Christening the Prince.[61]

One circle round our Sun—and o’er—

Is perfected, since forth there stray’d[62]

In youth a fair Princess,

From whom fell liquid drops of love—

Love-crystals of her wedding tour.

Though griev’d, the fair-form’d gentle maid

(Whom God was pleas’d to bless),

With modest courage sweetly strove

And conquer’d it!—Joy helping her.

Those moments sad, Time soon spent out:

Her Edward, yet afar,

Beheld her with bright vision’s eye.

She wiped away the pearly tear,

And tripp’d on deck. Then ’rose a shout

For Denmark’s shooting star—

Resounding thro’ the azure sky!

Silently sped the ship over the sea:

Edward beheld his Bride, happy and free.

England’s store of wealth and fame

Burst forth in one united blaze,

And reel’d in ecstasy—

Love’s civil war of Joy _v._ Joy!

To-day, around the Font to name—

(As on a courtly group we gaze

In seemly modesty)—

The pretty infant nursling boy,

A family of royal descent

Implore Great God’s especial care,

For this, their lovely child.

* * * * *

O bounteous Lord, who gave him breath!

Behold them reverently bent

Whilst offering up their pray’r

To Thee, Who kindly smiled:—

Defend and succour unto death.

Now in their triple bond, safe from the sea,

Edward beholds them both happy and free.

[61] The reader will please to observe that lines 1st and 5th, 2nd and

6th, 3rd and 7th, &c., have rhythmical terminations.

[62] The author seeks indulgence in using the word “stray’d.”

[Illustration]

The Astronomer.

Cold, yet salubrious, is the night,

And quiet reigns around;

Mid-winter’s nimbly spread its white

Robe o’er the goodly ground.

The silver’d earth reflects the moon,

As, in her majesty,

She rides across that vast saloon

Where mystic meteors fly,—

Where giant stars,[63] all in their course,

Roll through the plains of night,—

Sustain’d by their centrip’tal force,

And centrifugal flight,—

Illuminating the blue main

(Where discontents ne’er rise),

As on they travel in a train

Through the enchanting skies. * * *

Famed Venus, Jupiter, or Mars,

Attract the passer-by;

While countless other glittering stars

Ne’er catch a single eye.

Some creatures, weary with their toil,

Scarce lift their heads above;

And others, thoughtless of them all,

Prefer their downs of love.

But the Astronomer’s deep mind

Soars through the ocean air,—

He loves the Hand which has design’d

The heav’ns with so much care;

For in’t he finds a glorious feast

Of beauteous wonderment!

Though thousands ’round him take their rest,

He seeks the firmament:

Therein abides his only hope,

And there his soul is lost!—

In solitude he loves to cope

The grand nocturnal host;

His nourishment—the silv’ry draught,

While ’tis a cloudless sky;—

But lo! he turns and views, abaft,

Some striplings of dark dye.

And then a group, of murky hue,

Seem to conspire to mar

The radiant twinklers from his view,

And hide his favourite star.

All hope—awhile—now gone from him,

He seeks his lonely bed,

And there he utters, in a dream,

Those words—“When I am dead!” * * *

Awoke—his ever-studious mind

Impels his feathery pen,

And draws, perchance, his last design

Of the ethereal main.

Ah! something stirs him to a smile—

Like lightning skips his quill;

Then, for some reason, waits awhile,

And sits, as ’twere, stark still:

Or, studiously obedient to

The impulse of his heart,

Inclines his heavy-laden brow,

And drops his grey-goose dart.

Then, when ’tis eve, he travels forth

To scan the starry height,

With instruments of precious worth,

And compasses the night.

Fix’d,[64] and directed to the spot—

The object of his gaze—

Exclaims the man, “O, beauteous dot!—

Some men, methinks, will praise

Thee more than I, when ’neath the sod

My cold clay form is laid:—

When I th’ immortal path have trod,

They’ll talk of him that’s dead.” * * *

He strikes the bosom of his muse,

And chants in silent song

A hymn of joy, whilst he reviews

The grand celestial throng.

He envies not the king his throne;

The nation its proud wealth:

But ponders o’er the purple zone,

Till self-destroying health

Bids him relax the arduous task,—

He sighs at every breath,—

For on his pale cheeks lurk the mask

Of hungry-looking death.

