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| TRANSCRIBER'S NOTES |
| |
| * The original work contains some text in italics and in bold- |
| face. These are represented here as _text_ and =text=, respec- |
| tively. Small capitals in the original work have been changed |
| to capitals for this e-text. |
| * The oe-ligature from the original work has been transcribed as |
| [oe], as in man[oe]uvre. |
| * Inconsistencies in spelling and hyphenation have only been |
| corrected where one variant was clearly used more often than |
| the other (aint was changed to ain't, etc.). 'Warburton place' |
| has been changed to 'Warburton Place.' Note that both 'Joe |
| Blakesly' and 'Joe Blakesley' occur in the text. |
| * Minor typographical errors have been corrected silently. More |
| important changes made to the text: |
| - page 90: 'Mrs. Follinsbee' changed to 'Mrs. Follingsbee'; |
| - page 173: 'Lerchen' changed to 'Leschen'; |
| - page 194: 'And won't do' changed to 'And it won't do'; |
| - page 220: CHAPTER XX changed to CHAPTER XXX; CHAPTER LXVI |
| and CHAPTER LXVIII changed to CHAPTER XLVI and XLVIII, |
| respectively; |
| - page 449: Beal changed to Beale. |
| * Some pages had poorly printed parts; here a 'best guess' has |
| been used to complete the text (page 159, some parts of the |
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[Illustration: "Not just yet; I ain't quite ready!"--page 410.]
THE GREAT DETECTIVE SERIES.
DANGEROUS GROUND;
OR,
THE RIVAL DETECTIVES.
BY
LAWRENCE L. LYNCH,
(OF THE SECRET SERVICE.)
Author of "Madeline Payne, the Detective's Daughter;" "Out
of a Labyrinth;" "Shadowed by Three;" "The
Diamond Coterie," etc., etc.
CHICAGO:
ALEX. T. LOYD & CO., PUBLISHERS.
1886.
COPYRIGHT, 1885,
BY ALEX. T. LOYD & CO., CHICAGO.
ALL RIGHTS RESERVED.
Dangerous Ground.
[Illustration: "Mamma brings the candle very near to the closed eyes,
waving it to and fro, rapidly."--page 309.]
DANGEROUS GROUND.
PROLOGUE.
TIME: The month of May. The year, 1859; when the West was new, and the
life of the Pioneer difficult and dangerous.
SCENE: A tiny belt of timber, not far from the spot where not long
before, the Marais des Cygnes massacre awoke the people of south-eastern
Kansas, and kindled among them the flames of civil war.
I.
It is a night of storm and darkness. Huge trees are bending their might,
and branches, strong or slender, are swaying and snapping under a fierce
blast from the northward.
Night has closed in, but the ghostly light of a reluctant camp fire
reveals a small group of men gathered about its blaze; and back of them,
more in the shelter of the timber, a few wagons,--prairie schooners of
the staunchest type--from which, now and then, the anxious countenance
of a woman, or the eager, curious face of a child, peers out.
There has been rain, and fierce lightning, and loud-rolling thunder; but
the clouds are breaking away, the rain has ceased: only the strong gusts
of wind remain to make more restless the wakeful travellers, and rob the
weary, nervous ones of their much needed sleep.
"Where's Pearson?" queries a tall, strong man, who speaks as one having
authority. "I have not seen him since the storm began."
"Pearson?" says another, who is crouching over the flickering fire in
the effort to light a stubby pipe. "By ginger! I haven't thought of the
fellow; why, he took his blanket and went up yonder," indicating the
direction by a jerk of the short pipe over a brawny shoulder--"before
the storm, you know; said he was going to take a doze up there; he took
a fancy to the place when we crossed here before."
"But he has been down since?"
"Hain't seen him. Good Lord, you don't suppose the fellow's been
sleepin' through all this?"
Parks, the captain of the party, stirs uneasily, and turns his face
towards the wagons.
"There's been some fearful lightnin', sir," breaks in another of the
group. "'Tain't likely a man would sleep through all this, but--"
He stops to stare after Parks, who, with a swift impulsive movement of
the right hand, has turned upon his heel, and is moving toward the
wagons.
"Mrs. Krutzer," he calls, halting beside the one most remote from the
camp fire.
