where the Elsmeres had taken a house in order to be near the British
Museum. They pushed their way upstairs through a medley of packing-cases
and a sickening smell of paint. There was a sound of an opening door,
and a gentleman stepped out of a back room, which was to be Elsmere’s
study, on to the landing.
It was Edward Langham. He and Rose stood and stared at each other a
moment. Then Rose in the coolest lightest voice introduced him to Agnes.
Agnes, with one curious glance, took in her sister’s defiant, smiling
ease and the stranger’s embarrassment; then she went on to find
Catherine. The two left behind exchanged a few banal questions and
answers, Langham had only allowed himself one look at the dazzling, face
and eyes framed in fur cap and boa. Afterward he stood making a study
of the ground, and answering her remarks in his usual stumbling fashion.
What was it had gone out of her voice--simply the soft callow sounds
of first youth? And what a personage she had grown in these twelve
months--how formidably, consciously brilliant in look and dress and
manner!
Yes, he was still in town--settled there, indeed, for some time. And
she--was there any special day on which Mrs. Leyburn received visitors?
He asked the question, of course, with various hesitations and
circumlocutions.
‘Oh dear, yes! Will you come next Wednesday, for instance, and inspect
a musical menagerie? The animals will go through their performances from
four till seven. And I can answer for it that some of the specimens will
be entirely new to you.’
The prospect offered could hardly have been more repellent to him, but
he got out an acceptance somehow. She nodded lightly to him and passed
on, and he went downstairs, his head in a whirl. Where had the crude
pretty child of yesteryear departed to--impulsive, conceited, readily
offended, easily touched, sensitive as to what all the world might think
of her and her performances? The girl he had just left had counted all
her resources, tried the edge of all her weapons, and knew her own
place too well to ask for anybody else’s appraisement. What beauty--good
heavens!--what _aplomb!_ The rich husband Elsmere talked of would hardly
take much waiting for.
So cogitating, Langham took his way westward to his Beaumont Street
rooms. They were on the second floor, small, dingy, choked with books.
Ordinarily he shut the door behind him with a sigh of content. This
evening they seemed to him intolerably confined and stuffy. He thought
of going out to his club and a concert, but did nothing, after all, but
sit brooding over the fire till midnight, alternately hugging and hating
his solitude.
And so we return to the Wednesday following this unexpected meeting.
The drawing-room at No. 27 was beginning to fill. Rose stood at the door
receiving the guests as they flowed in, while Agnes in the background
dispensed tea. She was discussing with herself the probability of
Langham’s appearance. ‘Whom shall I introduce him to first?’ she
pondered, while she shook hands. ‘The poet? I see Mamma is now
struggling with him. The ‘cellist with the hair--or the lady in Greek
dress--or the esoteric Buddhist? What a fascinating selection! I had
really no notion we should be quite so curious!’
‘Mees Rose, they wait for you,’ said a charming golden-bearded young
German, viola in hand, bowing before her. He and his kind were most of
them in love with her already, and all the more so because she knew so
well how to keep them at a distance.
She went off, beckoning to Agnes to take her place, and the quartet
began. The young German aforesaid played the viola, while the ‘cello was
divinely played by a Hungarian, of whose outer man it need only be said
that in wild profusion of much-tortured hair, in Hebraism of feature,
and swarthy smoothness of cheek, he belonged to that type which Nature
would seem to have already used to excess in the production of the
continental musician. Rose herself was violinist, and the instruments
dashed into the opening allegro with a precision and an _entrain_ that
took the room by storm.
In the middle of it, Langham pushed his way into the crowd round the
drawing-room door. Through the heads about him he could see her standing
a little in advance of the others, her head turned to one side, really
in the natural attitude of violin-playing, but, as it seemed to him, in
a kind of ravishment of listening--cheeks flushed, eyes shining, and the
right arm and high-curved wrist managing the bow with a grace born of
knowledge and fine training.
‘Very much improved, eh?’ said an English professional to a German
neighbor, lifting his eyebrows interrogatively.
The other nodded with the business-like air of one who knows. ‘Joachim,
they say, war darüber entzückt, and did his best vid her, and now D----
has got her--‘naming a famous violinist--‘she vill make fast brogress.
He vill schtamp upon her treecks!’
‘But will she ever be more than a very clever amateur? Too pretty, eh?’
And the questioner nudged his companion, dropping his voice.
Langham would have given worlds to get on into the room, over the
prostrate body of the speaker by preference, but the laws of mass and
weight had him at their mercy, and he was rooted to the spot.
The other shrugged his shoulders. ‘Vell, vid a bretty
woman--_überhaupt_--it _doesn’t_ mean business! It’s zoziety--the dukes
and the duchesses--that ruins all the young talents!’
This whispered conversation went on during the andante. With the scherzo
the two hirsute faces broke into broad smiles. The artist behind each
woke up, and Langham heard no more, except guttural sounds of delight
and quick notes of technical criticism.
How that Scherzo danced and coquetted, and how the Presto flew as though
all the winds were behind it, chasing it, chasing its mad eddies
of notes through listening space! At the end, amid a wild storm of
applause, she laid down her violin, and, proudly smiling, her breast
still heaving with excitement and exertion, received the praises of
those crowding round her. The group round the door was precipitated
forward, and Langham with it. She saw him in a moment. Her white brow
contracted, and she gave him a quick but hardly smiling glance of
recognition through the crowd. He thought there was no chance of getting
at her, and moved aside amid the general hubbub to look at a picture.
‘Mr. Langham, how do you do?’
He turned sharply and found her beside him. She had come to him with
malice in her heart--malice born of smart, and long smouldering pain;
but as she caught his look, the look of the nervous, short-sighted
scholar and recluse, as her glance swept over the delicate refinement
of the face, a sudden softness quivered in her own. The game was so
defenceless!
‘You will find nobody here you know,’ she said abruptly, a little under
her breath. ‘I am morally certain you never saw a single person in the
room before! Shall I introduce you?’
‘Delighted, of course. But don’t disturb yourself about me, Miss
Leyburn. I come out of my hole so seldom, everything amuses me--but
especially looking and listening.’
‘Which means,’ she said, with frank audacity, ‘that you dislike new
people!’
His eye kindled at once. ‘Say rather that it means a preference for the
people that are not new! There is such a thing as concentrating one’s
attention. I came to hear you play, Miss Leyburn!’
‘Well?’
She glanced at him from under her long lashes, one hand playing with the
rings on the other. He thought, suddenly, with a sting of regret, of the
confiding child who had flushed under his praise that Sunday evening at
Murewell.
‘Superb!’ he said, but half mechanically. ‘I had no notion a winter’s
work would have done so much for you. Was Berlin as stimulating as you
expected? When I heard you had gone, I said to myself--“Well, at least,
now, there is one completely happy person in Europe!”’
‘Did you? How easily we all dogmatize about each other!’ she said
scornfully. Her manner was by no means simple. He did not feel himself
at all at ease with her. His very embarrassment, however, drove him into
rashness, as often happens.
‘I thought I had enough to go upon!’ he said in another tone; and his
black eyes, sparkling as though a film had dropped from then, supplied
the reference his words forbore.
She turned away from him with a perceptible drawing up of the whole
figure.
‘Will you come and be introduced?’ she asked him coldly. He bowed as
coldly and followed her. Wholesome resentment of her manner was denied
him. He had asked for her friendship, and had then gone away and
forgotten her. Clearly what she meant him to see now was that they were
strangers again. Well, she was amply in her right. He suspected that
his allusion to their first talk over the fire had not been unwelcome to
her, as an opportunity.
And he had actually debated whether he should come, lest in spite of
himself she might beguile him once more into those old lapses of will
and common-sense! Coxcomb!
He made a few spasmodic efforts at conversation with the lady to whom
she had introduced him, then awkwardly disengaged himself and went to
stand in a corner and study his neighbors.
Close to him, he found, was the poet of the party, got up in the most
correct professional costume--long hair, velvet coat, eye-glass and all.
His extravagance, however, was of the most conventional type. Only his
vanity had a touch of the sublime. Langham, who possessed a sort
of fine-ear gift for catching conversation, heard him saying to an
open-eyed _ingénue_ beside him,--
‘Oh, my literary baggage is small as yet. I have only done, perhaps,
three things that will live.’
‘Oh, Mr. Wood!’ said the maiden, mildly protesting against so much
modesty.
He smiled, thrusting his hand into the breast of the velvet coat. ‘But
then,’ he said in a tone of the purest candor, ‘at my age I don’t think
Shelley had done more!’
Langham, who, like all shy men, was liable to occasional explosions,
was seized with a convulsive fit of coughing and had to retire from the
neighborhood of the bard, who looked round him, disturbed and slightly
frowning.
At last he discovered a point of view in the back room whence he could
watch the humors of the crowd without coming too closely in contact with
them. What a miscellaneous collection it was! He began to be irritably
jealous for Rose’s place in the world. She ought to be more adequately
surrounded than this. What was Mrs. Leyburn--what were the Elsmeres
about? He rebelled against the thought of her living perpetually
among her inferiors, the centre of a vulgar publicity, queen of the
second-rate.
It provoked him that she should be amusing herself so well. Her
laughter, every now and then, came ringing into the back room. And
presently there was a general hubbub. Langham craned his neck forward,
and saw a struggle going on over a roll of music, between Rose and the
long-haired, long-nosed violoncellist. Evidently, she did not want to
play some particular piece, and wished to put it out of sight. Whereupon
the Hungarian, who had been clamoring for it, rushed to its rescue and
there was a mock fight over it. At last, amid the applause of the room,
Rose was beaten, and her conqueror, flourishing the music on high,
executed a kind of _pas seul_ of triumph.
‘_Victoria!_’ he cried. ‘Now denn for de conditions of peace. Mees Rose,
vill you kindly tune up? You are as moch beaten as the French at Sedan.’
‘Not a stone of my fortresses, not an inch of my territory!’ said Rose,
with fine emphasis, crossing her white wrists before her.
The Hungarian looked at her, the wild poetic strain in him, which was
the strain of race, asserting itself.
‘But if de victor bows,’ he said, dropping on one knee before her. ‘If
force lay down his spoils at de feet of beauty?’
The circle round them applauded hotly, the touch of theatricality
finding immediate response. Langham was remorselessly conscious of the
man’s absurd _chevelure_ and ill-fitting clothes. But Rose herself had
evidently nothing but relish for the score. Proudly smiling, she held
out her hand for her property, and as soon as she had it safe, she
whisked it into the open drawer of a cabinet standing near, and drawing
out the key, held it up a moment in her taper fingers, and then,
depositing it in a little velvet bag hanging at her girdle, she closed
the snap upon it with a little vindictive wave of triumph. Every
movement was graceful, rapid, effective.
Half a dozen German throats broke into guttural protest. Amid the storm
of laughter and remonstrance, the door suddenly opened. The fluttered
parlor-maid mumbled a long name, with a port of soldierly uprightness,
there advanced behind her a large fair-haired woman, followed by a
gentleman, and in the distance by another figure.
Rose drew back a moment astounded, one hand on the piano, her dress
sweeping round her. An awkward silence fell on the chattering circle of
musicians.
‘Good heavens!’ said Langham to himself, ‘Lady Charlotte Wynnstay!’
How do you do, Miss Leyburn?’ said one of the most piercing of voices.
‘Are you surprised to see me? You didn’t ask me--perhaps you don’t want
me. But I have come, you see, partly because my nephew was coming,’
and she pointed to the gentleman behind her, ‘partly because I meant to
punish you for not having come to see me last Thursday. Why didn’t you?’
‘Because we thought you were still away,’ said Rose, who had by this
time recovered her self-possession. ‘But if you meant to punish me,
Lady Charlotte, you have done it badly. I am delighted to see you. May
I introduce my sister? Agnes, will you find Lady Charlotte Wynnstay a
chair by mamma?’
‘Oh, you wish, I see, to dispose of me at once,’ said the other
imperturbably. ‘What is happening? Is it music?’
‘Aunt Charlotte, that is most disingenuous on your part. I gave you
ample warning.’
Rose, turned a smiling face toward the speaker. It was Mr. Flaxman, Lady
Charlotte’s companion.
‘You need not have drawn the picture too black, Mr. Flaxman. There is an
escape. If Lady Charlotte will only let my sister take her into the next
room, she will find herself well out of the clutches of the music.
