CHAPTER IV

BEGINNING THE SPEECH

Speech-making a Formal Matter. Every speech is more or less a formal

affair. The speaker standing is separated from the other persons

present by his prominence. He is removed from them by standing while

they sit, by being further away from them than in ordinary

conversation. The greater the distance between him and his listeners

the more formal the proceeding becomes. When a person speaks "from the

floor" as it is called, that is, by simply rising at his seat and

speaking, there is a marked difference in the manner of his delivery

and also in the effect upon the audience. In many gatherings, speeches

and discussions "from the floor" are not allowed at all, in others

this practice is the regular method of conducting business. Even in

the schoolroom when the student speaks from his place he feels less

responsibility than when he stands at the front of the room before his

classmates. As all formal exercises have their regular rules of

procedure it will be well to list the more usual formulas for

beginnings of speeches.

The Salutation. In all cases where speeches are made there is some

person who presides. This person may be the Vice-President of the

United States presiding over the Senate, the Speaker of the House of

Representatives, the Chief Justice of the United States Supreme

Court, the president of a city board of aldermen, the judge of a

court, the president of a corporation, of a lodge, of a church

society, of a club, the pastor of a church, the chancellor or provost

or dean of a college, the principal of a school, the chairman of a

committee, the toastmaster of a banquet, the teacher of a class. The

first remark of a speaker must always be the recognition of this

presiding officer.

Then there are frequently present other persons who are distinct from

the ordinary members of the audience, to whom some courtesy should be

shown in this salutation. Their right to recognition depends upon

their rank, their importance at the time, some special peculiar reason

for separating them from the rest of the audience. The speaker will

have to decide for himself in most cases as to how far he will

classify his hearers. In some instances there is no difficulty.

Debaters must recognize the presiding officer, the judges if they be

distinct from the regular audience, the members of the audience

itself. Lawyers in court must recognize only the judge and the

"gentlemen of the jury." In a debate on the first draft for the League

of Nations presided over by the Governor of Massachusetts, Senator

Lodge's salutation was "Your Excellency, Ladies and Gentlemen, My

Fellow Americans." The last was added unquestionably because patriotic

feeling was so strong at the time that reference to our nationality

was a decidedly fitting compliment, and also perhaps, because the

speaker realized that his audience might be slightly prejudiced

against the view he was going to advance in criticizing the League

Covenant. At times a formal salutation becomes quite long to include

all to whom recognition is due. At a university commencement a speaker

might begin: "Mr. Chancellor, Members of the Board of Trustees,

Gentlemen of the Faculty, Candidates for Degrees, Ladies and

Gentlemen."

Other salutations are Your Honor, Mr. President, Mr. Speaker, Madame

President, Madame Chairman, Mr. Chairman, Mr. Stevenson, Sir, Mr.

Toastmaster, Mr. Moderator, Honorable Judges, Ladies, Gentlemen,

Fellow Citizens, Classmates, Fellow Workers, Gentlemen of the Senate,

Gentlemen of the Congress, Plenipotentiaries of the German Empire, My

Lord Mayor and Citizens of London; Mr. Mayor, Mr. Secretary, Admiral

Fletcher and Gentlemen of the Fleet; Mr. Grand Master, Governor

McMillan, Mr. Mayor, My Brothers, Men and Women of Tennessee.

The most important thing about the salutation is that it should never

be omitted. To begin to speak without having first recognized some

presiding officer and the audience stamps one immediately as

thoughtless, unpractised, or worse still--discourteous.

Having observed the propriety of the salutation the speaker should

make a short pause before he proceeds to the introduction of his

speech proper.

