A "'MELLICAN LADY'S" LITTLE TRICK.
In such an emergency, when every moment has its value, to think is to
act with Richard Stanhope. And time just now is very precious to him.
This importunate fellow is determined to solve the mystery of his
identity, to see him unmask. Ten minutes spent in an attempt to evade
him will be moments of fate for the ambitious detective.
And, for the sake of his patroness, he cannot leave the house at the
risk of being followed. This difficulty must be overcome and at once.
These thoughts flash through his mind as if by electricity; and then, as
the Celestial approaches, he turns languidly toward the open window and
rests his head against the casement, as if in utter weariness.
"'Mellican lady slick?" queries the masker solicitously; "'Mellican lady
walm? Ching Ling flannee, flannee."
And raising his Japanese fan, he begins to ply it vigorously.
Mentally confiding "Ching Ling," to a region where fans are needed and
are not, Stanhope sways, as if about to faint, and motions toward a
reclining chair.
The mask propels it close to the window, and the detective sinks into
it, with a long drawn sigh.
Then, plying his fan with renewed vigor, the Celestial murmurs tenderly:
"'Mellican lady slick?"
"Confound you," thinks Stanhope; "I will try and be too _slick_ for
you." Then, for the first time, he utters a word for the Celestial's
hearing. Moving his head restlessly he articulates, feebly:
"The heat--I feel--faint!" Then, half rising from the chair, seeming to
make a last effort, he reels and murmuring: "Water--water," sinks back
presenting the appearance of utter lifelessness.
"Water!" The Celestial, utterly deceived, drops the fan and his dialect
at the same moment, and muttering: "She has fainted!" springs to the
door.
It is just what Stanhope had hoped for. When the Celestial returns with
the water, the fainting lady will have disappeared.
But Fate seems to have set her face against Stanhope. The Celestial does
not go. At the very door he encounters a servant, none other than the
girl, Millie, who, having for some time lost sight of little Daisy, is
now wandering from room to room in quest of the child.
"Girl," calls the masker authoritatively, "get some water quick; a lady
has fainted."
Uttering a startled: "Oh, my!" Millie skurries away, and the Celestial
returns to the side of the detective, who seems just now to be playing a
losing game.
But it is only seeming. The case, grown desperate, requires a desperate
remedy, and the Goddess of Liberty resolves to do what, probably, no
"'Mellican Lady" ever did before.
Through his drooping eyelids he notes the approach of the Celestial,
sees him fling aside his fan to bend above him, and realizes the fact
that he is about to be unmasked.
The Celestial bends nearer still. His hands touch the draped head,
searching for the secret that releases the tightly secured mask. It is a
sentimental picture, but suddenly the scene changes. Sentiment is put to
rout, and absurdity reigns.
With indescribable swiftness, the body of the Goddess darts forward, and
the head comes in sudden contact with the stomach of the too-devoted
Celestial, who goes down upon the floor in a state of collapse, while
Stanhope, bounding to his feet and gathering up his trailing draperies,
springs through the open window!
When Millie returns with water and other restoratives, she finds only a
disarranged masker sitting dolefully upon the floor, with one hand
pressed against his stomach and the other supporting his head; still too
much dazed and bewildered to know just how he came there.
When he has finally recovered sufficiently to be able to give a shrewd
guess as to the nature of the calamity that so suddenly overcame him, he
is wise enough to see that the victory sits perched on the banner of the
vanished Goddess, and to retire from the field permanently silent upon
the subject of "spicy flirtations" and mysterious ladies.
Meantime, Stanhope having alighted, with no particular damage to himself
or his drapery, upon a balcony which runs half the length of the house,
is creeping silently along that convenient causeway toward the
gentlemen's dressing-room, situated at its extreme end.
Foreseeing some possible difficulty in leaving the house unnoticed while
attired in so conspicuous a costume, the Goddess had come prepared with
a long black domino, which had been confided to Mr. Follingsbee, who, at
the proper moment, was to fetch it from the gentlemen's dressing-room,
array Stanhope in its sombre folds, and then see him from the house, and
safely established in the carriage which the detective had arranged to
have in waiting to convey him to the scene of the Raid.
Owing to his little encounter with the Celestial, Stanhope knows himself
cut off from communication with Mr. Follingsbee, and he now creeps
toward the dressing-room wholly intent upon securing the domino and
quitting the house in the quickest manner possible.