"What is wanted?" answers a shrill, feminine voice.
"Is the little one with you?"
"Yes." This time there is a ring of impatience in the voice.
"Have you seen Pearson since the storm?"
"My gracious! No."
"How is Krutzer?"
"No better; the storm has doubled him up like a snake. Do you want him?"
"Not if he can't walk."
"Well he can't; not a step."
"Then good-night, Mrs. Krutzer." And Parks returns to the men at the
fire.
"There's something wrong," he says, with quiet gravity.
"Pearson has not been near the child since the storm. Get your lanterns,
boys; we will go up the hill."
It is only a slight elevation, with a pyramid of rocks, one or two
wide-spreading trees; and a fringe of lesser growth at the summit.
A moment the lanterns flash about, while the men converse in low tones.
Then one of them exclaims:
"Here he is! Pearson; Heavens, man, wake up!"
But the still form outstretched upon the water-soaked blanket, and
doubly sheltered by the great rocks and bending branches, moves not in
response to his call.
They crowd about him, and Walter Parks bends closer and lets the full
light of the lantern he carries, fall upon the still face.
"Good God!"
He sinks upon one knee beside the prostrate form; he touches the face,
the hands; looks closer yet, and says in a husky voice, as he puts the
lantern down:
"He's _dead_, boys!"
They cluster about that silent, central figure. One by one they touch
it; curiously, reverently, tenderly or timidly, according as their
various natures are.
Then a chorus of exclamations, low, fierce, excited.
"How was it?"
"Was he killed?"
"The storm--"
"More likely, Injuns."
"No, Bob, it wasn't Indians," says Parks mournfully, "for here's his
scalp."
And he tenderly lays a brown hand upon the abundant locks of his dead
comrade, sweeping them back from the forehead with a caressing movement.
Then suddenly, with a sharp exclamation that is almost a shriek, the
hand drops to his side; he recoils, he bounds to his feet; then, turning
his face to the rocks, he lets the darkness hide the look of unutterable
horror that for a moment overspread it, changing at length to an
expression of sternness and fixed resolve.
Meantime the others press closer about the dead man, and one of them,
taking the place Parks has just vacated, bends down to peer into the
still, set face.
"Boys, look!" he cries eagerly; "look here!" and he points to a tiny
seared spot just above the left temple. "That's a burn, and here, just
above it, the hair is singed away. It's lightning, boys."
Again they peer into the dead face, and utter fresh exclamations of
horror. Then Walter Parks, whose emotion they have scarcely noticed,
turns toward them and looks closely at the seared spot upon the temple.
"Boys," he asks, in slow, set tones, "did you, any of you, ever _see_ a
man killed by lightning?"
They all stare up at him, and no one answers.
[Illustration: "They cluster about that silent, central figure. One by
one they touch it; curiously, reverently."--page 12.]
"Because," he proceeds, after a moment's silence, "I never saw the
effects of a lightning stroke, and don't feel qualified to judge."
"It's lightnin'," says the man called Bob, in a positive voice; "I've
never seen a case, but I've read of 'em. It's lightnin', sure."
"Of course it is," breaks in another. "What else can it be? There ain't
an Injun about and besides--"
A sharp flash of lightning, instantly followed by a loud peal of
thunder, interrupts this speech, and, when they can hear his voice,
Parks says, quietly:
"I suppose you are right, Menard. Now, let's take him down to the
wagons; quick, the rain is coming again."
Slowly they move down the hill with their burden, Walter Parks
supporting the head and shoulders of the dead. And as they go, one of
them says:
"Shall I run ahead and tell the Krutzers?"
"No," replies Parks, sternly; "we will take him to my wagon. I will
inform Mrs. Krutzer."
So they lay him in the wagon belonging to their leader, and before they
leave him there Parks does a strange thing. He takes off the oil-skin
cap from his own head and pulls it tight upon the head of the dead man.
Then he strides over to the wagon occupied by the Krutzers.
II.
A flickering, sputtering candle, lights up the interior of a large
canvas-covered wagon. On a narrow pallet across one side of the vehicle,
a man tosses and groans, now and then turning his haggard face, and
staring, blood-shot eyes, upon a woman who crouches near him, holding
upon her knees a child of two summers, who slumbers peacefully through
the storm, with its fair baby face upturned to the flickering candle. In
the corner, opposite the woman, lies a boy of perhaps ten years, ragged,
unkempt, and fast asleep.
