CHAPTER XI

Filling the _popoi_ pits in the season of the breadfruit; legend of

the _mei_; the secret festival in a hidden valley.

On the road to the beach one morning I came upon Great Fern, my

landlord. Garbed in brilliant yellow _pareu_, he bore on his

shoulders an immense _kooka_, or basket of cocoanut fiber, filled

with quite two hundred pounds of breadfruit. The superb muscles

stood out on his perfect body, wet with perspiration as though he

had come from the river.

"Kaoha, Great Fern!" I said. "Where do you go with the _mei_?"

"It is _Meinui_, the season of the breadfruit," he replied.

"We fill the _popoi_ pit beside my house."

There is a word on the Marquesan tongue vividly picturing the

terrors of famine. It means, "one who is burned to drive away a

drought." In these islands cut off from the world the very life of

the people depends on the grace of rain. Though the skies had been

kind for several years, not a day passing without a gentle downpour,

there had been in the past dry periods when even the hardiest

vegetation all but perished. So it came about that the Marquesan was

obliged to improvise a method of keeping breadfruit for a long time,

and becoming habituated to sour food he learned to like it, as many

Americans relish ill-smelling cheese and fish and meat, or drink

with pleasure absinthe, bitters, and other gagging beverages.

In this season of plenteous breadfruit, therefore, Great Fern had

opened his _popoi_ pit, and was replenishing its supply. A

half-dozen who ate from it were helping him. Only the enthusiasm of

the traveler for a strange sight held me within radius of its odor.

It was sunk in the earth, four feet deep and perhaps five in diameter,

and was only a dozen years old, which made it a comparatively small

and recently acquired household possession in the eyes of my savage

friends. Mouth of God and Malicious Gossip owned a _popoi_ pit dug

by his grandfather, who was eaten by the men of Taaoa, and near the

house of Vaikehu, a descendant of the only Marquesan queen, there

was a _uuama tehito_, or ancient hole, the origin of which was lost

in the dimness of centuries. It was fifty feet long and said to be

even deeper, though no living Marquesan had ever tasted its stores,

or never would unless dire famine compelled. It was _tapu_ to the

memory of the dead.

All over the valley the filling of the pits for reserve against need

was in progress. Up and down the trails the men were hastening,

bearing the _kookas_ filled with the ripe fruit, large as Edam

cheeses and pitted on the surface like a golf-ball. A breadfruit

weighs from two to eight pounds, and giants like Great Fern or

Haabuani carried in the _kookas_ two or three hundred pounds for

miles on the steep and rocky trails.

In the banana-groves or among thickets of _ti_ the women were

gathering leaves for lining and covering the pits, while around the

center of interest naked children ran about, hindering and thinking

they were helping, after the manner of children in all lands when

future feasts are in preparation.

There was a time when each grove of breadfruit had its owners, who

guarded it for their own use, and even each tree had its allotted

proprietor, or perhaps several. Density of population everywhere

causes each mouthful of food to be counted. I have known in Ceylon an

English judge who was called upon to decide the legal ownership of

one 2520th part of ten cocoanut-trees. But my friends who were

filling the _popoi_ pits now might gather from any tree they pleased.

There was plenty of breadfruit now that there were few people.

Great Fern was culling from a grove on the mountain-side above my

house. Taking his stand beneath one of the stately trees whose

freakish branches and large, glossy, dark-green leaves spread

perhaps ninety feet above his head, he reached the nearer boughs with

an _omei_, a very long stick with a forked end to which was attached

a small net of cocoanut fiber. Deftly twisting a fruit from its stem

by a dexterous jerk of the cleft tip, he caught it in the net, and

lowered it to the _kooka_ on the ground by his side.

When the best of the fruit within reach was gathered, he climbed the

tree, carrying the _omei_. Each brown toe clasped the boughs like a

finger, nimble and independent of its fellows through long use in

grasping limbs and rocks. This is remarkable of the Marquesans; each

toe in the old and industrious is often separated a half inch from

the others, and I have seen the big toe opposed from the other four

like a thumb. My neighbors picked up small things easily with their

toes, and bent them back out of sight, like a fist, when squatting.

Gripping a branch firmly with these hand-like feet, Great Fern

wielded the _omei_, bringing down other breadfruit one by one,

taking great care not to bruise them. The cocoanut one may throw

eighty feet, with a twisting motion that lands it upon one end so

that it does not break. But the _mei_ is delicate, and spoils if

roughly handled.

