The Bible was also used to support rationalizations after the fact:[83]

At first our meetings were started without following any rule

laid down by the Bible, but afterwards we found a very good

reason for holding our meetings at night. We searched the Bible

and asked many ministers for any evidence of Christ’s ever

having held any meetings in the day-time but we could find

nothing to that effect. We did, however, find evidence that he

had been out all night in prayer. As it is our desire to follow

as closely as we can in the footsteps of Christ, we hold our

meetings at night.

The Bible is said to mention peyote in several places:

And they shall eat the flesh in that night, roast with fire,

and unleavened bread; and with bitter herbs they shall eat it

(Exodus 12.8).

And this day shall be unto you for a memorial; and ye shall

keep it as a feast by an ordinance forever (Exodus 12.14).

Mrs. Voegelin cites a Shawnee belief in a Bible reference to peyote, but

it is somewhat ambiguous and obscure.[84]

_Altars or “Moons.”_ Peyote altars range in complexity from the simple

war-shield of a Comanche war-party leader on which the peyote was laid,

to the elaborate permanent symbolic concrete altars in the Big Moon

round-house churches. All the Plains variants are built on the standard

crescent altar, grooved from tip to tip by the “peyote road” which

devotees must follow to a knowledge of peyote.[85] Interpretations of the

moon symbolism are almost as numerous as individual users; for, given

the physiological effects of peyote and the acceptance in Plains culture

of the individual vision “authority,” standardized meanings are not to

be expected. One Shawnee, for instance, said the mound represented the

mountain of the origin story where “Peyote Woman” first found peyote;

another that the place of the peyote on the moon represented the space

between Jesus Christ’s eyes, just over the brain, and the arms of the

crescent his arms as he lay face downward on the cross: “If we eat the

peyote which is on his brain, maybe it will make us think too.”

[Illustration: Fig. 4. Peyote altars or moons. a, Basic Caddo-Delaware

moon with a mound at the east of the cross; b, the Caddo Big Moon altar;

c, Enoch Hoag (Caddo) moon, as drawn by Elijah Reynolds (probably the

same as Petrullo, Plate 5 B).]

Again, given these factors and the nature of peyote leadership, it is

not surprising to find variations run riot; sometimes even the same

leader does not conduct two meetings exactly alike, or construct the moon

precisely the same (changing the ashes, etc.) Three Osage leaders, for

example, change the tribal altar by simply turning everything through

180° to make a “West Moon.” John Elcare (Delaware) is said to have a

unique “fish moon,” north of the fire and facing east, which he feeds

and gives to drink. The Omaha[86] dug a heart-shaped fireplace eight to

twelve inches deep to represent the heart of Jesus. We were unable to

discover the exact nature of Leonard Taylor’s (Cheyenne) “Heart Moon,”

no longer conducted, but it appears rather to resemble a Winnebago altar

figured by Densmore: a heart superimposed on a cross in the fireplace,

under the fire, with a small mound to the east representing the earth.

This mound opposite and to the east of the crescent appears to be of

Caddoan origin.[87] Jimmy Hunter’s moon shows this in perhaps its

earliest, and certainly its simplest form: a line joining the mound and

the center of the crescent, with another crossing this from horn to

horn of the crescent. Bob Dunlap’s moon has a further minor addition, a

heart at the juncture of the crossed lines. The moon of Ernest Spybuck,

pictured in Harrington, is Shawnee rather than Delaware-Caddo, but shows

definite Big Moon influence; it is intermediate in complexity, perhaps,

between the Caddoan small moons and the elaborately symbolic John Wilson

Big Moon. The Enoch Hoag moon[88] (a favorite among the Caddo nowadays)

shows features parallel with the Wilson moon: it has a star and a

heart at the hair-parting or forehead of the altar “face,” ash mounds

simulating eyes, an inverted heart at the crossing of the altar-lines as

a nose, four concentric lozenges for an oracular mouth, and another heart

east of this resembling a cleft chin; the moon itself is the figure’s

hair. Moonhead’s (i.e. John Wilson’s) altar similarly represents a man’s

head, and contains the leader’s initials or “foot-prints” and his “grave”

alongside that of Jesus. The Black Wolf moon is another elaboration of

the Big Moon type.

