I can imagine the oyster lecturing a lion on the subject of morality.

“You never hear me,” the oyster might say, “howling round camps and

villages, making night hideous, frightening quiet folk out of their

lives. Why don’t you go to bed early, as I do? I never prowl round the

oyster-bed, fighting other gentlemen oysters, making love to lady oysters

already married. I never kill antelopes or missionaries. Why can’t you

live as I do on salt water and germs, or whatever it is that I do live

on? Why don’t you try to be more like me?”

An oyster has no evil passions, therefore we say he is a virtuous fish.

We never ask ourselves—“Has he any good passions?” A lion’s behaviour is

often such as no just man could condone. Has he not his good points

also?

Will the fat, sleek, “virtuous” man be as Welcome at the gate of heaven

as he supposes?

“Well,” St. Peter may say to him, opening the door a little way and

looking him up and down, “what is it now?”

“It’s me,” the virtuous man will reply, with an oily, self-satisfied

smile; “I should say, I—I’ve come.”

“Yes, I see you have come; but what is your claim to admittance? What

have you done with your three score years and ten?”

“Done!” the virtuous man will answer, “I have done nothing, I assure

you.”

“Nothing!”

“Nothing; that is my strong point; that is why I am here. I have never

done any wrong.”

“And what good have you done?”

“What good!”

“Aye, what good? Do not you even know the meaning of the word? What

human creature is the better for your having eaten and drunk and slept

these years? You have done no harm—no harm to yourself. Perhaps, if you

had you might have done some good with it; the two are generally to be

found together down below, I remember. What good have you done that you

should enter here? This is no mummy chamber; this is the place of men

and women who have lived, who have wrought good—and evil also, alas!—for

the sinners who fight for the right, not the righteous who run with their

souls from the fight.”

It was not, however, to speak of these things that I remembered _The

Amateur_ and its lessons. My intention was but to lead up to the story

of a certain small boy, who in the doing of tasks not required of him was

exceedingly clever. I wish to tell you his story, because, as do most

true tales, it possesses a moral, and stories without a moral I deem to

be but foolish literature, resembling roads that lead to nowhere, such as

sick folk tramp for exercise.

I have known this little boy to take an expensive eight-day clock to

pieces, and make of it a toy steamboat. True, it was not, when made,

very much of a steamboat; but taking into consideration all the

difficulties—the inadaptability of eight-day clock machinery to steamboat

requirements, the necessity of getting the work accomplished quickly,

before conservatively-minded people with no enthusiasm for science could

interfere—a good enough steamboat. With merely an ironing-board and a

few dozen meat-skewers, he would—provided the ironing-board was not

missed in time—turn out quite a practicable rabbit-hutch. He could make

a gun out of an umbrella and a gas-bracket, which, if not so accurate as

a Martini-Henry, was, at all events, more deadly. With half the

garden-hose, a copper scalding-pan out of the dairy, and a few Dresden

china ornaments off the drawing-room mantelpiece, he would build a

fountain for the garden. He could make bookshelves out of kitchen

tables, and crossbows out of crinolines. He could dam you a stream so

that all the water would flow over the croquet lawn. He knew how to make

red paint and oxygen gas, together with many other suchlike commodities

handy to have about a house. Among other things he learned how to make

fireworks, and after a few explosions of an unimportant character, came

to make them very well indeed. The boy who can play a good game of

cricket is liked. The boy who can fight well is respected. The boy who

can cheek a master is loved. But the boy who can make fireworks is

revered above all others as a boy belonging to a superior order of

beings. The fifth of November was at hand, and with the consent of an

indulgent mother, he determined to give to the world a proof of his

powers. A large party of friends, relatives, and school-mates was

invited, and for a fortnight beforehand the scullery was converted into a

manufactory for fireworks. The female servants went about in hourly

terror of their lives, and the villa, did we judge exclusively by smell,

one might have imagined had been taken over by Satan, his main premises

being inconveniently crowded, as an annex. By the evening of the fourth

all was in readiness, and samples were tested to make sure that no

contretemps should occur the following night. All was found to be

perfect.