Oh, Robert! Here you are at last! Lady Charlotte, you remember my
brother-in-law? Robert, will you get Lady Charlotte some tea?’
‘_I_ am not going to be banished,’ said Mr. Flaxman, looking down
upon her, his well-bred, slightly worn face aglow with animation and
pleasure.
‘Then you will be deafened,’ said Rose, laughing, as she escaped from
him a moment, to arrange for a song from a tall formidable maiden, built
after the fashion of Mr. Gilbert’s contralto heroines, with a voice
which bore out the ample promise of her frame.
‘Your sister is a terribly self-possessed young person, Mr. Elsmere,’
said Lady Charlotte, as Robert piloted her across the room.
‘Does that imply praise or blame on your part, Lady Charlotte?’ asked
Robert, smiling.
‘Neither at present. I don’t know Miss Leyburn well enough. I merely
state a fact. No tea, Mr. Elsmere. I have had three teas already, and I
am not like the American woman who could always worry down another cup.’
She was introduced to Mrs. Leyburn; but the plaintive invalid was
immediately seized with terror of her voice and appearance, and was
infinitely grateful to Robert for removing her as promptly as possible
to a chair on the border of the two rooms where she could talk or listen
as she pleased. For a few moments she listened to Fraülein Adelmann’s
veiled unmanageable contralto; then she turned magisterially to Robert
standing behind her--
‘The art of singing has gone out,’ she declared ‘since the Germans have
been allowed to meddle in it. By the way, Mr. Elsmere how do you manage
to be here? Are you taking a holiday?’
Robert looked at her with a start.
‘I have left Murewell, Lady Charlotte.’
‘Left Murewell!’ she said in astonishment, turning round to look at him,
her eyeglass at her eye. ‘Why has Helen told me nothing about it? Have
you got another living?’
‘No. My wife and I are settling in London. We only told Lady Helen of
our intentions a few weeks ago.’
To which it may be added that Lady Helen, touched and dismayed by
Elsmere’s letter to her, had not been very eager to hand over the woes
of her friends to her aunt’s cool and irresponsible comments.
Lady Charlotte deliberately looked at him a minute longer through her
glass. Then she let it fall.
‘You don’t mean to tell me any more, I can see, Mr. Elsmere. But you
will allow me to be astonished?’
‘Certainly,’ he said, smiling sadly, and immediately afterward relapsing
into silence.
‘Have you heard of the Squire, lately?’ he asked her after a pause.
‘Not from him. We are excellent friends when we meet, but he doesn’t
consider me worth writing to. His sister--little idiot--writes to me
every now and then. But she has not vouchsafed me a letter since the
summer. I should say from the last accounts that he was breaking.’
‘He had a mysterious attack of illness just before I left’ said Robert
gravely. ‘It made one anxious.’
‘Oh, it is the old story. All the Wendovers have died of weak hearts
or queer brains--generally of both together. I imagine you had some
experience of the Squire’s queerness at one time, Mr. Elsmere. I can’t
say you and he seemed to be on particularly good terms on the only
occasion I ever had the pleasure of meeting you at Murewell.’
She looked up at him, smiling grimly. She had a curiously exact memory
for the unpleasant scenes of life.
‘Oh, you remember that unlucky evening!’ said Robert, reddening a
little--‘We soon got over that. We became great friends.’
Again, however, Lady Charlotte was struck by the quiet melancholy of his
tone. How strangely the look of youth--which had been so attractive in
him the year before--had ebbed from the man’s face--from complexion,
eyes, expression! She stared at him, full of a brusque, tormenting
curiosity as to the how and why.
‘I hope there is some one among you strong enough to manage Miss Rose,’
she said presently, with an abrupt change of subject. ‘That little
sister-in-law of yours is going to be the rage.’
‘Heaven forbid!’ cried Robert fervently.
‘Heaven will do nothing of the kind. She is twice as pretty as she was
last year; I am told she plays twice as well. She had always the sort of
manner that provoked people one moment and charmed them the next.
And, to judge by my few words with her just now, I should say she had
developed it finely. Well, now, Mr. Elsmere, who is going to take care
of her?’
‘I suppose we shall all have a try at it, Lady Charlotte.’
‘Her mother doesn’t look to me a person of nerve enough,’ said Lady
Charlotte coolly. ‘She is a girl certain--absolutely certain--to have
adventures, and you may as well be prepared for them.’
‘I can only trust she will disappoint your expectations, Lady
Charlotte,’ said Robert, with a slightly sarcastic emphasis.
‘Elsmere, who is that man talking to Miss Leyburn?’ asked Langham as the
two friends stood side by side, a little later, watching the spectacle.
‘A certain Mr. Flaxman, brother to a pretty little neighbor of ours in
Surrey--Lady Helen Varley--and nephew to Lady Charlotte. I have not seen
him here before; but I think the girls like him.’
‘Is he the Flaxman who got the mathematical prize at Berlin last year?’
‘Yes, I believe so. A striking person altogether. He is enormously rich,
Lady Helen tells me, in spite of an elder brother. All the money in his
mother’s family has come to him, and he is the heir to Lord Daniel’s
great Derbyshire property. Twelve years ago I used to hear him talked
about incessantly by the Cambridge men one met. “Citizen Flaxman” they
called him, for his opinion’s sake. He would ask his scout to dinner,
and insist on dining with his own servants, and shaking hands with his
friends’ butlers. The scouts and the butlers put an end to that, and
altogether, I imagine, the world disappointed him. He has a story, poor
fellow, too--a young wife who died with her first baby ten years ago.
The world supposes him never to have got over it, which makes him all
the more interesting. A distinguished face, don’t you think?--the good
type of English aristocrat.’
Langham assented. But his attention was fixed on the group in which
Rose’s bright hair was conspicuous; and when Robert left him and went
to amuse Mrs. Leyburn, he still stood rooted to the same spot watching.
Rose was leaning against the piano, one hand behind her, her whole
attitude full of a young, easy, self-confident grace. Mr. Flaxman
was standing beside her, and they were deep in talk--serious talk
apparently, to judge by her quiet manner and the charmed, attentive
interest of his look. Occasionally, however, there was a sally on her
part, and an answering flash of laughter on his; but the stream of
conversation closed immediately over the interruption, and flowed on as
evenly as before.
Unconsciously Langham retreated further and further into the comparative
darkness of the inner room. He felt himself singularly insignificant and
out of place, and he made no more efforts to talk. Rose played a violin
solo, and played it with astonishing delicacy and fire. When it was over
Langham saw her turn from the applauding circle crowding in upon her and
throw a smiling interrogative look over her shoulder at Mr. Flaxman. Mr.
Flaxman bent over her, and as he spoke Langham caught her flush, and the
excited sparkle of her eyes. Was this the ‘someone in the stream?’ No
doubt!--no doubt!
When the party broke up Langham found himself borne toward the outer
room, and before he knew where he was going he was standing beside her.
‘Are _you_ still here?’ she said to him, startled, as he held out his
hand. He replied by some comments on the music, a little lumbering
and infelicitous, as all his small-talk was. She hardly listened, but
presently she looked up nervously, compelled as it were by the great
melancholy eves above her.
We are not always in this turmoil Mr. Langham. Perhaps some other day
you will come and make friends with my mother?’
CHAPTER XXXII.
Naturally, it was during their two months of autumn travel that Elsmere
and Catherine first realized in detail what Elsmere’s act was to mean
to them, as husband and wife, in the future. Each left England with the
most tender and heroic resolves. And no one who knows anything of life
will need to be told that even for these two finely natured people such
resolves were infinitely easier to make than to carry out.
‘I will not preach to you--I will not persecute you!’ Catherine had said
to her husband at the moment of her first shock and anguish. And she did
her utmost, poor thing! to keep her word. All through the innumerable
bitternesses which accompanied Elsmere’s withdrawal from Murewell--the
letters which followed them, the remonstrances of public and private
friends, the paragraphs which found their way, do what they would, into
the newspapers--the pain of deserting, as it seemed to her, certain poor
and helpless folk who had been taught to look to her and Robert,
and whose bewildered lamentations came to them through young,
Armitstead--through all this she held her peace; she did her best to
soften Robert’s grief; she never once reproached him with her own.
But at the same time the inevitable separation of their inmost hopes and
beliefs had thrown her back on herself, had immensely strengthened that
Puritan independent fibre in her which her youth had developed, and
which her happy marriage had only temporarily masked, not weakened.
Never had Catherine believed so strongly and intensely as now, when the
husband who had been the guide and inspirer of her religious life, had
given up the old faith and practices. By virtue of a kind of nervous
instinctive dread, his relaxations bred increased rigidity in her. Often
when she was alone--or at night--she was seized with a lonely, an awful
sense of responsibility. Oh! let her guard her faith, not only for her
own sake, her child’s, her Lord’s, but for his that it might be given to
her patience at last to lead him back.
And the only way in which it seemed to her possible to guard it was to
set up certain barriers of silence. She feared that fiery persuasive
quality in Robert she had so often seen at work on other people. With
him conviction was life--it was the man himself, to an extraordinary
degree. How was she to resist the pressure of those now ardors with
which his mind was filling--she who loved him!--except by building,
at any rate for the time, an inclosure of silence round her Christian
beliefs? It was in some ways a pathetic repetition of the situation
between Robert and the Squire in the early days of their friendship,
but in Catherine’s mind there was no trembling presence of new knowledge
conspiring from within with the forces without. At this moment of
her life, she was more passionately convinced than ever that the only
knowledge truly worth having in this world was: the knowledge of God’s
mercies in Christ.
So, gradually, with a gentle persistency she withdrew certain parts of
herself from Robert’s ken; she avoided certain subjects, or anything
that might lead to them; she ignored the religious and philosophical
books he was constantly reading; she prayed and thought alone--always
for him, of him--but still resolutely alone. It was impossible, however,
that so great a change in their life could be effected without a
perpetual sense of breaking links, a perpetual series of dumb wounds
and griefs on both sides. There came a moment, when, as he sat alone one
evening in a pine wood above the Lake of Geneva, Elsmere suddenly awoke
to the conviction that in spite of all his efforts and illusions, their
relation to each other was altering, dwindling, impoverishing; the
terror of that summer night at Murewell was being dismally justified.
His own mind during this time was in a state of perpetual discovery,
‘sailing the seas where there was never sand’--the vast shadowy seas of
speculative thought. All his life, reserve to those nearest to him had
been pain and grief to him. He was one of those people, as we know, who
throw off readily; to whom sympathy, expansion, are indispensable; who
suffer physically and mentally from anything cold and rigid beside them.
And now, at every turn in their talk, their reading, in many of the
smallest details of their common existence, Elsmere began to feel the
presence of this cold and rigid something. He was ever conscious of
self-defence on her side, of pained drawing back on his. And with every
succeeding effort of his at self-repression, it seemed to him as though
fresh nails were driven into the coffin of that old free habit of
perfect confidence which had made the heaven of their life since they
had been man and wife.
He sat on for long, through the September evening, pondering, wrestling.
Was it simply inevitable, the natural result of his own act, and of her
antecedents, to which he must submit himself, as to any mutilation or
loss of power in the body? The young lover and husband rebelled--the
believer rebelled--against the admission. Probably if his change had
left him anchorless and forsaken, as it leaves many men, he would have
been ready enough to submit, in terror lest his own forlornness should
bring about hers. But in spite of the intellectual confusion which
inevitably attends any wholesale reconstruction of a man’s platform of
action, he had never been more sure of God, or the Divine aims of the
world, than now; never more open than now, amid this exquisite Alpine
world, to those passionate moments of religious trust which are man’s
eternal defiance to the iron silences about him. Originally, as we know,
he had shrunk from the thought of change in her corresponding to his
own; now that his own foothold was strengthening, his longing for a new
union was overpowering that old dread. The proselytizing instinct may
be never quite morally defensible, even as between husband and wife.
Nevertheless, in all strong, convinced, and ardent souls it exists, and
must be reckoned with.
At last one evening he was overcome by a sudden impulse which
neutralized for the moment his nervous dread of hurting her. Some little
incident of their day together was rankling, and it was borne in
upon him that almost any violent protest on her part would have been
preferable to this constant soft evasion of hers, which was gradually,
imperceptibly dividing heart from heart.