Length of the Introduction. There was a time when long elaborate

introductions were the rule, and textbooks explained in detail how to

develop them. The main assumption seems to have been that the farther

away from his topic the speaker began, the longer and more indirect

the route by which he approached it, the more sudden and surprising

the start with which it was disclosed to the audience, the better the

speech. Such views are no longer held. One of the criticisms of the

speeches of the English statesman, Burke, is that instead of coming at

once to the important matter under consideration--and all his speeches

were upon paramount issues--he displayed his rhetorical skill and

literary ability before men impatient to finish discussion and provide

for action by casting their votes. If a student will read the

beginning of Burke's famous _Speech on Conciliation_ he will readily

understand the force of this remark, for instead of bringing forward

the all-important topic of arranging for colonial adjustment Burke

uses hundreds of words upon the "flight of a bill for ever," his own

pretended superstitiousness and belief in omens. So strong is the

recognition of the opposite practice today that it is at times

asserted that speeches should dispense with introductions longer than

a single sentence.

Purpose of the Introduction. So far as the material of the speech is

concerned the introduction has but one purpose--to bring the topic of

the succeeding remarks clearly and arrestingly before the audience. It

should be clearly done, so that there shall be no misunderstanding

from the beginning. It should be arrestingly done, so that the

attention shall be aroused and held from this announcement even until

the end. A man should not declare that he is going to explain the

manufacture of paper-cutters, and then later proceed to describe the

making of those frames into which rolls of wrapping paper are fitted

underneath a long cutting blade, because to most people the

expression "paper-cutters" means dull-edged, ornamental knives for

desks and library tables. His introduction would not be clear. On the

other hand if a minister were to state plainly that he was going to

speak on the truth that "it is more blessed to give than to receive"

his congregation might turn its attention to its own affairs at once

because the topic promises no novelty. But if he declares that he is

going to make a defense of selfishness he would surely startle his

hearers into attention, so that he could go on to describe the

personal satisfaction and peace of mind which comes to the doers of

good deeds. A speaker could arrest attention by stating that he

intended to prove the immorality of the principle that "honesty is the

best policy," if he proceeded to plead for that virtue not as a

repaying _policy_ but as an innate guiding principle of right, no

matter what the consequences. In humorous, half-jesting, ironical

material, of course, clearness may be justifiably sacrificed to

preserving interest. The introduction may state the exact opposite of

the real topic.

When nothing else except the material of the introduction need be

considered, it should be short. Even in momentous matters this is

true. Notice the brevity of the subjoined introduction of a speech

upon a deeply moving subject.

Gentlemen of the Congress:

The Imperial German Government on the 31st day of January

announced to this Government and to the Governments of the

other neutral nations that on and after the 1st day of

February, the present month, it would adopt a policy with

regard to the use of submarines against all shipping seeking

to pass through certain designated areas of the high seas, to

which it is clearly my duty to call your attention.

WOODROW WILSON, 1917

The following, though much longer, aims to do the same thing--to

announce the topic of the speech clearly. Notice that in order to

emphasize this endeavor to secure clearness the speaker declares that

he has repeatedly tried to state his position in plain English. He

then makes clear that he is not opposed to _a_ League of Nations; he

is merely opposed to the terms already submitted for the one about to

be formed. This position he makes quite clear in the last sentence

here quoted.

Your Excellency, Ladies and Gentlemen, My Fellow Americans:

I am largely indebted to President Lowell for this

opportunity to address this great audience. He and I are

friends of many years, both Republicans. He is the president

of our great university, one of the most important and

influential places in the United States. He is also an

eminent student and historian of politics and government. He

and I may differ as to methods in this great question now

before the people, but I am sure that in regard to the

security of the peace of the world and the welfare of the

United States we do not differ in purposes.

I am going to say a single word, if you will permit me, as to

my own position. I have tried to state it over and over

again. I thought I had stated it in plain English. But there

are those who find in misrepresentation a convenient weapon

for controversy, and there are others, most excellent people,

who perhaps have not seen what I have said and who possibly

have misunderstood me. It has been said that I am against

any League of Nations. I am not; far from it. I am anxious to

have the nations, the free nations of the world, united in a

league, as we call it, a society, as the French call it, but

united, to do all that can be done to secure the future peace

of the world and to bring about a general disarmament.

SENATOR HENRY CABOT LODGE in a debate in Boston,

1919

The Introduction and the Audience. When we turn from the material of

the introduction or the speech we naturally consider the audience.