A blaze of lightning and a rush of wind cause the man to cry out
nervously, and then to exclaim, peevishly:
"Oh, I wish the morning would come; this is horrible!"
"Hush, Krutzer," says the woman, in a low, hissing whisper; "you act
like a fool."
She bends forward and lays the sleeping child beside the dirty boy in
the corner. Then she lifts her head and listens.
"Hush!" she whispers again; "they are astir outside; I hear them
talking. Ah! some one is coming."
"Mrs. Krutzer."
It is the voice of Walter Parks, and this time the woman parts the tent
flap and looks out.
"Is that you, Mr. Parks? I thought I heard voices out there. Is the
storm doing any damage?"
"Not at present. Is Krutzer awake?"
She glances toward the form upon the pallet; it is shivering as with an
ague. Then she says, unhesitatingly:
"Krutzer has been in such misery since this storm came up, that I've
just given him morphine. He ain't exactly asleep, but he's stupid and
flighty; get into the wagon, Mr. Parks, and see how he is for yourself.
Poor man; this is the fifth day of his rheumatism, and he has not stood
on his feet once in that time."
The visitor hesitates for a moment, then drawing nearer and lowering his
tone somewhat, he says:
"If Krutzer is in a bad state now, he had better not know what I have
come to tell. Can he hear me as I speak?"
"No; not if you don't raise your voice."
"Pearson is dead, Mrs. Krutzer."
She starts, gasps, and then, with her head protruding from the canvas,
asks, huskily:
"How? when? who?--"
"We found him up by the rocks, lying on his blanket--"
"Killed?"
"Killed; yes."
"How--how?" she almost gasps.
"There is a burn upon his head. Menard says it was a stroke of
lightning."
"Oh," she sighs, and sinks back in the wagon, turning her head to look
at the form upon the pallet.
"Mrs. Krutzer."
She leans toward him again and listens mutely.
"We--Menard, Joe Blakesly, and myself--will watch to-night with the
body. We know very little about Pearson, and the little one; what can
you tell us?"
"Not much;" clasping and unclasping her hands nervously. "It was like
this: Pearson joined our train just before we crossed Bear Creek--beyond
the reserve, you know. That was three weeks before we left the others,
to join your train. The child was ailing at the time, and so Pearson put
it in my charge, most of the other women having more children than I to
take care of. I liked the little thing, and it did not seem a trouble to
me; so after a while Pearson offered to pay me, if I would look after
it until we struck God's country. But I would not let him pay me, for
the baby seems like my own."
"And _now_, Mrs. Krutzer?"
"I am coming to that. Pearson told us, at the first, that the little
girl was not his; that its father was a miner back among the mountains.
Its mother was dead, and the father, who was an old friend of Pearson's,
had put it in his care, to be taken to New York, where its relatives
live. Pearson was obliged to quit mining, you know, on account of his
health."
"Yes; do you know the address of the child's friends?"
"Yes; it's an aunt, her father's sister. About two weeks ago--I think
Pearson must have had a presentiment or something of the kind--he came
to me, and gave me a letter and a package, saying that if anything
happened to him during the trip, he wanted me to see the little girl
safely in the hands of her relatives. The letter was from the baby's
father, and the packet contained the address of the New York people, and
enough money to pay my expenses after I leave the wagon train. I
promised Pearson that I would take care of the child and put her safe in
her aunt's hands, and so I will--but, Oh, dear! I never expected to be
obliged to do it."
A hollow groan breaks upon her speech; the man upon the pallet is
writhing as if in intensest agony. The woman makes a signal of
dismissal, and drops the canvas curtain.
Walter Parks hesitates a moment, and then, as a second groan greets his
ear, turns and strides away.
III.
The clouds hang overhead like a murky canopy. The wind is sighing itself
to sleep. The rain has ceased, but large drops drip dismally from the
great branches that lately sheltered Arthur Pearson's death-bed.
Beside the rocks, three men are standing. It is three o'clock in the
morning. Two of the three men bend down to examine something which the
third, lighted by a lantern, has just taken from the wet ground at his
feet.