Working in this fashion, Great Fern and his neighbors carried down

to the _popoi_ pit perhaps four hundred breadfruit daily, piling

them there to be prepared by the women. Apporo and her companions

busied themselves in piercing each fruit with a sharp stick and

spreading them on the ground to ferment over night.

In the morning, squatted on their haunches and chanting as they

worked, the women scraped the rind from the fermented _mei_ with

cowry shells, and grated the fruit into the pit which they had lined

with banana leaves. From time to time they stood in the pit and

tramped down the mass of pulp, or thumped it with wooden clubs.

For two weeks or more the work continued. In the ancient days much

ceremoniousness attended this provision against future famine, but

to-day in Atuona only one rule was observed, that forbidding sexual

intercourse by those engaged in filling the pits.

"To break that _tapu_," said Great Fern, "would mean sickness and

disaster. Any one who ate such _popoi_ would vomit. The forbidden

food cannot be retained by the stomach."

To vomit during the fortnight occupied in the task of conserving the

breadfruit brought grave suspicion that the unfortunate had broken

the _tapu_. When their own savage laws governed them, that unhappy

person often died from fear of discovery and the wrath of the gods.

To guard against such a fate those who were not strong and well took

no part in the task.

This curious connection between sex and the preparation of food

applied in many other cases. A woman making oil from dried cocoanuts

was _tapu_ as to sexual relations for four or five days, and

believed that if did she sin, her labor would produce no oil. A man

cooking in an oven at night obeyed the same _tapu_. I do not know,

and was unable to discover, the origin of these prohibitions. Like

many of our own customs, it has been lost in the mist of ages.

A Tahitian legend of the origin of the breadfruit recounts that in

ancient times the people subsisted on _araea_, red earth. A couple

had a sickly son, their only child, who day by day slowly grew

weaker on the diet of earth, until the father begged the gods to

accept him as an offering and let him become food for the boy. From

the darkness of the temple the gods at last spoke to him, granting

his prayer. He returned to his wife and prepared for death,

instructing her to bury his head, heart and stomach at different

spots in the forest.

"When you shall hear in the night a sound like that of a leaf, then

of a flower, afterward of an unripe fruit, and then of a ripe, round

fruit falling on the ground, know that it is I who am become food

for our son," he said, and died.

She obeyed him, and on the second night she heard the sounds. In the

morning she and her son found a huge and wonderful tree where the

stomach had been buried. The Tahitians believe that the cocoanut,

chestnut, and yam miraculously grew from other parts of a man's

corpse.

Breadfruit, according to Percy Smith, was brought into these islands

from Java by the ancestors of the Polynesians, who left India

several centuries before Christ. They had come to Indonesia

rice-eaters, but there found the breadfruit, "which they took with

them in their great migration into these Pacific islands two

centuries and more after the beginning of this era."

Smith finds in the Tahitian legend proof of this contention. In the

Polynesian language _araea_, the "red earth" of the tale, is the

same as _vari_, and in Indonesia there were the words _fare_

or _pare_, in Malay _padi_ or _peri_, and in Malagasy _vari_, all

meaning rice. A Rarotongan legend relates that in Hawaiki two new

fruits were found, and the _vari_ discarded. These fruits were the

breadfruit and the horse-chestnut, neither of which is a native of

Polynesia.

I related these stories of the _mei_ to Great Fern, who replied:

"_Aue!_ It may be. The old gods were great, and all the world is a

wonder. As for me, I am a Christian. The breadfruit ripens, and I

fill the _popoi_ pit."

Great Fern was my friend, and, as he said, a Christian, yet I fear

that he did not tell me all he knew of the ancient customs. There

was an innocence too innocent in his manner when he spoke of them,

like that of a child who would like one to believe that the cat ate

the jam. And on the night when the _popoi_ pits were filled, pressed

down and running over, when they had been covered with banana leaves

and weighed with heavy stones, and the season's task was finished,

something occurred that filled my mind with many vague surmises.

I had been awakened at midnight by the crashing fall of a cocoanut

on the iron roof above my head. Often during the rainy nights I was

startled by this sound of the incessantly falling nuts, that banged

and rattled like round shot over my head. But on this night, as I

composed myself to slumber again, my drowsy ears were uneasy with

another thing, less a sound than an almost noiseless, thrumming

vibration, faint, but disturbing.