Just as the salutations already listed in this chapter indicate how

careful speakers are in adapting their very first words to the special

demands of recognition for a single audience, so a study of

introductions to speeches which have been delivered will support the

same principle. A speech is made to affect a single audience,

therefore it must be fitted as closely as possible to that audience in

order to be effective. A city official invited to a neighborhood

gathering to instruct citizens in the method of securing a children's

playground in that district is not only wasting time but insulting the

brains and dispositions of his listeners if he drawls off a long

introduction showing the value of public playgrounds in a crowded

city. His presence before that group of people proves that they accept

all he can tell them on that topic. He is guilty of making a bad

introduction which seriously impairs the value of anything he may say

later concerning how this part of the city can induce the municipal

government to set aside enough money to provide the open space and the

apparatus. Yet this speech was made in a large American city by an

expert on playgrounds.

People remembered more vividly his wrong kind of opening remarks than

they did his advice concerning a method of procedure.

Effect of the Introduction upon the Audience. Many centuries ago a

famous and successful Roman orator stipulated the purpose of an

introduction with respect to the audience. Cicero stated that an

introduction should render its hearers "_benevolos, attentos,

dociles_"; that is, kindly disposed towards the speaker himself,

attentive to his remarks, and willing to be instructed by his

explanations or arguments. Not everyone has a pleasing personality

but he can strive to acquire one. He can, perhaps, not add many

attributes to offset those nature has given him, but he can always

reduce, eradicate, or change those which interfere with his reception

by others. Education and training will work wonders for people who are

not blessed with that elusive quality, charm, or that winner of

consideration, impressiveness. Self-examination, self-restraint,

self-development, are prime elements in such a process. Great men have

not been beyond criticism for such qualities. Great men have

recognized their value and striven to rid themselves of hindrances and

replace them by helps.

Every reader is familiar with Benjamin Franklin's account of his own

method as related in his _Autobiography_, yet it will bear quotation

here to illustrate this point:

While I was intent on improving my language, I met with an

English Grammar (I think it was Greenwood's), at the end of

which there were two little sketches of the arts of rhetoric

and logic, the latter "finishing with a specimen of a

dispute in the Socratic method; and soon after I procured

Xenophon's Memorable Things of Socrates, wherein there are

many instances of the same method. I was charmed with it,

adopted it, dropt my abrupt contradiction and positive

argumentation, and put on the humble inquirer and doubter....

I found this method safest for myself and very embarrassing

to those against whom I used it; therefore I took a delight

in it, practised it continually, and grew very artful and

expert in drawing people, even of superior knowledge, into

concessions, the consequences of which they did not foresee,

entangling them in difficulties out of which they could not

extricate themselves, and so obtaining victories that neither

myself nor my cause always deserved. I continued this method

some few years, but gradually left it, retaining only the

habit of expressing myself in terms of modest diffidence;

never using, when I advanced anything that may possibly be

disputed, the words _Certainly, Undoubtedly_, or any others

that give the air of positiveness to an opinion; but rather

say, I conceive or apprehend a thing to be so and so; it

appears to me, or _I should think it so or so_, for such and

such reasons; or _I imagine it to be so_; or _it is so if I

am not mistaken_. This habit, I believe, has been of great

advantage to me when I have had occasion to inculcate my

opinions, and persuade men into measures that I have been

from time to time engaged in promoting; and as the chief ends

of conversation are to _inform_ or to be _informed_, to

_please_ or to _persuade_, I wish well-meaning, sensible men

would not lessen their power of doing good by a positive,

assuming manner, that seldom fails to disgust, tends to

create opposition, and to defeat everyone of those purposes

for which speech was given to us, to wit, giving or receiving

information or pleasure. For if you would inform, a positive

and dogmatical manner in advancing your sentiments may

provoke contradiction and prevent a candid attention. If you

wish information and improvement from the knowledge of

others, and yet at the same time express yourself as firmly

fixed in your present opinions, modest, sensible men who do

not love disputation will probably leave you undisturbed in

the possession of your error. And by such a manner you can

seldom hope to recommend yourself in _pleasing_ your hearers,

or to persuade those whose concurrence you desire. Pope says,

judiciously:

"Men should be taught as if you taught them not,

And things unknown propos'd as things forgot;"

farther recommending to us

"To speak, tho' sure, with seeming diffidence."