It is a small thing to excite so much earnest scrutiny; only the half
burned fragment of a lucifer match.
"Boys," says Walter Parks, solemnly, swinging the lantern upon his arm
and carefully wrapping the bit of match in a paper as he speaks, "poor
Pearson was never killed by lightning. That sear upon his forehead was
made by the simple application of a burning match. _I've_ seen men
killed by lightning."
"But you said--"
"No matter what I said _then_, Joe; what I _now_ say to you and Menard
is _the truth_. You have promised to keep what I am about to tell you a
secret, and to act according to my advice. Menard, Blakesly, _Arthur
Pearson has been foully murdered_!"
"No!"
"Parks, you are mad!"
"You will believe the evidence of your own senses, boys. I am going to
prove what I assert."
"But who? how?--"
"Who?--ah, that's the question! There are ten men of us; if the guilty
party belongs to our train, we will ferret him out if possible. If we
were to gather all our party here, and show them how poor Pearson met
his death, the assassin, if he is among us, would be warned, and perhaps
escape."
"True."
"Boys, I believe that the assassin _is_ among us; but I have not the
faintest suspicion as to his identity. We are ten men brought together
by circumstances. We three have known each other back there in the
mining camps. The others are acquaintances of the road; good fellows so
far as we know them: but nine of us ten are innocent men; _one is a
murderer_! Come, now, and let me prove what I am saying."
As men who feel themselves dreaming; silently, slowly, with anxious
faces, they follow their leader to the wagon where the dead man lies
alone.
"Get into the wagon, boys; here, at this end, and move softly."
It is done and the three men crouch close together about the body of the
dead.
"Hold the lantern, Joe. There, Menard lift his head."
Silently, wonderingly, they obey him.
Then Walter Parks removes the cap from the lifeless head, and
shudderingly parts away the thick hair from about the crown.
"Hold the lantern closer, Joe. Look, both of you; do you see _that_?"
They bend closer; the lantern's ray strikes upon something tiny and
bright.
"My God!" cries Joe Blakesly, letting the lantern fall and turning away
his face.
"Parks, what--_what_ is it?"
"A _nail_! Touch it, boys; see the hellish cleverness of the crime;
think what the criminal must be, to drive that nail home with one blow
while poor Pearson lay sleeping, and then to rearrange the thick hair so
skillfully. That was before the storm, I feel sure. If we had found him
sooner, there might have been no mark upon his forehead. Then we, in our
ignorance, would have called it heart disease, and poor Pearson would
have had no avenger. After the storm, the cunning villain crept back,
struck a match, and applied it to his victim's temple. And but for an
accident, we would all have agreed that he was killed by a
lightning-stroke."
Menard lays the head gently back upon the damp hay and asks,
shudderingly:
"How did you discover it, Parks?"
"In examining the sear, you may remember, I brushed the hair away from
the temple. As I ran my fingers through it, I touched--that."
They look from one to the other silently for a moment, and then Joe
Blakesly says:
"Has he been robbed?"
"Let us see;" Menard says, "he wore a money-belt, I know. Look for it,
Parks."
Parks examines the body, and shakes his head.
"It's gone; has been cut away. The belt was worn next the flesh; the
print of it is here plainly visible. The belt has been taken, and the
clothing replaced!"
"What coolness! what cunning! Shall we ever run the fellow down, Parks?"
"_Yes!_ Boys, you know why I am leaving the mountains. I am going home
to England, to be near my father who must die soon. I am not a poor
man; I shall some day be richer still. If _we_ fail to find this
murderer, I shall put the matter in the hands of the detectives, _and I
will never give it up_. Arthur Pearson met his death while traveling for
safety with a party which calls me its leader, and _I will be his
avenger_! It may be in one year, or two, or twenty; it may take a
fortune, and a lifetime; _but Arthur Pearson shall be avenged_!"
[Illustration: "Hold the lantern closer, Joe. Look both of you; do you
see _that_?"--page 19.]
CHAPTER I.
"STARS OF THE FORCE."
"Yes, sir," said Policeman No. 46, with an air of condescending
courtesy, "this _is_ the office."
It is characteristic of the metropolitan policeman; he is not a man to
occupy middle ground. If he is not gruffly discourteous, he is pretty
certain to be found patronizingly polite.
