy? Must we still
hear on all sides the honest congratulations of strangers, and are we
not to do homage to the grateful spirit within us, by shaking our own
flesh and blood by the hand? Flesh and blood revolt from the
insinuation! We know, as well as the dullest, that it is a delicate
matter for Maga to speak to mankind, as truth and her heart dictate,
with respect to some of her progeny. But what has delicacy to do with
justice? Was Brutus delicate when he judged his own son, and hung him up
for the public good? Maga suffers the world to judge of her offspring,
and contents herself with a simple announcement of the happy verdict. It
is her duty, as well as her delight, to chronicle the sentence. If she
did less, she would do wrong to her own: she might do more, and still be
just to her mighty and confiding public.
The author of the volume whose title heads this article, first appeared
before the public as a writer in this Magazine in the month of August
1830. He was then but two-and-twenty years of age; yet, in his “Diary of
a Late Physician,” he at once took his place in the front ranks of
literature, and seized upon the admiration and respect of his
contemporaries. The work is too well known to need minute description
here. The variety of incident and character, the extraordinary fidelity
of delineation, the vigorous style, the touching pathos, the commanding
knowledge of men and human passions which it exhibits, are as familiar
to our readers as they were surprising in a youth scarcely out of his
teens,—a mere tyro in literature,—and, as he himself informs us, a
rejected aspirant, in many quarters,[9] for those lofty honours which he
has since so bravely and so honourably won. “The Diary of a
Physician”—carried on at intervals from the year 1830 to the year
1837—maintained its ground from first to last. Since the last chapter
appeared in these pages, the series has been printed and published,
reprinted and republished, stereotyped for England, pirated for America,
and translated for the Continent. The interest which the powerful tales
first excited, is unabated to this hour. The regular and steady demand
maintained for the volumes indicates their intrinsic value, and
declares, in language as emphatic as any that can appeal to either
publishers or authors, the enduring character with which they are
impressed.
Footnote 9:
“The first chapter of this ‘Diary’—The Early Struggles—was offered by
me successively to the conductors of three leading Magazines in
London, and rejected as ‘unsuitable for their pages’ and ‘not likely
to interest the public.’ In despair, I bethought myself of the great
Northern Magazine. I remember taking my packet to Mr Cadell’s, in the
Strand, with a sad suspicion that I should never see or hear any thing
more of it; but at the close of the month I received a letter from Mr
Blackwood, informing me that he had inserted the chapter, and begging
me to make arrangements for immediately proceeding regularly with the
series. It expressed his cordial approval of the first chapter, and
predicted that I was likely to produce a series of papers well suited
for his Magazine, and calculated to interest the public.”—Extract from
Preface to the Fifth Edition of the _Diary of a Late Physician_.
In the year 1839, just nine years after the publication of the first
number of the “Diary,” appeared also in these pages the first part of Mr
Warren’s tale of “Ten Thousand a-Year.” The second production derived no
false lustre from the confirmed success of its predecessor. The new tale
presented itself in the columns of the Magazine, as the rule
is—anonymously. Mr Warren obtained no advantage whatever from his
previously well-earned and conscientiously sustained reputation. His
second venture had nothing to rely upon but itself; yet, before six
months had elapsed, “Ten Thousand a-Year,” by the mere force of its own
unquestioned merit, succeeded in arresting public attention to an extent
seldom equalled, and never surpassed by publications of a serial nature.
For two years that attention never flagged; the public can attest to
this remarkable fact: we are ourselves conscious of the avidity with
which number after number of this Magazine was sought, whilst one
chapter of the History of Tittlebat Titmouse still remained to be told.
“Ten Thousand a-Year” was a wholly different performance from the “Diary
of a Late Physician.” The latter contained the fruitful germs of at
least a dozen novels. Its short histories, designed to convey a solemn
and abiding moral, performed their office with the least possible
elaboration. Intricacy and subtlety of plot were not considered, in a
scheme in which mankind was to be moved and taught by the influence of
example. The faults, the weaknesses, the vices of humanity, were
displayed in their simplest forms, and no pains were taken to involve
them in the entanglements of an artfully contrived narration. Not so,
altogether, in the case of “Ten Thousand a-Year.” Here plot became not a
subordinate ingredient in the composition; here the salient and
strongly-marked features of individual character were not alone
considered. It cannot be denied that the second creation of Mr Warren’s
genius indicated at once increased strength of mind, experience more
extended, knowledge more ripened. The faculties of the man were allied
to the energy and passion of the youth, and the former ruled the latter
with a severe and salutary grasp. The secret motives of man had been
learnt in the interim; human springs of action had been detected in
their distant hiding places; the inner soul of the world had been more
deeply penetrated, and more closely scanned by the writer’s
understanding. The pictures were no longer sketches—the masterstrokes
were something more than indications. The vulgarity of Titmouse was
shown with the self-denying patience and enlightened industry of a
surgeon laying bare the loathsomeness of a repelling sore. What
inclination would have shut away for ever, conscientious duty required
to be exposed. Vulgarity is exposed in the history of Tittlebat
Titmouse, and is utterly crushed. In nothing, however, is the contrast
between Mr Warren in 1830, and the same gentleman in 1839, so remarkable
as in the conception of Mr Gammon. The character is a perfect emanation
of instructed genius; the admixture of good and evil—good in evil, and
evil in good—could have been portrayed only by one knowing thoroughly
“all qualities with a learned spirit of human dealings.” None but a
creator, conscious of his strength, and fortified by the convictions
which knowledge and experience give, would have conceived—or if
conceived, dared—to exhibit the incomparable portraiture of which we
speak. He, Gammon, stands immortalised in Mr Warren’s pages, neither a
monster of good nor a monster of evil, but partaking of both qualities;
largely of one, and in a smaller degree of the other, as is nature’s
wont. Noble amongst the very base, and base amongst the very noble, he
is an object of sorrow more than of execration,—of sympathy, not of
hate, in his evil associations; of deep pity, not of vengeance, when he
mixes for a season with the pure. Wanting religion and the practice of
piety, which alone yields the highest moral rectitude, Gammon fails to
earn approval even when he most deserves it, and in his brightest
moments leaves no better impression on the mind than that of a wretched
bundle of foul weeds, steeped for the time in heroism. The seeming
incongruities of the character testify at once to its fidelity: the
reality of the picture is heightened by the colours which the master,
with infinite skill, has selected from his palette.
The incognito of Mr Warren was preserved till towards the close of the
work; and upon its completion, being published in a separate form, it
shared the well-deserved success of the “Diary of a Physician,” and
travelled with it, either in, its original garb or as a translated book,
into every quarter of the globe. Be it remembered that, during the whole
long period of which we speak, Mr Warren was passing his days in any
thing but the luxurious case of an unoccupied gentleman, or of one
engaged only in the prosecution of intellectual pleasures. His entrance
into life as a public writer was concurrent with his adoption of the
most arduous and difficult of all professions. Literature was less his
business than his recreation; his chosen evening pastime after the
noonday’s enervating heat; his dignified solace, not his painful
necessity. In plain words, whilst he used his pen for the amusement and
instruction of his fellows, Mr Warren was a laborious legal plodder on
his own account in the Temple; first as a special pleader, and
afterwards as a counsel; in which last capacity he produced, as a
tribute to law as well as to literature, an important standard law-book,
held at this moment in high repute.
Now, if what we have said be true,—and if it be not, we shall be glad to
be informed of our error—we hold it to be an utter impossibility for
Maga either to look coldly upon Mr Warren’s literary career, or to stand
mutely by with her hands behind her, when all honest people are
vociferously applauding that gentleman upon his first appearance in an
entirely new character. If we don’t clap our hands, who shall applaud?
Nobody will respect the mother who thinks her child less worthy than the
world esteems him. If we should hold our peace, Maga would be
despised—not by the world—that would not affect her much, but by her own
honest soul, and her eternal sense of right, which would destroy her. We
have held our peace long enough. Impatient as we were to be the first to
hail our own, to introduce him to his readers in the columns in which
first he introduced himself, we have committed violence to our
affection, and bided our good time. Maga watched with natural fond
anxiety the proceedings of her son. She called to mind their long
connexion, and had maternal apprehensions—the best of mothers have
them—lest the third appearance of her offspring on the literary stage of
life might dim the lustre of his former efforts in the same arena.
Moreover, people of a certain age have whims and fancies. Maga, young,
buxom, sportive, and healthy as she looks, has reached a matron’s years.
Her contemporaries, judging from her feats, and vexed in heart, will not
believe it. We cannot wonder at their scepticism; they look old in their
infancy. Maga has the playfulness and elasticity of youth in her prime.
If she is so sprightly with a load of years upon her, she may live for
ever. Honest contemporaries are right; she may—she WILL! But, as we
said, folks of a certain age have whims. Men who have prospered under
one system are not eager to adopt and try another. The guardianship of
Maga, in Maga’s eyes, casts a halo around the doings of her children. Mr
Warren had achieved noble triumphs, walking hand-in-hand with her month
after month and year after year. If he should deny himself the aid and
run alone, might he not fall? We feared he might, till we had read his
book, and then our fear was gone. But though fear departed,
modesty—Maga’s ancient fault—remained. The proprieties of the case bade
her be silent till the world had spoken. Though she was not bound to
withhold her smile and warm approval in her royal privacy, sweet decorum
forbade a syllable of public praise until her panegyric might no longer
sway the universe. The hour for breaking silence has arrived: Maga
seizes it proudly and unreservedly, as her custom is: who shall blame
her?
Mr Warren has, indeed, achieved a signal and complete success. The
opinion which we formed of his new labour, ere it went to press, is
confirmed and echoed by the enthusiastic unanimity of the public; by
those who read, and by those useful organs which undertake to guide the
reader’s taste and judgment. The first few pages of the volume dispel at
once all fears as to backsliding or downsinking on the part of the
author. Fresh, vigorous, racy, and pure—such are the well-known
characteristics of Mr Warren’s style: they are here as they were present
in his earliest productions almost twenty years ago. From the first page
to the last, there is not the slightest evidence of exhaustion from
over-cropping or superfetation. All is new, healthy, wholesome, and
genuine: bright as the purest water, clear as the summer’s sky, and as
full of holy promise.
We think we discern a sneer upon the bilious and discontented cheeks of
a certain class of writers as they read the last two words. We know the
gentlemen well. They have been scribbling for the last few years with a
“oneness of purpose,” as creditable to their understandings as it is
significant of their ulterior designs. “Now and Then” is by no means
written for their especial delectation, although, if properly and humbly
read by the “earnest” worthies, it would go far to secure their moral
improvement. The volume neither laughs at ecclesiastical institutions,
nor ridicules the professors of religion. It does not make fun of every
thing serious, until the unsophisticated reader is reduced to wondering
whether he is not in duty bound to smile when and wherever his previous
education had instructed him to weep: it does not consider that a man
born on a dunghill has all the virtues of Adam before he transgressed,
and that another, brought into life on a bed of down in Grosvenor
Square, has, poor devil, in virtue of his good luck, inherited the vices
of Satan and of the whole company of fallen divinities. There are a heap
of Cockneys now gaining their miserable bread by the promulgation of
such doctrines, who will look down with supreme contempt and biting
sarcasm upon the book of which we treat; not, mark you, the _believers_
of such doctrines, but simply the mischievous and impious promulgators.