Of course an audience must be induced to listen. The obligation is

always with the speaker. He is appealing for consideration, he wants

to affect the hearers, therefore he must have at his command all the

resources of securing their respectful attention. He must be able to

employ all the legitimate means of winning their attention. A good

speaker will not stoop to use any tricks or devices that are not

legitimate. A trick, even when it is successful, is still nothing but

a trick, and though it secure the temporary attention of the lower

orders of intellect it can never hold the better minds of an audience.

Surprises, false alarms, spectacular appeals, may find their

defenders. One widely reputed United States lawyer in speaking before

audiences of young people used to advance theatrically to the edge of

the stage, and, then, pointing an accusing finger at one part of the

audience, declare in loud ringing tones, "You're a sneak!" It is

questionable whether any attempt at arousing interest could justify

such a brusque approach. Only in broadly comic or genuinely humorous

addresses can it be said that the end justifies the means.

When the audience has been induced to listen, the rest should be easy

for the good speaker. Then comes into action his skill at explanation,

his ability to reason and convince, to persuade and sway, which is the

speaker's peculiar art. If they will listen to him, he should be able

to instruct them. The introduction must, so far as this last is

concerned, clear the way for the remainder of the speech. The methods

by which such instruction, reasoning, and persuasion are effected best

will be treated later in this book.

Having covered the preceding explanation of the aims and forms of

introductions, let us look at a few which have been delivered by

regularly practising speech-makers before groups of men whose

interest, concern, and business it was to listen. All men who speak

frequently are extremely uneven in their quality and just as irregular

in their success. One of the best instances of this unevenness and

irregularity was Edmund Burke, whose career and practice are bound to

afford food for thought and discussion to every student of the power

and value of the spoken word. Some of Burke's speeches are models for

imitation and study, others are warnings for avoidance. At one time

when he felt personally disturbed by the actions of the House of

Commons, because he as a member of the minority could not affect the

voting, he began a speech exactly as no man should under any

circumstances. No man in a deliberative assembly can be excused for

losing control of himself. Yet Burke opened his remarks with these

plain words.

"Mr. Speaker! I rise under some embarrassment occasioned by a

feeling of delicacy toward one-half of the House, and of

sovereign contempt for the other half."

This is childish, of course. A man may not infrequently be forced by

circumstances to speak before an audience whose sentiments, opinions,

prejudices, all place them in a position antagonistic to his own. How

shall he make them well-disposed, attentive, willing to be instructed?

The situation is not likely to surround a beginning speaker, but men

in affairs, in business, in courts, must be prepared for such

circumstances. One of the most striking instances of a man who

attempted to speak before an antagonistic group and yet by sheer power

of his art and language ended by winning them to his own party is in

Shakespeare's _Julius Caesar_ when Mark Antony speaks over his dead

friend's body. Brutus allows it, but insists on speaking to the people

first that he may explain why he and his fellow conspirators

assassinated the great leader. It was a mistake to allow a person from

the opposite party to have the last word before the populace, but that

is not the point just here. Brutus is able to explain why a group of

noble Romans felt that for the safety of the state and its

inhabitants, they had to kill the rising favorite who would soon as

King rule them all. When he ceases speaking, the citizens approve the

killing. Mark Antony perceives that, so at the beginning of his speech

he seems to agree with the people. Caesar was his friend, yet Brutus

says he was ambitious, and Brutus is an honorable man. Thus the

skilful orator makes the populace well-disposed towards him, then

attentive.

Having secured those things he proceeds slowly and unobtrusively to

instruct them. It takes only a few lines until he has made them

believe all he wants them to; before the end of his oration he has

them crying out upon the murderers of their beloved Caesar, for whose

lives they now thirst. Yet only ten minutes earlier they were loudly

acclaiming them as deliverers of their country. The entire scene

should be analyzed carefully by the student. It is the second scene of

the third act of the play.