They were in a bare attic room at the very top of one of the huge
newly-built hotels which during the last twenty years have invaded all
the high places of Switzerland. The August, which had been so hot in
England, had been rainy and broken in Switzerland. But it had been
followed by a warm and mellow September, and the favorite hotels below a
certain height were still full. When the Elsmeres arrived at Les Avants
this scantily furnished garret out of which some servants had been
hurried to make room for them, was all that could be found. They,
however, liked it for its space and its view. They looked sideways from
their windows on to the upper end of the lake, three thousand feet
below them. Opposite, across the blue water, rose a grandiose rampart of
mountains, the stage on which from morn till night the sun went through
a long transformation scene of beauty. The water was marked every now
and then by passing boats and steamers--tiny specks which served to
measure the vastness of all around them. To right and left, spurs of
green mountains shut out alike the lower lake and the icy splendors of
the ‘Valais depths profound.’ What made the charm of the narrow prospect
was, first, the sense it produced in the spectator of hanging dizzily
above the lake, with infinite air below him, and, then, the magical
effects of dawn and evening, when wreaths of mist would blot out the
valley and the lake, and leave the eye of the watcher face to face
across the fathomless abyss with the majestic mountain mass, and its
attendant retinue of clouds, as though they and he were alone in the
universe.
It was a peaceful September night. From the open window beside him,
Robert could see a world of high moonlight, limited and invaded on all
sides by sharp black masses of shade. A few rare lights glimmered on the
spreading alp below, and every now and then a breath of music came to
them wafted from a military band playing a mile or two away. They had
been climbing most of the afternoon, and Catherine was lying down, her
brown hair loose about her, the thin oval of her face and clear line of
brow just visible in the dim candle-light.
Suddenly he stretched out his hand for his Greek Testament, which was
always near him, though there had been no common reading since that
bitter day of his confession to her. The mark still lay in the well-worn
volume at the point reached in their last reading at Murewell. He opened
upon it, and began the eleventh chapter of St. John.
Catherine trembled when she saw him take up the book. He began without
preface, treating the passage before him in his usual way,--that is to
say, taking verse after verse in the Greek, translating and commenting.
She never spoke all through, and at last he closed the little Testament,
and bent toward her, his look full of feeling.
‘Catherine! can’t you let me--will you never let me tell you, now, how
that story--how the old things--affect me, from the new point of view?
You always stop me when I try. I believe you think of me as having
thrown it all away. Would it not comfort you sometimes, if you knew
that although much of the Gospels, this very raising of Lazarus, for
instance, seems to me no longer true in the historical sense, still they
are always full to me of an ideal, a poetical truth? Lazarus may not
have died and come to life, may never have existed; but still to me, now
as always, love for Jesus of Nazareth is “resurrection” and “life?”’
He spoke with the most painful diffidence, the most wistful tenderness.
There was a pause. Then Catherine said, in a rigid, constrained voice,--
‘If the Gospels are not true in fact, as history, as reality, I cannot
see how they are true at all, or of any value.’
The next minute she rose, and, going to the little wooden
dressing-table, she began to brush out and plat for the night her
straight silky veil of hair. As she passed him Robert saw her face pale
and set.
He sat quiet another moment or two, and then he went toward her and took
her in his arms.
‘Catherine,’ he said to her, his lips trembling, ‘am I never to speak my
mind to you anymore? Do you mean always to hold me at arm’s length--to
refuse always to hear what I have to say in defence of the change which
has cost us both so much?’
She hesitated, trying hard to restrain herself. But it was of no use.
She broke into tears--quiet but most bitter tears.
‘Robert, I cannot! Oh! you must see I cannot. It is not because I am
hard, but because I am weak. How can I stand up against you? I dare
not--I dare not. If you were not yourself--not my husband--’
Her voice dropped. Robert guessed that at the bottom of her resistance
there was an intolerable fear of what love might do with her if she once
gave it an opening. He felt himself cruel, brutal, and yet an urgent
sense of all that was at stake drove him on.
‘I would not press or worry you, God knows!’ he said, almost piteously,
kissing her forehead as she lay against him. ‘But remember, Catherine, I
cannot put these things aside. I once thought I could--that I could fall
back on my historical work, and leave religious matters alone as far as
criticism was concerned. But I cannot. They fill my mind more and
more. I feel more and more impelled to search them out, and to put my
conclusions about them into shape. And all the time this is going on,
are you and I to remain strangers to one another, and all that concerns
our truest life--are we, Catherine?’
He spoke in a low voice of intense feeling. She turned her face and
pressed her lips to his hand. Both had the scene in the wood-path
after her flight and return in their minds, and both were filled with a
despairing sense of the difficulty of living, not through great crises,
but through the detail of every day.
‘Could you not work at other things?’ she whispered.
He was silent, looking straight before him into the moon-lit shimmer and
white spectral hazes of the valley, his arms still round her.
‘No!’ he burst out at last; ‘not till I have satisfied myself. I feel it
burning within me, like a command from God, to work out the problem, to
make it clearer to myself--and to others,’ he added deliberately.
Her heart sank within her. The last words called up before her a dismal
future of controversy and publicity, in which at every stop she would be
condemning her husband.
‘And all this time, all these years, perhaps,’ he went on--before, in
her perplexity, she could find words--‘is my wife never going to let me
speak freely to her? Am I to act, think, judge, without her knowledge?
Is she to know less of me than a friend, less even than the public for
whom I write or speak?’
It seemed intolerable to him, all the more that every moment they stood
there together it was being impressed upon him that in fact this was
what she meant, what she had contemplated from the beginning.
‘Robert, I cannot defend myself against you,’ she cried, again clinging
to him. ‘Oh, think for me! You know what I feel; that I dare not risk
what is not mine!’
He kissed her again and then moved away from her to the window. It began
to be plain to him that his effort was merely futile, and had better not
have been made. But his heart was very sore.
‘Do you ever ask yourself--’ he said presently, looking steadily
into the night--‘no, I don’t think you can, Catherine--what part the
reasoning faculty, that faculty which marks us out from the animal,
was meant to play in life? Did God give it to us simply that you might
trample upon it and ignore it both in yourself and me?’
She had dropped into a chair, and sat with clasped hands, her hair
falling about her white dressing-gown, and framing the nobly-featured
face blanched by the moonlight. She did not attempt a reply, but the
melancholy of an invincibly resolution, which was, so to speak, not
her own doing, but rather was like a necessity imposed upon her from
outside, breathed through her silence.
He turned and looked at her. She raised her arms, and the gesture
reminded him for a moment of the Donatello figure in the Murewell
library--the same delicate austere beauty, the same tenderness, the same
underlying reserve. He took her outstretched hands and held them against
his breast. His hotly-beating heart told him that he was perfectly
right, and that to accept the barriers she was setting up would
impoverish all their future life together. But he could not struggle
with the woman on whom he had already inflicted so severe a practical
trial. Moreover, he felt strangely as he stood there the danger of
rousing in her those illimitable possibilities of the religious temper,
the dread of which had once before risen spectre-like in his heart.
So once more he yielded. She rewarded him with all the charm, all the
delightfulness, of which under the circumstances she was mistress.
They wandered up the Rhone valley, through the St. Gothard, and spent a
fortnight between Como and Lugano. During these days her one thought was
to revive and refresh him, and he let her tend him, and lent himself
to the various heroic futilities by which she would try as part of her
nursing mission--to make the future look less empty and their distress
less real. Of course under all this delicate give and take both
suffered; both felt that the promise of their marriage had failed them,
and that they had come dismally down to a second best. But after all
they were young, and the autumn was beautiful--and though they hurt
each other, they were alone together, and constantly, passionately,
interested in each other. Italy, too, softened all things--even
Catherine’s English tone and temper. As long as the delicious luxury
of the Italian autumn, with all its primitive pagan suggestiveness, was
still round them, as long as they were still among the cities of the
Lombard plain--that battleground and highway of nations, which roused
all Robert’s historical enthusiasm, and set him reading, discussing,
thinking--in his old impetuous way--about something else than minute
problems of Christian evidence, the newborn friction between them was
necessarily reduced to a minimum.
But with their return home, with their plunge into London life, the
difficulties of the situation began to define themselves more sharply.
In after years, one of Catherine’s dreariest memories was the memory of
their first instalment in the Bedford Square house. Robert’s anxiety to
make it pleasant and homelike was pitiful to watch. He had none of the
modern passion for upholstery, and probably the vaguest notions of what
was æsthetically correct. But during their furnishing days, he was never
tired of wandering about in search of pretty things--a rug, a screen, an
engraving which might brighten the rooms in which Catherine was to live.
He would put everything in its place with a restless eagerness, and then
Catherine would be called in, and would play her part bravely. She would
smile and ask questions, and admire, and then when Robert had gone, she
would move slowly to the window and look out at the great mass of the
British Museum frowning beyond the little dingy strip of garden, with a
sick longing in her heart for the Murewell cornfield, the wood-path, the
village, the free air-bathed spaces of heath and common. Oh! this huge
London, with its unfathomable poverty and its heartless wealth--how it
oppressed and bewildered her! Its mere grime and squalor, its murky,
poisoned atmosphere were a perpetual trial to the country-woman
brought up amid the dash of mountain streams and the scents of mountain
pastures. She drooped physically for a time, as did the child.
But morally? With Catherine everything really depended on the moral
state. She could have followed Robert to a London living with a joy and
hope which would have completely deadened all these repulsions of
the senses, now so active in her. But without this inner glow, in the
presence of the profound spiritual difference circumstance had developed
between her and the man she loved, everything was a burden. Even her
religion, though she clung to it with an ever-increasing tenacity,
failed at this period to bring her much comfort. Every night it seemed
to her that the day had been one long and dreary struggle to make
something out of nothing; and in the morning the night, too, seemed to
have been alive with conflict--_All Thy waves and Thy storms have gone
over me!_
Robert guessed it all, and whatever remorseful love could do to soften
such a strain and burden he tried to do. He encouraged her to find work
among the poor; he tried in the tenderest ways to interest her in the
great spectacle of London life which was already, in spite of yearning
and regret, beginning to fascinate and absorb himself. But their
standards were now so different that she was constantly shrinking from
what attracted him, or painfully judging what was to him merely
curious and interesting. He was really more and more oppressed by her
intellectual limitations, though never consciously would he have allowed
himself to admit them, and she was more and more bewildered by what
constantly seemed to her a breaking up of principles, a relaxation of
moral fibre.
And the work among the poor was difficult. Robert instinctively felt
that for him to offer his services in charitable work to the narrow
Evangelical whose church Catherine had joined, would have been merely to
invite rebuff. So that even in the love and care of the unfortunate they
were separated. For he had not yet found a sphere of work, and if he
had, Catherine’s invincible impulse in these matters was always to
attach herself to the authorities and powers that be. He could only
acquiesce when she suggested applying to Mr. Clarendon for some
charitable occupation for herself.
After her letter to him, Catherine had an interview with the Vicar at
his home. She was puzzled by the start and sudden pause for recollection
with which he received her name, the tone of compassion which crept into
his talk with her, the pitying look and grasp of the hand with which he
dismissed her. Then, as she walked home, it flashed upon her that she
had seen a copy, some weeks old, of the _Record_ lying on the good man’s
table, the very copy which contained Robert’s name among the list of men
who during the last ten years had thrown up the Anglican ministry. The
delicate face flushed miserably from brow to chin. Pitied for being
Robert’s wife! Oh, monstrous!--incredible!
Meanwhile Robert, man-like, in spite of all the griefs and sorenesses of
the position, had immeasurably the best of it. In the first place such
incessant activity of mind as his is in itself both tonic and narcotic.
It was constantly generating in him fresh purposes and hopes, constantly
deadening regret, and pushing the old things out of sight. He was full
of many projects literary and social, but they were all in truth the
fruits of one long experimental process, the passionate attempt of the
reason to justify to itself the God in whom the heart believed. Abstract
thought, as Mr. Grey saw, had had comparatively little to do with
Elsmere’s relinquishment of the Church of England. But as soon as the
Christian bases of faith were overthrown, that faith had naturally to
find for itself other supports and attachments. For faith itself--in God
and a spiritual order--had been so wrought into the nature by years of
reverent and adoring living, that nothing could destroy it. With Elsmere
as with all men of religious temperament, belief in Christianity and
faith in God had not at the outset been a matter of reasoning at all,
but of sympathy, feeling, association, daily experience. Then the
intellect had broken in, and destroyed or transformed the belief in
Christianity. But after the crash, _faith_ emerged as strong as ever,
only craving and eager to make a fresh peace, a fresh compact with the
reason.