It must not be thought, however, that the bold innovations begun by John

Wilson and others have resulted in a complete chaos of individualism.

It requires considerable prestige and force of personality to vision

a moon impressively enough to gain an adequate following. In recent

years leaders in the Native American Church have expressed themselves

unfavorably on the growing variety and profusion of rival moons, and

have urged a return to the standardized simplicity of the older more

deeply entrenched forms. Perhaps for this reason, and personality factors

as well, several new “moons” have been considerably less than complete

successes. A case in point is that of Albert Stamp (Seminole). His design

is not strikingly original or different from the moons of the Caddo among

whom he lives: he has six concentric lozenges to Hoag’s four and has

added three concentric triangles. That is all. But his moon has not found

acceptance, and he has dismantled his cement altar, removing the entire

central symbolic portion, leaving only the crescent and simple polygonal

apron.[89]

This is only a single instance of a general movement back to more “pure”

original forms, stimulated perhaps by the standardizing influence of

the Native American Church. This sentiment has had its effect even

upon followers of the Wilson Big Moon rite, which is apparently dying

out among the Caddo-Delaware (though still strong among the Osage and

Quapaw), in favor of the “more Caddo” Hoag moon. If a generalization

might be made about the influence of the three tribes most important

in the diffusion of Plains peyotism—the Kiowa, the Comanche and the

Caddo (who because of their southerly position first received the new

religion)[90]—we might call the Kiowa the original standardizers and

teachers, who have departed only in the most minute ways from earlier

forms; the Comanche the proselytizers and missionaries of the new

religion; and the Caddo[91] the innovators.

_Fire._ Nowhere is the kind of wood for the fire ritually prescribed.

Mulberry, slippery elm, cottonwood and black jack are said not to be good

because they pop and give off sparks, tending to scatter the carefully

piled-up ashes. Red bud, which gives off much light and little heat,

is a favorite for summer use, while box alder is considered good for

winter. But “Grandfather Fire” (as the Delaware, Winnebago, Kickapoo and

Shawnee address it) is built in a ritually prescribed way, like the angle

of a worm-fence with the apex to the west. The Shawnee say the first

four sticks represent tipi poles. The ritual number of peyotism, seven,

appears in the number of sticks prescribed for the Northern Cheyenne and

Taos.[92]

The fire stick at a Kickapoo-Shawnee meeting attended near McCloud,

Oklahoma, was elaborately carved with a crescent, a bird, a father peyote

on a rosette, the word “Christ” and crossed sticks.[93] The Caddo say

this fire stick is the “heart,” while the twelve interlacing sticks of

the fire are the “ribs” and the two ash mounds the “lungs” of Jesus; in

some Caddo moons two fireman put sticks on alternately.[94] The Wilson

moon of the Quapaw and Delaware has three firemen who sit by the door

to fan entrants. The Arapaho[95] leader chooses his hictänäⁿtcä or

“fire chief” by silently pointing an eagle wing-feather at him, which

the latter uses as a fan during the ceremony; the feather of the Ponca

fireman is a symbol of authority. The ceremonial fire as a trait is

Mexican, Southwestern, Southeastern and southern Plains (e.g., Caddo

and Hasinai), but as involved in peyotism it is a Mexican-Southwestern

borrowing rather than Southeastern.[96]

_Ashes._ An interesting feature, remotely suggesting the Southwest,

is the building up of the ashes of the peyote fire into a figure. The

commonest form is a crescent, smaller than and parallel to the crescent

of the earthen moon, which is nearly universal in the Plains. At an early

date the Comanche began making the ashes into the shape of a “sun eagle”

and the Kiowa into a “humming-bird.” The Shawnee and Kickapoo call it

a “water bird”; one Shawnee leader occasionally makes buffalo heads. A

Pawnee leader, Good Sun, makes an “eagle” in the ashes. Jonathan Koshiway

(Oto) says the bird is “the holy spirit when Jesus was baptized; it’s got

good eyes like an eagle—you can’t fool it.”[97]

The separation of the ashes into two piles in the Big Moon rite comes in

for similarly varying interpretations. A Delaware informant said that

on one’s journey in life toward the peyote “if you’re the right kind of

fellow you can pass the fire and everything opens up” like the Red Sea.

