CHAPTER V

HE COMPOSES A LOVE MISSIVE

Sunday afternoon, Mr. Fletcher took his son for a long stroll in the

park. They joined the throng of people who promenaded up and down the

broad cement walk along the beach, and watched the antics of the

children with their transitory castles until this pleasure began to

pall. Then they retraced their steps westward to the big island and

explored the fascinating, winding paths along the shrubbery-covered

shores. Everywhere were signs of autumn. A light carpet of half-dried

leaves had already covered the ground. The song birds in the fast

yellowing, graceful willows were supplanted by silent, migratory groups

of somber juncos, who fled at their approach. Here and there, they

surprised a squirrel adding another peanut to his well-buried winter

cache. But a little later, a pair of lovers on a narrow peninsula bank

separated awkwardly as the two sauntered up, and John laughed joyously.

The spirit of summer was as yet far from dead.

Still they wandered on as their fancy pleased them. Far to the south of

the park, John collected an armful of cat-tails from a bit of marshland,

and Mr. Fletcher pointed out to him a strange, spotted lizard, which

scurried for shelter from the intruders. As they returned, they loitered

by the green, verandaed club house to count the fast diminishing fleet

of yachts, and joined an ironic audience who watched the struggles of

two motorboat owners with their craft, and a pair of rickety wagon

trucks. Sunset found them climbing the home steps to sink into the easy

porch chairs and wait blissfully until Mrs. Fletcher announced that

supper was ready.

Now by all the laws of small boy nature, John's eyes should have closed

that night five minutes after his head had touched the pillow. But then

it was that the inexplicable happened. Louise forced a disturbing

entrance into his thoughts with a strange insistency. Was she sleeping

peacefully or was she thinking of her rescue from the mercies of the

gang? Perhaps she had already forgotten him. Still, the boys hadn't.

They would probably spread the details of the love affair all over the

juvenile neighborhood. Would she walk with him if they did?

The big clock in the hall of the house next door struck ten. He

discovered that a wrinkle in the sheet chafed his back and smoothed it

out half angrily.

Why couldn't he go to sleep? Had Louise's mother been vexed at the

broken eggs? How pretty the girl's long ringlets had looked as she stood

on the sunlit corner that morning. Did she like to fish? An expedition

for two could be arranged in spite of the late season. He'd bait her

hook and take the fish off if she wished. Lunch could be prepared

beforehand and they wouldn't have to worry about meal time.

Again the timepiece next door chimed its message. He counted the

strokes--seven--eight--nine--ten--_eleven_! Only twice before had he

remained awake so late--once on a railroad trip, and once when Uncle

Frank had come to visit them. He rubbed his clenched fists in his eyes

and wondered if he dared light the gas to read. He could keep his

geography near as an excuse if anyone discovered him. Then, hastened

possibly by the soporific influence of that school book, sleep came at

last.

In the morning, John tried to analyze the causes for his mental rampage

as he drew on one toe-frayed stocking. Now that his mother had roused

him for the third and final time, he felt tired enough to sleep another

three hours. What had been the matter?

A love scene from that latest public library book flashed into his

perplexed brain and he sighed contentedly. Had not Leander sacrificed

long hours of precious slumber at the shrine of his beloved Philura? The

inference in his own case was both obvious and satisfactory.

To tell Louise of his infatuation seemed the next and most logical step.

He lacked the courage for a verbal declaration; therefore the message

must be in writing. But in what form? Letter writing to a girl was a

novel experience, and he had a horror of parental laughter if he asked

for advice.

"John!" his mother called from the stairway. "Aren't you ever going to

get dressed?"

He pulled on his second stocking hastily, with a call of "Down in a

minute, Mother."

His grandmother's old _Complete Letter Writer_ was in the library

bookcase. That ought to help him out of his predicament. Wasn't it the

_Complete_----"

"John!" came a second and more peremptory interruption of his thoughts.

"Get down here this minute."

He started, drew on his shoes, half-buttoned them, slipped into his

blouse, with boyish disregard for such matters as bathing, and scampered

down the stairs to the dining-room. After a hasty meal of oatmeal and

potatoes, he fled to the seclusion of the library. A moment of nervous

fumbling with the lock, a rapid turning of pages, and--

"From a son at an educational institution, to his father, engaged in

business at Boston, requesting--"

But he didn't want to borrow money from Louise. "Honored Parent!" Why,

"Honored Louise" would sound too ridiculous for anything.

