“Born on the 28th February 1783, in Vasto, a sea-coast town in the

Kingdom of Naples, he first visited the capital in the capacity of

secretary to the Marquis of Vasto, but for the purpose of following,

under the auspices of that nobleman, the profession of a painter. His

tastes soon took a more decided bent, however, towards literature. He

developed a particular talent as a poetical improvisatore; and his

poems, both recited and written, gained him considerable reputation.

For some while he held the official post of poet to the Theatre of

San Carlo. He afterwards entered the Museo Borbonico, as sub-director

of the collection generally, and curator of the splendid sculptural

department,--a position which led him to devote especial attention

to the then fresh explorations at Pompeii and Herculaneum. Here he

remained for fifteen years; with an interval of seven months, ending

with the Pope’s return in 1813, during which he was at Rome, summoned

thither by Murat as a member of the Provisional Government. Courses

of lectures and literary instruction also occupied his time. With the

restoration of King Ferdinand came the spread of Carbonarism; and

Rossetti enrolled himself as a member of that society of national

reformers. The short-lived constitution of 1821 succeeded--to expire

in nine months; leaving those who, like Rossetti, had hailed its

advent with enthusiasm, exposed to the rancour of tyrannic reaction.

His patriotic verses were his crime, and proved his rescue. The wife

of Admiral Sir Graham Moore had read and admired them: the Admiral was

then in Naples; and he prevailed on the poet to terminate by flight

the cruel suspense of three months’ concealment, and to embark on

board an English vessel in the disguise of a lieutenant. His first

asylum was Malta, where he enjoyed and appreciated the intimate

friendship of the Right Honourable J. Hookham Frere; two years

afterwards he proceeded to England.

“In this country, occupied in teaching Italian, and holding the

Professorship at King’s College, he engaged deeply in studies of the

letter and spirit of Dante’s imperishable works. The first-fruits of

his labours appeared in the ‘Analytic Comment’ on Dante, of which the

opening part only, the _Hell_, published in 1826 and 1827, has yet

seen the light. Rossetti’s leading idea (indicated in this work, and

enforced in subsequent productions with the fervour of a discoverer,

vast literary diligence, and indefatigable minuteness of criticism)

is that Dante, in common with numberless other great authors, wrote

in a language of secret allegory, which embodies, in the form now of

love, now of mythology, now of alchemy, now of freemasonry, the most

daring doctrines in metaphysics and politics. In 1832 was published

his work ‘On the Anti-Papal Spirit which produced the Reformation,

and on the secret influence which it exercised over the Literature of

Europe, and especially of Italy, as is proved by many of her Classics,

Dante, Petrarch, and Boccaccio, in particular,’ (_Sullo Spirito

Antipapale_, etc.), a treatise which was translated into English; in

1840, ‘The Mystery of the Platonic Love of the Middle Ages, derived

from the Ancient Mysteries,’ (_Il Mistero dell’Amor Platonico_, etc.),

in five volumes; and in 1842, ‘A Critical Essay on Dante’s Beatrice’

(_La Beatrice di Dante_), the concluding parts of which remain in

manuscript, but have recently, we understand, been worked up into a

Frenchified concoction, issued, or to be issued, under the flaring

title, _Dante Hérétique, Républicain, et Socialiste_. Rossetti’s

criticisms have been much criticized. Fraticelli and Schlegel have

been his unmitigated opponents: Delécluze, in his _Amour du Dante_,

and the German philosopher Mendelssohn, promulgated, without entirely

committing themselves to, his views; an Italian writer of credit,

Vecchioni, has taken them up in labours of his own; and Arthur Hallam,

immortalized by Tennyson’s _In Memoriam_, has left a respectful though

adverse essay on the subject. In addition to these works, and others

of minor account, four poetical volumes attest both the constancy and

the versatility of Rossetti’s powers,--_Il Tempo_, _Salterio_, _Il

Veggente in Solitudine_, _Versi_, and _L’Arpa Evangelica_; the last

published not many months ago. Italy is not unmindful of his name.

“In private life Rossetti was thoroughly domestic and warm-hearted.

His family and literature formed his world, whence the talents for

society of which he possessed an ample share could not withdraw him.

No political exile leaves a memory more highly above the whisper of

public or private shame.”