Number 46 had just breakfasted heartily, and had swallowed a large
schooner of beer at the expense of the bar keeper, so he beamed benignly
upon the tall, brown-faced, grey-bearded stranger who had just asked,
"Is this the office of the City Detective Agency?"
"This _is_ the office, sir; up two flights and turn to your left."
[Illustration: "Is this the office of the City Detective Agency?"--page
22.]
The stranger shifted his position slightly, glanced up and down the
street, drew a step nearer the policeman, and asked:
"Is it a large force?"
"Well, I should say!"
"I suppose you know some of them pretty well?"
"Yes, _sir_; I know some of the best men of the lot."
The stranger jingled some loose coin in his pocket, and seemed to have
forgotten his interest in the detective force.
"Officer, where does a man go to get a good brandy cocktail?"
Policemen are not over bashful, and No. 46 smiled anew as he replied.
"Just wait a few minutes, and I'll show you. I must stop that con--"
The last syllable was lost to the stranger as 46 dashed off to wave his
club before the eyes of an express-man, who was occupying too much space
on the wrong side of the street. In a moment he was back again, and, as
he approached, the stranger said:
"I'm a new-comer in the city, and want to see things. I take a sort of
interest in the doings of the police, and in detectives especially. I'd
like to have you point me out some of these chaps, officer. Oh, about
that brandy cock-tail; you'll join me, I hope?"
No. 46 consulted his watch.
"I'll join you, sir. Yes sir; in ten minutes, if you'll wait. There's a
capital place right here handy. And if you want to see _detectives_,
just you stand here with me a while. Vernet and Stanhope went down to
breakfast half an hour ago."
"Vernet and Stanhope?"
"The Stars of the force, sir; a perfect matched team. Splendid fellows,
too. They always spend their mornings at the office, when not 'on the
lay.' They've been back in the city four or five days; hard workers,
those boys."
"Young men, I suppose?"
"Well, yes, they're young, but you can't fool them much. A little under
thirty, I should call Vernet; Stanhope is the younger of the two."
"Americans?"
"Stanhope is, an out-and-outer. Vernet's got some French in him."
"Um, yes; well, I'd like to take a look at them, after we refresh
ourselves."
"They won't be back for a good half hour; there's no fear of missing
them."
Half an hour, and a brandy cock-tail, makes some men firm friends. When
that period of time had elapsed, No. 46, more affable than ever, and the
tall stranger, looking quite at his ease, stood again near the entrance
to the office of the City Detective Agency.
Two men were coming down the street, walking and talking with the air of
men on good terms with themselves and each other.
Both were young, well dressed, well-looking; but a more marked contrast
never was seen.
One, the taller of the two, was dark and decidedly handsome, with black
waving hair, dusky eyes, that were by turns solemn, tender, severe, and
pathetic; "faultily faultless" features, that wore an habitual look of
gravity and meditation; an erect, graceful carriage, and a demeanor
dignified and somewhat reserved. Slow of speech and punctillious in the
use of words, he was a man of tact and discretion; a man fitted to lead,
and capable of ruling in stormy times. At first sight, people pronounced
him "a handsome fellow;" after long acquaintance, they named him "a
perfect gentleman."
His companion was not quite so tall, of medium height, in fact, but
muscular and well built. He walked with a springy, careless stride,
carrying his head erect, and keeping his observant, twinkling, laughing
brown eyes constantly employed noting everything around and about him,
but noting all with an expression of careless unconcern that seemed to
say, "all this is nothing to me, why should it be?" His hair, brown,
soft, and silky, was cropped close to his head, displaying thus a well
developed crown, and brow broad, high and full. The nose was too
prominent for beauty, but the mouth and chin were magnificent features,
of which a physiognomist would say: Here are courage and tenderness,
firmness and loyalty. He was easy of manner--"off-hand," would better
express it; careless, and sometimes brusque in speech. At first sight
one would call him decidedly plain; after a time spent in his society
you voted him "a good looking fellow," and "a queer fish." And those who
had thoroughly tested the quality of his friendship, vowed him a man to
trust and to "tie to."
"Here they come," whispered No. 46; "those two fellows in grey."
"Which is which?"