"From a merchant engaged in the hay and grain business in Baltimore, to

a wholesale dealer in New York, complaining that--"

Such prosaic details as hay and grain shortages were not for him. He

wanted a love letter, an epistle that would breathe the fire of

adoration in every line. Didn't the old book have any? The title said

_Complete_--What was this?

"From a young man--" He skipped the rest of the heading--such things

didn't have much to do with the real contents anyway.

"Beloved--"

That sounded better.

"When first I--"

The door opened suddenly. Mrs. Fletcher gazed down at him in

astonishment.

"Haven't you gone to school yet? It's five minutes of nine, now. What on

earth have you been doing?"

The book dropped to the floor. A scant five minutes later, he stumbled

breathlessly into the school room, only to find that roll call had been

finished and that "B" class was holding its English recitation. Miss

Brown frowned and made a mark in the record book on her desk, and went

on with the class work. Out came his theme pad and pencil. The fifteen

minute study period was his for the composition of that letter and he

set to work.

What did a fellow usually say to a girl, anyway? He'd never written one

before. He twisted in his seat and caught a glimpse of the adored one's

graceful curls, but even with this inspiration, ideas refused to come.

"B" division closed its composition books and began to recite under Miss

Brown's guidance,

And she, kissing back, could not know

That _my_ kiss was given to her sister,

Folded close under deepening snow.

For two long weeks they had been memorizing "The First Snow-Fall," but

were not as yet, letter-perfect in the verses. The teacher encouraged

them. Twenty odd juvenile voices resumed the choppy, monotonous chant.

John gripped his pencil with new life.

Poetry! That was the only way to express your sentiments! Why hadn't he

thought of it before? Once, in third grade, he had composed a

masterpiece:

Think, think, what do you think?

A mouse ran under the kitchen sink.

The old maid chased it

With dustpan and broom

And kicked it and knocked it

Right out of the room.

The slip of paper had been passed to a chum for appreciation, only to

have Miss O'Rourke pounce upon the effort and read it to an uproarious

class. His ears burned, even now, at that memory.

But there would be no second disaster. He began on the ruled sheet

boldly,

"Beloved Louise!"

Then came a pause. Oh for a first line! You couldn't start out with "I

love you." That would make further words unnecessary. What did people

usually put in poems? All about stars, and the warm south wind and

roses. A fugitive bit of verse echoed in his brain. "The rose--" He had

it now!

The rose is red,

The violet's blue,

This will tell you

I love you.

To be sure, the bit of doggerel had been inscribed on a card sent him by

Harriette in the third-grade valentine box, but Louise need never know

the secret of its authorship. And it expressed his feelings with such a

degree of nicety!

He scrawled a huge, concluding "John," folded the paper complacently,

and waved one hand to attract Miss Brown's attention.

"Please, may I go over to the school store and buy a copy book?"

"Are your lessons prepared for this afternoon?"

"Yes'm."

Consent was given. John rose, with the compact paper hidden in his right

hand, and sauntered carelessly down the aisle. At his old desk, he

paused with a fleeting glace at Louise as he dropped the note, and

walked on into the hall. There he stopped to peer into the room through

the half-closed door.

Louise covered the note with one hand and drew it toward her slowly and

with infinite caution. He watched her face breathlessly. Curiosity was

succeeded by surprise and then by anger. A little toss of her curls, a

glance at teacher, and she half turned toward the door. He could see

that her face was scarlet. What was she going to do?

Horror of horrors, she stuck out her tongue at him!

The ways of girls were beyond his comprehension. There was no cause for

offense in that note. He loved her. Why should she object to being told

about it?

He made his way moodily down the broad flight of stairs leading to the

basement. There, in the big, dimly lighted, cement-floored playroom,

where the children held forth on rainy days, he met a boy from another

room, who was likewise in no hurry to return. They hailed each other in

subdued tones.

"Been down long?"

"Oh, our teacher doesn't get mad unless you're gone half an hour. Want

to play marbles?"

John assented joyously. His friend chalked an irregular circle on the

floor, and presently the room resounded with shouts of "H'ist," and "No

fair dribblin'" until the grizzled school janitor sent them flying to

their rooms under threat of a visit to the principal's office.

At the doorway, he paused to summon his courage, for time had flown all

too rapidly in the basement. Louise showed not a sign of recognition as

he passed. Miss Brown broke the oppressive silence.

"Where's the copy book, John?"