Some say the two ash piles are the lungs of Jesus; others that one is the

grave of John Wilson and the other the grave of Jesus Christ. Some Osage

say the whole interior of the altar represents a grave.

_Smoking._ Most of the variations in this ceremony are rather minor.

In some groups like the Kiowa only the leader or an older man prays;

in others like the Oto all pray aloud at the same time with individual

prayers. The Kickapoo ask permission of the leader to make a smoke

prayer. The Caddo stop the singing while a prayer is going on, but this

is not universal elsewhere. The rule not to pass a smoker or a person

chewing peyote appears everywhere, save in the Wilson rite; in this only

the leader smoked, and “show-offs” who made requests for tobacco were

frowned upon. This descriptive fact is minuscule in importance, save in

pointing out the authority of the leader and personality traits of Wilson

himself. The original ceremony, as indicated by the Lipan, was a communal

smoke at the beginning. The Osage are said to smoke cigars in their

peyote meetings, but the usual insistence is on native materials, the

corn shuck or, occasionally, the oak leaf cigarette.[98]

In view of the nearly universal ritual use of tobacco in the Americas,

the negative cases which occur are interesting. This is traceable to the

influence of White Protestantism of the “Russellite” sect in Kansas upon

the founder of the Church of the First-born, Jonathan Koshiway. Persuaded

by the Kiowa, however, Koshiway and the Oto later abandoned this

prohibition, but meanwhile it had spread to other groups. The Iowa[99]

“threw away” smoking along with liquor, and did not smoke in peyote

meetings. The conjectured Oto origin of Winnebago peyotism is seemingly

confirmed by their rejection of smoking in the Jesse Clay meetings:[100]

My elder brother [says Crashing Thunder upon conversion to

peyote] hereafter I shall only regard Earthmaker as holy. I

will make no more offerings of tobacco. I will not use any more

tobacco. I will not smoke, nor will I chew tobacco. I have no

further interest in these things.

The non-use of tobacco in peyote meetings appears to be Pawnee[101] as

well. Nowadays, as though in compensation for his earlier defection from

the pure native rite, Koshiway uses extraordinarily long six-inch corn

shucks.

_Sage._ Sagebrush is used in several ways in peyote meetings: around the

periphery of the tipi as a seat, in a cross or rosette under the father

peyote on the altar, and in the perfuming ceremony before eating peyote,

when it is rubbed between the palms, smelled and rubbed over the head

and arms, body and legs.[102] Sometimes a bunch of sage tied together is

passed around with the singing-staff also.[103] Dr. Parsons says that at

Taos[104] the perfuming is done “to keep the smell of it [on us] so we

won’t feel weak or dizzy”; and as a similar protective function of sage

is reported by Opler for the Lipan and the “Sun Dance weed” by Mrs. Cooke

for the Ute, it is evidently widespread. The Ute sometimes place a willow

rope around the tipi, about four feet in from its circumference.

_Passing of Objects._ The standard clockwise circuit of tobacco,

sage, peyote, paraphernalia, water, food and persons has already been

described. This trivial ritual has nevertheless been made the vehicle of

expression of the leader’s authority to change it. Sometimes the circuit

begins at the door (Lipan), sometimes at the leader or cedar chief

(Iowa), and elsewhere smokes may begin at the leader but food and water

at the southeast.[105] In the morning after the untying of the drum the

ritual paraphernalia and the father peyote are commonly passed around for

participants to handle (Kickapoo, Kiowa, Ponca, etc.) The Ponca make a

point of passing the water between the fire and the paraphernalia at the

altar-cloth in the midnight ceremony.

