M.

* * * * *

"The Wynmartens."

[Illustration: BLACK TRIES TO CHECK WHITE.

_Lady Wynmarten_ Miss Marie Tempest.

_Dowager Lady Wynmarten_ Miss Agnes Thomas.]

When a young widow wants to commit a flagrant outrage on the proprieties

in order to scandalise a detested mother-in-law, and selects the first

likely man for her accomplice, she will probably not be deterred by fear

of any damage that may occur to his reputation. When _Lady Wynmarten_

engaged the services of _Bill Carrington_ she had the less compunction

because he was only over from India for a week and might rely upon the

fresh air of the high seas to repair the damage and displace the breath

of scandal. Unfortunately, his very limited time in England had been

carefully scheduled for the execution of several important contracts;

and when his firm heard of his escapade and found him twenty minutes

late for a business appointment, he was briefly booted.

It was at this point that the critics began to think of taking notes on

their cuffs about Browning's views on the danger of "playing with

souls," but found on reflection that the case was not so serious as

that. For we knew all the time (by the splendour of her frocks) that the

lady was rich, and we had gathered half-way through that she was

prepared to accept _Bill_ in marriage and make an honest man of him. Not

that their joint adventure had actually achieved immorality. She had

simply dined with him, done a play, had supper at the Savoy, gone on to

a Covent Garden ball, failed to effect an entrance into her house

(having deliberately mislaid her latch-key and cut the bell-wire), and

been taken a little before milk-time to her mother-in-law's, where her

appearance had caused the greatest confusion and scandal, which was

indeed the ultimate purpose of the scheme. But the fatal devotion of her

French maid, who telephoned next morning to all her mistress's friends

to say that her bed had not been slept in, and that a dark mystery

brooded over her whereabouts, tended to promote a garrulous interest in

her conduct.

It was a sad pity that we were not permitted to witness any phase of

this adventure. One seemed to be assisting at a farce with the fun left

out. I should have greatly enjoyed being present at the moment when her

ladyship claimed the hospitality of her mother-in-law's roof. But

perhaps this experience would have left me in a frame of mind too

frivolous for the right reception of the grave things that were to

follow.

Yet the play was mixed of all moods, from gay to earnest, and offered

excellent scope for the versatility of Miss Marie Tempest. Mr.

Clarence's humour, on the other hand, was not so well served; and there

were frequent _longueurs_ during the episodes in which the _Dowager Lady

Wynmarten_ figured. She was meant to be a terror, and had some very

vicious things to say; but Miss Agnes Thomas delivered them with

superfluously well-bred restraint, and the level tone of her bitter

suavity tended to become a little tedious.

Mr. Graham Browne showed a very nice self-repression as the widow's

dummy. But he let himself go with his cigarettes which in moments of

emotion he threw away with an appalling recklessness after the first two

whiffs.

The rest of the cast did ample justice to a play which, if it is Mr.

Powell's first, must be commended for its promise. But the next time he

writes a Four-Act Comedy he must try and give us more than one Act

without any tea in it.

Punch, or the London Charivari, May 13, 1914 · 第 30 / 35 题