Trust them, they prefer the company of the wealthy and the well-to-do,
as they love cheese and beer more profoundly than all the moral beauty
that the earth contains. Catch them giving sixpence to a beggar on a
snowy day, or uttering a syllable of human kindness, which costs them
nothing, to a houseless wanderer, no one being by. We hold it to be a
great jewel in the coronet of Mr Warren, that he sets his face manfully,
in the present instance, against the fashion which all honest men and
true must deprecate. The freedom from the prevailing cant which his book
exhibits, is most refreshing; the certain upturning of misshapen noses
which its very tendency must effect, the greatest compliment yet paid to
his honest exertions in the cause of morality, and of the holy faith
which he professes.
“Now and Then” is a Christmas book for a Christian people. It is a tale
of fiction, which the most devout may read with no fear of insult, and
without risk of being obliged to suspend their orthodoxy for the sake of
an hour’s pleasant reading. The book invests Christmas with its
legitimate Christian associations. It cannot be denied that the tendency
of this species of literature, for the last few years, has been to
denude the sacred season of all these associations, and to surround it
with others which are at once trifling, irreligious, and heathenish. We
dwell upon this fact, because there needs some courage boldly to speak
God’s truth in an age rapidly verging towards practical infidelity. In
Parliament, the once great leader of a greater Christian party publicly
denies the necessity of a declaration of Christian faith as the test of
a legislator. In our light literature, we find references enough to the
goodness of Providence, but a studious avoidance of the name and
properties by which that Providence is recognised when we come to our
knees by the bed-side or in the sanctuary. There is, we grant, not so
much a denial of the essential doctrines of Christianity every where
about us save in the church, as a studious and utter disregard of them;
but there is imminent peril in this very disregard. Neglect precedes
desertion. Let us be duly grateful, we say, to one who, in the modest
pages of a simple tale, recalls us to our obligations, and reminds us
that the chief of duties here is to cling firmly to the faith by which
the world is saved, and to proclaim _first principles_ when that world
is basely shrinking from their free and open recognition.
Let us, however, not be misunderstood. “Now and Then” is not a religious
novel—popularly so called. Mr Warren is not on the present occasion a
“religious novelist,” as controversial divines, usurping the functions
of the tale writer are, for want of a better term, absurdly styled. The
Christianity which pervades this book is pure and catholic, and has
nothing to do with the quarrels of sects and classes: it is applicable
to universal humanity. There is no vulgar presumptuous dabbling with
controverted points of Scripture, which, appearing in works of fiction,
is utterly abominable and ludicrous, even in its futility: but the
author, starting with a high and admirable purpose, and keeping that
purpose in view to the very last, confines himself strictly and solely
to what we all regard as Christianity’s irrevocable and fundamental
principles;—great saying truths which none can blink with safety, and
which he brings forward with an evident profound sincerity and
reverence, impossible to mistake and difficult to slight.
The story, potently simple in itself, opens with marvellous simplicity.
We quote from the beginning:—
“Somewhere about a hundred years ago (but in which of our good
kings’ reigns, or in which of our sea-coast counties, is needless to
be known) there stood, quite by itself, in a parish called
Milverstoke, a cottage of the better sort, which no one could have
seen, some few years before that in which it is presented to our
notice, without its suggesting to him that he was looking at a
cottage quite of the old English kind. It was most snug in winter,
and in summer very beautiful; glistening, as then it did, in all its
fragrant loveliness of jessamine, honeysuckle, and sweet-brier.
There, also, stood a bee-hive, in the centre of the garden, which,
stretching down to the road-side, was so filled with flowers,
especially roses, that nothing whatever could be seen of the ground
in which they grew; wherefore it might well be that the busy little
personages who occupied the tiny mansion so situated, conceived that
the lines had fallen to them in very pleasant places indeed. The
cottage was built very substantially, though originally somewhat
rudely, and principally of sea-shore stones. It had a thick thatched
roof, and the walls were low. In front there were only two windows,
with diamond-shaped panes, one above another, the former much larger
than the latter, the one belonging to _the_ room of the building,
the other to what might be called the chief bed-room; for there were
three little dormitories—two being small, and at the back of the
cottage. Close behind, and somewhat to the left, stood an elm-tree,
its trunk completely covered with ivy; and so effectually sheltering
the cottage, and otherwise so materially contributing to its snug,
picturesque appearance, that there could be little doubt of the
tree’s having reached its maturity before there was any such
structure for it to grace and protect. Beside this tree was a
wicket, by which was entered a little slip of ground, half garden
and half orchard. All the foregoing formed the remnant of a little
freehold property, which had belonged to its present owner and to
his family before him, for several generations. The initial letter
(A) of their name, Ayliffe, was rudely cut in old English character
in a piece of stone forming a sort of centre facing over the
doorway; and no one then living there knew when that letter had been
cut.”
Such is the scene, and such the small house, in and from which the
events evolve, that form the solemn and instructive narrative. The owner
of the cot, the foremost though the humblest personage in the drama, was
once a substantial, but is now a reduced yeoman, well stricken in years,
being, at the opening of the story, close upon his sixty-eighth year.
“The crown of his head was bald, and very finely formed; and the
little hair that he had left was of a silvery colour, verging on
white. His countenance and figure were very striking to an observant
beholder, who would have said at once, ‘That man is of a firm and
upright character, and has seen trouble,’—all which was indeed
distinctly written in his open Saxon features. His eye was of a
clear blue, and steadfast in its gaze; and when he spoke, it was
with a certain quaintness, which seemed in keeping with his simple
and stern character. All who had ever known Ayliffe entertained for
him a deep respect. He was of a very independent spirit, somewhat
taciturn, and of a retiring, contemplative humour. His life was
utterly blameless, regulated throughout by the purifying and
elevating influence of Christianity. The excellent vicar of the
parish in which he lived reverenced him, holding him up as a
pattern, and pointing him out as one of whom it might be humbly
said, _Behold an Israelite indeed, in whom is no guile_. Yet the
last few years of his life had been passed in great trouble. Ten
years before had occurred, in the loss of his wife, who had been
every way worthy of him, the first great sorrow of his life. After
twenty years spent together in happiness greater than tongue could
tell, it had pleased God, who had given her to him, to take her
away—suddenly, indeed, but very gently. He woke one morning, when
she woke not, but lay sweetly sleeping the sleep of death. His
_Sarah_ was gone, and thenceforth his great hope was to follow her,
and be with her again. His spirit was stunned for a while, but
murmured not; saying, with resignation, ‘The Lord hath given, and
the Lord hath taken away: blessed be the name of the Lord.’ A year
or two afterwards occurred to him a second trouble, great, but of a
different kind. He was suddenly reduced almost to beggary. To enable
the son of an old deceased friend to become a collector of public
rates in an adjoining county, Ayliffe had unsuspiciously become his
surety. The man, however, for whom he had done this service, fell
soon afterwards into intemperate and dissolute habits; dishonesty,
as usual, soon followed; and poor Ayliffe was horrified one evening
by being called upon, his principal having absconded, a great
defaulter, to contribute to repair the deficiency, to the full
extent of his bond.”
Ayliffe’s property was sacrificed at a blow. At the time of entering
into his engagement, he was the freehold owner of some forty or fifty
acres of ground, and the master of some sums of money advanced upon
mortgage to a neighbour. Much of this went immediately. Nor was this
calamity his only one. He had a son, another Adam Ayliffe. Ayliffe the
younger was betrothed, at this period of accumulated misfortune, to a
young girl, who jilted him in the time of the family poverty. The blow
fell upon the young and proud-hearted yeoman, as such blows will fall
upon those in whose retired course a first affection comes as an abiding
blessing, or an utter curse. A visible change took place both in his
character and demeanour after the disappointment. First love in the
younger Ayliffe’s case was the curse and not the blessing. All went
wrong with the family from this hour. Adam finally married, it is true,
a maiden residing with Mr Hylton, the vicar of Milverstoke, but the
union, though one of unquestionable affection, yielded no earthly
happiness. After the loss of worldly goods, Adam, and his son betook
themselves to labour for their subsistence. The father became a
hireling, much to the affliction of his son, but not to his own sorrow,
for he “heartily thanked God for the strength that still remained to
him, and for the opportunity of profitably exerting that strength.”
Father, son, and daughter, still resided in the cottage, being its sole
occupants. A year and a half of severe and constant exertion in the
ordinary out-of-door operations of farming, and old Adam gave way. The
spirit was more willing than the flesh. The younger Ayliffe laboured
then for the livelihood of all, and another was added to the group, in
the shape of an infant son, born about a year after the marriage of his
parents, at the peril of its mother’s life.
At this stage of the history, the remnant of old Ayliffe’s land is
demanded in the way of purchase by the agent of the Earl of Milverstoke,
(whose principal country residence is within a short distance of the
cottage,) and steadily refused by the owners. The old man assured Mr
Oxley that it would break his heart to be separated for ever from the
property of his fathers, to see their residence pulled down, and all
trace of it destroyed; but Mr Oxley’s appetite for the property was only
whetted by the reluctance of its insignificant proprietor.
“‘Be not a fool, Adam Ayliffe,’ [said Mr Oxley, during one of his
frequent visits to the cottage on the subject of this purchase;]
‘know your interest and duty better. Depend upon it, I will not
throw all this my trouble away, nor shall my Lord be disappointed.
Listen, therefore, once for all, to reason, and take what is
offered, which is princely, and be thankful!’
“‘Well, well,’ said Ayliffe, ‘it seems that I cannot say that which
will suit you, Mr Oxley. Yet once more will I try, and with words
that perhaps may reach the ear that mine cannot. Will you hear me?’
“‘Ay, I will hear, sure enough, friend Adam,’ said Mr Oxley,
curiously; on which Ayliffe took down a large old brass-bound book,
and, opening it on his lap, read with deliberate emphasis as
follows:——
“‘Naboth the Jezreelite had a vineyard, which was in Jezreel, hard
by the palace of Ahab king of Samaria.
“‘And Ahab spake unto Naboth, saying, Give me thy vineyard, that I
may have it for a garden of herbs, because it is near unto my house:
and I will give thee for it a better vineyard than it; or, if it
seem good to thee, I will give thee the worth of it in money.
“‘And Naboth said to Ahab, The Lord forbid it me, that I should give
the inheritance of my fathers unto thee.’
