In ye mean Time, I am, respectfully

Your very humble servant,

Wm: White.

Rev^d Wm: B. Sprague,

West Springfield,

Massachusetts.”

The Bishop was doubtless one of the last to transport into the

nineteenth century the use of frequent capitals, the archaic “ye” and

the quaint long “s’s” which are not “f’s” as many believe.

The subject of autographs is to me what King Charles’s head was to Mr.

Dick. That I am not alone in my infirmity is proved by a letter of James

Freeman Clarke, written in 1878, in which he acknowledges the receipt of

a catalogue of a German collection, and says, naively, “Notwithstanding

my professed indifference to any autographs except those of the Apostle

Paul, Alfred, Charlemagne, Joan of Arc, Martin Luther and the like, I

confess that my mouth watered at the sight of so many of them. It was a

pleasure even to read the description and title”. These words, showing

that his indifference was a mere pretense, were written by a serious and

scholarly man, famous in his day as preacher, author and educator, and I

am sure that even his little pretense would soon have been abandoned if

I could only have been honored for a little while with his company at

the library table.

Almost every one finds it hard to understand as he attains the period

when juniors say to him, “Now, at _your_ time of life”—a form of

expression I have come to loathe—that he is really no longer—to use

another wretched locution,—“up to date”. I am beginning to comprehend

the feelings of some of the excellent bewigged old gentlemen of the

seventeen hundreds whose lives lapped over that mysterious one-hundredth

year which is just like any other year, but there is a weird something

about it, indescribable, impossible of definition, which makes it

different. I am certain that those of us who awoke on the morning of the

first day of January in the year of grace 1900, had a consciousness of

passing into a new age, although—not to revive the ancient controversy

but merely to assert the indisputable fact—the new century did not begin

until a year later. How painfully modern Mr. Wordsworth, Mr. Coleridge

and Mr. Shelley must have seemed to the men who knew so well their

Crabbe and their Cowper. It has always been my opinion that the

unfortunates who happen to be born exactly in the middle of a century

are taken at an unfair advantage by those who arrive in a century’s

closing years or in its opening days. They grow old-fashioned so much

sooner. In Comyn Carr’s book of reminiscences (published in 1908)—by no

means one of those dull productions about which we were chatting a few

pages back—he says heroically that he is not very gravely discouraged by

occasionally finding himself ranked as a champion of an outworn fashion,

but he groans over the revelation of a “cultivated young writer of the

newer school” that ‘among men of culture Dickens is now never read after

the age of fourteen!’ This cultivated young writer—we must take Mr.

Carr’s word as to his culture, for otherwise one would be likely to

consider him what Lord Dundreary called “wather an ass”—must have been

trying to impose upon the credulous old gentlemen, who frankly owns that

he was born in the misty mid-region of 1849. What pained me most was the

meek and submissive acquiescence of Carr in his relegation to the

category of back numbers at the surely not venerable age of fifty-nine.

As Thomas Bailey Aldrich said the day after his birthday, “It is

unpleasant to be fifty-nine, but it would be unpleasanter not to be,

having got started!” I insist, however, that it is not enough to warrant

the exile of any ordinary person from the realms of contemporaneous

interest. Dickens, Thackeray, Hawthorne, Tennyson, Browning, all great

Victorians, if an American may be reckoned in that class, are not, I

venture to say, as obsolete as the cultivated infant would have us

believe; if they were, there would not be so much said of them and

written of them in this fast aging first decade of the twentieth

century. Returning to Dickens, I prefer to the babe’s prattle of Carr’s

young interlocutor, the dictum of Chesterton, when he tells us “that

Dickens will have a high place in permanent literature there is, I

imagine, no prig surviving to deny.”

In a time so remote that I shrink from mentioning the date precisely, I

overheard a young prig say to the feminine companion whom he was

escorting to her home after listening to a lecture by Charles Sumner,

“he suits the masses”. It was a singularly inept remark as applied to

the stilted and artificial oratory of the pompous Senator; but the fact

that “he suits the masses” may well be cited to warrant the assurance of

the lasting quality of Dickens’ fame. The lesser lights are growing pale

and dim in comparison with his and with that of his illustrious compeer,

who ranks higher perhaps in the estimation of the “cultured” but no

higher in the favor of the general. Bulwer Lytton, Charlotte Bronté,

Trollope, and George Eliot, if we may group together stars of such

varying magnitude, shine more feebly than they did while they were in

the full blaze of their glory. But when one takes from the shelf or from

the library table a volume of Dickens or of Thackeray, he may well

exclaim, as was said of the Autobiography of Benvenuto Cellini, “This is

no book; who touches this, touches a man.”

Many of us still retain an affection for Trollope, even if he was, as

some recent compilers of literary hand-books say, “one of the most

boisterous, tactless and unmetaphysical of writing men”—all the more

precious to me because of his unmetaphysicality. In novels “_à bas_

metaphysics!” If it be true, as these autocratic tyrants of taste aver,

that he “keeps his nose close down, dog-like, to the prosaic texture of

life,” he pursued the game to good purpose. To all lawyers, he must ever

be dear because of his delightful Old Bailey character of Chaffanbrass;

to all the clergy he must be a source of joy for his innumerable

bishops, rectors and curates; and to all physicians a lovable man for

Doctor Thorne. Was he not as much unlike Hawthorne as one novelist may

be unlike another, yet did not Hawthorne say that Trollope’s work

“suited” him? “They precisely suit my taste” wrote the author of the

Scarlet Letter, “solid and substantial, written on the strength of beef,

and through the inspiration of ale, and just as real as if some giant

had hewn a great lump out of the earth and put it under a glass case,

with all its inhabitants going about their daily business and not

suspecting that they were made a show of.” Yet in these days they cannot

be expected to compete with such illuminating representations of real

life as may be found in the pages of—let us say—Elinor Glyn, who

manifestly aspires to be the Aphra Behn of modern literature.

It is some consolation to realize that we commencing patriarchs are able

to get more satisfaction from our comfortable places at the library

table than others get from the seats of the mighty at horse-shows,

bridge tournaments, automobile contests, and golf competitions. An

enthusiastic golfer once confided to me that the most charming adjunct

of his sport was the shandygaff and the high ball which otherwise the

stern decree of the medical man would have denied to him. Let us say it

in all modesty and self-depreciation, we know so much more than is known

by the modern smooth-faced devotee of the safety razor, who freely

permits the unattractive contour of his mouth to betray the

imperfections of his character. I am convinced that if the customary

motor-car fiend would shroud his expression in hirsute concealment he

would appear far less fierce and domineering. If language was given to

us to conceal thought, surely beards were meant to hide brutality. Even

these young people will come in time to the consciousness of their

present ignorance and the realization of the truth that men learn by

experience. Aldrich—not Nelson, the tariff-king, but Thomas, a king of

modern American letters—said “I often feel sorry for actresses who are

always too old to play Juliet by the time they have learned how to do

it. I know how to play Hamlet and Romeo now, but my figure doesn’t fit

the parts.” Sad it is to reflect that our figures are unfitted for the

roles we would so hugely enjoy. Possibly it would be better for us if we

ventured more in the outer world and spent less time at the library

table; but we cannot always bestride the galloping horse or trifle with

the fascinating brassie. It will be only a few years before riders and

golfers alike will meet us in the fields where we will all be reduced to

socialistic uniformity, as I am taught to believe. Then, perhaps, I may

not regret that I yielded, willingly and lovingly, to the temptations of

the library table.

At the library table · 第 9 / 41 题