His lower lip dropped in consternation. His excuse for leaving had been

completely forgotten. "A quarter of an hour after school" was the

sentence for the offense, and he opened his geography with a feeling of

thankfulness that it had not been more.

All about the brick-paved school yard, on the walk, and in the street

gutters, were scattered oblongs of blue paper as he scampered from the

deserted building at noon. The boy picked one of the handbills up and

read with an odd thrill:

Professor T. J. O'Reilley's

PUNCH AND JUDY SHOW

_in_

Three Stupendous, Sidesplitting Parts

_at_

NEIGHBORHOOD HALL,

_Monday, October 4, at 4:15 p.m._

I

Punch and Judy. The old favorite as played before the Crowned Heads

of Europe. All the well-known characters, with added mirth

provoking innovations. Alone worth the price of admission.

II

Peck's Bad Boy and His Pal. Startling, amusing, and instructive

exhibition of ventriloquism by that amazing expert, Professor T. J.

O'Reilley. Hear the Bad Boy and his friend talk and joke as if they

were really alive. During this act Professor O'Reilley uses one of

his marvelous ventriloquial whistles and will explain its operation

to the audience.

III

Motion Pictures. Actual figures thrown on the screen that do

everything but talk. Thrilling display of the heroism of American

Soldiers during the Spanish-American War! See the landing of the

Regulars under fire! See men fall in actual battle before your very

eyes! Watch the charge up San Juan Hill--the thrilling infantry

skirmish!

_Followed by_

A Grand Distribution of Valuable Prizes! Glistening Ice Skates.

Rings, Dolls, Doll Carriages, and other Toys. In addition, every

man, woman, and child in the audience who does not win a gift, will

receive _absolutely free_, one of Professor O'Reilley's marvelous

ventriloquial whistles.

TWO HOURS OF AMUSING

AND INSTRUCTIVE ENTERTAINMENT!

_Admission only ten cents!_

Could he go? Of course, for the necessary dime was always forthcoming

from his mother when an itinerant showman rented the corner dance hall

for a one day performance.

On the corner of Southern Avenue, he overtook Bill, who had stopped to

play tops with an acquaintance.

"Going?" he asked, as his chum glanced at the blue slip in his hand.

"Bet your life," said Silvey decidedly. "Did you see the rings the man

showed in the school yard?"

John reminded him of the fifteen minute detention. "Were they pretty?"

"Pretty? They were just peaches--all gold and stones, and sparkled like

everything."

They parted at his front steps. John plodded thoughtfully homeward, for

his brain buzzed with a new and daring possibility. Would Louise

overlook the morning's fiasco and allow him to take her? He broached the

matter of finances to Mrs. Fletcher.

"But what do you want two dimes for? Tell Mother."

No, he wouldn't. But he had to have the two coins. Mrs. Fletcher studied

him curiously.

"Is there some little girl you want to take?"

An evasive silence followed her question. Nevertheless his brown eyes

pleaded his cause so eloquently that one o'clock found him sitting on

the front porch, jingling the money merrily in one hand.

The day was crisp and sunny, with an invigorating breeze from the lake,

which set the blood pulsing in his veins. Ordinarily, he would have

scampered off to play with Bill and Perry Alford or Sid on the way to

school, but not this time. He was waiting for some one.

Shortly a dainty, pink pinafored figure with the familiar curly ringlets

skipped past on the opposite side of the street. When she had gone

perhaps fifty yards, John walked down the steps and followed not too

rapidly. He must catch up quite as if by accident, for it would never do

to have the meeting occur seemingly of his own volition.

She saw him coming and halted at the corner drug store to gaze demurely

at a window display of gaily tinned talcum powder. As the boy came up to

her, a queer, choking sensation filled his throat.

"'Lo," he gulped nervously. Not a sign of recognition. Evidently "Rose

is red" still rankled.

"'Lo," he persevered. She raised her chin ever so slightly. "Those kids

won't throw any more cucumbers. I fixed 'em." Perhaps the memory of his

protection that Saturday would pave the way to peace.

"'Lo," she responded at last. They forsook the enticements of the drug

window and walked on in embarrassed silence.

"Had to stay after school this morning," he volunteered desperately.

"Why?"

Back to his folly again. What a dunce he was!

"Why?" she asked again.

"Oh, 'cause." Conversation dragged once more.

What could he talk to her about? He knew nothing of dolls and keeping

house and making clothes. And he didn't suppose she could tell "Run,

sheep, run" from "Follow the leader," either. He fumbled in his pocket

and brought out the folded blue circular with a show of nonchalance. She

eyed it curiously.

