A PROUD MAN

Is a fool in fermentation, that swells and boils over like a

porridge-pot. He sets out his feathers like an owl, to swell and seem

bigger than he is. He is troubled with a tumour and inflammation of

self-conceit, that renders every part of him stiff and uneasy. He has

given himself sympathetic love-powder, that works upon him to dotage and

has transformed him into his own mistress. He is his own gallant, and

makes most passionate addresses to his own dear perfections. He commits

idolatry to himself, and worships his own image; though there is no soul

living of his Church but himself, yet he believes as the Church

believes, and maintains his faith with the obstinacy of a fanatic. He is

his own favourite, and advances himself not only above his merit, but

all mankind; is both Damon and Pythias to his own dear self, and values

his crony above his soul. He gives place to no man but himself, and that

with very great distance to all others, whom he esteems not worthy to

approach him. He believes whatsoever he has receives a value in being

his, as a horse in a nobleman's stable will bear a greater price than in

a common market. He is so proud that he is as hard to be acquainted with

himself as with others, for he is very apt to forget who he is, and

knows himself only superficially; therefore he treats himself civilly as

a stranger with ceremony and compliment, but admits of no privacy. He

strives to look bigger than himself as well as others, and is no better

than his own parasite and flatterer. A little flood will make a shallow

torrent swell above its banks, and rage and foam and yield a roaring

noise, while a deep, silent stream glides quietly on. So a

vain-glorious, insolent, proud man swells with a little frail

prosperity, grows big and loud, and overflows his bounds, and when he

sinks, leaves mud and dirt behind him. His carriage is as glorious and

haughty as if he were advanced upon men's shoulders or tumbled over

their heads like knipperdolling. He fancies himself a Colosse, and so he

is, for his head holds no proportion to his body, and his foundation is

lesser than his upper storeys. We can naturally take no view of

ourselves unless we look downwards, to teach us how humble admirers we

ought to be of our own values. The slighter and less solid his materials

are the more room they take up and make him swell the bigger, as

feathers and cotton will stuff cushions better than things of more close

and solid parts.

Character Writings of the Seventeenth Century · 第 345 / 429 题