“When he had read these last words Ayliffe closed the Bible, and
gazed at Mr Oxley in silence. For a moment the latter seemed
somewhat staggered by what he saw and what he had heard; but at
length—‘Oh, ho, Adam! do you make your Bible speak for you in
business?’ said he, in a tone of rude jocularity. ‘Well, I shall
wish you good day for some little while, it may be, and good luck to
you here. It is somewhat of a bit of a place,’ he continued as he
drew on his gloves, glancing, at the same time, contemptuously round
the little room, ‘to set such store by; but be patient—be patient,
Adam; there is one somewhat larger that will be ready for you
by-and-bye——’
“This insulting allusion to the workhouse or the county jail old
Ayliffe received in dignified silence. Not so his son, who, rising
with ominous calmness from the chair on which he had for some time
been sitting, as it were, on thorns, and silent only out of habitual
deference to his father, approached Mr Oxley in two strides, seized
him by the collar with the hand of a giant, and, before his
astonished father could interpose, had dragged Mr Oxley to the
doorway, near which he had been standing, and with a single jerk
flung him out into the open air with a violence which sent him
staggering several yards, till he fell down at full length on the
ground.
“‘Adam, Adam! what have you done!’ commenced his father, approaching
his son with an astounded air.
“‘Nay, never mind _me_, father,’ muttered his son vehemently,
standing with arms akimbo, and watching Mr Oxley with eyes flashing
fury. ‘There, Master Oxley; show never here again that wizened face
of yours, or worse may happen. Away! Back to the Castle, and tell
him that sent you here what you have received! Off! out into the
road,’ he added, raising his voice, and moving furiously towards Mr
Oxley, who precipitately quitted the garden, ‘or I’ll teach you to
speak of the workhouse again! See that _the dogs lick not_——’
“‘Adam! I charge you hold your peace!’ said the old man, loudly and
authoritatively, and advancing towards Mr Oxley, who, however,
having, after muttering a few words to himself, and glancing
furiously at young Ayliffe, hastily mounted his horse, which had
been standing fastened at the gate, had already galloped out of
hearing; and about that time in the ensuing day had contrived,
during an interview on business with the Earl, to intimate, as if
casually only, that the Ayliffes, who owned the roadside cottage,
had received the liberal overtures made by Mr Oxley on his
lordship’s behalf, with expressions of coarse disrespect, and even
malignant hostility. Not a syllable breathed Mr Oxley of the
treatment which he had received at the hands of young Ayliffe; nor
did he deem it expedient, for reasons of his own, to summon his
assailant to answer before the magistrates for what he had done.”
Ayliffe heard no more of Mr Oxley, but his trials sadly increased from
the hour of that gentleman’s violent departure from his humble roof. The
poor remnant of his patrimonial estate had dwindled down to the cottage
and the slip of ground attached to it. Young Ayliffe continued to work
from morning till night like any slave in the plantations; but his
industry yielded small result. In addition to the other misfortunes, the
infant member of this luckless household, feeble from its birth, and
likely to be reared with difficulty, became, by an accident, maimed for
life. The black cloud had fairly settled over the habitation.
Sarah, the wife, was about to give birth to another child, when misery
appeared to have reached its climax. The once comely furniture had been
disposed of by degrees to purchase necessary food; and nothing but
horror stared the unfortunates in the face, when an accident took place
which gave the final touch to a dismal history that appeared already
complete.
“Young Ayliffe, with heavy thoughts in his mind, burthening and
depressing it, went one day to his work at a farmer’s at some
distance from Milverstoke, having only one companion the whole day
long: but that companion appearing good-natured and communicative,
the frank young Ayliffe could not refrain from talking about that
which was uppermost in his thoughts—the feeble condition of his
wife, and her doctor’s constant recommendation of nourishing food.
‘And why don’t you get it, if you care for her?’ inquired his
companion with a surprised air, resting for a moment from his work.
“‘Surely,’ quoth poor Ayliffe, ‘you should ask me why I do not get
one of the stars out of the sky. Is meat to be picked up in the high
road?’
“‘No; not in the high road,’ said the other, drily, ‘but there’s
dainty eating for the sick and the gentle to be had—elsewhere.’
“In plain English, Ayliffe’s new friend pointed at game; speaking
most temptingly of hare, above all other sorts of game, as a dainty
dish, whether roast or stewed, for those that were sick and
delicate; and assured Ayliffe that his (the speaker’s) wife had
lived secretly on hare all through _her_ time of trouble, and had
never in her life thriven so well; for naught was so nourishing as
hare’s flesh. Poor Ayliffe listened to this with but too willing an
ear, though it went clean contrary to all his own notions, and those
which he knew to be entertained by his father. He resisted but very
faintly the arguments of his new friend; who indeed fairly staggered
Ayliffe, by asking him whether he thought that he did wrong if he
caught a hedgehog, a weasel, or a snake, in the field or hedge of
another; and if not, why was it different with a hare? Much
conversation had they of this sort, in the course of which poor
Ayliffe, in the frank simplicity of his nature, gave such a moving
picture of his wife’s necessities, as greatly interested his
companion; who said that he happened to have by him a very fine hare
that had been given him by a neighbouring squire, and which was
greatly at Ayliffe’s service. After much hesitation he, with many
thanks, accepted the gift; and, accompanying his new friend to his
cottage, received into his possession the promised hare, (a finer
one certainly was hardly to be seen,) and made his way home with his
perilous present, under cover of the thickening shades of night.
What horrid misgivings he had, as he went along! How often he
resolved either to return the hare to the giver, or fling it over
the hedge, as he passed! For he was aware of his danger: there being
no part of England where game was more strictly preserved, more
closely looked after, or poachers more severely punished, than at
Milverstoke. But he thought of his wife—of the relish with which she
must partake of this hare; and by the inspiriting aid of thoughts
such as these, he nerved himself to encounter her suspicions, and
his father’s rebuke and reproaches.”
That rebuke and those reproaches he encountered. Happy had he been had
he encountered nothing worse! The hare was rejected by the upright
father, but the rejection did not save the son. He had been entrapped
into accepting the gift by one who had sent a companion to watch him
home, and who, in order to obtain half the penalty, forthwith informed
against the unfortunate receiver. The receiver was fined, but Mr Hylton,
the vicar, paid the sum required, and released him from his trouble.
Whilst matters are looking so black at the cottage, there is joyousness
enough at the neighbouring castle. The season is Christmas, and Viscount
Alkmond, the only son and heir of the Earl of Milverstoke, has arrived
at the castle to pass the Christmas holidays. Here is the castle and its
owner.
“Milverstoke Castle, to which its next lordly possessor was then on
his way, was a truly magnificent structure, worthy of its superb
situation, which was on the slope of a great forest, stretching down
to the sea-shore. Seen from the sea, especially by moonlight, it had
a most imposing and picturesque appearance; but from no part of the
surrounding land was it visible at all, owing to the great extent of
woodland in which it was embosomed. The Earl of Milverstoke, then
lord of that stately residence, had a personal appearance and
bearing which might be imagined somewhat in unison with its leading
characteristics. He was tall, thin, and erect; his manner was
composed, his countenance refined and intellectual, and his features
comely; his hair had been for some years changed from jet-black into
iron-gray. His bearing was lofty, sometimes even to repulsiveness;
his temper and spirit haughty and self-reliant. Opposition to his
will, equally in great or small things, rendered that arbitrary will
inflexible, whatever might be the consequence or sacrifice; for he
gave himself credit for never acting from impulse, but always from
superior discretion and deliberation. He was a man of powerful
intellect, extensive knowledge, and admirably fitted for public
affairs,—in which, indeed, he had borne a conspicuous part, till his
imperious and exacting temper had rendered him intolerable to his
colleagues, and objectionable even to his sovereign, from whose
service he had _retired_, to use a courteous word, in disdainful
disgust, some five years before being presented to the reader. He
possessed a vast fortune, and two or three princely residences in
various parts of the kingdom. Of these Milverstoke was the
principal; and its stern solitude suiting his gloomy humour, he had
betaken himself to it on quitting public life. He had been a widower
for many years, and, since becoming such, had become alienated from
the distinguished family of his late countess; whose ardent and
sensitive disposition they believed to have been utterly crushed by
the iron despotism of an unfeeling and domineering husband. Whatever
foundation there might have been for this supposition, it
contributed to imbitter the feelings of the Earl, and strengthen a
tendency to misanthropy. Still his character had fine features. He
was most munificent; the very soul of honour; a perfect gentleman;
and of irreproachable morals. He professed a firm belief in
Christianity, and was exemplary in the discharge of what he
considered to be the duties which it imposed upon him. He would
listen to the inculcation of the Christian virtues of humility,
gentleness, and forgiveness of injury, with a kind of stern
complacency; unaware, all the while, that they no more existed
within himself, than fire could be elicited from the sculptured
marble. Most of his day-time he spent in his library, or in solitary
drives, or walks along the sea-shore or in the country.
Unfortunately, he took no personal part, nor felt any personal
interest in the management of his vast revenues and extensive
private affairs; intrusting them, as has been already intimated,
implicitly to others. When he rode through the village, which lay
sheltered near the confines of the woodland in which his castle was
situated, he appeared to have no interest in it or its inhabitants,
though nearly all of them were his own tenantry. His agent, Mr
Oxley, was their real master.
“Mr Hylton was one of his lordship’s occasional chaplains, but by no
means on intimate terms with him; for that the vicar’s firm
independent character unfitting him. While he acknowledged the
commanding talents of the Earl, his lordship was, on his part, fully
aware of Mr Hylton’s strong intellect, superior scholarship, and the
pure and lofty spirit in which he devoted himself to his spiritual
duties. The good vicar of Milverstoke knew not what was meant by the
fear of man—and that his stately parishioner had had many
opportunities of observing; and, in short, Mr Hylton was a much less
frequent visitor at the Castle than might might have been supposed,
and was at least warranted, by his position and proximity.
“Possibly some of the Earl’s frigid reserve towards him was
occasioned by the cordial terms of intimacy which had existed
between him and the late Countess—an excellent personage, who,
living in comparative retirement at Milverstoke, while her lord was
immersed in political life, had consulted Mr Hylton constantly on
the early education of her two children. The Earl had married late
in life, being nearly twenty years older than his Countess, who had
brought him one son and one daughter. The former partook largely of
his father’s character, but in a somewhat mitigated form; he was
quicker in taking offence than his father, but had not his
implacability. If he should succeed to that father’s titles and
estates, he would be the first instance of such direct succession
for nine generations, the Earl himself having been the third son of
a second son. The family was of high antiquity, and its noble blood
had several times intermingled with that of royalty.”
On one of the more advanced days of the Christmas week, we are told
there took place a kind of military banquet at the Castle, in compliment
to the officers of a dragoon regiment, one of whose out-quarters was at
the barracks at some two miles distance. Lord Alkmond was present at
this banquet. During its progress his lordship quitted the company to
stroll in the woods—wherefore none knew; but during his evening walk he
was barbarously murdered. Young Ayliffe, under fearfully suspicious
circumstances, is arrested for the crime. He had been discovered near
the body—his sleeves were covered with blood—he had been hunted and
tracked to his home. The cup of misery was full.