"Going?" he asked.

She didn't know.

"I've got two tickets," eagerly. "Want to come with me?" The school yard

lay but a half-block ahead, so he went on hurriedly, "There's Silvey and

the bunch. I've got to see 'em. Meet you on this corner after school."

The truth of the matter was that not even his infatuation was equal to

passing that mob of shouting, yelling urchins with a girl by his side.

You might have guessed that something unusual was to occur, had you

passed Neighborhood Hall that afternoon. By the green mail box on the

corner, an envied seventh-grade boy, subsidized by an offer of free

admission, passed out more blue cards like the one John had found, and

advised that they be retained, for "Them's got programs on, and you'll

need 'em." On the broad pavement, excited little groups of boys read and

reread the announcements amid running choruses of approving comment. Now

and then, a fussy, important matron bustled past with a four-or

five-year-old following in her wake. Around the door, a baker's dozen of

boys with shaggy hair and sadly worn clothes besought the more

prosperous of the grown-ups, "Take us in, Mister [or "Missis" as the

case might be], we ain't got no dime."

Inside the great, raftered, brilliantly lighted hall were rows upon rows

of collapsible chairs, which slid and scraped on the slippery dance

floor as their owners took possession of them. John and Louise secured

seats in the third row, center, where they commanded an excellent view

of the tall, black cabinet where Punch and his family were soon to

appear. Around them, a babel of noise and confusion held sway. The place

was filling rapidly. Boys called to each other from opposite corners of

the room. A not infrequent shout of surprised anger arose as a seated

juvenile clattered to the floor through the agency of some

mischief-maker in his rear. Eighth-grade patriarchs, retained by the

same pay as the corner advance agent, darted here and there in the

aisles, striving to preserve order amid a great show of authority. Up on

the little balconies at each side groups of trouble-makers performed

gymnastics on the railings and banisters at seeming peril of their lives

until the colored janitor ordered them down. Every now and then, the

wailing of a heated, irritable infant rose above the din, to be quieted

more or less angrily by its mother.

John looked at his watch. "Most time to start," he whispered.

Indeed, the audience was beginning to grow restless. In the rear rows, a

claque started a steady handclapping, and cat-calls and hisses from

unmannerly boys became more and more frequent.

Then entered upon the stage Professor T. J. O'Reilley amid a storm of

relieved applause. The bosom of his stiff white shirt might have been a

trifle soiled, the diamond glistening therein, palpably false, and the

lapels of his full-dress coat, distressingly shiny, but to John and

Louise, he seemed a very prince of successful entertainers. He bowed

perfunctorily, issued a few words of admonition to the boisterous

element in the audience, and disappeared in the long, black cabinet.

Ensued a series of raps from somewhere in the folds of the cloth, and

subdued cries of "Oh, dear, dear, dear! Judy, Judy, Judy! Where is she?"

The familiar, hooked-nosed figure appeared on the little stage and John

sighed in ecstasy. What mattered if Punch's complexion were sadly in

need of renewal through his many quarrels--he was the same old Punch,

and his audience greeted him as such. Judy followed.

"He'll send her after the baby, now. You just see!" John whispered as

the marionettes danced excitedly back and forth.

"How do you know?" Louise's eyes were a-glisten.

"Haven't you ever ever been to a Punch and Judy show before?" asked John

in surprise.

In one corner of the hall, a row of badly nourished colored children

from the district just north of the "Jefferson Toughs," forgot the

family struggle for three meals a day and rent money in their present

bliss, grins appeared on the faces of the adults in the hall, and the

rest of the audience swayed and shouted and giggled as Punch made away

with first the baby, then friend wife, the policeman, the clown, and the

judge, and hung their bodies over the edge of the stage in time-honored

fashion.

A prolonged groan came from the depths of the cabinet.

"It's the devil," said John, squirming ecstatically on his hard chair.

"There he is, in one corner where Punch can't see him."

Punch lifted a victim from one side of the stage to the other.

"That's one," he counted.

The red-faced, lively little imp returned the corpse to its original

resting place. Some minutes of this comedy followed.

"Twenty-six," squawked the unsuspecting Punch in surprise, while the

audience roared appreciatively. "Did I kill so many? Hello, who are

you?"

"I," came the preternaturally deep voice as Louise quaked at the

make-belief reality of the scene, "am the devil!"

"Now they'll fight," breathed John, watching intently. "It'll be the

bulliest fight of all, and they'll throw each other down and hit each

other over the head forty-'leven times. Then the devil'll win."