In actual life a man would hardly have to go so far as seemingly to

agree with such opposite sentiments as expressed in this situation

from a stage tragedy. It is general knowledge that during the early

years of the American Civil War England sympathized with the southern

states, mainly because the effective blockade maintained by the North

prevented raw cotton from reaching the British mills. Henry Ward

Beecher attempted to present the union cause to the English in a

series of addresses throughout the country. When he appeared upon the

platform in Liverpool the audience broke out into a riot of noise

which effectively drowned all his words for minutes. The speaker

waited until he could get in a phrase. Finally he was allowed to

deliver a few sentences. By his patience, his appeal to their English

sense of fair play, and to a large degree by his tolerant sense of

humor, he won their attention. His material, his power as a speaker

did all the rest.

It is a matter of very little consequence to me, personally,

whether I speak here tonight or not. [_Laughter and cheers._]

But one thing is very certain, if you do permit me to speak

here tonight, you will hear very plain talking. [_Applause

and hisses_.] You will not find me to be a man that dared to

speak about Great Britain three thousand miles off, and then

is afraid to speak to Great Britain when he stands on her

shores. [_Immense applause and hisses_.] And if I do not

mistake the tone and temper of Englishmen they had rather

have a man who opposes them in a manly way [_applause from

all parts of the hall_] than a sneak that agrees with them in

an unmanly way. [_Applause and "Bravo!"_] Now, if I can carry

you with me by sound convictions, I shall be immensely glad

[_applause_]; but if I cannot carry you with me by facts and

sound arguments, I do not wish you to go with me at all; and

all that I ask is simply fair play. [_Applause, and a voice:

"You shall have it too."_.]

Those of you who are kind enough to wish to favor my

speaking--and you will observe that my voice is slightly

husky, from having spoken almost every night in succession

for some time past--those who wish to hear me will do me the

kindness simply to sit still and to keep still; and I and my

friends the Secessionists will make the noise. [_Laughter._]

HENRY WARD BEECHER, in speech at Liverpool, 1863

The beginning of one of Daniel Webster's famous speeches was a triumph

of the deliverer's recognition of the mood of an audience. In the

Senate in 1830 feeling had been running high over a resolution

concerning public lands. Innocent enough in its appearance, this

resolution really covered an attempt at the extension of the slavery

territory. Both North and South watched the progress of the debate

upon this topic with almost held breath. Hayne of South Carolina had

spoken upon it during two days when Webster rose to reply to him. The

Senate galleries were packed, the members themselves were stirred up

to the highest pitch of keen intensity. Nearly the entire effect of

Webster's statement and argument for the North depended upon the

effect he could make upon the Senators at the very opening of his

speech.

Webster began in a low voice, with a calm manner, to speak very

slowly. In a second he had soothed the emotional tension, set all the

hearers quite at ease, and by the time the Secretary had read the

resolution asked by Webster, he had them in complete control. His task

was to make them attentive, but more especially, ready to be

instructed.

Mr. President: When the mariner has been tossed for many days

in thick weather and on an unknown sea, he naturally avails

himself of the first pause in the storm, the earliest glance

of the sun, to take his latitude and ascertain how far the

elements have driven him from his true course. Let us imitate

this prudence; and, before we float farther on the waves of

this debate, refer to the point from which we departed, that

we may, at least, be able to conjecture where we now are. I

ask for the reading of the resolution before the Senate.

DANIEL WEBSTER: _Reply to Hayne_, 1830

Linking the Introduction to Preceding Speeches. So many speeches are

replies to preceding addresses that many introductions adapt

themselves to their audiences by touching upon such utterances. In

debates, in pleas in court, in deliberative assemblies, this is more

usually the circumstance than not. The following illustrates how

courteously this may be done, even when it serves merely to make all

the clearer the present speaker's position. In moments of tensest

feeling great speakers skilfully move from any one position or

attitude to another as Patrick Henry did. While you are regarding

these paragraphs as an example of introduction do not overlook their

vocabulary and sentences.