"To be sure. The taller is Van Vernet; the other Dick Stanhope."
[Illustration: "Here they come," whispered No. 46; "those two fellows in
grey."--page 26.]
As they approached, Van Vernet touched his hat with a glance of
courteous recognition. But Richard Stanhope merely nodded, with a
careless, "how are you, Charlie?" And neither noted the eager,
scrutinizing glance bent upon them, as they passed the grey-bearded
stranger and ran lightly up the stairs. "You're wanted in the Chief's
office, Mr. Vernet," said the office boy as they entered; "And you too,
I think, Mr. Stanhope."
"Not both at once, stupid?"
"Um, ah; of course not. Now look here, Mr. Dick--"
And Stanhope and the office boy promptly fell into pugilistic attitudes,
the former saying, with a gay laugh:
"You first, Van, if the old man won't let us 'hunt in couples.'"
With the shadow of a smile upon his face, Van Vernet turned his back
upon the two belligerents and entered the inner office.
"Ah, Vernet, good morning," said his affable chieftain. "Are you ready
for a bit of business?"
"Certainly, sir."
"I don't think it will be anything very deep, but the young fellow
insisted upon having one of my best men; one who could be courteous,
discreet, and a gentleman."
Van Vernet, who had remained standing, hat in hand, before his chief,
bowed deferentially, and continued silent.
"There are no instructions," continued the Chief. "You are to go to this
address--it's a very aristocratic locality--and act under the
gentleman's orders. He wants to deal with you direct; the case is more
delicate than difficult, I fancy. I am only interested in the success or
failure of your work."
Taking the card from his outstretched hand, Vernet read the address.
"A. WARBURTON.
No. 31 B---- Place."
"When shall I wait upon Mr. Warburton?"
"At once. Your entire time is at his disposal until the case is
finished; then report to me."
Vernet bowed again, turned to go, hesitated, turned back, and said:
"And the Raid?"
"Oh, that--I shall give Stanhope charge of that affair. Of course he
would like your assistance, but he knows the ground, and I think will
make the haul. However, if you are not occupied to-morrow night, you
might join them here."
"Thank you. I will do so if possible," turning again to go.
"Send Stanhope in, Vernet. I must settle this business about the Raid."
Opening the door softly, and closing it gently after him, Vernet
approached his comrade, and laid a light hand upon his arm.
"Richard, you are wanted."
"All right; are you off, Van?"
"Yes;" putting his hat upon his head.
"On a lay?"
"Yes."
"Wish you good luck, old man; tra la."
And Dick Stanhope bounced into the presence of his Chief with
considerable noise and scant ceremony.
Number 46, who, with the stranger beside him, was slowly pacing his
beat, lifted his eyes as Vernet emerged from the stairway.
"There comes Vernet, and alone. I'll bet something he's off on a case,"
he said.
"Looks like it."
"He looks more serious than usual; wonder if he's got to work it without
Stanhope."
"Do they always pull together?"
"Not always; but they've done their biggest work together. When there's
a very knotty case, it's given to Vernet _and_ Stanhope; and they seldom
fail."
"Which acts as leader and is the best man of the two?"
"Well, sir, that's a conundrum that no man can guess, not even the
Chief. And I don't believe any body ever will know, unless they fall
out, and set up an opposition to each other. As for who leads, they both
pull together; there's no leader. I tell you what I don't want to see
two such splendid fellows fall out; they've worked in double harness a
good while. But if the Chief up there wants to see what detectives _can_
do, let him put those two fellows on opposite sides of a case; then he'd
see a war of wits that would beat horse-racing."
"Um!" said the stranger, consulting an English repeater, "it's time for
me to move on. Is this your regular beat, my friend? Ah! then we may
meet again. Good morning, sir."
"That's a queer jockey," muttered No. 46. "When he first came up, I made
sure he was looking for the Agency--looking just for curiosity, I
reckon."
And the stranger, as he strolled down the street, communed thus with
himself:
"So these two star detectives have never been rivals yet. The Chief has
never been anxious to see what detectives _can_ do, I suppose. This
looks like _my_ opportunity. Messrs. Vernet and Stanhope, _you shall
have a chance to try your skill against each other_, and upon a
desperate case: and the wit that wins need never work another."