A coroner’s inquest is held—a verdict of wilful murder returned against
Adam Ayliffe, who is formally committed by the magistrate. He is held in
custody, and must await his trial. He is _not_ guilty. The reader feels
it in spite of the damning evidence that will be brought against the
accused on the day of his solemn trial: the father is aware of it, and
sustains his manly soul with the consciousness, dreadful as may be the
unjust and as yet unspoken sentence. Old Adam has gone to his child in
prison. Behold the miserable pair! Listen to the pathetic appeal.
“They were allowed to be alone for a short time, the doctor and
nurse of the prison being within call, if need might be. The
prisoner gently raised his father’s cold hand to his lips and kissed
it, and neither spoke for a few minutes; at length——
“‘Adam! Adam!’ said the old man in a low tremulous whisper, ‘art
thou innocent or guilty?’ and his anguished eyes seemed staring into
the very soul of his son, who calmly replied,—
“‘Father, before God Almighty, I be as innocent as thou art, nor
know I who did this terrible deed.’
“‘Dost thou say it? Dost thou say it? I never knew thee to lie to
me, Adam!’ said his father eagerly, half rising, from the stool on
which he sate. ‘Dost thou say this before God, whom thou art only
too likely,’ he shuddered, ‘to see, after next Assizes, face to
face?’
“‘Ay, I do, father,’ replied his son, fixing his eyes solemnly and
steadily on those of his father, who slowly rose and placed his
trembling arms around his son, and embraced him in silence: ‘How is
Sarah?’ faltered the prisoner, faintly.
“‘Ask me not, Adam,’ said the old man; who quickly added, perceiving
the sudden agitation of his son, ‘but she is not dead; she hath been
kindly cared for.’
“‘And the lad?’ said the prisoner, still more faintly.
“‘He is well,’ said the old man; and the prisoner shook his head in
silence, the tears running down his cheeks through closed eyelids.”
There is another too, who, in spite of the circumstances which carry
conviction to the minds of others, is morally certain of the innocence
of Adam Ayliffe. At the beginning of the narrative we are informed that,
“as father and son would stand suddenly uncovered, while the reverend
vicar passed or met them on his way into the church, his heart yearned
towards them both: he thoroughly loved and respected them, and was in a
certain way proud of two such specimens of the English yeoman; and,
above all, charmed with the good example which they set to all his other
parishioners. Now the vicar had from Adam’s boyhood entertained a liking
for him, and had personally bestowed no inconsiderable pains upon his
education, which though plain, as suited his position, was yet sound and
substantial.” This vicar trusted the manhood of the blood-guiltless Adam
as he had affectionately attached himself to his youth. To suppose him
guilty of the crime was to have implicit faith in circumstantial
evidence, treacherous and deceitful at the best, and to spurn the actual
knowledge gained from the decided tenor of a life which could NOT speak
false. Adam Ayliffe could not become a murderer and still be Adam
Ayliffe. He was himself, rational and sane; he was therefore guiltless.
So argued the minister of God: so must the good and pious always argue,
similarly placed. A world in arms against the miserable prisoner would
not have moved the vicar from his strong conviction, or frightened him
from the prisoner’s side. Providence, the just, so willed it!
The trial came. The fiend of circumstance for the hour triumphed over
the as yet invisible spirit of truth. Mortal men could do no other than
they did. Seeing through a glass darkly, they pronounced judgment, with
the veil still undrawn. Adam Ayliffe, the innocent, the well-meaning,
the sorely-tried, but the still upright, was condemned to die the death
of a malefactor, for the shedding of blood which he had never spilt. The
wretched convict is removed at once from the bar of the Court to the
condemned cell. He is scarcely there before Mr Hylton, the incredulous
clergyman, is at his side. The interview is long, and deeply
interesting. The frantic despair of the hapless prisoner is gradually
softened, and his mind turned to God by the pious counsels and arguments
of his indefatigable pastor. Mr Hylton leaves the cell more than ever
satisfied of the innocence of poor Adam Ayliffe.
He is sentenced, not yet hanged. The word has gone forth but the decree
is not yet executed. God is just, but as merciful as just, and may
interpose and save the long-suffering for His glory and their happiness.
Mr Hylton, leaving the prison, is summoned to the neighbouring barracks.
Arriving there, he is ushered into a private room, and introduced to one
Captain Lutteridge. What has the captain to say to the minister? What
does he know of the murder? You shall hear. During the trial, the judge
remarked that it was very strange that Lord Alkmond should go out into
the woods on the fatal night, and wondered that no one knew the reason.
Now Captain Lutteridge did not know the reason, but he had possibly,
only possibly, a clue to it. A subject had been mentioned during the
dinner on the memorable night, which had evidently distressed his
lordship, and, it may be, called him forth. What that subject was, he,
the captain, knew, but, without permission from the Earl of Milverstoke,
would not state,—he being a soldier, a man of honour, and incapable of
betraying confidential intercourse, as it were, spoken at the table of
his noble host. It was a case of life and death. Adam Ayliffe had an
advocate with the captain more anxious and impressive than the paid
counsel who had served him on his trial, and Mr Hylton did his duty
faithfully. Before he quitted Captain Lutteridge, that officer had
undertaken to wait upon the Earl of Milverstoke, and to obtain, if it
might be, his permission to communicate the secret. The captain kept his
word, but to little purpose. The Earl forbade all mention of the
melancholy scene, and gave his visitor no encouragement. But Mr Hylton
waited not for encouragement or aid. Before Captain Lutteridge returned
from Milverstoke Castle, the indefatigable minister was already on his
road to London, to obtain an interview with the Secretary of State, to
inform that functionary that there was a secret, and to entreat a
respite upon that ground; but not upon that ground alone. Another gleam
of sunshine, thin as hair, stole through the stormy sky. A letter had
been received by Mrs Hylton, that hinted at guilt elsewhere, removing it
from Ayliffe’s stainless cottage. Fragile as the document was, the
ambassador of the condemned relied upon it as though it had been a rock.
And not in vain! From the Home Secretary, he was referred to the judge
who tried the cause: the judge listened long and patiently to all that
Mr Hylton had to urge upon the miserable man’s behalf, and finally
ordered a fortnight’s respite, with the view of giving time for
confirmation of the important letter’s intimations.
The unconquerable Mr Hylton returned to Milverstoke. He sees the Earl,
who spurns him from his door as a reward for his unjustifiable
interference between justice and the murderer of his son: he sees the
Earl’s daughter, and pleads with her on behalf of the doomed: he sees
Captain Lutteridge,—he leaves no stone unturned, to secure, if not the
pardon of his client, at least the remission of the punishment to which,
in his inmost heart, he believed him most unjustly sentenced. His
success is far from equal to his zeal. The proud Earl’s heart is
obdurate. Who can wonder at it? The gentle daughter would do much, but
has the power to do little; and Captain Lutteridge, a gentleman and a
soldier, is disinclined to save a murderer from the gallows, even if he
had the ability, which he has not.
The fortnight is coming quickly to an end, and there is no arrival of
favourable news. Shortly before its close, Mr Hylton receives a brief
message from the unhappy occupant of the condemned cell, which he dares
not disregard. It is this—“_I go back into darkness while you are
away._” Mr Hylton mounts his horse and sets off. It is a melancholy
errand, but we will take courage and accompany him. The scene is grand
as it is awful:—
“As he rode along, his mind lost sight almost entirely of the
temporal in the spiritual, the present in the future, interests of
the condemned; and by the time that he had reached the gaol, his
mind was in an elevated frame, befitting the solemn and sublime
considerations with which it had been engaged.
“A turnkey, with loaded blunderbuss on his arm, leaned against the
cell door, which he opened for Mr Hylton in silence, as he
approached; disclosing poor Ayliffe sitting on his bench,
double-ironed, his head buried in his hands, his elbows supported by
his knees. He did not move on the entrance of Mr Hylton, as his name
had not been mentioned by the turnkey.
“‘Adam! Adam!—the Lord be with you! Amen!’ solemnly exclaimed Mr
Hylton, gently taking in his hand one of the prisoner’s.
“Ayliffe suddenly started up, a gaunt figure, rattling in his irons,
and grasping in both his hands that of Mr Hylton, carried it to his
heart, to which he pressed it for some moments in silence, and then,
bursting into tears, sunk again on his bench.
“‘God bless you, Adam! and _lift up the light of His countenance
upon you_! Put your trust in him: but remember that he is the
all-seeing, the omniscient, omnipotent God, _who is of purer eyes
than to behold iniquity_!’
“Ayliffe wept in silence, and with reverent affection of manner
pressed to his lips the still-retained hand of Mr Hylton.
“‘Come, Adam! speak! Speak to your pastor—your friend—your
minister!’
“‘You seem an angel, sir!’ said Ayliffe, looking at him with a dull,
oppressed eye, that was heart-breaking.
“‘Why an angel, Adam? I bring you,’ said Mr Hylton, shaking his
head, and sighing, ‘no earthly good news whatever; nothing but my
unworthy offices to prepare you for hereafter! Prepare! prepare to
meet thy God, for he draweth near! And who may abide the day of his
coming!’
“‘I was readier for my change when last I saw you, sir, than now,’
said Ayliffe, with a suppressed groan, covering his face with his
manacled hands.
“‘How is that, poor Adam?’
“‘Ah!—I was, so it seemed, half over Jordan, and have been dragged
back. I see not now that other bright shore which made me forget
earth! All now is dark!’
“His words smote Mr Hylton to the heart. ‘Why is this? why should it
be? Adam!’ said he, very earnestly, ‘have you ever been, can you
possibly ever be, out of God’s hands? What happens but from God? And
if He hath prolonged this your bitter, bitter trial, what should
you, what can you do, but submit to His infinite power and goodness?
_He doth not afflict willingly, nor grieve the children of men, to
crush under his feet all the prisoners of the earth! He will not
cast off for ever; but though he cause grief, yet will he have
compassion according to the multitude of his mercies!_’
“‘Oh, sir! oft do I think his mercy is clean gone for ever! Why—why
am I here?’ he continued, with sudden vehemence. ‘He knoweth my
innocence—yet will make me die the death of the guilty! That cannot,
_cannot_ be just!’
“‘Adam! Adam! Satan is indeed besieging you! Even if, in the awful,
inscrutable decrees of Providence, you be ordained to die for what
you did not, have you forgotten that sublime and awful truth and
fact on which hang all your hopes—the death of Him who died, _the
just for the unjust_?’
“Ayliffe’s head sunk down on his knees.
“‘Ah, sir!’ said he, tremulously, after a while, during which Mr
Hylton interfered not with his meditations, ‘these words do drive me
into the dust, and then raise me again higher than I was before!’
“‘And so they ought, Adam. Is there a God? Has he really revealed
himself? Are the Scriptures true? Am I the true servant of a true
master? If to all this you say _yea_—speak not again distrustfully.