Mr. President: No man thinks more highly than I do of the

patriotism, as well as abilities, of the very worthy

gentlemen who have just addressed the house. But different

men often see the same subject in different lights; and,

therefore, I hope it will not be thought disrespectful to

those gentlemen, if, entertaining as I do opinions of a

character very opposite to theirs, I shall speak forth my

sentiments freely, and without reserve. This is no time for

ceremony. The question before the house is one of awful

moment to the country. For my own part, I consider it as

nothing less than a question of freedom or slavery. And in

proportion to the magnitude of the subject ought to be the

freedom of the debate. It is only in this way that we can

hope to arrive at truth, and fulfill the great responsibility

which we hold to God and our country. Should I keep back my

opinions at such a time, through fear of giving offense, I

should consider myself as guilty of treason towards my

country, and of an act of disloyalty toward the Majesty of

Heaven, which I revere above all earthly things.

Mr. President, it is natural to man to indulge in the

illusions of hope. We are apt to shut our eyes against a

painful truth, and listen to the song of that Siren till she

transforms us into beasts. Is this the part of wise men,

engaged in a great and arduous struggle for liberty? Are we

disposed to be of the number of those who having eyes see

not, and having ears hear not, the things which so nearly

concern their temporal salvation? For my part, whatever

anguish of spirit it may cost, I am willing to know the whole

truth; to know the worst and to provide for it.

PATRICK HENRY in the Virginia Convention, 1775

Difficulties of Introductions. People who are scheduled to make

speeches are heard to declare that they know exactly what they want to

say but they do not know how to begin. Another way they have of

expressing this is that they do not know how to bring their material

before their hearers. Undoubtedly the most difficult parts of speeches

are the beginnings and conclusions. In Chapter II one of the methods

of preparing for delivery recognized this difference by recording that

one way is to memorize the beginning and ending, the opening and

closing sentences. Practised speakers are more likely not to fix too

rigidly in their minds any set way for starting to speak. They realize

that a too carefully prepared opening will smack of the study. The

conditions under which the speech is actually delivered may differ so

widely from the anticipated surroundings that a speaker should be able

to readjust his ideas instantly, seize upon any detail of feeling,

remark, action, which will help him into closer communication with his

audience. Many practised speakers, therefore, have at their wits' ends

a dozen different manners, so that their appearance may fit in best

with the circumstances, and their remarks have that air of easy

spontaneity which the best speaking should have. Thus, sometimes, the

exactly opposite advice of the method described above and in Chapter

II is given. A speaker will prepare carefully his speech proper, but

leave to circumstances the suggestion of the beginning he will use.

This does not mean that he will not be prepared--it means that he will

be all the more richly furnished with expedients. A speaker should

carefully think over all the possibilities under which his speech will

be brought forward, then prepare the best introduction to suit each

set.

Spirit of the Introduction. The combination of circumstances and

material will determine what we shall call the spirit of the

introduction. In what spirit is the introduction treated? There are as

many different treatments as there are human feelings and sentiments.

The spirit may be serious, informative, dignified, scoffing,

argumentative, conversational, startling, humorous, ironic. The

student should lengthen this list by adding as many other adjectives

as he can.

The serious treatment is always effective when it is suitable. There

is a conviction of earnestness and sincerity about the speech of a man

who takes his subject seriously. Without arousing opposition by too

great a claim of importance for his topic he does impress its

significance upon listeners. This seriousness must be justified by the

occasion. It must not be an attempt to bolster up weakness of ideas or

commonplaceness of expression. It must be straightforward, manly,

womanly. Notice the excellent effect of the following which

illustrates this kind of treatment.

MAY IT PLEASE YOUR HONOR: I was desired by one of

the court to look into the books, and consider the question

now before them concerning Writs of Assistance. I have

accordingly considered it, and appear not only in obedience

to your order, but likewise in behalf of the inhabitants of

this town, who have presented another petition, and out of

regard to the liberties of the subject. And I take this

opportunity to declare, that whether under a fee or not (for

in such a cause as this I despise a fee) I will to my dying

day oppose with all the powers and faculties God has given

me, all such instruments of slavery on the one hand and

villainy on the other, as this Writ of Assistance is.