Elsmere had heard Grey say long ago in one of the few moments of real
intimacy he had enjoyed with him at Oxford, ‘My interest in philosophy
springs solely from the chance it offers me of knowing something more
of God!’ Driven by the same thirst he too threw himself into the
same quest, pushing his way laboriously through the philosophical
border-lands of science, through the ethical speculation of the day,
through the history of man’s moral and religious past. And while on the
one hand the intellect was able to contribute an ever stronger support
to the faith which was the man; on the other, the sphere in him of a
patient ignorance, which abstains from all attempts at knowing what man
cannot know, and substitutes trust for either knowledge or despair,
was perpetually widening. ‘I take my stand on conscience and the moral
life!’ was the upshot of it all. ‘In them I find my God! As for all
these various problems, ethical and scientific, which you press upon me,
my pessimist friend, I, too, am bewildered; I, too, have no explanations
to offer. But I trust and wait. In spite of them--beyond them--I have
abundantly enough for faith--for hope--for action!’
We may quote a passage or two from some letters of his written at this
time to that young Armitstead who had taken his place at Murewell
and was still there till Mowbray Elsmere should appoint a new man.
Armitstead had been a college friend of Elsmere’s. He was a High
Churchman of a singularly gentle and delicate type, and the manner
in which he had received Elsmere’s story on the day of his arrival at
Murewell had permanently endeared him to the teller of it. At the same
time the defection from Christianity of a man who at Oxford had been to
him the object of much hero-worship, and, since Oxford, an example of
pastoral efficiency, had painfully affected young Armitstead, and he
began a correspondence with Robert which was in many ways a relief
to both. In Switzerland and Italy, when his wife’s gentle inexorable
silence became too oppressive to him, Robert would pour himself out in
letters to Armitstead, and the correspondence did not altogether cease
with his return to London. To the Squire during the same period Elsmere
also wrote frequently, but rarely or never on religious matters.
On one occasion Armitstead had been pressing the favorite Christian
dilemma--Christianity or nothing. Inside Christianity, light and
certainly; outside it, chaos. ‘If it were not for the Gospels and
the Church I should be a Positivist to-morrow. Your Theism is a mere
arbitrary hypothesis, at the mercy of any rival philosophical theory.
How, regarding our position as precarious, you should come to regard
your own as stable, is to me incomprehensible!’
‘What I conceive to be the vital difference between Theism and
Christianity,’ wrote Elsmere in reply, ‘is that as an explanation of
things _Theism can never be disproved_. At the worst it must always
remain in the position of an alternative hypothesis, which the hostile
man of science cannot destroy, though he is under no obligation to adopt
it. Broadly speaking, it is not the facts which are in dispute, but the
inference to be drawn from them.’
‘Now, considering the enormous complication of the facts, the Theistic
inference will, to put it at the lowest, always have its place, always
command respect. The man of science may not adopt it, but by no advance
of science that I, at any rate, can foresee, can it be driven out of the
field.
‘Christianity is in a totally different position. Its grounds are not
philosophical but literary and historical. It rests not upon all fact,
but upon a special group of facts. It is and will always remain, a
great literary and historical problem, a _question of documents and
testimony_. Hence, the Christian explanation is vulnerable in a way in
which the Theistic explanation can never be vulnerable. The contention
at any rate, of persons in my position is: That to the man who has had
the special training required, and in whom this training has not been
neutralized by any overwhelming bias of temperament, it can be as
clearly demonstrated that the miraculous Christian story rests on
a tissue of mistake, as it can be demonstrated that the Isidorian
Decretals were a forgery, or the correspondence of Paul and Seneca a
pious fraud, or that the mediæval belief in witchcraft was the product
of physical ignorance and superstition.’
‘You say,’ he wrote again, in another connection, to Armitstead from
Milan, ‘you say you think my later letters have been far too aggressive
and positive. I, too, am astonished at myself. I do not know my own
mood, it is so clear, so sharp, so combative. Is it the spectacle
of Italy, I wonder--of a country practically without religion--the
spectacle in fact of Latin Europe as a whole, ad the practical Atheism
in which it is engulfed? My dear friend, the problem of the world at
this moment is--_how to find a religion?_--some great conception
which shall be once more capable, as the old was capable, of welding
societies, and keeping man’s brutish elements in check. Surely
Christianity of the traditional sort is failing everywhere--less
obviously with us, and in Teutonic Europe generally, but notoriously,
in all the Catholic countries. We talk complacently of the decline of
Buddhism. But what have we to say of the decline of Christianity? And
yet this last is infinitely more striking and more tragic, inasmuch as
it affects a more important section of mankind. I, at any rate, am not
one of those who would seek to minimize the results of this decline
for human life, nor can I bring myself to believe that Positivism or
“evolutional morality” will ever satisfy the race.’
‘In the period of social struggle which undeniably lies before us, both
in the old and the new world, are we then to witness a war of classes,
unsoftened by the ideal hopes, the ideal law, of faith? It looks like
it. What does the artisan class, what does the town democracy throughout
Europe, care any longer for Christian checks or Christian sanctions as
they have been taught to understand them? Superstition, in certain parts
of rural Europe, there is in plenty, but wherever you get intelligence
and therefore movement, you got at once either indifference to, or a
passionate break with Christianity. And consider what it means, what
it will mean, this Atheism of the great democracies which are to be
our masters! The world has never seen anything like it; such spiritual
anarchy and poverty combined with such material power and resource.
Every society--Christian and non-Christian--has always till now had its
ideal, of greater or less ethical value, its appeal to something beyond
man. Has Christianity brought us to this: that the Christian nations are
to be the first in the world’s history to try the experiment of a life
without faith--that life which you and I, at any rate, are agreed in
thinking a life worthy only of the brute?
‘Oh forgive me! These things must hurt you--they would have hurt me in
old days--but they burn within me, and you bid me speak out. What if it
be God himself who is driving His painful lesson home to me, to you,
to the world? What does it mean: this gradual growth of what we call
infidelity, of criticism and science on the one hand, this gradual death
of the old traditions on the other? _Sin_, you answer, _the enmity of
the human mind against God, the momentary triumph of Satan_. And so you
acquiesce, heavy-hearted, in God’s present defeat, looking for vengeance
and requital here-after. I am not so ready to believe in man’s capacity
to rebel against his Maker! Where you see ruin and sin, I see the urgent
process of Divine education, God’s steady ineluctable command “to put
away childish things,” the pressure of His spirit on ours toward new
ways of worship and new forms of love!’
And after a while it was with these ‘new ways of worship and now forms
of love’ that the mind began to be perpetually occupied. The break with
the old things was no sooner complete, than the eager soul, incapable
then, as always, of resting in negation or oppositions pressed
passionately forward to a new synthesis, not only speculative, but
practical. Before it rose perpetually the haunting vision of another
palace of faith--another church or company of the faithful, which was to
become the shelter of human aspiration amid the desolation and anarchy
caused by the crashing of the old! How many men and women must have gone
through the same strait as itself--how many must be watching with it
through the darkness for the rising of a new City of God!
One afternoon, close upon Christmas, he found himself in Parliament
Square, on his way toward Westminster Bridge and the Embankment. The
beauty of a sunset sky behind the Abbey arrested him, and he stood
leaning over the railings beside the Peel statue to look.
The day before, he had passed the same spot with a German friend. His
companion--a man of influence and mark in his own country, who had been
brought up however in England and knew it well--had stopped before the
Abbey and had said to him with emphasis: ‘I never find myself in this
particular spot of London without a sense of emotion and reverence.
Other people feel that in treading the Forum of Rome they are at the
centre of human things. I am more thrilled by Westminster than Rome;
your venerable Abbey is to me the symbol of a nationality to which the
modern world owes obligations it can never repay. You are rooted deep
in the past; you have also a future of infinite expansiveness stretching
before you. Among European nations at this moment you alone have freedom
in the true sense, you alone have religion. I would give a year of life
to know what you will have made of your freedom and your religion two
hundred years hence!’
As Robert recalled the words, the Abbey lay before him, wrapped in the
bluish haze of the winter afternoon. Only the towers rose out of the
mist, gray and black against the red bands of cloud. A pair of pigeons
circled round them, as careless and free in flight as though they were
alone with the towers and the sunset. Below, the streets were full of
people; the omnibuses rolled to and fro; the lamps were just lit; lines
of straggling figures, dark in the half light, were crossing the street
here and there. And to all the human rush and swirl below, the quiet of
the Abbey and the infinite red distances of sky gave a peculiar pathos
and significance.
Robert filled his eye and sense, and then walked quickly away toward the
Embankment. Carrying the poetry and grandeur of England’s past with him,
he turned his face east-ward to the great new-made London on the other
side of St. Paul’s, the London of the democracy, of the nineteenth
century, and of the future. He was wrestling with himself, a prey to one
of those critical moments of life, when circumstance seems once more to
restore to us the power of choice, of distributing a Yes or a No among
the great solicitations which meet the human spirit on its path from
silence to silence. The thought of his friend’s reverence, and of his
own personal debt toward the country to whose long travail of centuries
he owed all his own joys and faculties, was hot within him.
Here and here did England help me--how can I help England,--say!
Ah! that vast chaotic London south and east of the great church! He
already knew something of it. A Liberal clergyman there, settled in the
very blackest, busiest heart of it, had already made him welcome on Mr.
Grey’s introduction. He had gone with this good man on several occasions
through some little fraction of that teeming world, now so hidden and
peaceful between the murky river mists and the cleaner light-filled rays
of the sky. He had heard much, and pondered a good deal, the quick mind
caught at once by the differences, some tragic, some merely curious and
stimulating, between the monotonous life of his own rural folk, and
the mad rush, the voracious hurry, the bewildering appearances and
disappearances, the sudden engulfments, of working London.
Moreover, he had spent a Sunday or two wandering among the East End
churches. There, rather than among the streets and courts outside, as
it had seemed to him, lay the tragedy of the city. Such emptiness, such
desertion, such a hopeless breach between the great craving need outside
and the boon offered it within! Here and there, indeed, a patch of
bright colored success, as it claimed to be, where the primitive
tendency of man toward the organized excitement of religious ritual,
visible in all nations and civilizations, had been appealed to with more
energy and more results than usual. But in general, blank failure, or
rather obvious want of success--as the devoted men now beating the
void there were themselves the first to admit, with pain, and patient
submission to the inscrutable Will of God.
But is it not time we assured ourselves, he was always asking, whether
God is still in truth behind the offer man is perpetually making to his
brother man on His behalf? He was behind it once, and it had efficacy,
had power. But now--What if all these processes of so-called destruction
and decay were but the mere workings of that divine plastic force which
is forever moulding human society? What if these beautiful venerable
things which had fallen from him, as from thousands of his follows,
represented, in the present stage of the world’s history, not the props,
but the hinderances, of man?
And if all these large things were true, as he believed, what should be
the individual’s part in this transition England? Surely, at the least,
a part of plain sincerity of act and speech--a correspondence as perfect
as could be reached between the inner faith and the outer word and deed.
So much, at the least, was clearly required of him!
‘Do not imagine,’ he said to himself, as though with a fierce dread
of possible self-delusion, ‘that it is in you to play any great, any
commanding part. Shun the thought of it, if it were possible! But let
me do what is given me to do! Here in this human wilderness, may I
spend whatever of time or energy or faculty may be mine, in the faithful
attempt to help forward the new House of Faith that is to be, though my
utmost efforts should but succeed in laying some obscure stone in still
unseen foundations! Let me try and hand on to some other human soul,
or souls, before I die, the truth which has freed, and which is now
sustaining my own heart. Can any do more? Is not every man who feels any
certainty in him, whatever, bound to do as much? What matter if the
wise folk scoff, if even at times, and in a certain sense, one seem to
oneself ridiculous--absurdly lonely and powerless! All great changes are
preceded by numbers of sporadic, and as the bystander thinks, impotent
efforts. But while the individual effort sinks, drowned perhaps in
mockery, the general movement quickens, gathers force we know not how,
and--’
‘While the tired wave vainly breaking,
Seems here no painful Inch to gain,
Far back through creeks and inlets making,
Comes silent, flooding in the main!’