If you do—if you so think—then are you too like to be beyond the
pale of mercy. I am free, Adam,—you are bound,—yet are both our
lives every instant at the command and absolute disposal of Him who
gave them, that we might be on trial here for a little while. For
aught I know, I may even yet die before you, and with greater pain
and grief; but both of us must die, and much of my life is gone for
ever. As your frail fellow-mortal, then, I beseech you to listen to
me! Our mode of leaving life is ordered by God, even as our mode of
living in it. To some he hath ordained riches, others poverty; some
pleasure, others misery, in this life; but all for reasons, and with
objects best known, nay, known only to himself! Adam, you have now
been four days here beyond that which had been appointed you—now
that we are alone, have you aught to confide to me, as the minister
for whom you have sent? What saith my Master? If you confess your
sins, he is faithful and just to forgive you; but if you say that
you have no sin, you deceive yourself, and the truth is not in you.
And if that last be so, Adam, what shall be said of you, what can be
hoped for you?’
“‘If you be thinking of that deed for which I am condemned,’ said
Ayliffe, with a sudden radiant countenance, ‘then am I easy and
happy. God, my maker, and who will be my judge, knoweth whether I
speak the truth. Ay! ay! innocent am I of this deed as you!’
“‘It is right, Adam, that I should tell you that all mankind who
know of your case, from the highest down to the lowest, do believe
you guilty.’
“‘Ah, sir, is not that hard to bear?’ said Ayliffe, with a grievous
sigh, and a countenance that looked unutterable things.
“‘It is, Adam—it is hard; yet, were it harder, it must be borne.
Here is Lord Milverstoke, who hath lost his son—his only son—the
heir to his title and his vast possessions—lost him in this
mysterious and horrid way: is not _that_ hard to be borne? Have you,
Adam,—I ask you by your precious hopes of hereafter,—animosity
towards him who believes you to be his son’s murderer?’
“There was an awful silence for nearly a minute, at the close of
which Ayliffe, with an anguished face, said—
“‘Oh, sir! give me time to answer you! Pray for me! I know whose
example I ought to imitate; but’—he suddenly seemed to have sunk
into a reverie, which lasted for some time, at the end of
which,—‘Sir—Mr Hylton,’ said he desperately, ‘_am_ I truly to die on
Monday week? Oh, tell me! tell me, sir! Life is sweet, I own!’
“He sprung towards Mr Hylton, and convulsively grasped his hands,
looking into his face with frenzied earnestness.
“‘I cannot—I will not deceive you, Adam,’ replied Mr Hylton, looking
aside and with a profound sigh. ‘My solemn duty is to prepare you
for death! But—‘
“‘Ah!’ said he, with a desperate air, ‘to be hanged like a vile
dog!—and every one cursing me, who am all the while innocent! and no
burial service to be said over my poor body!—never—_never_ to be
buried!’ With a dismal groan he sunk back, and would have fallen
from the bench, but for Mr. Hylton’s stepping forward. ‘Sir—sir,’
said Ayliffe presently, glaring with sudden wildness at Mr Hylton,
‘did you see the man at the door with the blunderbuss? There he
stands! all day! all night! but never comes in!—never speaks!—Would
that he would put it to my head, and finish me in a moment!’
“‘Adam! Adam! what awful language is this that I hear?’ said Mr
Hylton, sternly. ‘Is this the way that you have spoken to your pious
and venerable father?’
“‘No! no! no! sir!‘—he pressed his hand to his forehead—‘but my poor
head wanders! I—I am better now! I seem just to have come out of a
dream. But never should I dream thus, if you would ever stay with
me—till—all is over!’
“Feeling it quite impossible to ask the miserable convict such
questions as Mr Hylton had wished, he resolved not to make the
attempt, but to do it as prudently and as early as might be, through
old Ayliffe, or the chaplain or governor of the gaol. He was just
about to leave, and was considering in what terms he could the most
effectually address himself to Ayliffe, when, without any summons
having issued from within, the door was unlocked, and the turnkey,
thrusting in his head, said,—
“‘I say, my man, here’s the woman come with thy child, that thou’st
been asking for. They’ll come in when the gentleman goes.’
“Ayliffe started up from his seat with an eager motion towards the
door, but was suddenly jerked down again, having forgotten in his
momentary ecstasy that his irons were attached to a staple in the
floor.
“‘Come, come, my man,’ said the turnkey, sternly, ‘thou must be a
bit quieter, I can tell thee, if this child is to come to thee.’
“‘Give me the lad! give me the lad! give me the lad!’ said Ayliffe,
in a hoarse whisper, his eyes straining towards the approaching
figure of the good woman, who, with a very sorrowful and
apprehensive look, now came in sight of the condemned man.
“‘Lord bless thee, Adam Ayliffe!’ she began, bursting into tears,
‘Lord love thee and protect thee, Adam!’
“‘Give me the lad!—show me the lad!’ he continued, gazing intently
at her, while she tremblingly pushed aside her cloak; and behold
there lay, simply and decently clad, his little boy, awake, and
gazing, apparently apprehensively, at the strange wild figure whose
arms were extended to receive it!
“‘Adam, father of this thy dear child,’ said Mr Hylton, interposing
for a moment between Ayliffe and the child, not without some alarm,
‘wilt thou handle it tenderly, remembering how feeble and small it
is?’
“On this, poor Ayliffe gazed at Mr Hylton with a face of unspeakable
agony, weeping lamentably; and still extending his arms, the passive
child, gazing at him in timid silence, was placed within them. He
sat down gently, gazing at his child for some moments with a face
never to be forgotten by those who saw it. Then he brought it near
to his face, and kissed incessantly, but with unspeakable
tenderness, its tiny features, which were quickly bedewed with his
tears.
“‘His mother!—his mother!—his mother!’ he exclaimed, in
heart-rending tones, still gazing intently at its face, which was
directed towards his own with evident apprehension. Its little hand
for a moment clasped one of the irons that bound his father, but
removed it immediately, probably from the coldness of the metal. The
father saw this, and seemed dreadfully agitated for some moments;
and Mr Hylton, who also had observed the little circumstance, was
greatly affected, and turned aside his head. After a while,—
“‘How easily, my little lad, could I dash out thy little brains
against these irons,’ said Ayliffe, in a low desperate tone of
voice, staring into the child’s face, ‘and save thee from ever
coming to this unjust fate that thy father hath!’
“Mr Hylton was excessively alarmed, but concealed his feelings,
preparing, however, for some perilous and insane action, endangering
the safety of the child. The gathering cloud, however, passed away,
and the manacled father kissed his unconscious child with all his
former tenderness.
“‘They’ll tell thee, poor lad, that I was a murderer! though it be
false as hell! They’ll shout after thee, There goes the murderer’s
son!’ He paused, and then with a sudden start said—‘There will be no
grave for thee or thy mother to come and cry over!’
“‘Adam,’ said Mr Hylton, very anxiously, ‘weary not yourself
thus—alarm not this poor child, by thus yielding to fear and
despair; but rather, if it can hereafter remember what passeth here
this day, may its thoughts be of thy love and of thy gentleness! If
it be the will of God that thou must die, and that unjustly, as far
as men are concerned, He will watch over and provide for this little
soul, whom He, foreseeing its fate, sent into the world.’
“Ayliffe lifted the child with trembling arms, and pressed its
cheeks to his lips. The little creature did not cry, nor appear
likely to do so, but seemed the image of mute apprehension. The
whole scene was so painful, that Mr Hylton was not sorry when the
Governor of the gaol approached, to intimate that the interview must
cease. The prisoner, exhausted with violent excitement, quietly
surrendered his child to his attendant, and then silently grasped
the hand of Mr Hylton, who thereupon quitted the cell; the door of
which was immediately locked upon its miserable occupant: who was
once again _alone_!”
From the prison let us to the great Earl’s house. His lordship has
become morose and almost vindictive against the supposed murderer of his
son, from the very efforts that have been made to save him from the
gallows. Had Adam Ayliffe been suffered to die the unpitied death of any
other heinous criminal, no one, perhaps, would have more pitied the
wretched malefactor than the Earl of Milverstoke himself. The interest
taken in the convict, not only by the minister, but by his own daughter,
and, as he suspected, by the very widow of the murdered lord, his
daughter-in-law, seemed cruel forgetfulness of the dead, and wanton
injury to the living. He upbraided the minister who preached the virtues
of mercy and forgiveness; he looked with anger and violent impatience
when others dared to take up the thread of the clergyman’s unauthorised
discourse. During an interview with Lady Alkmond, the Earl had heard the
syllables _forgive!_ dropping from the widow’s mouth; he made no answer,
but repaired to his library, in which he walked to and fro for some
time, meditating with sternness and displacency upon the word. Let us
open the door gently and carefully, and, using our lawful privilege,
look in.
“On taking his seat at length, his lordship opened with some
surprise a Testament which lay before him, and guided by the
reference written by the trembling fingers of his daughter, he read
as follows:—‘So likewise shall my heavenly Father do unto you, if ye
from your hearts for give not every one his brother their
trespasses.’ This verse the Earl read hastily, then laid down the
book, folded his arms, and leaned back in his seat, not with subdued
feelings, but very highly indignant. He now saw clearly what had
been intended by the faint but solemn whisper of Lady Alkmond, even
could he have before entertained a doubt upon the subject. Oh, why
did not thoughts of the heavenly temper of these two loving and
trembling spirits melt his stern heart? ’Twas not so, however: and
even _anger_ swelled within that FATHER’S breast of untamed
fierceness—anger almost struggling and shaping itself into the
utterance of ‘Interference! intrusion! presumption!’ After a long
interval, in which his thoughts were thus angrily occupied, he
reopened the Testament, and again read the sublime and awful
declaration of the Redeemer of mankind; yet smote it not his heart.
And after a while, removing the paper, he calmly replaced the sacred
volume on the spot from which it had been taken by Lady Emily. Not
long after he had done so, he heard a very faint tapping at the
distant door, but without taking any notice of it; although he had a
somewhat disturbing suspicion as to the cause of that same meek
application, and the person by whom it was made. The sound was
presently repeated, somewhat louder; on which, ‘Who’s there?—enter!’
called out the Earl, loudly, and in his usual stern tone, looking
apprehensively towards the door—which was opened, as he had thought,
and perhaps feared it might be, by Lady Emily.
“‘It is I, dear papa,’ said she, closing the door after her, and
advancing rather rapidly towards him, who moved not from his seat;
though the appearance of—NOW—his only child, and that a daughter,
most beautiful in budding womanhood, and approaching a FATHER with
timid, downcast looks, might well have elicited some word or gesture
of welcoming affection and tenderness.
“‘What brings you hither, Emily?’ he inquired coldly, as his
daughter, in her loveliness and terror, stood within a few feet of
him, her fine features wearing an expression of blended modesty and
resolution.
“‘Do you not know, my dearest papa?’ said she, gently; ‘do you not
suspect. Do not be angry!—do not, dear papa, look so sternly at me!
I come to speak with you, who are my father, in all love and duty.’
“‘I am not stern—I am not angry, Emily. Have I not ever been kind to
you? Why, then, this unusual mode of approaching and addressing me?
Were I a mere tyrant, you could not show better than your present
manner does, that I am such.’
“His words were kind, but his eye and his manner were blighting. His
daughter’s knees trembled under her. She glanced hastily at the
table in quest of the little book which her hands had that morning
placed there; and not seeing it, her heart sunk.
