A DOWN-RIGHT SCHOLAR

Is one that has much learning in the ore, unwrought and untried, which

time and experience fashions and refines. He is good metal in the

inside, though rough and unsecured without, and therefore hated of the

courtier, that is quite contrary. The time has got a vein of making him

ridiculous, and men laugh at him by tradition, and no unlucky absurdity

but is put upon his profession, and done like a scholar. But his fault

is only this, that his mind is [somewhat] too much taken up with his

mind, and his thoughts not loaden with any carriage besides. He has not

put on the quaint garb of the age, which is now a man's [_Imprimis and

all the Item_.[40]] He has not humbled his meditations to the industry

of compliment, nor afflicted his brain in an elaborate leg. His body is

not set upon nice pins, to be turning and flexible for every motion, but

his scrape is homely and his nod worse. He cannot kiss his hand and cry,

madam, nor talk idle enough to bear her company. His smacking of a

gentlewoman is somewhat too savoury, and he mistakes her nose for her

lips. A very woodcock would puzzle him in carving, and he wants the

logick of a capon. He has not the glib faculty of sliding over a tale,

but his words come squeamishly out of his mouth, and the laughter

commonly before the jest. He names this word college too often, and his

discourse beats too much on the university. The perplexity of

mannerliness will not let him feed, and he is sharp set at an argument

when he should cut his meat. He is discarded for a gamester at all games

but one and thirty[41], and at tables he reaches not beyond doublets.

His fingers are not long and drawn out to handle a fiddle, but his fist

clunched with the habit of disputing. He ascends a horse somewhat

sinisterly, though not on the left side, and they both go jogging in

grief together. He is exceedingly censured by the inns-of-court men, for

that heinous vice, being out of fashion. He cannot speak to a dog in his

own dialect, and understands Greek better than the language of a

falconer. He has been used to a dark room, and dark clothes, and his

eyes dazzle at a sattin suit. The hermitage of his study has made him

somewhat uncouth in the world, and men make him worse by staring on him.

Thus is he [silly and] ridiculous, and it continues with him for some

quarter of a year out of the university. But practise him a little in

men, and brush him over with good company, and he shall out-balance

those glisterers, as far as a solid substance does a feather, or gold,

gold-lace.

Character Writings of the Seventeenth Century · 第 181 / 429 题