Darkness sank over the river; all the gray and purple distance with its
dim edge of spires and domes against the sky, all the vague intervening
blackness of street, or bridge or railway station were starred and
patterned with lights. The vastness, the beauty of the city filled him
with a sense of mysterious attraction, and as he walked on with his face
uplifted to it, it was as though he took his life in his hand and flung
it afresh into the human gulf.
‘What does it matter if one’s work be raw and uncomely! All that lies
outside the great organized traditions of an age must always look so.
Let me bear my witness bravely, not spending life in speech, but not
undervaluing speech--above all, not being ashamed or afraid of it,
because other wise people may prefer a policy of silence. A man has but
the one pure life, the one tiny spark of faith. Better be venturesome
with both for God’s sake, than over-cautious, over-thrifty. And--to his
own Master he standeth or falleth!’
Plans of work of all kinds, literary and practical, thoughts of
preaching in some bare bidden room to men and women orphaned and
strangled like himself, began to crowd upon him. The old clerical
instinct in him winced at some of them. Robert had nothing of the
sectary about him by nature; he was always too deeply and easily
affected by the great historic existences about him. But when the Oxford
man or the ex-official of one of the most venerable and decorous of
societies protested, the believer, or, if you will, the enthusiast, put
the protest by.
And so the dream gathered substance and stayed with him, till at last
he found himself at his own door. As he closed it behind him, Catherine
came out into the pretty old hall from the dining-room.
‘Robert, have you walked all the way?’
‘Yes. I came along the Embankment. Such a beautiful evening!’
He slipped his arm inside hers, and they mounted the stairs together.
She glanced at him wistfully. She was perfectly aware that these months
were to him months of incessant travail of spirit, and she caught at
this moment the old strenuous look of eye and brow she knew so well.
A year ago, and every thought of his mind had been open to her--and
now--she herself had shut them out--but her heart sank within her.
She turned and kissed him. He bent his head fondly over her. But
inwardly all the ardor of his mood collapsed at the touch of her.
For the protest of a world in arms can be withstood with joy, but the
protest that steals into your heart, that takes love’s garb and uses
love’s ways--_there_ is the difficulty!
CHAPTER XXXIII.
But Robert was some time in finding his opening, in realizing any
fraction of his dream. At first he tried work under the Broad
Church Vicar to whom Grey had introduced him. He undertook some
rent-collecting, and some evening lectures on elementary science to
boys and men. But after a while he began to feel his position false and
unsatisfactory. In truth, his opinions were in the main identical with
those of the Vicar under whom he was acting. But Mr. Vernon was a
Broad Churchman, belonged to the Church Reform movement, and thought it
absolutely necessary to ‘keep things going,’ and by a policy of prudent
silence and gradual expansion from within, to save the great ‘plant’
of the Establishment from falling wholesale into the hands of the High
Churchmen. In consequence, he was involved, as Robert held, in endless
contradictions and practical falsities of speech and action. His large
church was attended by a handful of some fifty to a hundred persons.
Vernon could not preach what he did believe, and would not preach, more
than what was absolutely necessary, what he did not believe. He was
hard-working and kind-hearted, but the perpetual divorce between thought
and action, which his position made inevitable, was constantly blunting
and weakening all he did. His whole life, indeed, was one long waste of
power, simply for lack of an elementary frankness.
But if these became Robert’s views as to Vernon, Vernon’s feeling toward
Elsmere after six weeks’ acquaintance was not less decided. He was
constitutionally timid, and he probably divined in his new helper a man
of no ordinary calibre, whose influence might very well turn out some
day to be of the ‘incalculably diffusive’ kind. He grew uncomfortable,
begged Elsmere to beware of any ‘direct religious teaching,’ talked in
warm praise of a ‘policy of omissions,’ and in equally warm denunciation
of ‘anything like a policy of attack.’ In short, it became plain that
two men so much alike and yet so different, could not long co-operate.
However, just as the fact was being brought home to Elsmere, a friendly
chance intervened.
Hugh Flaxman, the Leyburns’ new acquaintance and Lady Helen’s brother,
had been drawn to Elsmere at first sight; and a meeting or two, now at
Lady Charlotte’s, now at the Leyburns’, had led both men far on the way
to a friendship. Of Hugh Flaxman himself more hereafter. At present all
that need be recorded is that it was at Mr. Flaxman’s house, overlooking
St. James’s Park, Robert first met a man who was to give him the opening
for which he was looking.
Mr. Flaxman was fond of breakfast parties à la Rogers, and on the first
occasion when Robert could be induced to attend one of these functions,
he saw opposite to him what he supposed to be a lad of twenty, a
young slip of a fellow, whose sallies of fun and invincible good humor
attracted him greatly.
Sparkling brown eyes, full lips rich in humor and pugnacity, ‘lockës
crull as they were layde in presse,’ the same look of ‘wonderly’
activity too, in spite of his short stature and dainty make, as Chaucer
lends his Squire--the type was so fresh ad pleasing that Robert was more
and more held by it, especially when he discovered to his bewilderment
that the supposed stripling must be from his talk a man quite as old as
himself, an official besides, filling what was clearly some important
place in the world. He took his full share in the politics and
literature started at the table, and presently, when conversation fell
on the proposed municipality for London, said things to which the whole
party listened. Robert’s curiosity was aroused, and after breakfast
he questioned his host and was promptly introduced to ‘Mr. Murray
Edwardes.’
Whereupon it turned out that this baby-faced sage was filling a post, in
the work of which perhaps few people in London could have taken so much
interest as Robert Elsmere.
Fifty years before, a wealthy merchant who had been one of the chief
pillars of London Unitarianism had made his will and died. His great
warehouses lay in one of the Eastern riverside districts of the city,
and in his will he endeavored to do something according to his lights
for the place in which he had amassed his money. He left a fairly
large bequest wherewith to build and endow a Unitarian chapel and found
certain Unitarian charities, in the heart of what was even then one of
the densest and most poverty-stricken of London parishes. For a long
time, however, chapel and charities seemed likely to rank as one of the
idle freaks of religious wealth and nothing more. Unitarianism of the
old sort is perhaps the most illogical creed that exists, and certainly
it has never been the creed of the poor. In old days it required the
presence of a certain arid stratum of the middle classes to live and
thrive at all. This stratum was not to be found in R----, which rejoiced
instead in the most squalid types of poverty and crime, types wherewith
the mild shrivelled Unitarian minister had about as much power of
grappling as a Poet Laureate with a Trafalgar Square Socialist.
Soon after the erection of the chapel, there arose that shaking of the
dry bones of religious England which we call the Tractarian movement.
For many years the new force left R---- quite undisturbed. The parish
church droned away, the Unitarian minister preached decorously to empty
benches, knowing nothing of the agitations outside. At last however,
toward the end of the old minister’s life, a powerful church of the
new type, staffed by friends and pupils of Pussy, rose in the centre of
R----, and the little Unitarian chapel was for a time more snuffed out
than ever, a fate which this time it shared dismally with the parish
church. As generally happened, however, in those days, the proceedings
at this now and splendid St. Wilfrid’s were not long in stirring up the
Protestantism of the British rough,--the said Protestantism being always
one of the finest excuses for brickbats of which the modern cockney is
master. The parish lapsed into a state of private war--hectic clergy
heading exasperated processions or intoning defiant Litanies on the one
side,--mobs, rotten eggs, dead cats, and blatant Protestant orators on
the other.
The war went on practically for years, and while it was still raging,
the minister of the Unitarian chapel died, and the authorities concerned
chose in his place a young fellow, the son of a Bristol minister,
a Cambridge man besides, as chance would have it, of brilliant
attainments, and unusually commended from many quarters, even including
some Church ones of the Liberal kind. This curly-haired youth, as he was
then in reality, and as to his own quaint vexation he went on seeming to
be up to quite middle age, had the wit to perceive at the moment of his
entry on the troubled scene that behind all the mere brutal opposition
to the new church, and in contrast with the sheer indifference of
three-fourths of the district, there was a small party consisting of an
aristocracy of the artisans, whose protest against the Puseyite doings
was of a much quieter, sterner sort, and among whom the uproar had
mainly roused a certain crude power of thinking. He threw himself upon
this element, which he rather divined than discovered, and it responded.
He preached a simple creed, drove it home by pure and generous living;
he lectured, taught, brought down workers from the West End, and before
he had been five years in the harness had not only made himself a power
in R----, but was beginning to be heard of and watched with no small
interest by many outsiders.
This was the man on whom Robert had now stumbled. Before they had talked
twenty minutes each was fascinated by the other. They said good-by to
their host, and wandered out together into St. James’s Park, where the
trees were white with frost and an orange sun was struggling through the
fog. Here Murray Edwardes poured out the whole story of his ministry to
attentive ears. Robert listened eagerly. Unitarianism was not a
familiar subject of thought to him. He had never dreamt of joining the
Unitarians, and was indeed long ago convinced that in the beliefs of
a Channing no one once fairly started on the critical road could
rationally stop. That common thinness and aridity too of the Unitarian
temper had weighed with him. But here, in the person of Murray Edwardes,
it was as though he saw something old and threadbare revivified. The
young man’s creed, as he presented it, had grace, persuasiveness even
unction: and there was something in his tone of mind which was like a
fresh wind blowing over the fevered places of the other’s heart.
They talked long and earnestly, Edwardes describing his own work, and
the changes creeping over the modern Unitarian body, Elsmere saying
little, asking much.
At last the young man looked at Elsmere with eyes of bright decision.
‘You cannot work with the Church!’ he said--‘it is impossible. You
will only wear yourself out in efforts to restrain what you could do
infinitely more good, as things stand now, by pouring out. Come to
us!--I will put you in the way. You shall be hampered by no pledges of
any sort. Come and take the direction of some of my workers. We have all
got our hands more than full. Your knowledge, your experience, would be
invaluable. There is no other opening like it in England just now for
men of your way of thinking and mine. Come! Who knows what we may be
putting our Hands to--what fruit may grow from the smallest seed?’
The two men stopped beside the lightly frozen water. Robert gathered
that in this soul, too, there had risen the same large intoxicating
dream of a recorganized Christendom, a new wide-spreading, shelter of
faith for discouraged, brow-beaten man, as in his own. ‘I will!’ he said
briefly, after a pause, his own look kindling--‘it is the opening I
have been pining for. I will give you all I can, and bless you for the
chance.’
That evening Robert got home late after a busy day full of various
engagements. Mary, after some waiting up for ‘Fader,’ had just been
carried protesting, red lips pouting, and fat legs kicking, off to
bed. Catherine was straightening the room, which had been thrown into
confusion by the child’s romps.
It was with an effort--for he knew it would be a shock to her--that he
began to talk to her about the breakfast-party at Mr. Flaxman’s, and
his talk with Murray Edwardes. But he had made it a rule with himself to
tell her everything that he was doing or meant to do. She would not let
him tell her what he was thinking. But as much openness as there could
be between them, there should be.
Catherine listened--still moving about the while--the thin beautiful
lips becoming more and more compressed. Yes, it was hard to her,
very hard; the people among whom she had been brought up, her father
especially, would have held out the hand of fellowship to any body of
Christian people, but not to the Unitarian. No real barrier of feeling
divided them from any orthodox Dissenter, but the gulf between them
and the Unitarian had been dug very deep by various forces--forces of
thought originally, of strong habit and prejudice in the course of time.
‘He is going to work with them now,’ she thought bitterly; ‘soon he will
be one of them--perhaps a Unitarian minister himself.’
And for the life of her, as he told his tale, she could find nothing
but embarrassed monosyllables, and still more embarrassed silences,
wherewith to answer him. Till at last he too fell silent, feeling once
more the sting of a now habitual discomfort.
Presently, however, Catherine came to sit down beside him. She laid her
head against his knee, saying nothing; but gathering his hand closely in
both her own.
Poor woman’s heart! One moment in rebellion, the next a suppliant. He
bent down quickly and kissed her.
‘Would you like,’ he said presently, after both had sat silent awhile
in the firelight, ‘would you care to go to Madame de Netteville’s
to-night?’