It appears to me the worst instrument of arbitrary power, the

most destructive of English liberty and the fundamental

principles of law, that ever was found in an English

law-book.

JAMES OTIs: _On Writs of Assistance_, 1761

Informative and argumentative introductions are quite usual. They

abound in legislative bodies, business organizations, and courts of

law. Having definite purposes to attain they move forward as directly

and clearly as they can. In such appearances a speaker should know how

to lead to his topic quickly, clearly, convincingly. Introductions

should be reduced to a minimum because time is valuable. Ideas count;

mere talk is worthless.

Attempts at humorous speeches are only too often the saddest

exhibitions of life. The mere recital of "funny stories" in succession

is in no sense speech-making, although hundreds of misguided

individuals act as though they think so. Nor is a good introduction

the one that begins with a comic incident supposedly with a point pat

to the occasion or topic, yet so often miles wide of both. The funny

story which misses its mark is a boomerang. Even the apparently

"sure-fire" one may deliver a disturbing kick to its perpetrator. The

grave danger is the "o'er done or come tardy off" of Hamlet's advice

to the players. Humor must be distinctly marked off from the merely

comic or witty, and clearly recognized as a wonderful gift bestowed on

not too many mortals in this world. The scoffing, ironic introduction

may depend upon wit and cleverness born in the head; the humorous

introduction depends upon a sympathetic instinct treasured in the

heart. Look back at the remarks made by Beecher to his turbulent

disturbers in Liverpool. Did he help his cause by his genial

appreciation of their sentiments?

The student should study several introductions to speeches in the

light of all the preceding discussions so that he may be able to

prepare his own and judge them intelligently. Printed speeches will

provide material for study, but better still are delivered remarks. If

the student can hear the speech, then see it in print, so much the

better, for he can then recall the effect in sound of the phrases.

Preparing and Delivering Introductions. Actual practice in preparation

and delivery of introductions should follow. These should be delivered

before the class and should proceed no farther than the adequate

introduction to the hearers of the topic of the speech. They need not

be so fragmentary as to occupy only three seconds. By supposing them

to be beginnings of speeches from six to fifteen minutes long these

remarks may easily last from one to two minutes.

Aside from the method of its delivery--pose, voice, speed, vocabulary,

sentences--each introduction should be judged as an actual

introduction to a real speech. Each speaker should keep in mind these

questions to apply during his preparation. Each listener should apply

them as he hears the introduction delivered.

Is the topic introduced gracefully?

Is it introduced clearly?

Is the introduction too long?

Does it begin too far away from the topic?

Is it interesting?

Has it any defects of material?

Has it any faults of manner?

Can any of it be omitted?

Do you want to hear the entire speech?

Can you anticipate the material?

Is it adapted to its audience?

Is it above their heads?

Is it beneath their intelligences?

Topics for these exercises in delivering introductions should be

furnished by the interests, opinions, ideas, experiences, ambitions of

the students themselves. Too many beginning speakers cause endless

worry for themselves, lower the quality of their speeches, bore their

listeners, by "hunting" for things to talk about, when near at hand in

themselves and their activities lie the very best things to discuss.

The over-modest feeling some people have that they know nothing to

talk about is usually a false impression. In Elizabethan England a

young poet, Sir Phillip Sidney, decided to try to tell his sweetheart

how much he loved her. So he "sought fit words, studying inventions

fine, turning others' leaves, to see if thence would flow, some fresh

and fruitful showers upon my sunburnt brain." But "words came halting

forth" until he bit his truant pen and almost beat himself for spite.

Then said the Muse to him, "Fool, look in thy heart and write." And

without that first word, this is the advice that should be given to

all speakers. "Look in your heart, mind, life, experiences, ideas,

ideals, interests, enthusiasms, and from them draw the material of

your speeches--_yours_ because no one else could make that speech, so

essentially and peculiarly is it your own."