As he approaches the window, however, he realizes that there is another
lion in his path.
[Illustration: "Stanhope, bounding to his feet, springs through the open
window"--page 99.]
The room is already occupied; he hears two voices speaking in guarded
tones.
"Be quick, Harvey; some one may come in a moment."
"I have locked the door."
"But it must be opened at the first knock. There must be no appearance
of mystery, no room for suspicion, Harvey."
At the sound of a most familiar voice, Richard Stanhope starts, and
flushes with excitement underneath his mask. Then he presses close
against the window and peers in.
Two men are rapidly exchanging garments there; the one doffing a uniform
such as is worn by an officer of Her Majesty's troops, the other passing
over, in exchange for said uniform, the suit of a common policeman.
With astonished eyes and bated breath, Stanhope recognizes the two. Van
Vernet, his friend, and Harvey, a member of the police force, who is
Vernet's staunch admirer and chosen assistant when such assistance can
be of use.
How came Vernet at this masquerade, of all others? And what are they
about to do?
He is soon enlightened, for Van Vernet, flushed with his success,
present and prospective, utters a low triumphant laugh as he dons the
policeman's coat, and turns to readjust his mask.
"Ah! Harvey," he says gayly; "if you ever live to execute as fine a bit
of strategy as I did to-night, you may yet be Captain of police. Ha! ha!
this most recent battle between America and England has turned out badly
for America--all because she _will_ wear petticoats!"
America! England! petticoats! Stanhope can scarcely suppress an
exclamation as suddenly light flashes upon his mental horizon.
"I've done a good thing to-night, Harvey," continues Vernet with
unusual animation, "and I've got the lead on a sharp man. If I can hold
my own to-night, you'll never again hear of Van Vernet as only '_one_ of
our best detectives.' Is your mask adjusted? All right, then. Now,
Harvey, time presses; there's a big night's work before me. You are sure
you understand everything?"
"Oh, perfectly; _my_ work's easy enough."
"And mine begins to be difficult. Unlock the door, Harvey, I must be
off." Then turning sharply he adds, as if it were an after-thought: "By
the way, if you happen to set your eye on a Goddess of Liberty, just
note her movements; I would give something to know when she contrives to
leave the house and," with a dry laugh, "and _how_."
In another moment the dressing-room is deserted.
And then Richard Stanhope steps lightly through the window. With rapid
movements he singles out his own dark domino, gathers his colored
draperies close about him, and flings it over them, drawing the hood
down about his head, and the long folds around his person. Then he goes
out from the dressing-rooms, hurries down the great stairway, and
passing boldly out by the main entrance, glances up and down the street.
Only a few paces away, a dark form is hurrying toward a group of
carriages standing opposite the mansion, and Stanhope, in an instant, is
gliding in the same direction. As the man places a foot upon the step of
a carriage that has evidently awaited his coming, Stanhope glides so
near that he distinctly hears the order, given in Vernet's low voice:
"To the X--street police station. Drive fast."
A trifle farther away another carriage, its driver very alert and
expectant, stands waiting.
Having heard Vernet's order, Stanhope hurries to this carriage, springs
within, and whispers to the driver:
"The old place, Jim; and your quickest time!"
Then, as the wheels rattle over the pavement, the horses speeding away
from this fashionable quarter of the city, a strange transformation
scene goes on within the carriage, which, evidently, has been prepared
for this purpose. The Goddess of Liberty is casting her robes, and long
before the carriage has reached its destination, she has disappeared,
there remaining, in her stead, a personage of fantastic appearance. He
is literally clothed in rags, and plentifully smeared with dirt; his
tattered garments are decorated with bits of tinsel, and scraps of
bright color flutter from his ragged hat, and flaunt upon his breast;
there is a monstrous patch over his left eye and a mass of disfiguring
blotches covers his left cheek; a shock of unkempt tow-colored hair
bristles upon his head, and his forehead and eyes are half hidden by
thick dangling elf-locks.
If this absurd apparition bears not the slightest resemblance to the
Goddess of Liberty, it resembles still less our friend, Richard
Stanhope.
Suddenly, and in an obscure street, the carriage comes to a halt, and as
its fantastically-attired occupant descends to the ground, the first
stroke of midnight sounds out upon the air.