“‘Be seated, Emily,’ said her father, moving towards her a chair,
and gently placing her in it immediately opposite to him, at only a
very little distance. She thought that she had never till that
moment seen her father’s face, or at least had never before noticed
its true character. How cold and severe was the look of the
penetrating eyes now fixed on her—how rigid were the features—how
commanding the expression which they wore—how visibly clouded with
sorrow, and marked with the traces of suffering!
“‘And what, Emily, would you say?’ he inquired, calmly.
“‘Dearest papa, I would say, if I dared, what my sister said to you
so short a time ago—_Forgive!_’
“‘Whom?’ inquired the Earl, striving to repress all appearance of
emotion.
“‘Him who is to die on Monday next—Adam Ayliffe. Oh, my dearest
papa, do not—oh, do not look so fearfully at me!’
“‘You mean, Emily, _the murderer of your brother_!’ He paused for a
moment. ‘Am I right? Do I understand you?’ inquired her father,
gloomily.
“‘But I think that he is not—I do believe that he is not.’
“‘But how can it concern _you_, Emily, to think or believe on the
subject? Good child, meddle not with what you understand not. Who
has put you upon this, Emily?’
“‘My own heart, papa.’
“‘Bah, girl!’ cried the Earl, unable to restrain his angry impulse,
‘do not patter nonsense with your father on a subject like this. You
have been trained and tutored to torment me on this matter!’
“‘Papa!—my papa!—I trained! I tutored! By whom? Am I of your blood?’
said Lady Emily, proudly and indignantly.
“‘You had better return, my child, to your occupations’——
“‘My occupation, dearest papa, is here, and, so long as you may
suffer me to be with you, to say few, but few words to you. It is
hard if I cannot, I who never knowingly grieved you in my life.
Remember that I am now your only child. Yet I fear you love me not
as you ought to love an only child, or you could not speak to me as
you have just spoken.’ She paused for moment, and added, as if with
a sudden desperate impulse—‘My poor sister and I do implore you to
give this wretch a chance of life, for we both believe that he is
innocent!’
“For a second or two the Earl seemed really astounded; and well he
might, for his youthful daughter had suddenly spoken to him with a
precision and distinctness of language, an energy of manner, and an
expression of eye, such as the Earl had not dreamed of her being
able to exhibit, and told of the strength of purpose with which she
had come to him.
“‘And you both believe that he is innocent!’ said he, echoing her
words, too much amazed to utter another word.
“‘Yes, we do! we do! in our hearts. My sister and I have prayed to
God many times for His mercy; and she desires me to tell you that
she has forgiven this man Ayliffe, even though he did this dreadful
deed, and so have I; wife and sister of the dear one dead, we both
forgive, even though the poor wretch be guilty; but we believe him
innocent, and if he be, oh, Heaven forbid that on Monday he should
die!’
“‘Emily,’ said the Earl, who had waited with forced composure till
his daughter had ceased, ‘do you not think that your proper place is
in your own apartment, or with your suffering sister-in-law?’
“‘Why should you thus treat me as a child, papa?’ inquired Lady
Emily, scarcely able to restrain her tears.
“‘Why should I not?’ asked her father calmly.
“Lady Emily looked to the ground for some moments in silence.
“‘Does it not occur to you as possible that you are meddling?
meddling with matters beyond your province? Is it fitting, _girl_,’
he continued, unable to resist an instantaneous but most bitter
emphasis on the word, ‘that you should be HERE, talking to me at
all, for one moment even, on a matter which I have never thought of
naming to you—a child?’
“‘I am a child, papa but I am _your_ child, and your only one and
love you more than all the whole world.’
“‘Obey me, then, as a proof of that love: retire to your chamber,
and there wonder at what you have ventured—presumed this morning to
do.’
“Lady Emily felt the glance of his eye upon her, as though it had
lightened; but she quailed not.
“‘My dear, my only parent, I implore you send me not away; let me—’
“‘Emily, I cannot be disobeyed; I am not in the habit of being
disobeyed by any one; it is very sad that I should see the attempt
first made by a child.’
“‘Oh papa! forgive me! forgive me!’ She arose, and, approaching him
hastily, as she observed him about to advance, sunk on one knee
before him, clasping her hands together. ‘Oh, hear me for but a
moment. Never knelt I before but to God, yet kneel I now to my
father. Oh, have mercy! nay, be JUST!’
“‘Why, Emily, verily I fear that long confinement, and want of
exercise, and change, and air, are preying upon your mind; you are
not speaking rationally. Rise, child, and do not pursue this
folly—or I may think you mad!’ He disengaged her hands gently from
his knee, which they had the moment before clasped, and raised her
from her kneeling posture, she weeping bitterly.
“I am not mad, papa, nor is my sister; but we fear lest God’s anger
should fall upon you, nay, upon us all, if you will not listen to
the voice of compassion.’
“‘Be seated, Emily,’ said the Earl. ‘Excited as you are at present,’
he continued, with rapidly increasing sternness of manner, ‘no words
of mine will be able to satisfy you of the grievous impropriety, nay
the cruel absurdity of all this proceeding. You talk to me like a
parrot about mercy, and compassion, and God’s anger, and so forth,
as though you understood what you were saying, and I understood not
what I am doing, what I ought to do, and what I have done. Child,
you forget yourself, me, and your duty to me. How dared you to
profane yonder Testament, and insult your father by placing it
before him as you did this morning? Did you do so?’
“‘I did,’ she answered, weeping.
“‘You presumptuous girl! forgetful of the fifth commandment!’
“‘Oh, say not so! say not so! I love, reverence you—and I FEAR you,
now!’ said Lady Emily, gazing at him with tears running down her
cheeks, her dark hair partially deranged, her hands clasped in a
supplicatory manner. ‘I prayed to God, first, that I might not be
doing wrong; that you might not be angry with me, that if angry, you
might forgive me!’
“‘Angry with you? Have I not cause? Never dared daughter do such
thing to father before! You presume to rebuke and threaten
me—_me_—with the vengeance of Heaven, if I yield not to your sickly
dreaming, drivelling sentimentality. Silence!’ he exclaimed,
perceiving her about to speak very earnestly. ‘I have not had my
eyes closed, I tell you now, for days past—I have observed your
changed manner: you have been deliberating long beforehand how to
perpetrate this undutifulness! As though my heart had not been
already struck as with a thunderbolt from Heaven—you, forsooth, you
idle, unthinking child! must strive to stab it—to wound me! to
insult me! This is not your own doing: you dared not have thought of
it! You are the silly tool of others. Silence! hear me, undutiful
girl!
“‘Papa, I cannot hear you say all this, in which you are so wrong.
No tool am I of any body! Twice have you said this thing!’ Her
figure the Earl perceived involuntarily becoming erect as she spoke,
and her eye fixed with steadfast brightness upon his. Had he been
sufficiently calm and observant, he might have seen in his daughter
at that moment a faint reflection of his own lofty spirit—intolerant
of injustice. ‘And even you, papa, have no right whatever thus to
talk to me. If I have done wrong, chide me becomingly; but all that
you have said to me only hurts me, and stings me, and I cannot
submit to it—’
“‘Lady Emily, to your chamber!’ said the Earl, with a stately air,
rising; so did his daughter.
“‘My Lord!’ she exclaimed magnificently, her tall figure drawn up to
its full height, and her lustrous eyes fixed unwavering upon his
own. Neither spoke for a moment; and the Earl began, he knew not
why, to feel great inward agitation, as he gazed at the erect figure
of his silent and indignant daughter.
“‘My child!’ said he, at length, faintly, with a quivering lip; and
extending his arms, he moved a step towards her; on which she sprang
forward into his arms, throwing her own about his neck, and kissing
his cheek passionately. His strong will for once had failed him; his
full eyes overflowed, and a tear fell on his daughter’s forehead.
She wept bitterly; for a while he spoke not, but gently led her to a
couch, and sat down beside her.
“‘Oh, papa, papa!’ she murmured, ‘how I love you!’
“For a moment he answered not, struggling, and with partial success,
to overcome the violence of his emotions. Then he spoke in a low
deep tone—
“‘The voices of the dead are sounding in my ears, Emily! the
tranquil dead! ’Tis said, my Emily,’ he paused for some moments, and
his agitation was prodigious,—‘that stern was I to your sweet
mother—’
“‘Oh, dear, dearest, best beloved by daughter, never!’ she cried
vehemently, struggling to escape from his grasp, for beheld her
rigidly while gazing at her with agonised eyes.
“‘And I now fearfully feel—I fear—that stern I was, as stern I have
this day been to you. Forgive me, ye meek and blessed dead!‘—his
quivering lips were, closed for a moment, as were his eyes. ‘Oh,
Emily! she is looking at me through your eyes. Oh, how like!’ he
remarked, as if speaking to himself. Lady Emily covered her eyes,
and buried her head in his bosom. ‘Do you, my Emily, forgive me?’
“‘Oh, papa! no, no; what have I to forgive? Every thing have I to
love! my own, sweet papa! Much I fear that I may have done what a
daughter ought not to have done! I have grieved and wounded a father
that tenderly loved me—’
“‘Ay, my child, I do,’ he whispered tremulously, gently drawing her
slender form nearer to his heart. ‘Emily,’ said he, after a while,
‘go, get me that Testament which you placed before me; oh, go, dear
child!’ She still hung her head, and made no motion of going. ‘Go,
get it me; bring it to me!’
“She rose without a word, and brought it to him; and while he
silently read the verse to which she had directed his attention, she
sat beside him, her hands clasped together, and her eyes timidly
fixed on the ground.
“‘It was in love, and not presumption, my Emily, that you laid these
awful words before me!’
“‘Indeed, my papa, it was,’ said she, bursting into tears.
“He appeared about to speak to her, when words evidently failed him
suddenly. At length—‘And when that sweet soul’—he paused, ‘this
morning whispered in my ear, did she know of this that you had
done?’ Lady Emily could not speak. She bowed her head in
acquiescence, and sobbed convulsively. Her father was fearfully
agitated. ‘Wretch that I am!—I am not worthy of either of you!’ Lady
Emily flung her arms round him fondly, and kissed him. ‘I am
yielding to great weakness, my love,’ said he, after a while, with
somewhat more of composure. ‘Yet, never shall I—never can I—forget
this morning! I have long felt, and feared, that I was not made to
be loved: I have seen it written in people’s faces. Yet can I love!’
“‘I know you can! I know you do, my own dear papa! Do you not
believe that I love you? that Agnes loves you?’
“‘I do, my Emily—I do! Yet till this moment have I felt alone in
life. In this vast pile, to me how gloomy and desolate! with these
woods, so horrible, around me, I have been alone—utterly alone! And
yet were you with me—you, my only daughter—who, I suppose, dared not
tell me how much you loved me!’
“‘Oh, do not say so, papa! I knew your grief and suffering. They
were too sacred to be touched—I wept for you, but in my own
chamber!’
“‘You stand beside me as an angel, Emily!’ said the Earl fondly, ‘as
you have ever been: yet I now feel as though my eyes had not really
seen and known you!’”