Rossetti lies buried in Highgate Cemetery, with the following

inscription: “To the dear memory of my husband, Gabriele Rossetti; born

at Vasto d’Ammone in the Kingdom of Naples, 28th February 1783; died in

London, 26th April 1854.” “He shall return no more nor see his native

country.”--Jer. xxii. 10. “Now they desire a better country, that is an

heavenly.”--Heb. xi. 16. “Ah Dio ajutami Tu.”

The concluding phrase formed the last emphatic words which Rossetti

pronounced in a loud voice, in the evening of 25th April, after some

hours of approximate loss of speech. The remains of my mother, my

brother’s wife, and my sister Christina, are now interred in the same

grave. Towards 1871 a proposal was pressed upon us for transporting my

father’s remains to Italy, for ceremonial re-interment there; but the

feeling of most members of the family was adverse, and the project was

not carried out.

The tone of the versified Autobiography--which is a very genuine

document of his character and feelings--shows pretty well what manner

of man Gabriele Rossetti was; and in my Memoir of Dante Rossetti I

have given some details as to family-life and personal habits. Here,

therefore, I shall barely touch the fringe of the subject. It is not

for me to spy out every infirmity in my father’s character; and, even

were I to try to do so, I should find nothing worse to allege than a

phase of self-esteem which at times trenched upon self-complacency,

a disregard of externals in point of dress, etc., and an honourable

(and, in the circumstances which affected himself in England and his

family, a truly very requisite) habit of thriftiness which made him

count the cost of every personal indulgence, while nothing expedient

was stinted to his wife and children. I know him to have been

diligent, indefatigable, upright, high-minded, affectionate, grateful,

placable, eminently good-natured, vivacious, cheerful for the most

part, friendly, companionable: whether patriotic I need not say. Our

excellent friend Dr Adolf Heimann (Professor of German in University

College), writing to my brother a letter of condolence on our father’s

death, made the following observations, which I consider just:--“I

have never seen a more devoted man of letters; endowed with some of

the rarest gifts of a literary character, real love for literature,

unworldliness, perseverance, and warmth of interest both in writing and

reading at an advanced time of life. He might indeed have been a model

to all of us. When I look at all the great scholars and men of science

whom I have known, I do not remember one who was so little satisfied

with show as your father, who was so content with a comparatively

humble situation, and so wonderfully patient in times of affliction.”

[Illustration: FRANCES, MARIA, AND CHRISTINA ROSSETTI

_From a Photograph_

C. 1855.]

In person Gabriele Rossetti was barely up to middle height, fleshy

and full in contour until his health failed. His eyes were dark and

expressive, and did not alter when his sight was damaged; his brow

fine and well-rounded; his nose, though not specially large, more than

commonly prominent, with wide nostrils. His mouth was pleasant and

nicely moulded, with a winning smile, and on occasion a laugh of the

heartiest.

APPENDIX

I HAVE now said as much as I feel to be requisite by way of explaining

and supplementing my father’s versified Autobiography, and shall

proceed to give some further illustrative matter in the form of five

Appendices.

1. Extracts from six of the domestic letters of Gabriele Rossetti.

2. Extracts from eight of those which he addressed to Mr Charles Lyell

on the subject of his Dantesque and other literary researches.

3. Extracts from three letters of the Barone Kirkup regarding Dante,

etc.

4. Twelve letters from Mazzini--all but one addressed to Rossetti.

5. Six specimens of Rossetti’s poetry.

Under each of these five headings I add a few explanatory remarks.

NO. 1.--FROM SIX LETTERS FROM GABRIELE ROSSETTI TO HIS

WIFE

I give these letters (translated by me) for what they are worth; not

as being of any singular degree of interest in the topics which they

raise, or in the mode of treating these, but chiefly for the purpose

of showing what was the prevalent and constant tone of Rossetti in his

family-relations. Two of his children, Dante Gabriel and Christina

Georgina, have turned out to be of some moment to the British public,

and some hint of their childish or youthful doings will be here found.

In these letters I leave some gaps: in the great majority of cases this

is only done because the omitted passages are of no importance. Holmer

Green, the locality to which the first five letters are addressed,

is in Buckinghamshire, near Little Missenden and Amersham: Gaetano

Polidori, my maternal grandfather, along with his family, resided there

for several years. The final letter was addressed to Mrs Rossetti at

Brighton.

A.

