A GOOD OLD MAN

Is the best antiquity, and which we may with least vanity admire. One

whom time hath been thus long a working, and like winter fruit, ripened

when others are shaken down. He hath taken out as many lessons of the

world as days, and learnt the best thing in it; the vanity of it. He

looks over his former life as a danger well past, and would not hazard

himself to begin again. His lust was long broken before his body, yet he

is glad this temptation is broke too, and that he is fortified from it

by this weakness. The next door of death sads him not, but he expects it

calmly as his turn in nature; and fears more his recoiling back to

childishness than dust. All men look on him as a common father, and on

old age, for his sake, as a reverent thing. His very presence and face

puts vice out of countenance, and makes it an indecorum in a vicious

man. He practises his experience on youth without the harshness of

reproof, and in his counsel is good company. He has some old stories

still of his own seeing to confirm what he says, and makes them better

in the telling; yet is not troublesome neither with the same tale again,

but remembers with them how oft he has told them. His old sayings and

morals seem proper to his beard; and the poetry of Cato does well out of

his mouth, and he speaks it as if he were the author. He is not apt to

put the boy on a younger man, nor the fool on a boy, but can distinguish

gravity from a sour look; and the less testy he is, the more regarded.

You must pardon him if he like his own times better than these, because

those things are follies to him now that were wisdom then; yet he makes

us of that opinion too when we see him, and conjecture those times by so

good a relic. He is a man capable of a dearness with the youngest men,

yet he not youthfuller for them, but they older for him; and no man

credits more his acquaintance. He goes away at last too soon whensoever,

with all men's sorrow but his own; and his memory is fresh, when it is

twice as old.

Character Writings of the Seventeenth Century · 第 225 / 429 题