CHAPTER XIV

THE HOUSE ON THE ROAD TO NAUPLIA

The horse Mitsos rode had been stabled all day, and coming out fresh

into the cool night air kept him busy for a time snuffing uneasily

at the wafts of foul air that blew from the town, and shying right

and left at shapes that lay on the road-side. Once a dead body was

stretched straight across the path, and the brute wheeled round,

nearly unseating Mitsos, and tried to bolt back to Tripoli again. But

by-and-by, as it got used to the night, and the steadiness of the lad's

hand gave it confidence, it went more soberly, and settled down into a

gentle trot up the road leading from the plain over the mountain. As

they left the town behind the air grew fresher, and soon came pure and

cool from the north. The night was clear, but for a few wisps of cloud

that drifted southward in wavering lines of delicate pearly gray, so

thin that the starlight suffused them and turned them into a luminous

haze. The path lay low between bold rocks that climbed up on each side,

and to the right, among oleanders, a stream talked idly, as in sleep.

Above, the stars burned bright and close, set in the blue velvet of the

sky; and to the east the blue was tinged with dove color, showing that

the moon was nigh to its rising. From some shepherd's hut on the hills

came the sharp bark of a dog, sounding faint yet curiously distinct in

the alert air, as in the north sounds come sharp-cut and ringing on a

frosty night. As he went higher the dry smell of the summer-scorched

vegetation was changed for something fresher, coming from the upland

pastures, and while his horse, now requiring no attention, went with

straining shoulders and drooped head up from slope to slope, Mitsos

knew that he had been right to come alone. Since those nights he had

spent with Suleima between sea and sky, the loneliness and quietude of

night, and the setting of the secret hours he had spent with her, had

always woke in him an undefined, incommunicable thrill, a calling up

of those dear ghosts of the past. To be alone at night was nearest to

being with her, and often in these last weeks he had stolen out of his

hut when the camp was still and night at its midmost to conjure up that

same feeling, which the sight of objects associated with some one loved

brings with it. Infinitely dear as she had been to him, there lingered

round the remembrance of her a something dim, something in common with

starlight, and great vague stretches of silent sea, and the pearliness

of the sky before the imminent moonrise. It was that complexion of his

sorrow he wished to recapture. Tripoli was like dreaming of her through

the horrible distortion of a nightmare; this the serener bitterness

of a quieter vision. Round his thoughts of Nicholas there hovered a

splendid halo; the glory of his life and the triumph of his death made

the heart bow down in a kind of thankful wonder, drowning regret. For

if he, as Germanos had said, had gone like the bridegroom to the bride,

should those who loved him mourn? Strangely mixed had come the boon for

which Nicholas, for which Suleima, had died, and at present he was too

stunned to be able to picture it, or the price paid, with clearness of

focus, for this limited mind within us is soon drowned by shocks like

these coming in spate together, and we do not realize them till the

first turbid flood has passed.

[Illustration: "'SULEIMA!' CRIED MITSOS"]

The moon had risen before he reached the top of the pass, and,

following a strange but overwhelming desire, he pushed on quickly,

for he longed to look on the bay again by night. Another hour's quick

riding brought him to the head of a ravine which ran straight down to

the sea, and at the bottom, lying like the clipping from a silver nail,

was the farther edge of the bay, ashine with the risen moon; and when

Mitsos saw it his heart was all athirst for home. Gradually, as he went

down, the lower hills marched like shadows to the right and left, and

between moonsetting and sunrise he stood on the edge of the shelving

cove again, where he had brought the fish to land one night, and once

again all was still but for a whisper in the dry-tongued reeds and

the lisp of sand-quenched ripples. But never again would he and one

beside him sit there filled through and through with love, and never

again would the man he had loved pass by like the shadow of a hawk on

one of those swift, secret errands. Yet, as he had hoped, there still

lingered round the place a sweetness of sorrow. Horror had come not

here, nor any bloodshed, nor crash of war, and none knew the message

the spot held for him, its garnered store on which his heart had fed.

Then leaving it, still rounded by the infinite night, he passed on by

the white house at the head of the bay, whose sea-wall had been to him

the gates of love flung open, and just after sunrise he struck the

road on the other side of the water, and three hundred yards off were

the whistling poplars by the fountain, and his father's house and the

garden-gate, and the grave and memory of his boyhood. The risen sun

spun mists out of the night dews and webs of sweet smell from the damp

earth. It struck a galaxy of stars from the burnished surface of the

bay, and from the heart of some bush-bowered bird it drew forth an

inimitable song.

So he was come to the gate, where he tied up his horse while he should

go inside, yearning to see his father; but as he walked up the path,

raising his eyes he saw him already out and working in the vineyard

beyond, and he would have passed by and gone to him there when, of a

sudden, he stopped, and his heart stopped too.

For the house door was open, and from inside--it seemed at first only

his own thoughts made audible--came a voice singing, and it sang:

"Dig we deep among the vines,

Give the sweet spring showers a home."

Then came a little feeble cry as from some young thing, and the singing

stopped, and a mother's voice, so it seemed, cooed soothing to her

baby; and with that Mitsos passed not on to the vineyard, but went in.

Suleima, busied with the child--the "littlest Mitsos," so she told

herself--heard not his step till he was in the doorway, but then looked

up, thinking it was her father, though earlier than his wont. And with

a choking cry, hands outstretched, and a voice from a bursting heart:

"Suleima!" cried Mitsos.

THE END

The Vintage: A Romance of the Greek War of Independence · 第 14 / 14 章