THE CHARACTER OF THE PERSONS.

_Asper_. He is of an ingenious and free spirit, eager and constant in

reproof, without fear controlling the world's abuses. One whom no

servile hope of gain, or frosty apprehension of danger, can make to be a

parasite, either to time, place, or opinion.

_Macilente_. A man well parted, a sufficient scholar, and travelled;

who, wanting that place in the world's account which he thinks his merit

capable of, falls into such an envious apoplexy, with which his judgment

is so dazzled and distasted, that he grows violently impatient of any

opposite happiness in another.

_Puntarvolo_. A vainglorious knight, over-Englishing his travels, and

wholly consecrated to singularity; the very Jacob's staff of compliment;

a sir that hath lived to see the revolution of time in most of his

apparel. Of presence good enough, but so palpably affected to his own

praise, that for want of flatterers he commends himself, to the floutage

of his own family. He deals upon returns, and strange performances,

resolving, in despite of public derision, to stick to his own particular

fashion, phrase, and gesture.

_Carlo Buffone_. A public, scurrilous, and profane jester, that more

swift than Circe, with absurd similes, will transform any person into

deformity. A good feast-hound or banquet-beagle, that will scent you out

a supper some three miles off, and swear to his patrons, damn him! he

came in oars, when he was but wafted over in a sculler. A slave that

hath an extraordinary gift in pleasing his palate, and will swill up

more sack at a sitting than would make all the guard a posset. His

religion is railing, and his discourse ribaldry. They stand highest in

his respect whom he studies most to reproach.

_Fastidious Brisk_. A neat, spruce, affecting courtier, one that wears

clothes well, and in fashion; practiseth by his glass how to salute;

speaks good remnants, notwithstanding the base viol and tobacco; swears

tersely, and with variety; cares not what lady's favour he belies, or

great man's familiarity; a good property to perfume the boot of a coach.

He will borrow another man's horse to praise, and backs him as his own.

Or, for a need, on foot can post himself into credit with his merchant,

only with the jingle of his spur, and the jerk of his wand.

_Deliro_. A good doting citizen, who, it is thought, might be of the

common-council for his wealth; a fellow sincerely besotted on his own

wife, and so wrapt with a conceit of her perfections, that he simply

holds himself unworthy of her. And, in that hoodwinked humour, lives

more like a suitor than a husband; standing in as true dread of her

displeasure, as when he first made love to her. He doth sacrifice

twopence in juniper to her every morning before she rises, and wakes her

with villainous out-of-tune music, which she out of her contempt (though

not out of her judgment) is sure to dislike.

_Fallace_. Deliro's wife, and idol; a proud mincing peat, and as

perverse as he is officious. She dotes as perfectly upon the courtier,

as her husband doth on her, and only wants the face to be dishonest.

_Saviolina_. A court-lady, whose weightiest praise is a light wit,

admired by herself, and one more, her servant Brisk.

_Sordido_. A wretched hobnailed chuff, whose recreation is reading of

almanacks; and felicity, foul weather. One that never prayed but for a

lean dearth, and ever wept in a fat harvest.

_Fungoso_. The son of Sordido, and a student; one that has revelled in

his time, and follows the fashion afar off, like a spy. He makes it the

whole bent of his endeavours to wring sufficient means from his wretched

father, to put him in the courtiers' cut; at which he earnestly aims,

but so unluckily, that he still lights short a suit.

_Sogliardo_. An essential clown, brother to Sordido, yet so enamoured of

the name of a gentleman, that he will have it though he buys it. He

comes up every term to learn to take tobacco, and see new motions. He is

in his kingdom when he can get himself into company where he may be well

laughed at.

_Shift_. A threadbare shark; one that never was a soldier, yet lives

upon lendings. His profession is skeldring and odling, his bank Paul's,

and his warehouse Picthatch. Takes up single testons upon oath, till

doomsday. Falls under executions of three shillings, and enters into

five-groat bonds. He waylays the reports of services, and cons them

without book, damning himself he came new from them, when all the while

he was taking the diet in the bawdy-house, or lay pawned in his chamber

for rent and victuals. He is of that admirable and happy memory, that he

will salute one for an old acquaintance that he never saw in his life

before. He usurps upon cheats, quarrels, and robberies, which he never

did, only to get him a name. His chief exercises are, taking the whiff,

squiring a cockatrice, and making privy searches for imparters.

_Clove_ and _Orange_. An inseparable case of coxcombs, city born; the

Gemini, or twins of foppery; that, like a pair of wooden foils, are fit

for nothing but to be practised upon. Being well flattered they'll lend

money, and repent when they have done. Their glory is to invite players,

and make suppers. And in company of better rank, to avoid the suspect of

insufficiency, will enforce their ignorance most desperately, to set

upon the understanding of anything. Orange is the most humorous of the

two, whose small portion of juice being squeezed out, Clove serves to

stick him with commendations.

_Cordatus_. The author's friend; a man inly acquainted with the scope

and drift of his plot; of a discreet and understanding judgment; and has

the place of a moderator.

_Mitis_. Is a person of no action, and therefore we have reason to

afford him no character.

_Of this kind are the

Character Writings of the Seventeenth Century · 第 30 / 429 题