AN HARANGUER

Is one that is so delighted with the sweet sound of his own tongue, that

William Prynne will sooner lend an ear than he to anything else. His

measure of talk is till his wind is spent, and then he is not silenced,

but becalmed. His ears have catched the itch of his tongue, and though

he scratch them, like a beast with his hoof, he finds a pleasure in it.

A silenced minister has more mercy on the Government in a secure

conventicle than he has on the company that he is in. He shakes a man by

the ear, as a dog does a pig, and never loses his hold till he has tired

himself as well as his patient. He does not talk to a man, but attacks

him, and whomsoever he can get into his hands he lays violent language

on. If he can he will run a man up against a wall and hold him at a bay

by the buttons, which he handles as bad as he does his person or the

business he treats upon. When he finds him begin to sink he holds him by

the clothes, and feels him as a butcher does a calf before he kills him.

He is a walking pillory, and crucifies more ears than a dozen standing

ones. He will hold any argument rather than his tongue, and maintain

both sides at his own charge; for he will tell you what you will say,

though perhaps he does not intend to give you leave. He lugs men by the

ears, as they correct children in Scotland, and will make them tingle

while he talks with them, as some say they will do when a man is talked

of in his absence. When he talks to a man he comes up close to him, and,

like an old soldier, lets fly in his face, or claps the bore of his

pistol to his ear and whispers aloud, that he may be sure not to miss

his mark. His tongue is always in motion, though very seldom to the

purpose, like a barber's scissors, which are always snipping, as well

when they do not cut as when they do. His tongue is like a

bagpipe-drone, that has no stop, but makes a continual ugly noise, as

long as he can squeeze any wind out of himself. He never leaves a man

until he has run him down, and then he winds a death over him. A

sow-gelder's horn is not so terrible to dogs and cats as he is to all

that know him. His way of argument is to talk all and hear no

contradiction. First he gives his antagonist the length of his wind, and

then, let him make his approaches if he can, he is sure to be beforehand

with him. Of all dissolute diseases the running of the tongue is the

worst, and the hardest to be cured. If he happen at any time to be at a

stand, and any man else begins to speak, he presently drowns him with

his noise, as a water-dog makes a duck dive; for when you think he has

done he falls on and lets fly again, like a gun that will discharge nine

times with one loading. He is a rattlesnake, that with his noise gives

men warning to avoid him, otherwise he will make them wish they had. He

is, like a bell, good for nothing but to make a noise. He is like common

fame, that speaks most and knows least, Lord Brooks, or a wild goose

always cackling when he is upon the wing. His tongue is like any kind of

carriage, the less weight it bears the faster and easier it goes. He is

so full of words that they run over and are thrown away to no purpose,

and so empty of things or sense that his dryness has made his leaks so

wide whatsoever is put in him runs out immediately. He is so long in

delivering himself that those that hear him desire to be delivered too

or despatched out of their pain. He makes his discourse the longer with

often repeating to be short, and talking much of in fine, never means to

come near it.

Character Writings of the Seventeenth Century · 第 394 / 429 题