But a puritanical mother had, on the tour preceding, written Professor

O'Reilley, objecting to the devil's conquest of the unrepentant old

reprobate, so that master of ventriloquism introduced a new character

into the ancient tale, and the devil went the way of Punch's other

victims.

"H-m-m," puzzled John with wrinkled brow. "This isn't the same--What's

that?"

"Open," ordered Punch of the long, flat object which appeared beside the

body of the devil.

"It's an aggilator," shrilled Louise as the mystery disclosed two

terrific rows of teeth and a long, red throat.

"Shut," ordered Punch. The jaws closed with a snap.

"Isn't it peachy?" whispered John.

"Open," ordered Punch once more. Again the jaws swung slowly and

impressively apart.

"Close," repeated Punch, as he stooped dangerously near the yawning

cavern.

The jaws snapped within a thirty-second of an inch of the arch-villain's

nose. Angered, Punch hit the beast with his little club, while the

audience screamed in delight. Ensued a fight which changed rapidly to a

pursuit back and forth over the bodies of Judy, the policeman, and the

rest of the company. At last Punch tripped and the animal seized upon

him and bore him, shrieking, below.

"Is that all?" asked Louise, as the little curtain descended.

"All?" John answered, as he glanced over the other delights promised by

the blue advertisement. "All? Why it isn't but a third over!"

Two assistants turned impromptu stage hands and shifted the Punch and

Judy cabinet to the rear of the stage. The professor stooped over a

battered trunk at the side, and brought out two life-sized dolls with

huge, staring eyes, and swinging arms and legs. He sat down on a chair

at the center of the platform.

"These," he said as he balanced the manikins on his knees, "are my two

little boys. They're usually very nice little fellows, but I'm afraid

they've been shut up so long in that dark trunk that they're feeling a

little angry. I'll have to see. Now [to the sandy-haired caricature on

his right], tell the people what your name is. No? Then we'll have to

ask your friend here. What's your name?"

"Sambo," mouthed the black-faced marionette.

"Gee!" whispered John, as he watched the professor's lips closely.

"How's he do it?"

"Now, tell all these nice little girls and boys how old you are."

"T-ten."

"Did you ever go to school?"

"Yes, sir."

"Now tell that little girl with the pink hair ribbon who's sitting in

the third row, what you learned yesterday."

"Ya-ya-ya," interrupted the younger member of the Peck family.

"Ya-ya-ya!"

"Why, George," admonished the ventriloquist. "Aren't you ashamed of

yourself, behaving in this way?"

"No, I ain't," protested George incorrigibly. "Ya-ya-ya, blackface!"

So it went for the space of a good half-hour. Pretty poor stuff, it may

seem now, oh, you grown-ups who have lost the magic eyes of childhood,

but snickers and shouts and giggles filled the hall while the dialogue

lasted. Finally the lay figures waxed so disputatious that Professor

O'Reilley consigned them to the darkness of the trunk from which they

came.

"Stay there until you behave yourselves," he scolded, as the groans grew

more and more subdued in protest against the captivity.

"Wish I could do that," said John. "Couldn't I get teacher mad, talking

at her from the blackboard?"

"Sh-sh," whispered Louise. "He's going to speak."

"Ladies and gentlemen, boys and girls. We have with us today for the

first exhibition in this part of the city, the most wonderful invention

of the glorious age in which you are living. After the hall is darkened,

I shall go down to the table where that lantern stands and throw upon

the screen actual moving pictures taken from real life. You will see the

landing of our brave troops upon the rock-bound shores of Cuba. You will

witness a thrilling battle with Spanish insurrectos [the professor was

getting his history a little mixed, but that mattered not a whit to his

audience], and brave men will fall before your eyes in the charge up San

Joon hill. I need not state that these pictures have been secured at an

almost fabulous cost, for Professor T. J. O'Reilley always makes it a

point to give his patrons the best of everything, regardless of expense.

The best of order must be kept while the hall is in darkness. Anyone

creating a disturbance at that time will be instantly expelled."

Thus did the professor conclude his introduction of the feature which,

later, was to drive him and his kind out of business.

A click, a sudden buzzing as if a giant swarm of bees were flying about

in the center of the hall where the long, cylindrical gas tanks stood,

and a six foot square of light flashed on the white curtain which had

been lowered to the stage.