The gentle Lady Emily quits her father’s room with leave to speak again
of Christian mercy, but with no further gain. Still there is time to
save the unoffending, and it is not lost. When every hope seemed gone,
impelled by an irresistible impulse, and fortified by an unwavering
conviction of the prisoner’s innocence, Mr Hylton, on the Friday evening
preceding the Monday fixed for Ayliffe’s execution, as a last resource,
had, relying on the king’s well-known sternly independent character,
written a letter to his Majesty, under cover to a nobleman then in
London attending Parliament, and with whom Mr Hylton had been acquainted
at college. Mr Hylton’s letter to the King was expressed in terms of
grave eloquence. It set out with calling his Majesty’s attention to the
execution, six months before, of a man for a crime of which three days
afterwards he was demonstrated to have been innocent. Then the letter
gave a moving picture of the exemplary life and character of the
prisoner, and of his father; pointed to testimonials given in his favour
at the trial; and added the writer’s own, together with the most solemn
and strong conviction which could be expressed in language, that whoever
might have been the perpetrator of this most atrocious murder, it was
not the prisoner doomed to die on Monday. It then conjured his Majesty,
by every consideration which could properly have weight with a sovereign
intrusted with authority by Almighty God, to govern according to justice
and mercy, to give his personal attention to the case then laid before
him, and act thereon according to his Majesty’s own royal and element
judgment. The letter suggested by heaven, written by heaven’s minister,
and read by heaven’s intrusted servant, achieved its mission. The King
read, and commuted the sentence of death to that of transportation. Upon
the morning fixed for the execution a reprieve arrived, almost as the
doomed man was walking from his cell to the gallows.
The convict departs; his wife follows him; his child and father remain
behind. The former is cared for by the daughter of the Earl of
Milverstoke, the latter has still the abiding friendship and regard of
Mr Hylton. Twenty years elapse. Perpetual banishment was Adam Ayliffe’s
sentence, and he is still abroad. His misshapen child has given evidence
of commanding abilities, and under another name has been sent, at Mr
Hylton’s instigation, to the university of Cambridge, where he is
maintained still at the charges of the sweet-hearted Lady Emily. We
arrive at the season when the annual contest takes place in the
university for its most honourable prizes. The dignity of Senior
Wrangler is contested by a young nobleman and a humpbacked youth, of
whom little or nothing is known. The rivals, representing as it were the
aristocracy and the democracy of the ancient seat of learning, have no
unworthy envyings, one against the other; they are friends and friendly
co-labourers. The battle comes, the representative of the people is
victorious: Viscount Alkmond—for it is he—the son of the murdered man,
is beaten by Adam Ayliffe, the offspring of the supposed murderer. The
Earl of Milverstoke lives to hear the news!
He lives to hear more! A man in a distant part of the country is
executed for a robbery. Before he dies he makes a confession. His name
is Jonas Handle. He tells the world, for the relief of his own soul,
that he, and none but he, twenty years before, did kill and murder my
Lord Milverstoke’s son, for which one Ayliffe was taken and condemned to
die, but afterwards was transported, and is since possibly dead. He
explains minutely how he proceeded to his work; who was his accomplice.
He had determined to kill one Godbolt, the head keeper, and, mistaking
the young lord for his intended victim, he struck him dead with the
coulter of a plough, which coulter he thrust into the hole of a hollow
tree hard by. The confession reaches Mr Hylton; the coulter of the
plough is sought and found: the exiled innocent is recalled—returns:
this also the Earl of Milverstoke lives to hear!
He lives to hear more! Mr Hylton has not suffered twenty years to elapse
without appealing to the proud and uncrucified heart of the great Earl,
who seemed to have forgotten, in the midst of his transitory splendour,
that the great God of heaven himself became a humble man, the eternal
pattern of humility _to_ man on earth. The faithful minister knocked at
the soul of the arrogant and overbearing lord, until he shook its
hardness, and made it meet for heaven and its blessings. When he brought
tidings of the murderer’s confession, he came to one who had heard from
the same lips often before happier tidings, and promises bright with
celestial splendour. In former days Mr Hylton had approached the Lord of
Milverstoke as a meek martyr would have dared the violence of a savage
beast; now he comes with his intelligence to one rendered, at the close
of his long life, docile as a lamb. He speaks, and the Earl asks
tremulously, and with many sighs, whether his reverend monitor tells him
of the murderer’s death in judgment or in mercy.
“‘In mercy, dear my Lord! in mercy!’ answered Mr Hylton, with a
brightening countenance and a cheerful voice: ‘in you, spared to
advanced age, I see before me only a monument of mercy and goodness!
Had you continued till now, deaf to the teaching of His Holy
Spirit—dead to His gracious influences—hateful, relentless, and
vindictive—this which has now occurred would, to my poor thinking,
have appeared to speak only in judgment, uttering condemnation in
your ears, and sealing your eyes in judicial blindness! But you have
been enabled to hear a still small voice, whose melting accents have
pierced through your deaf ear, and broken a heart once obdurate in
pride and hopelessly unforgiving. Plainly I speak, dear my Lord, for
my mission I feel to be now no longer one of terror, but of
consolation! It is awful, but awful in mercy only, and
condescension!’”
The Earl is old; but there lives another still older, who must be
visited without delay. The Saxon patriarch, who, when we first saw him,
a man “of simple and stern character” clung to his Bible as to the rock
upon which the poor of this world, the sorely beset and the heavily
tried, can alone repose in peace, and who referred simply, believingly,
and lovingly to that sacred volume, as the cup of sorrow grew fuller and
fuller, until at length it overflowed and could hold no more,—this aged
man, Ayliffe the grandfather, still lives and owns the cottage which he
never would give up. What is the Earl of Milverstoke to do, but to ask
pardon from the gray hairs of the man whom the law so much offended, and
he still more, by the cruel harshness of his once impenitent spirit? See
how he totters to the unpolluted gate!
“Mr Hylton was moved almost to tears at the spectacle which was
before his mind’s eye, of these two old men meeting for the first,
and it might be for the only, time upon earth; and his offer to
accompany his Lordship at once to the cottage, the Earl eagerly
accepted, and they both took their departure. As the carriage
approached, the Earl showed no little agitation at the prospect of
the coming interview.
“‘Yonder,’ said Mr Hylton exultingly, ‘yonder is the humble place
where dwells still, and but a little longer, one whom angels there
have ministered to; with whom God hath there ever communion; and it
is a hallowed spot!’
“The Earl spoke not; and in a few minutes’ time he was to be seen,
supported by Mr Hylton and a servant, closely approaching the
cottage door, another preceding him to announce his arrival, and
standing uncovered outside the door as the Earl entered it; his
lordly master himself uncovering, and bowing low as he stepped
within, accompanied by Mr Hylton, who led him up to old Ayliffe,
saying, ‘Adam, here comes one to speak with you—my Lord
Milverstoke—who saith that he hath long, in heart, done to you and
yours injustice; and hath come hither to tell you so.’ The Earl
trembled on Mr Hylton’s arm while he said this, and stood uncovered,
gazing with an air of reverence at the old man, who, when they
entered, was sitting beside the fire, leaning on his staff beside a
table, on which stood his old Bible, open, with his spectacles lying
upon it, as though he had just laid them there. He rose slowly as Mr
Hylton finished speaking.
“‘My Lord,’ said he solemnly, and standing more erectly than he had
stood for years, ‘we be now both very old men, and God hath not
spared us thus long for nothing.’
“‘Ay, Adam Ayliffe, indeed it is so! Will you forgive me and take my
hand?’ said the Earl faintly, advancing his right hand.
“‘Ay, my Lord—ay, in the name of God! feeling that I have had
somewhat to forgive! For a father am I, and a father _wast_ thou, my
Lord! Here, since it hath been asked for, is my hand, that never was
withheld from man that kindly asked for it; and my heart goes out to
thee with it! God bless thee, my Lord, in these thine old and feeble
days—old and feeble are we both, _and the grasshopper is a burthen
to us_.’
“‘Let me sit down, my friend,’ said the Earl gently. ‘I am feebler
than thou; and be thou seated also!’ They both sat down opposite to
each other, Mr Hylton looking on in silence. ‘God may forgive me
(and _may_ He, of His infinite mercy!)—thou, my fellow-creature,
may’st forgive me; but I cannot forgive myself, when I am here
looking at thee. Good Adam! what hast thou not gone through these
twenty years!’ faltered the Earl.
“‘Ay, twenty years it is!’ echoed Ayliffe solemnly, sighing deeply,
and looking with sorrowful dignity at the Earl. ‘Life hath, during
these twenty years, been a long journey, through a country dark and
lonesome; but yet, here is the lamp that hath shone ever blessedly
beside me, or I must have stumbled, and missed my way for ever, and
perished in the valley of the shadow of death!’ As he spoke, his
eyes were fixed steadfastly on the Earl, and he placed his hand
reverently upon the sacred volume beside him.
“‘Adam, God hath greatly humbled me, and mightily afflicted me!’
said the Earl; ‘I am not what I was!’
“‘The scourge thou doubtless didst need, my Lord, and it hath been
heavily laid upon thee; yet it is in mercy to thee that thou art
here, my good Lord!’ said Ayliffe, with an eye and in a tone of
voice belonging only to one who spoke with authority. ‘It is in
mercy, too,’ he continued, ‘to me, that I am here to receive and
listen to thee! I, too, have been perverse and rebellious, yet have
I been spared!—And art thou then, my Lord, in thy heart satisfied
that my poor son hath indeed suffered wrongfully?’
“‘Good Adam,’ said the Earl sorrowfully, and yet with dignity, ‘I
believe _now_ that thy son is innocent, and ought not to have
suffered; yet God hath chosen that we should not see all things as
He seeth them, Adam. The law, with which I had nought to do, went
right as the law of men goeth; but, alas! as for me, what a spirit
hath been shown by me towards thee and thine! Forgive me, Adam!
There is one here that knoweth more against me’—the Earl turned
towards Mr Hylton with a look of gloomy significance—‘than I dare
tell thee, of mine own awful guiltiness before God.’
“‘He is merciful! he is merciful!’ said Ayliffe.
“‘Wilt thou give me a token of thy forgiveness of a spirit most
bitter and inhuman?’ said the Earl presently. ‘If thy poor son Adam
cometh home while I live, wilt thou speak with him that he forgive
me my cruel heart towards him?—that he accept amends at my hands?’
“‘For amends, my Lord,’ said Ayliffe, ‘doubtless he will have none
but those which God may provide for him; and my son hath no claim
upon thee for human amends. His forgiveness I know that thou wilt
have, for aught in which, my Lord, thou may’st have wronged him by
uncharitableness; or he is not son of mine, and God hath afflicted
him in vain.’
“Here Mr Hylton interposed, observing the Earl grow very faint, and
rose to assist him to the door.