[Mr Potter, here mentioned, was Mr Cipriani Potter, Principal of the

Royal Academy of Music, a distinguished pianist, and composer of

pianoforte-music. He was my godfather, and his family was the only

British family of which our household saw a goodish deal in these

early years. I infer that “the drama” which my father had written, and

which was to be paid for with £40, was a set of scenes named _Medora e

Corrado_ (after Byron’s _Corsair_),--Mr Potter having been concerned in

composing music to these scenes: such a sum as £40 appears to be ample

remuneration for it. “Mrs Fitch” was our servant at this date: I have

naturally no recollection of Dante Gabriel’s performance which amused

her, nor yet of Signor Barile. Henry and Charlotte, named along with

Barile, were my Uncle and Aunt: also Robert and Eliza.]

[38 CHARLOTTE STREET, LONDON.]

_4th May 1831._

MY DEAREST FRANCES,

No doubt you have been indignant at my long silence, full fourteen

days. Don’t attribute it to want of love, but to my wish to write you

something which might partly relieve the anxiety which you only too

much share with me. Know therefore, dear wife, that our affairs are

proceeding less amiss. At the present date I have seventeen lessons

a week, and I am expecting others.... Mr Potter, who sends his best

regards, saw me this morning, and he told me that Mrs Howard also will

soon resume her lessons; and he expressly added, of his own accord,

that it seems to be time for him to give me the £40 for the drama. I

hope to put you, on your return, in possession of some £80 at home;

and perhaps we shall be getting as much at the end of the season.

Be in good spirits then, Frances mine, because that God who gives

nourishment to worms in the earth will not abandon us, with our four

little children, innocent and in need.

I have not slackened in trying for King’s College, and many persons

have interested themselves in my behalf. The Principe di Cimitile, who

recommended me to some member of the Council of the College, learned

from him that the election of Professors depends chiefly on the Bishop

of London; and I quickly procured two letters of introduction to the

Bishop. Mr Barclay, who is his intimate friend, gave me one, and the

other came from Sir Gore Ouseley, who has also handed me two others

for two patrons of the College. I trust that Providence will second my

efforts.

The affairs of Italy also resume a better aspect; and it is officially

notified that the French Government has sent a representative to

Rome, to dissuade from shedding the blood of the poor patriots, who

have behaved with admirable moderation. Poland is darting like a

thunderbolt against Russia.

Two or three days after your departure I received another letter from

Mr Lyell, in which he asks me briefly to suspend sending him the MS.

you wot of, as he was about to start for a different part of England;

adding that by the end of a month he would come in person to see us

in London. I fancy that he has gone to present himself as a candidate

for the new Parliament. People are all in motion for this purpose;

but it seems that Reform will triumph, and the anti-reformers will

get more and more into the mire. God forbid that this Bill should

not pass--there would certainly be a revolution. All say so, and the

symptoms are manifest....

I trust that you and our children have always been well: speak of them

to me one by one when you write. I was so much pleased at what you

told me about Gabriel in your last; and it made Mrs Fitch laugh so

that she recounted it to all who came here--Henry, Charlotte, and also

Signor Barile.... Salute cordially for me Robert and Eliza: God give

them patience with those four babbykins, and especially with that dear

impertinent, Gabriel. In your last you told me nothing about either

William or Christina: make up for your omission. Every syllable you

write about them is a boon to me....

Your loving

GABRIELE.

B.

[Mr Tallent, here mentioned, was the medical adviser of the family

at Holmer Green; Mr MacIntyre (living near Portland Place) was often

consulted towards this time in London. About Maestro Negri and the

drama I have no clear idea: possibly it was _Il Corsaro_, for Rossetti

wrote some “Scene Melodrammatiche” under this title, as well as the

“Cantata Melodrammatica” of _Medora e Corrado_. The person termed “Mr

Charles” was the painter Mr (afterwards Sir) Charles Locke Eastlake:

“my new work,” which he admired, was the _Spirito Antipapale_.]

[38 CHARLOTTE STREET, LONDON.]

