J. H. KERSHAW.

_Æsop._--It may be said, at first sight, "Why, every body knows all

about him." I answer, Perhaps about as much as modern painters and

artists know about Bacchus, whom they always represent as a gross,

vulgar, fat person: all the ancient poets, however (and surely they

ought to know best), depict him an exquisitely beautiful youth. A

similar vulgar error exists with regard to Æsop, who in the

_Encyclopædia Britannica_ is pronounced a strikingly deformed personage.

The exact opposite seems to have been the truth. Philostratus has left a

description of a picture of Æsop, who was represented with a chorus of

animals about him: he was painted smiling, and looking thoughtfully on

the ground, but not a word is said of any deformity. Again, the

Athenians erected a statue to his honour, "and," says Bentley, "a statue

of him, if he were deformed, would only have been a monument of his

ugliness: it would have been an indignity, rather than an honour to his

memory, to have perpetuated his deformity."

And, lastly, he was sold into Samos by a slave-dealer, and it is a

well-known fact that these people bought up the handsomest youths they

could procure.

Notes and Queries, Vol. IV, Number 97, September 6, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 33 / 92 题