‘By all means’ said Catherine, with a sort of eagerness. It _was_ Friday
she asked us for, wasn’t it? We will be quick over dinner, and I will go
and dress.’
In that last ten minutes which Robert had spent with the Squire in his
bedroom, on the Monday afternoon, when they were to have walked,
Mr. Wendover had dryly recommended Elsmere to cultivate Madame de
Netteville. He sat propped up in his chair, white, gaunt, and cynical,
and this remark of his was almost the only reference he would allow to
the Elsmere move.
‘You had better go there,’ he said huskily, ‘it will do you good. She
gets the first-rate people and she makes them talk, which Lady Charlotte
can’t. Too many fools at Lady Charlotte’s; she waters the wine too
much.’
And he had persisted with the subject--using it as Elsmere thought, as
a means of warding off other conversation. He would not ask Elsmere’s
plans, and he would not allow a word about himself.
There had been a heart attack, old Meyrick thought, coupled with
signs of nervous strain and excitement. It was the last ailment which
evidently troubled the doctor most. But behind the physical breakdown,
there was to Robert’s sense something else, a spiritual something,
infinitely forlorn and piteous, which revealed itself wholly against the
elder man’s will, and filled the younger with a dumb helpless rush of
sympathy. Since his departure Robert had made the keeping up of his
correspondence with the Squire a binding obligation, and he was to-night
chiefly anxious to go to Madame de Netteville’s that he might write an
account of it to Murewell.
Still the Squire’s talk, and his own glimpse of her at Murewell, had
made him curious to see more of the woman herself. The Squire’s ways
of describing her were always half approving, half sarcastic. Robert
sometimes imagined that he himself had been at one time more under her
spell than he cared to confess. If so, it must have been when she was
still in Paris, the young English widow of a man of old French family,
rich, fascinating, distinguished, and the centre of a small _salon_,
admission to which was one of the social blue ribbons of Paris.
Since the war of 1870 Madame de Netteville had fixed her headquarters in
London, and it was to her house in Hans Place that the Squire wrote to
her about the Elsmeres. She owed Roger Wendover debts of various kinds,
and she had an encouraging memory of the young clergyman on the
terrace at Murewell. So she promptly left her cards, together with the
intimation that she was at home always on Friday evenings.
‘I have never seen the wife,’ she meditated, as her delicate jewelled
hand drew up the window of the brougham in front of Elsmere’s lodgings.
‘But if she is the ordinary country clergyman’s spouse, the Squire of
course will have given the young man a hint.’
But whether from oblivion, or from some instinct of grim humor toward
Catherine, whom he had always vaguely disliked, the Squire said not one
word about his wife to Robert, in the course of their talk of Madame de
Netteville.
Catherine took pains with her dress, sorely wishing to do Robert credit.
She put on one of the gowns she had taken to Murewell when she married.
It was black, simply made, and had been a favorite with both of them in
the old surroundings.
So they drove off to Madame de Netteville’s. Catherine’s heart was
beating faster than usual as she mounted the twisting stairs of the
luxurious little house. All these new social experiences were a trial to
her. But she had the vaguest, most unsuspicious ideas of what she was to
see in this particular house.
A long low room was thrown open to them. Unlike most English rooms, it
was barely though richly furnished. A Persian carpet of self-colored
grayish blue, threw the gilt French chairs and the various figures
sitting upon them into delicate relief. The walls were painted white,
and had a few French mirrors and girandoles upon them, half a dozen fine
French portraits, too, here and there, let into the wall in oval frames.
The subdued light came from the white sides of the room, and seemed
to be there solely for social purposes. You could hardly have read or
written in the room, but you could see a beautiful woman in a beautiful
dress there, and you could talk there, either _tête-à-tête_ or to the
assembled company, to perfection, so cunningly was it all devised.
When the Elsmeres entered, there were about a dozen people present--ten
gentleman and two ladies. One of the ladies, Madame de Netteville, was
lying back in the corner of a velvet divan placed against the wall, a
screen between her and a splendid fire that threw its blaze out into the
room. The other, a slim woman with closely curled fair hair, and a neck
abnormally long and white, sat near her, and the circle of men were
talking indiscriminately to both.
As the footman announced Mr. and Mrs. Elsmere, there was a general stir
of surprise. The men looked round; Madame de Netteville half rose with
a puzzled look. It was more than a month since she had dropped her
invitation. Then a flash, not altogether of pleasure, passed over her
face, and she said a few hasty words to the woman near her, advancing
the moment afterward to give her hand to Catherine.
‘This is very kind of you, Mrs. Elsmere, to remember me so soon. I had
imagined you were hardly settled enough yet to give me the pleasure of
seeing you.’
But the eyes fixed on Catherine, eyes which took in everything, were not
cordial for all their smile.
Catherine, looking up at her, was overpowered by her excessive manner,
and by the woman’s look of conscious sarcastic strength, struggling
through all the outer softness of beauty and exquisite dress.
‘Mr. Elsmere, you will find this room almost as hot, I am afraid, as
that afternoon on which we met last. Let me introduce you to Count
Wielandt--Mr. Elsmere. Mrs. Elsmere, will you come over here, beside
Lady Aubrey Willert?’
Robert found himself bowing to a young diplomatist, who seemed to him to
look at him very much as he himself might have scrutinized an inhabitant
of New Guinea. Lady Aubrey made an imperceptible movement of the head
as Catherine was presented to her, and Madame de Netteville, smiling and
biting her lip a little, fell back into her seat.
There was a faint odor of smoke in the room. As Catherine sat down, a
young exquisite a few yards from her threw the end of a cigarette into
the fire with a little sharp decided gesture. Lady Aubrey also pushed
away a cigarette case which lay beside her hand.
Everybody there had the air more or less of an _habitué_ of the house;
and when the conversation began again, the Elsmeres found it very
hard, in spite of certain perfunctory efforts on the part of Madame de
Netteville, to take any share in it.
‘Well, I believe the story about Desforêts is true,’ said the
fair-haired young Apollo, who had thrown away his cigarette, lolling
back in his chair.
Catherine started, the little scene with Rose and Langham in the English
rectory garden flashing incongruously back upon her.
‘If you got it from _The Ferret_, my dear Evershed,’ said the ex-Tory
minister, Lord Rupert, ‘you may put it down as a safe lie. As for me, I
believe she has a much shrewder eye to the main chance.’
‘What do you mean?’ said the other, raising astonished eyebrows.
‘Well, it doesn’t _pay_, you know, to write yourself down a fiend--not
quite.’
‘What--you think it will affect her audiences? Well, that is a good
joke!’ and the young man laughed immoderately joined by several of the
other guests.
‘I don’t imagine it will make any difference to you, my good friend,’
returned Lord Rupert imperturbably; ‘but the British public haven’t got
your nerve. They may take it awkwardly--I don’t say they will--when a
woman who has turned her own young sister out of doors at night, in St.
Petersburg, so that ultimately as a consequence the girl dies--comes to
ask them to clap her touching impersonations of injured virtue.’
‘What has one to do with an actress’ private life, my dear Lord Rupert?’
asked Madame de Netteville, her voice slipping with a smooth clearness
into the conversation, her eyes darting light from under straight black
brows.
‘What indeed!’ said the young man who had begun the conversation, with
a disagreeable enigmatical smile, stretching his hand for another
cigarette, and drawing it back out with a look under his drooped
eyelids--a look of cold impertinent scrutiny--at Catherine Elsmere.
‘Ah! well--I don’t want to be obtrusively moral--Heaven Forbid! But
there is such a thing as destroying the illusion to such an extent that
you injure your pocket. Desforêts is doing it--doing it actually in
Paris too.’
There was a ripple of laughter.
‘Paris and illusions--_O mon Dieu!_’ groaned young, Evershed, when he
had done laughing, laying meditative hands on his knees and gazing into
the fire.
‘I tell you I have seen it,’ said Lord Rupert, waxing combative, and
slapping the leg he was nursing with emphasis. ‘The last time I went
to see Desforêts in Paris the theatre was crammed, and the
house--theatrically speaking--_ice_. They received her in dead,
silence--they gave her not one single recall--and they only gave her
a clap, that I can remember, at those two or three points in the play
where clap they positively must or burst. They go to see her--but they
loathe her--and they let her know it.’
‘Bah!’ said his opponent, ‘it is only because they are tired of her. Her
vagaries don’t amuse them any longer--they know them by heart.
And--by George! she has some pretty rivals too, now!’ he added
reflectively,--‘not to speak of the Bernhardt.’
‘Well, the Parisians _can_ be shocked,’ said Count Wielandt in excellent
English, bending forward so as to get a good view of his hostess. ‘They
are just now especially shocked by the condition of English morals!’
The twinkle in his eye was irresistible. The men, understanding his
reference to the avidity with which certain English aristocratic
scandals had been lately seized upon by the French papers, laughed
out--so did Lady Aubrey. Madame de Netteville contented herself with a
smile.
‘They profess to be shocked, too, by Renan’s last book,’ said the editor
from the other side of the room.
‘Dear me!’ said Lady Aubrey, with meditative scorn, fanning herself
lightly the while, her thin but extraordinarily graceful head and neck
thrown out against the golden brocade of the cushion behind her.
‘Oh! what so many of them feel in Renan’s case, of course’ said Madame
de Netteville, ‘is that every book he writes now gives a fresh opening
to the enemy to blaspheme. Your eminent freethinker can’t afford
just yet, in the present state of the world, to make himself socially
ridiculous. The cause suffers.’
‘Just my feeling,’ said young Evershed calmly. ‘Though I mayn’t care
a rap about him personally, I prefer that a man on my own front bench
shouldn’t make a public ass of himself if he can help it--not for his
sake, of course, but for mine!’
Robert looked at Catherine. She sat upright by the side of Lady Aubrey;
her face, of which the beauty tonight seemed lost in rigidity, pale
and stiff. With a contraction of heart he plunged himself into the
conversation. On his road home that evening he had found an important
foreign telegram posted up at the small literary club to which he had
belonged since Oxford days. He made a remark about it now to Count
Wielandt; and the diplomatist, turning rather unwillingly to face his
questioner, recognized that the remark was a shrewd one.
Presently the young man’s frank intelligence had told. On his way to and
from the Holy Land three years before, Robert had seen something of the
East, and it so happened that he remembered the name of Count Wielandt
as one of the foreign secretaries of legation present at an official
party given by the English Ambassador at Constantinople, which he and
his mother had attended on their return journey, in virtue of a family
connection with the Ambassador. All that he could glean from memory he
made quick use of now, urged at first by the remorseful wish to make
this new world into which he had brought Catherine less difficult than
he knew it must have been during the last quarter of an hour.
But after a while he found himself leading the talk of a section of the
room, and getting excitement and pleasure out of the talk itself. Ever
since that Eastern journey he had kept an eye on the subjects which had
interested him then, reading in his rapid voracious way all that came
across him at Murewell, especially in the Squire’s foreign newspapers
and reviews, and storing it when read in a remarkable memory.
Catherine, after the failure of some conversational attempts between her
and Madame de Netteville, fell to watching her husband with a start of
strangeness and surprise. She had scarcely seen him at Oxford among
his equals; and she had very rarely been present at his talks with
the Squire. In some ways, and owing to the instinctive reserves set up
between them for so long, her intellectual knowledge of him was very
imperfect. His ease, his resource among these men of the world, for
whom--independent of all else--she felt a country-woman’s dislike,
filled her with a kind of bewilderment.
‘Are you new to London?’ Lady Aubrey asked her presently, in that tone
of absolute detachment from the person addressed which certain women
manage to perfection. She, too, had been watching the husband, and the
sight had impressed her with a momentary curiosity to know what the
stiff, handsome, dowdily-dressed wife was made of.
‘We have been two months here,’ said Catherine, her large gray eyes
taking in her companion’s very bare shoulders, the costly fantastic
dress, and the diamonds flashing against the white skin.
‘In what part?’
‘In Bedford Square.’
Lady Aubrey was silent. She had no ideas on the subject of Bedford
Square at command.
‘We are very central,’ said Catherine, feeling desperately that she was
doing Robert no credit at all, and anxious to talk if only something
could be found to talk about.
‘Oh, yes, you are near the theatres,’ said the other indifferently.
This was hardly an aspect of the matter which had yet occurred to
Catherine. A flash of bitterness ran through her. Had they left their
Murewell life to be near the theatres, and kept at arm’s length by
supercilious great ladies?