The rockets rushed heavenward and descended in stars, the Roman candles

tossed their fiery balls into the darkness, the Catherine wheels sparkled

and whirled, the crackers cracked, and the squibs banged. That night he

went to bed a proud and happy boy, and dreamed of fame. He stood

surrounded by blazing fireworks, and the vast crowd cheered him. His

relations, most of whom, he knew, regarded him as the coming idiot of the

family, were there to witness his triumph; so too was Dickey Bowles, who

laughed at him because he could not throw straight. The girl at the

bun-shop, she also was there, and saw that he was clever.

The night of the festival arrived, and with it the guests. They sat,

wrapped up in shawls and cloaks, outside the hall door—uncles, cousins,

aunts, little boys and big boys, little girls and big girls, with, as the

theatre posters say, villagers and retainers, some forty of them in all,

and waited.

But the fireworks did not go off. Why they did not go off I cannot

explain; nobody ever _could_ explain. The laws of nature seemed to be

suspended for that night only. The rockets fell down and died where they

stood. No human agency seemed able to ignite the squibs. The crackers

gave one bang and collapsed. The Roman candles might have been English

rushlights. The Catherine wheels became mere revolving glow-worms. The

fiery serpents could not collect among them the spirit of a tortoise.

The set piece, a ship at sea, showed one mast and the captain, and then

went out. One or two items did their duty, but this only served to

render the foolishness of the whole more striking. The little girls

giggled, the little boys chaffed, the aunts and cousins said it was

beautiful, the uncles inquired if it was all over, and talked about

supper and trains, the “villagers and retainers” dispersed laughing, the

indulgent mother said “never mind,” and explained how well everything had

gone off yesterday; the clever little boy crept upstairs to his room, and

blubbered his heart out in the dark.

Hours later, when the crowd had forgotten him, he stole out again into

the garden. He sat down amid the ruins of his hope, and wondered what

could have caused the fiasco. Still puzzled, he drew from his pocket a

box of matches, and, lighting one, he held it to the seared end of a

rocket he had tried in vain to light four hours ago. It smouldered for

an instant, then shot with a swish into the air and broke into a hundred

points of fire. He tried another and another with the same result. He

made a fresh attempt to fire the set piece. Point by point the whole

picture—minus the captain and one mast—came out of the night, and stood

revealed in all the majesty of flame. Its sparks fell upon the piled-up

heap of candles, wheels, and rockets that a little while before had

obstinately refused to burn, and that, one after another, had been thrown

aside as useless. Now with the night frost upon them, they leaped to

light in one grand volcanic eruption. And in front of the gorgeous

spectacle he stood with only one consolation—his mother’s hand in his.

The whole thing was a mystery to him at the time, but, as he learned to

know life better, he came to understand that it was only one example of a

solid but inexplicable fact, ruling all human affairs—_your fireworks

won’t go off while the crowd is around_.

Our brilliant repartees do not occur to us till the door is closed upon

us and we are alone in the street, or, as the French would say, are

coming down the stairs. Our after-dinner oratory, that sounded so

telling as we delivered it before the looking-glass, falls strangely flat

amidst the clinking of the glasses. The passionate torrent of words we

meant to pour into her ear becomes a halting rigmarole, at which—small

blame to her—she only laughs.

I would, gentle Reader, you could hear the stories that I meant to tell

you. You judge me, of course, by the stories of mine that you have

read—by this sort of thing, perhaps; but that is not just to me. The

stories I have not told you, that I am going to tell you one day, I would

that you judge me by those.

They are so beautiful; you will say so; over them, you will laugh and cry

with me.

They come into my brain unbidden, they clamour to be written, yet when I

take my pen in hand they are gone. It is as though they were shy of

publicity, as though they would say to me—“You alone, you shall read us,

but you must not write us; we are too real, too true. We are like the

thoughts you cannot speak. Perhaps a little later, when you know more of

life, then you shall tell us.”