The obsessive, involutional quality of ritualism is nowhere better

illustrated than in the minutiae of these rules for passing. We

have particularized for the Kiowa the standard modes of passing

paraphernalia,[106] but even experienced “peyote boys” are in need of

instruction concerning the “way” of an unfamiliar leader when they visit

other tribes. The Northern Cheyenne, for example, may not pass the drum

in his clockwise circuit to leave the tipi, save in grave emergencies

when permission is asked of the leader through the fireman. One may

not pass a person praying or smoking or eating peyote, and must again

consult the leader to see if the way out is clear; there is still another

obstacle in the fireman, for no one may exit between him and his seat

while he is fixing the fire (the smoker may temporarily put his smoke on

the ground before him, or the fireman temporarily take his seat in these

cases).

The Clay rite of the Winnebago has a unique method of passing objects:

clockwise along the north from the leader to the fireman at the east,

then counter-clockwise back to the leader and around along the south

to the door, and again clockwise to the leader. The Caddo meticulously

observe another rule in entering and leaving the tipi, as though the

interior were divided into north and south sides: those on the south

enter clockwise and exit counter-clockwise, while those on the north

enter counter-clockwise and exit clockwise.

These sometimes complicated “rules” are not the least part of “learning

about peyote,” and the ordering of them by the leader reflects similarly

complex psychological transactions among individuals. For instance, the

simple matter of leaving the tipi at recesses is involved in schism among

the Caddo. Translating the terms, they cite the full-blood Caddo, Enoch

Hoag’s, as the “systematic way,” or “pure tribal way,” to which they

are currently returning (because the leader must be consulted before

leaving); the half-Caddo, John Wilson’s, is “any kind of way” (because

he is said to have abrogated some of these rules). The Seminole, Stamp,

attempted a compromise, allowing persons to exit without permission if

they observed the rules about not passing in front of a smoker or eater

of peyote; “I’m right in the middle,” he said. But Elijah Reynolds says,

“The older men were skeptical. He just made it up to gain influence among

others. It’s a kind of racial feeling there.”

_Praying._ Minor variations occur in this procedure too. The Cheyenne

are said to pray at great length—“an hour or more sometimes,” a Comanche

told me. The Oto use cedar incense instead of tobacco when they pray.

The Ponca pray in unison and audibly before the meeting, seated. The

Winnebago stand up together to pray, and the leader stands up to pray

with a confessant west of the altar. The Shawnee pray on getting the dirt

for the “moon,” getting the sage, making the moon, putting a cross on it,

cutting the corn shucks, when the food is brought in, etc. The door-man

in Pawnee meetings makes a special prayer of dismissal. Often, as with

the Kiowa and Oto, the “tribal priest” or curator of the tribal palladium

is asked to make an official prayer at some time in the meeting. At Taos

the chief prays before the line of worshippers enters inside, and all

pray inside. Murie says all the Pawnee pray after the closing song, when

the sun’s first rays strike the altar through the opened door.[107]

Mrs. Voegelin gives a typical Shawnee prayer:

My prayer is that of a pitiful man. And also these people here,

visitors, I wish my creator to answer my prayer to take pity

on those visitors. They came to my daughter’s meeting for some

good reason to learn something about my daughter’s meeting. So

each of us give blessing, and bless the water that was brought

in this morning. So let our friendship purify it, that we might

drink this water, to give us long life, and a better life; and

I ask our father to bless all my children, and my wife, and all

of us who are in this meeting tonight. I am glad my friends

came here to help me with my prayer tonight, my daughter’s

birthday meeting, and we thank thee for this food she brought

in, that our friends who are going to eat this food, that they

might feel better from now on in everyday life. We ask in the

name of Jesus, Amen. (He then cried ceremonially at the finish

of the prayer; a few tears ran down his cheeks.)

Praying in peyote meetings appears to have much of the psychological

flavor of the old vision quest. The speaker’s voice becomes louder

as he proceeds, earnest and quavering as he sways with the fullness

of his emotion and stretches out his hands toward the peyote and the

fire. Sometimes his speech is wholly interrupted by uninhibited broken

sobbing as he cries out for the pity of the supernaturals. John Rave,

the Winnebago teacher, said that “only if you weep and repent will you

be able to attain knowledge.” Several of the Delaware face-paintings

collected by Dr. Speck represent “crying for repentance.”