‘We are very far from the Park,’ she answered with an effort. ‘I wish we
weren’t for my little girl’s sake.’
‘Oh, you have a little girl! How old?’
‘Sixteen months.’
‘Too young to be a nuisance yet. Mine are just old enough to be in
everybody’s way. Children are out of place in London. I always want to
leave mine in the country, but my husband objects,’ said Lady Aubrey
coolly. There was a certain piquancy in saying frank things to this
stiff, Madonna-faced woman.
Madame de Netteville, meanwhile, was keeping up a conversation in an
undertone with young Evershed, who had come to sit on a stool beside
her, and was gazing up at her with eyes of which the expression
was perfectly understood by several persons present. The handsome,
dissipated, ill-conditioned youth had been her slave and shadow for
the last two years. His devotion now no longer mused her, and she
was endeavoring to, get rid of it and of him. But the process was a
difficult one, and took both time and _finesse_.
She kept her eye, notwithstanding, on the newcomers where the Squire’s
introduction had brought to her that night. When the Elsmeres rose to
go, she said good-by to Catherine with an excessive politeness, under
which her poor guest, conscious of her own _gaucherie_ during the
evening, felt the touch of satire she was perhaps meant to feel. But
when Catherine was well ahead Madame de Netteville gave Robert one of
her most brilliant smiles.
‘Friday evening, Mr. Elsmere; always Fridays. You will remember?’
The _naïveté_ of Robert’s social view, and the mobility of his temper,
made him easily responsive. He had just enjoyed half an hour’s brilliant
talk with two or three of the keenest and most accomplished men in
Europe. Catherine had slipped out of his sight meanwhile, and the
impression of their _entreé_ had been effaced. He made Madame de
Netteville, therefore, a cordial smiling reply, before his tall slender
form disappeared after that of his wife.
‘Agreeable--rather an acquisition!’ said Madame de Netteville to Lady
Aubrey, with a light motion of the head toward Robert’s retreating
figure. ‘But the wife! Good heavens! I owe Roger Wendover a grudge. I
think he might have made it plain to those good people that I don’t want
strange women at my Friday evenings.’
Lady Aubrey laughed. ‘No doubt she is a genius, or a saint, in mufti.
She might be handsome too if some one would dress her.’
Madame de Netteville shrugged her shoulders. ‘Oh! life is not long
enough to penetrate that kind of person,’ she said.
Meanwhile the ‘person’ was driving homeward very sad and ill at ease.
She was vexed that she had not done better, and yet she was wounded by
Robert’s enjoyment. The Puritan in her blood was all aflame. As she sat
looking into the motley lamp-lit night she could have ‘testified’ like
any prophetess of old.
Robert meanwhile, his hand slipped into hers, was thinking of Wielandt’s
talk, and of some racy stories of Berlin celebrities told by a young
_attaché_ who had joined their group. His lips were lightly smiling, his
brow serene.
But as he helped her down from the cab, and they stood in the hall
together, he noticed the pale discomposure of her looks. Instantly the
familiar dread and pain returned upon him.
‘Did you like it, Catherine?’ he asked her, with something like
timidity, as they stood together by their bedroom fire.
She sank into a low chair and sat a moment staring at the blaze. He
was startled by her look of suffering, and, kneeling, he put his arms
tenderly round her.
‘Oh, Robert, Robert!’ she cried, falling on his neck.
‘What is it?’ he asked, kissing her hair.
‘I seem all at sea,’ she said in a choked voice, her face hidden,--‘the
old landmarks swallowed up! I am always judging and condemning,--always
protesting. What am I that I should judge? But how,--how,--can I help
it?’
She drew herself away from him, once more looking into the fire with
drawn brows.
‘Darling, the world is full of difference. Men and women take life in
different ways. Don’t be so sure yours is the only right one.’
He spoke with a moved gentleness, taking her hand the while.
’”_This_ is the way, walk ye in it!”’ she said presently, with strong,
almost stern emphasis. ‘Oh those women, and that talk! Hateful!’
He rose and looked down on her from the mantelpiece. Within him was a
movement of impatience, repressed almost at once by the thought of that
long night at Murewell, when he had vowed to himself to ‘make amends!’
And if that memory had not intervened she would still have disarmed him
wholly.
‘Listen!’ she said to him suddenly, her eyes kindling with a strange
childish pleasure. ‘Do you hear the wind, the west wind? Do you remember
how it used to shake the house, how it used to come sweeping through the
trees in the wood-path? It must be trying the study window now, blowing
the vine against it.’
A yearning passion breathed through every feature. It seemed to him she
saw nothing before her. Her longing soul was back in the old haunts,
surrounded by the old loved forms and sounds. It went to his heart. He
tried to soothe her with the tenderest words remorseful love could
find. But the conflict of feeling--grief, rebellion, doubt,
self-judgment--would not be soothed, and long after she had made him
leave her and he had fallen asleep, she knelt on, a white and rigid
figure in the dying firelight, the wind shaking the old house, the
eternal murmur of London booming outside.
CHAPTER XXXIV.
Meanwhile, as if to complete the circle of pain with which poor
Catherine’s life was compassed, it began to be plain to her that, in
spite of the hard and mocking tone Rose generally adopted with regard to
him, Edward Langham was constantly at the house in Lerwick Gardens, and
that it was impossible he should be there so much unless in some way or
other Rose encouraged it.
The idea of such a marriage--nay, of such a friendship--was naturally as
repugnant as ever to her. It had been one of the bitterest moments of a
bitter time, when, at their first meeting after the crisis in her life,
Langham, conscious of a sudden movement of pity for a woman he disliked,
had pressed the hand she held out to him in a way which clearly showed
her what was in his mind, and had then passed on to chat and smoke with
Robert in the study, leaving her behind to realize the gulf that lay
between the present and that visit of his to Murewell, when Robert and
she had felt in unison toward him, his opinions and his conduct to Rose,
as toward everything else of importance in their life.
Now it seemed to her Robert must necessarily look at the matter
differently, and she could not make up her mind to talk to him about it.
In reality, his objections had never had the same basis as hers, and he
would have given her as strong a support as ever, if she had asked for
it. But she held her peace, and he, absorbed in other things, took no
notice. Besides, he knew Langham too well. He had never been able to
take Catherine’s alarms seriously.
An attentive onlooker, however, would have admitted that this time, at
any rate, they had their justification. Why Langham was so much in the
Leyburns’ drawing-room during these winter months, was a question that
several people asked--himself not least. He had not only pretended to
forget Rose Leyburn during the eighteen months which had passed since
their first acquaintance at Murewell--he had for all practical purposes
forgotten her. It is only a small proportion of men and women who are
capable of passion on the great scale at all; and certainly, as we have
tried to show, Langham was not among them. He had had a passing moment
of excitement at Murewell, soon put down, and followed by a week of
extremely pleasant sensations, which, like most of his pleasures, had
ended in reaction and self-abhorrence. He had left Murewell remorseful,
melancholy, and ill-at-ease, but conscious, certainly, of a great relief
that he and Rose Leyburn were not likely to meet again for long.
Then his settlement in London had absorbed him, as all such matters
absorb men who have become the slaves of their own solitary habits, and
in the joy of his new freedom, and the fresh zest for learning it had
aroused in him, the beautiful unmanageable child who had disturbed his
peace at Murewell was not likely to be more, but less remembered.
When he stumbled across her unexpectedly in the National Gallery, his
determining impulse had been merely one of flight.
However, as he had written to Robert toward the beginning of his London
residence, there was no doubt that his migration had made him for the
time much more human, observant, and accessible. Oxford had become to
him an oppression and a nightmare and as soon as he had turned his back
on it, his mental lungs seemed once more to fill with air. He took his
modest part in the life of the capital; happy in the obscurity afforded
him by the crowd; rejoicing in the thought that his life and his affairs
were once more his own, and the academical yoke had been slipped for
ever.
It was in this mood of greater cheerfulness and energy that his fresh
sight of Rose found him. For the moment, he was perhaps more susceptible
than he ever could have been before to her young perfections, her
beauty, her brilliancy, her provoking, stimulating ways. Certainly, from
that first afternoon onward he became more and more restless to watch
her, to be near her, to see what she made of herself and her gifts. In
general, though it was certainly owing to her that he came so much, she
took small notice of him. He regarded, or chose to regard, himself as
a mere ‘item’--something systematically overlooked and forgotten in the
bustle of her days and nights. He saw that she thought badly of him,
that the friendship he might have had was now proudly refused him, that
their first week together had left a deep impression of resentment and
hostility in her mind. And all the same he came; and she asked him!
And sometimes, after an hour when she had been more difficult or more
satirical than usual, ending notwithstanding with a little change of
tone, a careless ‘You will find us next Wednesday as usual; So-and-so
is coming to play,’ Langham would walk home in a state of feeling he did
not care to analyze, but which certainly quickened the pace of life a
good deal. She would not let him try his luck at friendship again, but
in the strangest slightest ways did she not make him suspect every now
and then that he _was_ in some sort important to her, that he sometimes
preoccupied her against her will; that her will, indeed, sometimes
escaped her, and failed to control her manner to him?
It was not only his relations to the beauty, however, his interest
in her career, or his perpetual consciousness of Mrs. Elsmere’s cold
dislike and disapproval of his presence in her mother’s drawing-room,
that accounted for Langham’s heightened mental temperature this winter.
The existence and the proceedings of Mr. Hugh Flaxman had a very
considerable share in it.
‘Tell me about Mr. Langham,’ said Mr. Flaxman once to Agnes Leyburn,
in the early days of his acquaintance with the family; ‘is he an old
friend?’
‘Of Robert’s,’ replied Agnes, her cheerful impenetrable look fixed upon
the speaker. ‘My sister met him once for a week in the country at the
Elsmeres’. My mother and I have been only just introduced to him.’
Hugh Flaxman pondered the information a little.
‘Does he strike you as--well--what shall we say?--unusual?’
His smile struck one out of her.
‘Even Robert might admit that’ she said demurely.
‘Is Elsmere so attached to him? I own I was provoked just now by his
tone about Elsmere. I was remarking on the evident physical and
mental strain your brother-in-law had gone through, and he said with a
_nonchalance_ I cannot convey: “Yes, it is astonishing Elsmere should
have ventured it. I confess I often wonder whether it was worth while.”
“Why?” said I, perhaps a little hotly. Well, he didn’t know--wouldn’t
say. But I gathered that according to him, Elsmere is still swathed in
such an unconscionable amount of religion that the few rags and patches
he has got rid of are hardly worth the discomfort of the change. It
seemed to me the tone of the very cool spectator, rather than the
friend. However--does your sister like him?’
‘I don’t know,’ said Agnes, looking her questioner full in the face.
Hugh Flaxman’s fair complexion flushed a little. He got up to go.
‘He is one of the most extraordinarily handsome persons I ever saw,’ he
remarked as he buttoned up his coat. ‘Don’t you think so?’
‘Yes,’ said Agnes dubiously, ‘if he didn’t stoop, and if he didn’t in
general look half-asleep.’
Hugh Flaxman departed more puzzled than ever as to the reason for the
constant attendance of this uncomfortable anti-social person at the
Leyburns’ house. Being himself a man of very subtle and fastidious
tastes, he could imagine that so original a suitor, with such eyes, such
an intellectual reputation so well sustained by scantiness of speech and
the most picturesque capacity for silence, _might_ have attractions for
a romantic and wilful girl. But where were the signs of it? Rose rarely
talked to him, and was always ready to make him the target of a sub-acid
raillery. Agnes was clearly indifferent to him, and Mrs. Leyburn equally
clearly afraid of him. Mrs. Elsmere, too, seemed to dislike him, and yet
there he was, week after week. Flaxman could not make it out.
Then he tried to explore the man himself. He started various topics
with him--University reform, politics, music. In vain. In his most
characteristic Oxford days Langham had never assumed a more wholesale
ignorance of all subjects in heaven and earth, and never stuck more
pertinaciously to the flattest forms of commonplace. Flaxman walked
away at last boiling over. The man of parts masquerading as the fool is
perhaps at least as exasperating as the fool playing at wisdom.
However, he was not the only person irritated. After one of these
fragments of conversation, Langham also walked rapidly home in a state
of most irrational petulance, his hands thrust with energy into the
pockets of his overcoat.