Next to these in merit I would place, were I writing a critical essay on

myself, the stories I have begun to write and that remain unfinished, why

I cannot explain to myself. They are good stories, most of them; better

far than the stories I have accomplished. Another time, perhaps, if you

care to listen, I will tell you the beginning of one or two and you shall

judge. Strangely enough, for I have always regarded myself as a

practical, commonsensed man, so many of these still-born children of my

mind I find, on looking through the cupboard where their thin bodies lie,

are ghost stories. I suppose the hope of ghosts is with us all. The

world grows somewhat interesting to us heirs of all the ages. Year by

year, Science with broom and duster tears down the moth-worn tapestry,

forces the doors of the locked chambers, lets light into the secret

stairways, cleans out the dungeons, explores the hidden passages—finding

everywhere only dust. This echoing old castle, the world, so full of

mystery in the days when we were children, is losing somewhat its charm

for us as we grow older. The king sleeps no longer in the hollow of the

hills. We have tunnelled through his mountain chamber. We have shivered

his beard with our pick. We have driven the gods from Olympus. No

wanderer through the moonlit groves now fears or hopes the sweet,

death-giving gleam of Aphrodite’s face. Thor’s hammer echoes not among

the peaks—’tis but the thunder of the excursion train. We have swept the

woods of the fairies. We have filtered the sea of its nymphs. Even the

ghosts are leaving us, chased by the Psychical Research Society.

Perhaps of all, they are the least, however, to be regretted. They were

dull old fellows, clanking their rusty chains and groaning and sighing.

Let them go.

And yet how interesting they might be, if only they would. The old

gentleman in the coat of mail, who lived in King John’s reign, who was

murdered, so they say, on the outskirts of the very wood I can see from

my window as I write—stabbed in the back, poor gentleman, as he was

riding home, his body flung into the moat that to this day is called

Tor’s tomb. Dry enough it is now, and the primroses love its steep

banks; but a gloomy enough place in those days, no doubt, with its twenty

feet of stagnant water. Why does he haunt the forest paths at night, as

they tell me he does, frightening the children out of their wits,

blanching the faces and stilling the laughter of the peasant lads and

lasses, slouching home from the village dance? Instead, why does he not

come up here and talk to me? He should have my easy-chair and welcome,

would he only be cheerful and companionable.

What brave tales could he not tell me. He fought in the first Crusade,

heard the clarion voice of Peter, met the great Godfrey face to face,

stood, hand on sword-hilt, at Runny-mede, perhaps. Better than a whole

library of historical novels would an evening’s chat be with such a

ghost. What has he done with his eight hundred years of death? where has

he been? what has he seen? Maybe he has visited Mars; has spoken to the

strange spirits who can live in the liquid fires of Jupiter. What has he

learned of the great secret? Has he found the truth? or is he, even as

I, a wanderer still seeking the unknown?

You, poor, pale, grey nun—they tell me that of midnights one may see your

white face peering from the ruined belfry window, hear the clash of sword

and shield among the cedar-trees beneath.

It was very sad, I quite understand, my dear lady. Your lovers both were

killed, and you retired to a convent. Believe me, I am sincerely sorry

for you, but why waste every night renewing the whole painful experience?

Would it not be better forgotten? Good Heavens, madam, suppose we living

folk were to spend our lives wailing and wringing our hands because of

the wrongs done to us when we were children? It is all over now. Had he

lived, and had you married him, you might not have been happy. I do not

wish to say anything unkind, but marriages founded upon the sincerest

mutual love have sometimes turned out unfortunately, as you must surely

know.

Do take my advice. Talk the matter over with the young men themselves.

Persuade them to shake hands and be friends. Come in, all of you, out of

the cold, and let us have some reasonable talk.

Why seek you to trouble us, you poor pale ghosts? Are we not your

children? Be our wise friends. Tell me, how loved the young men in your

young days? how answered the maidens? Has the world changed much, do you

think? Had you not new women even then? girls who hated the everlasting

tapestry frame and spinning-wheel? Your father’s servants, were they so

much worse off than the freemen who live in our East-end slums and sew

slippers for fourteen hours a day at a wage of nine shillings a week? Do

you think Society much improved during the last thousand years? Is it

worse? is it better? or is it, on the whole, about the same, save that we

call things by other names? Tell me, what have _you_ learned?

Yet might not familiarity breed contempt, even for ghosts.

One has had a tiring day’s shooting. One is looking forward to one’s

bed. As one opens the door, however, a ghostly laugh comes from behind

the bed-curtains, and one groans inwardly, knowing what is in store for

one: a two or three hours’ talk with rowdy old Sir Lanval—he of the

lance. We know all his tales by heart, and he will shout them. Suppose

our aunt, from whom we have expectations, and who sleeps in the next

room, should wake and overhear! They were fit and proper enough stories,

no doubt, for the Round Table, but we feel sure our aunt would not

appreciate them:—that story about Sir Agravain and the cooper’s wife! and

he always will tell that story.

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