_15th May 1832._

MY DEAREST FRANCES,

... I should indeed like to see our skittish Christina, with those

rosy cheeks and sparkling eyes, so like her grandmother’s, walking all

alone about the garden, like a little butterfly among the flowers. I

hope that, thanks to the beneficial change of air, I shall soon see

her still prettier and still healthier than you describe her to me

now. To tell you the truth, I think Mr Tallent’s advice is better

than Mr MacIntyre’s. It is high time to wean her.... You cannot think

how much pleasure those childish English words which you gathered

from the lips of Maria and Gabriel gave me. If they are truthful, I

thank Heaven that they are good children, and that they do not tire

your mother too much with their noise and their impudence. I mean to

send them some new little picture-books which will amuse them; and

also a box of figs, in order that you may at times reward their good

behaviour and satisfy their small greed. Poor little things! They used

to await my return home so eagerly, so as to receive the trifles I had

brought them! And now neither they nor I have that pleasure....

This evening Casella arrived here quite out of breath to announce that

the King has again dismissed the Duke of Wellington from the ministry,

and has recalled Lord Grey with all his ministerial following; thus

rectifying the error he had committed. And indeed he could not act

otherwise in order to calm the huge agitation which was on foot

throughout the country, and principally in this metropolis. The Duke

of Wellington has had the mortification of being unable to find any

one who would consent to form the Cabinet with him; Sir Robert Peel

refused, Lord Aberdeen refused; all refused when they perceived the

peril in which they would place themselves. A pretty figure they have

cut--the great Captain and His Majesty,--this latter so changeable

and deceitful, and the former first deserted and then sent about his

business! It is a hard task to oppose the will of a whole people.

It is just 11 o’clock as I write to you, and I hear “_The Courier_,

fourth edition,” being called out by several voices past the house....

Let us take heart, Providence will not forsake us. You know, my wife,

that we have had recent proofs of its assistance; here is another.

Yesterday the son of the Maestro Negri called on me bringing me the

answer from those young ladies who, as you know, wished for a drama;

he showed me a letter from them in which the matter is revived. I

have had to lower my price, however, and content myself with thirty

guineas....

Two days ago, a great Italian littérateur, Professor Orioli, head of

the Bologna University, and head of the Italian Government during

last year’s revolution, visited me, and paid me a great compliment on

my new work. Mr Scrope, with whom I dined last Saturday, also said

some very laudatory things about it, which he based on the opinion of

_Mr Charles_, who had read it; the latter afterwards expressed his

admiration to me in person. Last week I wrote two long letters to

Malta to thank Mr and Miss Frere for their very opportune generosity,

which saved us from imminent anxieties.

The day before yesterday I bought myself a pair of spectacles, which

I felt badly in need of; and now, if you could see what an imposing

figure I cut, and what a grave air they give me, it would inspire even

you with respect. When you return you will certainly take me for a

president. I will not tell you how much they cost, because you would

immediately conclude that my spectacles were bad, and yet they serve

their purpose wonderfully well....

Hitherto my stupid prophecy has not been at all fulfilled, and this

letter is witness to the fact: and I pray to God that he may not

fulfil it till I have been able, with your help, to educate and give

a start in life to our four dear offshoots, who have rendered life

extremely dear to me; and I hope to pass it in your sweet company, in

that reciprocal affection which has hitherto bound us together....

Your most affectionate husband,

GABRIELE.

C.

[The “garden” here spoken of is the enclosure of Park Square, Regent’s

Park; I can remember being in it more than once in early childhood.

Sangiovanni, a strange impetuous southern Italian, was now an

artist-modeller in clay. Dr Maroncelli was a brother of the prisoner

who was sent to the Spielberg along with Silvio Pellico, as recorded in

Pellico’s book, once highly celebrated, _Le Mie Prigioni_. “My letter

for the King of Naples” appears to have been a memorial or petition.

Pistrucci (Filippo) had been run down in London streets, and remained

lame (yet still active) up to the close of his life, which terminated

towards 1857.]

[38 CHARLOTTE STREET, LONDON.]