The following may serve as suggestions of the kind of topic to choose

and the various methods of approaching it. They are merely hints, for

each student must adapt his own method and material.

EXERCISES

1. By a rapid historical survey introduce the discussion that women

will be allowed to vote in the United States.

2. By a historical survey introduce the topic that war will cease upon

the earth.

3. Using the same method introduce the opposite.

4. Using some history introduce the topic that equality for all men is

approaching.

5. Using the same method introduce the opposite.

6. Starting with the amount used introduce an explanation of the

manufacture of cotton goods. Any other manufactured article may be

used.

7. Starting with an incident to illustrate its novelty, or speed, or

convenience, or unusualness, lead up to the description or explanation

of some mechanical contrivance.

Dictaphone

Adding machine

Comptometer

Wireless telegraph

Knitting machine

Moving picture camera

Moving picture machine

Self-starter

Egg boiler

Newspaper printing press

Power churn

Bottle-making machine

Voting machine

Storm in a play

Pneumatic tube

Periscope, etc.

8. Describe some finished product (as a cup of tea, a copper cent) as

introduction to an explanation of its various processes of

development.

9. Start with the opinion that reading should produce pleasure to

introduce a recommendation of a book.

10. Start with the opinion that reading should impart information to

introduce a recommendation of a book.

11. Start with the money return a business or profession offers to

introduce a discussion advising a person to follow it or not.

12. Beginning with the recent war lead up to the topic that military

training should be a part of all regular education.

13. Beginning from the same point introduce the opposite.

14. Beginning with an item--or a fictitious item--from a newspaper

recounting an accident lead up to workmen's compensation laws, or

preventive protective measures in factories, or some similar topic.

15. Using a personal or known experience introduce some topic dealing

with the survival of superstitions.

16. Choosing your own material and treatment introduce some theme

related to the government, or betterment of your community.

17. Introduce a topic dealing with the future policy of your city,

county, state, or nation.

18. Lead up to the statement of a change you would like to recommend

strongly for your school.

19. In as interesting a manner as possible lead up to a statement of

the business or profession you would like to follow.

20. Introduce a speech in which you intend to condemn something, by

dealing with your introductory material ironically.

21. Imagine that you are presiding at a meeting of some club, society,

or organization which has been called to discuss a definite topic.

Choose the topic for discussion and deliver the speech bringing it

before the session.

22. You have received a letter from a member of some organization who

suggests that a society to which you belong join with it in some kind

of contest or undertaking. Present the suggestion to your society.

23. You believe that soma memorial to the memory of some person should

be established in your school, lodge, church, club. Introduce the

subject to a group of members so that they may discuss it

intelligently.

24. Introduce some topic to the class, but so phrase your material

that the announcement of the topic will be a complete surprise to the

members. Try to lead them away from the topic, yet so word your

remarks that later they will realize that everything you said applies

exactly to the topic you introduce.

25. Lead up to the recital of some mystery, or ghostly adventure.

26. Lead up to these facts. "For each 10,000 American-born workmen in

a steel plant in eight years, 21 were killed; and for each non-English

speaking foreign born, 26 were killed. Non-English speaking show 65

permanently disabled as compared with 28 who spoke English. Of

temporarily disabled only 856 spoke English as compared with 2035 who

did not."

27. Introduce the topic: Training in public speaking is valuable for

all men and women.

28. In a genial manner suitable to the season's feelings introduce

some statement concerning New Year's resolutions.

29. Frame some statement concerning aviation. Introduce it.

30. Introduce topics or statements related to the following:

The eight-hour day.

The principles of Socialism.

Legitimate methods of conducting strikes.

Extending the Monroe Doctrine.

Studying the classics, or modern languages.

Private fortunes.

College education for girls.

Direct presidential vote.

A good magazine.

Some great woman.

Sensible amusements.

Fashions.

Agriculture.

Business practice.

Minimum wages.

Equal pay for men and women.

Public Speaking · 第 4 / 10 章