The pictures flickered and jumped a great deal, and at times streaks on

the old film gave the idea that the boat loads of infantry were

approaching the shore in a torrent of rain, but the figures moved,

nevertheless, and unslung rifles, and formed into companies.

"The charge up the hill under fire," supplemented the operator. They had

no titles for the motion pictures in those days.

Amid a steady whirring, flashes of smoke appeared from the thickets

overhanging the shore. A soldier threw up his arms, another pitched

headlong into the sand, and the Americans swept up the slope in a charge

which brooked no obstacles. Little girls handclapped vigorously, while

the boys pounded on the floor with their feet and gave vent to weird

whistles of enthusiasm.

"And so San Joon was taken!"

"The hill wasn't on the water that way," John interrupted excitedly.

"I've got a book at home with maps and everything. Wasn't that way at

all."

"Let's pretend it was," Louise replied philosophically.

The lights flashed on in the hall to dazzle the eyes of the audience. A

chair squeaked. There was a sound of footsteps near the doorway.

"Keep your seats," cautioned Professor O'Reilley as he jumped up on the

stage. "The drawing for prizes will now take place. Ryan," to his

assistant, "bring them out on the stage as I call for them."

A babel arose. "Don't you wish you could win the skates, Jim?" "What'll

you do if you get a ring?" "And there's dolls and doll carriages, too."

The showman raised an arm as a signal for silence. "Will some boy step

up to draw the tickets from the hat?"

Four or five eager volunteers scrambled over the footlights. The

professor selected the largest of them.

"Number six-seventy-six!" John looked eagerly at the coupon which had

been handed him at the door. "Number six-seventy-six! Who has it?"

Harriette, the cast-off Harriette of last year, bobbed forward.

"Ah," boomed the deep voice. "A little girl, and a nice one, too."

Harriette stuck one finger in her mouth as she shifted sheepishly from

foot to foot. "But the skates are boy's. Isn't that too bad? Now, little

girl, do you think you will be satisfied with a nice, new dollar bill

instead? Will that buy a good enough pair of skates?"

"Jimmy!" John ejaculated enviously.

"Number three-forty-four!" he continued, as his volunteer assistant drew

out another slip. "And another little girl. Well, she gets this

beautiful Brazilian pearl ring, set with wonderful, glistening

rhinestones!"

The fortunate maiden scurried back to her mother as fast as her stocky

little legs could carry her.

"Number seven-hundred-fifteen! Number seven-hundred-fifteen!"

"Here!" shrieked John, as he nearly knocked the boy ahead of him over in

an excited effort to get to the front. "That's me!" Was it another pair

of skates, or a baseball bat, or the big, shining jack-knife which the

boys had told about?

"Number seven-fifteen is a boy, is it?" The professor's eyes twinkled.

"Ye--s--sir," stammered John, nervously.

"William," ordered the distributor of prizes as he half turned to the

exit in the wings. "Bring out that doll carriage!"

The house broke into vociferous mirth. Silvey, hailing him at the top of

his lungs, counseled him to "Give it to her! Give it to her!" Sid

DuPree's face grinned maliciously at him from the first row. Slowly he

stumbled down the aisle with the despised toy bumping after him, and

rejoined Louise.

He scarcely heard the numbers of the other prize winners as they were

called out. Nor did he pay attention to the professor's lecture on the

operation of the famous whistle which had so amused the audience that

afternoon.

Someway or other, he found himself out on the street with Louise. About

him, boys scampered home in the fast gathering dusk. One or two yelled

taunts about the doll carriage, and John was tempted to throw the

wicker-bodied pest into the street.

Louise was silent. She wanted to offer consolation, for she felt that

her escort was dangerously near tears over his humiliation, but she knew

not how to begin. They sauntered along. John eyed the little piece of

tape bound tin in the girl's hand with reawakening interest.

"Would you like it?" she asked graciously.

He murmured a husky "yes," and put the whistle in his mouth. After a few

uncertain "J-u-u-dys," he trudged on again in silence.

As they stopped in front of her apartment, John had an inspiration.

"Say, Louise," he began awkwardly, "I don't want this doll carriage.

Want it?"

And though his words were ungracious, she caught the spirit which lay

back of them and thanked him sweetly.

Thereupon, John skipped happily homeward to make his parents miserable

with divers attempts to imitate the noted T. J.'s Punch and Judy show.

Two days later, he left the noise-maker lying on the floor by his bed,

where Mrs. Fletcher confiscated it, and quiet reigned in the family

again.

A son of the city · 第 5 / 17 章