_29th May 1832._

MY DEARLY LOVED FRANCES,

I would that I had not received your letter this time, although I had

looked forward to it and desired it so eagerly. Every word you wrote

pierced like a dagger into my heart. My sweetest Gabriel, then, is

so ill! My baby Christina suffers with her teeth and has wounded her

forehead! Oh my poor children! If the distance were less great, I

would come immediately to see my four treasures, and you, my beloved

wife, who must be immensely afflicted, as I am myself. And William,

you tell me nothing about him. You told me in your last letter that

he had a return of those fevers from which he suffered here: and now,

how is that going on?--how is he? As you do not speak about it, I will

hope and trust that he has recovered. Be good enough, dear Frances, to

write to me at once and tell me all about them; hide from me nothing,

absolutely nothing. I wish to know the facts, be they better or be

they worse.... I beg you, I beg you urgently, to return immediately if

Gabriel’s condition permits. I wish to share with you the care of my

bantlings. I would never have written you this but for this painful

circumstance, but would have been content to remain a cheerless hermit

for another month; but, now that I see that your presence instead of

improving only aggravates the condition of your honoured mother to

whom we owe every consideration, now that I see that our children,

instead of benefiting by the country air, have rather derived harm

from it (although I ought perhaps to attribute this to other causes),

I should feel dreadfully anxious if you remained any longer away from

me. Who knows but what the figs I sent may have done them harm! But

this constant change of weather has more likely been the cause, first

hot, then cold, now hot again. This belief is strengthened by your

telling me that Maria and Christina have sore throats.... I should be

the most frantic and inconsolable man in the world if I were to lose a

son, that dearest little Gabriel, the very core of my heart, and lose

him thus, far from my sight. My eyes are already full of tears whilst

writing these words, and unless I dry them I cannot continue writing,

as I do not see the paper. But take heart, my wife, it may turn out to

be nothing serious.

Here, meanwhile, is one cause for rejoicing. I have already obtained

the key of the garden for which you so often wished.... I have already

been five times for a stroll in the garden, the first time alone, the

second time with Polidori, the third with him and Sangiovanni, the

fourth again with him and Doctor Maroncelli, one of those two who

called on me one evening in company with Lablache. This walk is very

convenient, and the children will find plenty of space to walk and run

about here and there....

I have already written three scenes of that play for the young ladies,

which I have given to the son of Maestro Negri....

Count Lucchesi has told me a thing which he had never mentioned to

me before. When he went with my letter to the King of Naples, about

which you heard, he found the Minister of Naples reading my last work,

dedicated to Mr Lyell. The Minister said to him: “What a talented

man this Rossetti is! You see what persons the government of Naples

exiles!” It is well, dear Frances, that this diplomatist should not be

ignorant of what I have written; and, if it is granted me to return

to my country, before doing so I will send the work to the King

of Naples, so that he will not be able to say later on that I had

committed some old faults of which he was unaware. On Friday I dined

with that painter whom I described to you by the name of Mr Charles....

I will close this letter begging you again to write to me at once,

during the course of this week. Remember that until I hear from you

again I shall be extremely agitated. Don’t conceal anything from me,

I repeat. If you did so, you would force me to rush off to you like

a madman, to ascertain with my own eyes the real state of things.

Besides which it might cause me a somewhat serious ill; since for

some six days I have felt distressing and strong symptoms of gout,

which causes me much uneasiness. I needn’t ask you to look after the

children, because I hold it unnecessary; I know you too well. I doubt

whether there lives a better mother than you, and a wife more amiable

and affectionate has yet to be born. And so your husband idolizes you,

and his sincerest love increases with years, and he considers himself

fortunate in possessing such a rare woman.

Goodbye, dearly loved Frances, I am going to bed for it is one

o’clock. I bless one by one the infant pledges of our love, and invoke

on them health and prosperity. Kiss them for me, speak about me to

them, and--along with theirs--preserve your precious health, which is

my greatest treasure.

Yesterday poor Pistrucci wrote me a letter which really is fit to make

one weep. He says he is suffering horrible torments, and it has been

discovered that his thigh was broken in three parts, so that he is

crippled. Poor man!

Your most affectionate husband,

GABRIELE ROSSETTI.

D.

[I have no recollection of the Marchesa Marchigiana, nor of Signor

Ferri. The physiognomical estimate of Signor Janer is curious, because

that gentleman, a cultivated Tuscan whom we saw continually in these

years, was regarded as somewhat prone to backbiting; he was always,

however, on good terms with my father and his family, and I should say

that he was really amicable with all of us. Margaret, named towards the

end of the letter, was my mother’s elder sister.]

50 CHARLOTTE STREET [LONDON].

_6th September 1836._

MY DEAREST FRANCES,

... At the moment of my writing a very deluge is coming

down--lightning, thunder, buckets of water. I am sorry for poor

Gabriel, who is out for a walk with Henry....

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