HER NEXT PART.

Her lightness gets her to swim at top of the table, where her wry little

finger bewrays carving; her neighbours at the latter end know they are

welcome, and for that purpose she quencheth her thirst. She travels to

and among, and so becomes a woman of good entertainment, for all the

folly in the country comes in clean linen to visit her; she breaks to

them her grief in sugar cakes, and receives from their mouths in

exchange many stories that conclude to no purpose. Her eldest son is

like her howsoever, and that dispraiseth him best; her utmost drift is

to turn him fool, which commonly she obtains at the years of discretion.

She takes a journey sometimes to her niece's house, but never thinks

beyond London. Her devotion is good clothes--they carry her to church,

express their stuff and fashion, and are silent if she be more devout;

she lifts up a certain number of eyes instead of prayers, and takes the

sermon, and measures out a nap by it, just as long. She sends religion

afore to sixty, where she never overtakes it, or drives it before her

again. Her most necessary instruments are a waiting gentlewoman and a

chambermaid; she wears her gentlewoman still, but most often leaves the

other in her chamber window. She hath a little kennel in her lap, and

she smells the sweeter for it. The utmost reach of her providence is the

fatness of a capon, and her greatest envy is the next gentlewoman's

better gown. Her most commendable skill is to make her husband's fustian

bear her velvet. This she doth many times over, and then is delivered to

old age and a chair, where everybody leaves her.

Character Writings of the Seventeenth Century · 第 39 / 429 题