“‘Good day, friend Adam, good day,’ said Lord Milverstoke feebly,
but cordially grasping the hand which Ayliffe tendered to him. ‘I
will come hither again to see thee; but if I may not, wilt thou come
yonder to me? Say yes, good Adam! for my days are fewer, I feel,
than thine!’
“‘When thou canst not come to me, my good Lord, I will come to
thee!’ said Ayliffe, sadly, following the Earl to the door, and
gazing after him till he had driven away.”
That time came soon. The Earl grows ill; his end approaches. Exquisitely
beautiful is the description of that end. Remembering the old man’s
plighted word, the sick nobleman sends his servant to the cottage, and
demands fulfilment of the promise given. The old man hears and trembles;
but with a solemn countenance he gets his hat and stick, puts his Bible
under his aged arm, and answers, “Ay, I will go with thee to my Lord.”
“When the Earl saw him it was about evening, and the sun was
setting, and its declining rays shone softly into the room.
“‘Adam, see—it is going down!’ said Lord Milverstoke in a low tone,
looking sadly at Adam, and pointing to the sun.
“‘How is thy soul with God?’ said the old man, with great solemnity.
“The Earl placed his hands together, and remained silent for some
moments. Then he said, ‘I would it were, good Adam, as I believe
thine is!’
“‘Nay, my good Lord, think only of thine own, not mine; I am sinful,
and often of weak faith. But hast thou faith and hope?’
“‘I thank God, Adam, that I have some little! Before I was
afflicted, I went astray! But I have sinned deeper than even thou
thinkest, good soul!’
“‘But His mercy, to whom thou art going, is deeper than thy sins!’
“‘Oh, Adam! I have this day often thought that I could die more
peacefully in thy little cottage than in this place!’
“‘So thy heart and soul be right, what signifies where thou diest?’
“‘Adam,’ said the Earl, gently, ‘thou speakest somewhat sternly to
one with a broken spirit—but God bless thee! thy voice searcheth me!
Wilt thou make me a promise, Adam?’ said the Earl, softly placing
his hand in that of Ayliffe.
“‘Ay, my Lord, if I can perform it.’
“‘Wilt thou follow me to the grave? I would have followed thee,
hadst thou gone first?‘
“‘I will!’ replied Adam, looking solemnly at the Earl.
“‘And now give me thy prayers, dear Adam! Pray for him that—is to
come after me—for I go—and in peace—in peace—’
“Lady Alkmond, who was on the other side of the bed, observed a
great change come suddenly over the Earl’s face, while Adam was
opening the Bible and adjusting his glasses to read a Psalm. She
hastened round, she leaned down and kissed the Earl’s forehead and
cheek, grasped his thin fingers, and burst into weeping. But the
Earl saw her not, nor heard her: he was no longer among the living!”
It need not be said that the Earl of Milverstoke does what justice he
may to the falsely banished man and his family, by making such provision
for them in his will, as his circumstances allow and his dignity
requires. It need scarcely be mentioned that the close of the career of
the Ayliffe family is as serene and happy, as it was stormy and
disastrous in its beginning. They are not _compensated_ for
long-suffering by the money of his lordship; but they are made to _see_
that the ways of God are unsearchable and past finding out, and that
now, indeed, men see through a glass darkly, though hereafter they shall
see face to face, and know even as they are known. Knowledge and
consolation rightly understood, is cheaply purchased, though even with a
life of trouble, such as Adam Ayliffe saw.
There remains but a word or two more to say concerning this history, and
the tale is told. It has been hinted that Lord Alkmond quitted the
banqueting room on the night of his murder on account of the discussion
of a subject which seemed greatly to annoy him. That subject, as appears
in the course of the story, was DUELLING. Let the author explain the
mystery. It might have had much to do with the tragical catastrophe.
Explained, it has nothing to do with it whatever.
“Among several letters which come to the Castle shortly after the
Earl’s sudden illness, was one marked ‘Immediate’ and ‘Private and
Confidential,’ and bore outside the name of the Secretary of State.
From this letter poor Lady Emily learnt the lamentable intelligence
that her brother, the late Lord Alkmond had, when on the Continent,
and shortly before his marriage, slain in a duel a Hungarian
officer, whom, having challenged for some affront which had passed
at dinner, he had run through the heart, and killed on the spot: the
unfortunate officer leaving behind him, alas! a widow and several
orphans, all of them reduced to beggary. The dispute which had led
to these disastrous results, had been one of really a trivial
nature, but magnified into importance by the young Lord’s quick and
imperious temper, which had led him to dictate terms of apology so
humiliating and offensive, that no one could submit to them.
Wherefore the two met; and presently the Hungarian fell dead, his
adversary’s rapier having passed clean through the heart. It was,
however, an affair that had been managed with perfect propriety;
with an exact observance of the rules of duelling! All had been done
legitimately! Yet was it MURDER; an honourable, a right honourable,
murder: murder as clear and glaring, before the Judge of all the
earth, as that by which Lord Alkmond had himself fallen. When thus
fearfully summoned away to his account, the young noble’s own hand
was crimsoned with the blood which he had shed: and so went he into
the awful presence of the Most High, whose voice had ever upon earth
been sounding tremendous in his ears,—_Where is thy brother? What
hast thou done? The voice of thy brother’s blood crieth unto me from
the ground._ Unhappy man! well might his heart have been heavy, when
men expected it to be lightest! Well might his countenance darken,
and his soul shudder within him, under the mortal throes of a guilty
conscience! From his father’s splendid banqueting table he had been
driven by remorse and horror; for his companions, unconscious that
they were stabbing to the heart one who was present, WOULD TALK of
duelling, and of one sanguinary duel in particular, that bore a
ghastly resemblance to his own. Such poor amends as might be in his
power to make, he had striven to offer to the miserable family whom
he had bereaved, beggared, and desolated, to vindicate an honour
which had never been for one instant really questioned, or
compromised; and if it _had_ been tarnished, could BLOOD cleanse and
brighten it? All the money that he could ordinarily obtain from the
Earl, had from time to time been furnished by Lord Alkmond to the
family of his victim. For them it was that he had importuned his
father for a sum of money sufficient to make for them an ample and
permanent provision. Only the day before that on which he had
quitted London, to partake of the Christmas festivities, had he
written an earnest letter to the person abroad with whom he had long
communicated on the subject, assuring him that within a few weeks an
ample and satisfactory final arrangement should be made. And he had
resolved to make a last strenuous effort with the Earl; but whom,
nevertheless, he dared not, except as a matter of dire necessity,
tell the nature of his exigency. And why dared not the son tell his
father? And why had that father shrunk, blighted, from the mention,
by Captain Lutteridge and Mr Hylton, of the conversation which had
driven his son out into the solitude where he was slain? Alas! it
opened to Lord Milverstoke himself a very frightful retrospect;
through the vista of years his anguished, terror-stricken eye
settled upon a crimsoned gloom—
“Oh, Lord Milverstoke!—and then would echo in thy ears, also, those
appalling sounds,—_what hast_ THOU _done_?
“For THY—Honour! also, had been dyed in blood!”
We have told as well as we may, but very imperfectly as we feel, the
story of “Now and Then.” It is not for us to advise the reader to get
the volume and to read it for himself. For this he will, as he should,
use his own discretion; but we will, as a faithful Mentor, and a
long-tried friend, entreat him, grave, intelligent, and responsible
Christian man as he is, should he peruse the volume, to consider well at
its close the actual frame of mind in which the book has left him. We
hold this to be the true test of all literary metal, whosoever be the
coiner, wheresoever be the mint. If the solemn elements brought into the
light and pleasant texture of this simple narrative, do not elevate the
spirit and brace the heart of all but the thorough sceptic—whom nothing
will elevate but liquor, and nothing brace but a good three-inch oak
stick—we are content to be set down as the mere slavish flatterer of Mr
Warren, and not as his calm and uninfluenced, though warm and devoted
counsellor. The organs of public opinion in London have dwelt upon the
contrast which “Now and Then” affords to the current literature of the
day. We are not surprised at the impression these critics have received.
Whether we regard the tendency and object of the story, its conception
and execution, the style of the language, or the construction of the
plot, we are bound to confess, that between this production and the heap
of Christmas and other tales that drop uselessly, and worse than
uselessly, into the world, there is all the difference of the bright,
fresh, vigorous mountain air, and the thick fusty atmosphere of the
lanes.
The current of piety that flows so equably on through the whole of the
work, is lucid as a stream, polluted by no admixture of rank weeds or
earthly dirt. It has been justly remarked, by the leading journal of the
world, that “Now and Then” “is a vindication in beautiful prose of the
ways of God to man.” Every actor in the history vindicates these ways:
every fact as it arises does the same. The old Saxon Ayliffe, who, from
his entrance till his exit, maintains the justice of God’s doings, and
walks peacefully and unruffled over burning plough-shares, because he
sublimely feels the practical influence of his faith, is one champion.
Hylton, the indefatigable clergyman, doing good for his Master’s sake,
reproving the high-born, sympathising with the lowly, preaching and
acting reconciliation everywhere, is another champion. The Earl of
Milverstoke is a champion too. If he be not, our soul has been moved in
vain by the childlike piety and humble self-denial of his broken-hearted
latter days.
There is one thing more to note, and then we have done. We have said, at
the commencement of this article, that there are certain folks in London
and the provinces, who, thinking themselves remarkably fine fellows, and
quite above the cant of religion and all that sort of thing, will pooh,
pooh the noble tendency of “Now and Then,” and talk about “stupid old
times,” “superstition,” “humbug,” and the necessity of going a-head in
these enlightened days, whereby they mean going to the devil headlong,
though they know it not. These worthies, however, will do something more
than pooh, pooh. They will retire to their tap-rooms, and fill their
little souls with gin in sheer envy and disgust. Mr Warren, in the
delineation of the Ayliffe family, has beaten the bilious discontented
democrats on their own ground. He has taken for his hero a man of the
people, but he has sustained the heroism with ample justice to all the
world besides. Although the author of “Nature’s Aristocracy,” and “The
Godlike Bricklayer,” may be a paragon of benevolence, yet he has not all
the benevolence which this huge world of benevolence contains. We will
not venture to hint that there lives a human being better than himself,
but perhaps there live a few nearly, if not quite as good.
Mr Warren does justice to the masses: but he is much too honest and too
upright—being himself one of the masses—to uphold their privileges at
the sacrifice of other men’s lawful and just rights. He does not do it;
and the English people, who love fair play, will honour him for his
work.
We honour him too, and cordially shake him by the hand! He has not done
worse than Maga expected from his industry and genius. Had he done
worse, by our immortality! much as we love him, much as he has done for
us, and we for him, much as we have done together, he should have felt
the force of her frown, and been tapped—gently, perhaps, for the first
offence—with the crutch that, ere now, with a blow has dealt death to
the charlatan and impostor.
_Printed by William Blackwood and Sons, Edinburgh._
Transcriber’s Notes:
Missing or obscured punctuation was corrected.
Typographical errors were silently corrected.
Spelling and hyphenation were made consistent when a predominant form
was found in this book; otherwise it was not changed.
Text in italics is enclosed by underscores (_italics_).