Yet still assiduously goes on

The man (not of this world):

Until, alas! his period’s run—

The sails of life are furl’d!

His worldly goods are sought by those

The nearest of his kin;—

On cumb’rous shelves, in cupboards, doze

The products of his pen.

They see, at length, in their rude style

That in the vast blue heav’n

There rangeth one more ariel-isle!

Its name was all but given * * *

Enough though had been writ of it,

Man’s wisdom to absorb;

For yet-liv’d ’stronomers deem’d fit

To seek the new-born orb:—

Yes, and ’twas found! and then they raise

A tribute to its fame,

And learn the dead man’s works to praise.

And lauded forth his name.

[63] The Planets.

[64] His astronomical instrument.

On Shakespeare.

[Composed on the occasion of “The Shakespeare Tercentenary Festival,”

1864.]

NOTE.—The reader is requested to observe that lines 1-5, 2-6, 3-7, 4-8

(and so in every eight consecutive lines), have rhythmical terminations,

though the quantity of feet do not agree; but the number of feet in

lines 1-9, 2-10, 3-11, 4-12, 5-13, 6-14, 7-15, and 8-16 (and so in each

successive 16 lines), will be found to correspond, with but slight

variation.

He liv’d to die, but not to be forgott’n,

Without a title save that his parents gave him,—

A proud yet simple one indeed,—

Such as almost a very babe might utter.

Although the dust of his birth-dwelling’s long since trodd’n,

He’s now, as was of yore, a glorious shining beam,

On which our memories love to feed.

His mother fondly watch’d his gentle stature:

Himself the womb of a rare sparkling brain:

And heaping, aye! unthought of world-wide wondrous fame

With his enchanting pen:—the food,

The fondest food of history, and the stage:

’Twas but a little cabinet that did contain

The ponderous manuscripts which bore his goodly name—

Those volumes so well understood.

O god of bards, thou wert the greatest sage!

* * * * *

“The tempest” of life he did begin to fare

One April-month, ’tis writ (in Fifteen’ sixty-four)

Not “much ado about nothing.”

“Love’s labour lost?” Oh, no—indeed ’twere not!

In him were planted tender shrubs, and striplings rare,

Which grew, at length, to giant trunks of strength and pow’r:

In literature he ’came a king.

To grasp the sceptre of the stage he wrote.

* * * * *

Whilst but a youth, at Stratford-upon-Avon,

He stole, poor lad! away from one Sir Thomas Lucy.

A lucky day was that for “Will,”—

When he began his “comedy of errors,”—

Startling, withal, men’s minds for ever and anon!

Erst chalking satire on the knighted-man’s own gateway.

“Measure for measure,” penn’d his quill,

And left poor Lucy, first to taste his terrors.

* * * * *

O thou bright charmer of the inmost spark!

Why revell’d thou so soon in death’s grim holiday—

Ere time had run its ’lotted space?

In peace thy work began was finished well.

Like as the stars which shine throughout the dreary dark

Thy feather’d instruments made letters and words say

That thou didst live—didst live to chase

Gods to their heav’n; and devils to their hell.

* * * * *

(Men stirr’d themselves and ransack’d o’er their wit,

And did in their quiet homilies rack brain and soul

To render unto the great dead

A worthy tribute of their country’s love.

With all the modern implements of learning writ

They—each and either of them—their own favourite roll:

“Not as you like it,” be it said,—

He wrote a play while they their plans approve.)

“Will’s” cloudy days nigh spent, his sun arose!

(God with him, tickling his fair brow and sparkling eye)

With wisdom wrote he ’n majesty

On high-born kings and lowly peasantry

In rhyme’s sweet readings; lines of quaint sarcastic prose:

Perhaps offendingly to some; whilst others sigh,

Or laugh, or cry, and timidly

Enjoy the witty man’s bright pleasantry.—

Behold his genius! look ye to the skies;

For like a planet, known by its respective sign,

So was he—good William Shakespeare—

Occupying the golden throne of history;

Whose countless pages, fraught with gloomy mysteries—

Stored o’er and o’er in ancient and in new design—

Are lasting monuments, so dear,

That he shall ne’er escape from memory.

The Original Poems of Edward Edwin Foot, of Her Majesty's Customs, London · 第 45 / 154 题