_Incense._ Cedar incense is invariably placed on the fire at the

beginning of the ceremony to purify the paraphernalia and to “bless”

the participants before they eat peyote. A patient or one sick from

eating peyote is incensed and fanned with an eagle wing, and incense is

burnt for the fireman at midnight when he returns with the water, for

the leader on returning from the whistling ceremony outside, and for

the water woman in the morning. Others extend the incensing and fanning

to every person who re-enters the tipi after a recess, and the Wilson

rite[108] has special officials to perform this duty. Many leaders about

midnight provide for the cedar smoking of personally-owned feathers,

drum sticks, gourds, etc., and permit individuals to use their own after

midnight until morning in place of the equipment provided by the leader.

_Method of Eating._ Peyote is most commonly eaten in the raw dried state

as “buttons,” but when obtainable, in the green form also, which is said

to be more potent in action. Sometimes both are provided in the same

ceremony, as well as peyote “tea,” a dark-brown infusion made of soaked

and boiled buttons. For the old and sick the buttons may be soaked and

softened in water, or pounded dry in mortars and molded into small moist

balls; the latter form is reported for the Arapaho, Caddo, Delaware,

Lipan, Osage and Winnebago. In chewing the dry buttons the Kiowa,

Mescalero and others take care to pick off the fuzz on the top lest it

cause sore eyes and blindness.[109]

_Singing._ The leader always sings the four sets of Esikwita or Mescalero

Apache songs as his assistant drums: Hayätinayo (Opening Song), Yáhiyano

(Midnight Song), Wakahó (Daylight Song) and Gayatina (Closing Song). All

the other songs, sung by the participants during the rounds of the drum,

are entirely optional. But the standard set songs are not everywhere

used: those of the Ponca are said to be Comanche. The ritual songs of the

Pawnee are in the Pawnee language, and those of the John Rave rite are

in Winnebago (though the followers of Jesse Clay still use the Apache

songs.) The circumstances of the origin of some famous songs by Quanah

Parker, John Wilson (e.g., Heyowiniho) and Enoch Hoag (e.g., Yanahiano)

are widely known.[110]

Many show Christian influence. The Iowa, for example, sing the following

songs with Indian vocables, but in a high-pitched style which makes the

English words nearly unrecognizable:

i. Jesus’ way is the only way.

ii. Saviour Jesus is the only Saviour.

iii. Oh, Lord, Lord, Lord! It is not everyone who says that who

shall be saved.

iv. I know Jesus now.

v. You must be born again.

The closing song of the Winnebago varies; Yellowbank gave this one:

This is the road that Jesus showed us to walk in.

The followers of Rave close with the Lord’s prayer and a song about wings:

There are many wings [repeated five times]

It is God’s will that there should be many wings.

The first of these is said to have come from the Arapaho, the second from

Isaiah 6.2, although a New Testament explanation is offered.[111] The

last song of the Pawnee meeting refers to Christ.[112]

Other Winnebago songs (with repetitions omitted) are as follows:

God, I thank you for all you have done for me through Jesus’ name.

(This is an opening song, according to Yellowbank. Another opening song:)

God’s Son says, “Get up and follow Me.” Jesus said, “You shall

enter into the kingdom of God.”

The following are two morning songs:

Jesus said, “Whoever asks Me for water, I will give him the water of

life.

If I give him water he will never thirst again.”

The sun is coming up now. God made that light for us.

We are living now. God made us. To God is the glory.

Other peyote songs are not sung at ritually-set times:

Jesus, how do we know, Jesus, how do we know [him]?

We think about Jesus wherever we are.

How did I know, How did I know Jesus?

When I die I will be at the door of heaven and Jesus will take me in.

God said in the beginning, “Let there be light,”

He meant it for you.

Son of God, have pity on us [repeat]

Son of God, when you come again,

Where your people (the angels) are, let us be.

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