‘No, my successful aristocrat, you shall not have everything your own
way so easily with me or with _her!_ You may break me, but you shall not
play upon me. And as for her, I will see it out--I will see it out!’
And he stiffened himself as he walked, feeling life electric all about
him and a strange new force tingling in every vein.
Meanwhile, however, Mr. Flaxman was certainly having a good deal of his
own way. Since the moment when his aunt, Lady Charlotte, had introduced
him to Miss Leyburn--watching him the while with a half-smile which soon
broadened into one of sly triumph--Hugh Flaxman had persuaded himself
that country houses are intolerable even in the shooting season, and
that London is the only place of residence during the winter for the
man who aspires to govern his life on principles of reason. Through his
influence and that of his aunt, Rose and Agnes--Mrs. Leyburn never went
out--were being carried into all the high life that London can supply in
November and January. Wealthy, highborn, and popular, he was gradually
devoting his advantages in the freest way to Rose’s service. He was an
excellent musical amateur, and was always proud to play with her; he had
a fine country house, and the little rooms on Campden Hill were almost
always filled with flowers from his gardens; he had a famous musical
library, and its treasures were lavished on the girl violinist; he had a
singularly wide circle of friends, and with his whimsical energy he
was soon inclined to make kindness to the two sisters the one test of a
friend’s good-will.
He was clearly touched by Rose; and what was to prevent his making an
impression on her? To her sex he had always been singularly attractive.
Like his sister, he had all sorts of bright impulses and audacities
flashing and darting about him. He had a certain _hauteur_ with men,
and could play the aristocrat when he pleased, for all his philosophical
radicalism. But with women he was the most delightful mixture of
deference and high spirits. He loved the grace of them, the daintiness
of their dress, the softness of their voices. He would have done
anything to please them, anything to save them pain. At twenty-five,
when he was still ‘Citizen Flaxman’ to his college friends, and in the
first fervors of a poetic defiance of prejudice and convention, he
had married a gamekeeper’s pretty daughter. She had died with her
child--died, almost, poor thing! of happiness and excitement--of the
over-greatness of Heaven’s boon to her. Flaxman had adored her, and
death had tenderly embalmed a sentiment to which life might possibly
have been less kind. Since then he had lived in music, letters, and
society, refusing out of a certain fastidiousness to enter politics,
but welcomed and considered wherever he went, tall, good-looking,
distinguished, one of the most agreeable and courted of men, and perhaps
the richest _parti_ in London.
Still, in spite of it all, Langham held his ground--Langham would see
it out! And indeed, Flaxman’s footing with the beauty was by no means
clear--least of all to himself. She evidently liked him, but she
bantered him a good deal; she would not be the least subdued or dazzled
by his birth and wealth, or by those of his friends; and if she allowed
him to provide her with pleasure, she would hardly ever take his advice,
or knowingly consult his tastes.
Meanwhile she tormented them both a good deal by the artistic
acquaintance she gathered about her. Mrs. Pierson’s world, as we have
said, contained a good many dubious odds and ends, and she had handed
them all over to Rose. The Leyburns’ growing intimacy with Mr. Flaxman
and his circle, and through them with the finer types of the artistic
life, would naturally and by degrees have carried them away somewhat
from this earlier circle if Rose would have allowed it. But she clung
persistently to its most unpromising specimens, partly out of a natural
generosity of feeling, but partly also for the sake of that opposition
her soul loved, her poor prickly soul, full under all her gayety and
indifference of the most desperate doubt and soreness,--opposition to
Catherine, opposition to Mr. Flaxman, but, above all, opposition to
Langham.
Flaxman could often avenge himself on her--or rather on the more
obnoxious members of her following--by dint of a faculty for light and
stinging repartee which would send her, flushed and biting her lip,
to have her laugh out in private. But Langham for a long time was
defenseless. Many of her friends in his opinion were simply pathological
curiosities--their vanity was so frenzied, their sensibilities so
morbidly developed. He felt a doctor’s interest in them coupled
with more than a doctor’s scepticism as to all they had to say about
themselves. But Rose would invite them, would assume a _quasi_-intimacy
with them; and Langham as well as everybody else had to put up with it.
Even the trodden worm however----And there came a time when the
concentration of a good many different lines of feeling in Langham’s
mind betrayed itself at last in a sharp and sudden openness. It began
to seem to him that she was specially bent often on tormenting _him_
by these caprices of hers, and he vowed to himself finally, with an
outburst of irritation due in reality to a hundred causes, that he would
assert himself, that he would make an effort at any rate to save her
from her own follies.
One afternoon, at a crowded musical party, to which he had come much
against his will, and only in obedience to a compulsion he dared not
analyze, she asked him in passing if he would kindly find Mr. MacFadden,
a bass singer, whose name stood next on the programme, and who was not
to be seen in the drawing-room.
Langham searched the dining-room and the hall, and at last found Mr.
MacFadden--a fair, flabby, unwholesome youth--in the little study or
cloak room, in a state of collapse, flanked by whisky and water, and
attended by two frightened maids, who handed over their charge to
Langham and fled.
Then it appeared that the great man had been offended by a change in the
programme, which hurt his vanity, had withdrawn from the drawing-room on
the brink of hysterics, had called for spirits, which had been provided
for him with great difficulty by Mrs. Leyburn’s maids, and was there
drinking himself into a state of rage and rampant dignity which would
soon have shown itself in a melodramatic return to the drawing-room,
and a public refusal to sing at all in a house where art had been
outraged in his person.
Some of the old disciplinary instincts of the Oxford tutor awoke in
Langham at the sight of the creature, and, with a prompt sternness which
amazed himself, and nearly set MacFadden whimpering, he got rid of the
man, shut the hall door on him, and went back to the drawing-room.
‘Well?’ said Rose in anxiety, coming up to him.
‘I have sent him away,’ he said briefly, an eye of unusual quickness and
brightness looking down upon her; ‘he was in no condition to sing. He
chose to be offended, apparently because he was put out of his turn, and
has been giving the servants trouble.’
Rose flushed deeply, and drew herself up with a look of half trouble,
half defiance, at Langham.
‘I trust you will not ask him again,’ he said, with the same decision.
‘And if I might say so, there are one or two people still here whom I
should like to see you exclude at the same time.’
They had withdrawn into the bow window out of earshot of the rest of the
room. Langham’s look turned significantly toward a group near the piano.
It contained one or two men whom he regarded as belonging to a low type;
men who, if it suited their purpose, would be quite ready to tell or
invent malicious stories of the girl they were now flattering, and whose
standards and instincts represented a coarser world than Rose in reality
knew anything about.
Her eyes followed his.
‘I know,’ she said, petulantly, ‘that you dislike artists. They are not
your world. They are mine.’
‘I dislike artists? What nonsense, too! To me personally these men’s
ways don’t matter in the least. They go their road and I mine. But I
deeply resent any danger of discomfort and annoyance to you!’
He still stood frowning, a glow of indignant energy showing itself in
his attitude, his glance. She could not know that he was at that moment
vividly realizing the drunken scene that might have taken place in her
presence if he had not succeeded in getting the man safely out of the
house. But she felt that he was angry, and mostly angry with her, and
there was something so piquant and unexpected in his anger!
‘I am afraid,’ she said, with a queer sudden submissiveness, ‘you have
been going through something very disagreeable. I am very sorry. Is
it my fault?’ she added, with a whimsical flash of eye, half fun, half
serious.
He could hardly believe his ears.
‘Yes, it is your fault, I think!’ he answered her, amazed at his
own boldness. ‘Not that _I_ was annoyed--Heavens! what does that
matter?--but that you and your mother and sister were very near an
unpleasant scene. You will not take advice, Miss Leyburn, you will take
your own way in spite of what anyone else can say or hint to you, and
some day you will expose yourself to annoyance when there is no one near
to protect you!’
‘Well, if so, it won’t be for want of a mentor,’ she said, dropping him
a mock courtesy. But her lips trembled under its smile, and her tone had
not lost its gentleness.
At this moment Mr. Flaxman, who had gradually established himself as the
joint leader of these musical afternoons, came forward to summon Rose
to a quartet. He looked from one to the other, a little surprise
penetrating through his suavity of manner.
‘Am I interrupting you?’
‘Not at all,’ said Rose; then, turning back to Langham, she said, in a
hurried whisper: ‘Don’t say anything about the wretched man: it would
make mamma nervous. He shan’t come here again.’
Mr. Flaxman waited till the whisper was over, and then led her off, with
a change of manner which she immediately perceived, and which lasted for
the rest of the evening.
Langham went home and sat brooding over the fire. Her voice had not
been so kind, her look so womanly, for months. Had she been reading
‘Shirley,’ and would she have liked him to play Louis Moore? He went
into a fit of silent convulsive laughter as the idea occurred to him.
Some secret instinct made him keep away from her for a time. At last,
one Friday afternoon, as he emerged from the Museum, where he had been
collating the MSS. of some obscure Alexandrian, the old craving returned
with added strength and he turned involuntarily westward.
An acquaintance of his, recently made in the course of work at the
Museum, a young Russian professor, ran after him, and walked with him.
Presently they passed a poster on the wall, which contained in enormous
letters the announcement of Madame Desforêts’ approaching visit to
London, a list of plays, and the dates of performances.
The young Russian suddenly stopped and stood pointing at the
advertisement, with shaking derisive finger, his eyes aflame, the whole
man quivering with what looked like antagonism and hate.
Then he broke into a fierce flood of French. Langham listened till they
had passed Piccadilly, passed the Park, and till the young _savant_
turned southward toward his Brompton lodgings.
Then Langham slowly climbed Campden Hill, meditating. His thoughts
were an odd mixture of the things he had just heard, and of a scene at
Murewell long ago when a girl had denounced him for ‘calumny.’
At the door of Lerwick Gardens he was informed that Mrs. Leyburn was
upstairs with an attack of bronchitis. But the servant thought the young
ladies were at home. Would he come in? He stood irresolute a moment,
then went in on a pretext of ‘inquiry.’
The maid threw open the drawing-room door, and there was Rose sitting
well into the fire--for it was a raw February afternoon--with a book.
She received him with all her old hard brightness. He was indeed
instantly sorry that he had made his way in. Tyrant! was she displeased
because he had slipped his chain for rather longer than usual?
However, he sat down, delivered his book, and they talked first about
her mother’s illness. They had been anxious, she said, but the doctor,
who had just taken his departure, had now completely reassured them.
‘Then you will be able probably after all to put in an appearance at
Lady Charlotte’s this evening?’ he asked her.
The omnivorous Lady Charlotte of course had made acquaintance with him,
in the Leyburns’ drawing-room, as she did with everybody who crossed
her path, and three days before he had received a card from her for this
evening.
‘Oh, yes! But I have had to miss a rehearsal this afternoon. That
concert at Searle House is becoming a great nuisance.’
‘It will be a brilliant affair, I suppose. Princes on one side of
you--and Albani on the other. I see they have given you the most
conspicuous part as violinist.’
‘Yes,’ she said with a little satirical tightening of the lip. ‘Yes--I
suppose I ought to be much flattered.’
‘Of course--’ he said, smiling, but embarrassed. ‘To many people you
must be at this moment one of the most enviable persons in the world. A
delightful art--and every opportunity to make it tell!’
There was a pause. She looked into the fire.
‘I don’t know whether it is a delightful art,’ she said presently,
stifling a little yawn. ‘I believe I am getting very tired of London.
Sometimes I think I shouldn’t be very sorry to find myself suddenly
spirited back to Burwood!’
Langham gave vent to some incredulous interjection. He had apparently
surprised her in a fit of _ennui_ which was rare with her.
‘Oh no, not yet!’ she said suddenly, with a return of animation. ‘Madame
Desforêts comes next week, and I am to see her.’ She drew herself up
and turned a beaming face upon him. Was there a shaft of mischief in her
eye? He could not tell. The firelight was perplexing.
‘You are to see her?’ he said slowly. ‘Is she coming here?’
‘I hope so. Mrs. Pierson is to bring, her. I want mamma to have the
amusement of seeing her. My artistic friends are a kind of tonic to
her--they excite her so much. She regards them as a sort of show--much
as you do, in fact, only in a more charitable fashion.’
But he took no notice of what she was saying.