I sat up in my Golden Bed, and listened. Exploding Eggs was gone

from his mat. The little house was silent and empty. Straining my

ears I heard it unmistakably through the rustling noises of the

forest and the dripping of rain from the eaves. It was the far, dim,

almost inaudible beating of a drum.

Old tales stirred my hair as I stood on my _paepae_ listening to it.

At times I thought it a fancy, again I heard it and knew that I

heard it. At last, wrapping a _pareu_ about me, I went down my trail

to the valley road. The sound was drowned here by the splashing

chuckle of the stream, but as I stood undecided in the pool of

darkness beneath a dripping banana I saw a dark figure slip silently

past me, going up toward the High Place. It was followed by another,

moving through the night like a denser shadow. I went back to my

cabin, scouted my urgent desire to shut and barricade the door, and

went to bed. After a long time I slept.

When I awoke next morning Exploding Eggs was preparing my breakfast

as usual, the sunlight streamed over breadfruit and palm, and the

night seemed a dream. But there were rumors in the village of a

strange dance held by the inhabitants of Nuka-hiva, on another island,

in celebration of the harvest of the _mei_. Weird observances were

hinted, rites participated in only by men who danced stark naked,

praising the old gods.

This was a custom of the old days, said Great Fern, with those

too-innocent eyes opened artlessly upon me. It has ever been the

ceremony of Thanks-giving to the ancient gods, for a bountiful

harvest, a propitiation, and a begging of their continued favor. As

for him, he was a Christian. Such rites were held no more in Atuona.

I asked no more questions. Thanks-giving to an omnipotent ruler for

the fruits of the harvest season is almost universal. We have put in

a proclamation and in church services and the slaughter of turkeys

what these children do in dancing, as did Saul of old.

The season's task completed, Great Fern and Apporo sat back well

content, having provided excellently for the future. Certain of

their neighbors, however, filled with ambition and spurred on by the

fact that there was plenty of _mei_ for all with no suspicion of

greediness incurred by excessive possessions, continued to work

until they had filled three pits. These men were regarded with

admiration and some envy, having gained great honor. "He has three

_popoi_ pits," they said, as we would speak of a man who owned a

superb jewel or a Velasquez.

[Illustration: A volunteer cocoanut grove, with trees of all ages]

[Illustration: Climbing for cocoanuts]

The grated breadfruit in the holes was called _ma_, and bore the

same relation to _popoi_ as dough bears to bread. When the _ma_ was

sufficiently soured Apporo opened the pit each morning and took out

enough for the day's provision, replacing the stones on the banana

leaves afterward. The intrusion of insects and lizards was not

considered to injure the flavor.

I often sat on her _paepae_ and watched her prepare the day's dinner.

Putting the rancid mass of _ma_ into a long wooden trough hollowed

out from a tree-trunk, she added water and mixed it into a paste of

the consistency of custard. This paste she wrapped in _purua_ leaves

and set to bake in a native oven of rocks that stood near the pit.

Apporo smoked cigarettes while it baked, perhaps to measure the time.

Marquesans mark off the minutes by cigarettes, saying, "I will do

so-and-so in three cigarettes," or, "It is two cigarettes from my

house to his."

When the cigarettes were consumed, or when her housewifely instinct

told Apporo that the dish was properly cooked, back it went into the

trough again, and was mashed with the _keatukipopoi_, the Phallic

pounder of stone known to all primitive peoples. A _pahake_, or

wooden bowl about eighteen inches in diameter, received it next, and

the last step of the process followed.

Taking a fistful of the mass, Apporo placed it in another _pahake_,

and kneaded it for a long time with her fingers, using oil from

crushed cocoanuts as a lubricant. And at last, proudly smiling, she

set before me a dish of _popoi kaoi_, the very best _popoi_ that can

possibly be made.

It is a dish to set before a sorcerer. I would as lief eat

bill-poster's paste a year old. It tastes like a sour, acid custard.

Yet white men learn to eat it, even to yearn for it. Captain Capriata,

of the schooner _Roberta_, which occasionally made port in Atuona Bay,

could digest little else. Give him a bowl of _popoi_ and a stewed or

roasted cat, and his Corsican heart warmed to the giver.

As bread or meat are to us, so was _popoi_ to my tawny friends. They

ate it every day, sometimes three or four times a day, and consumed

enormous quantities at a squatting. As the peasant of certain

districts of Europe depends on black bread and cheese, the poor

Irish on potatoes or stirabout, the Scotch on oatmeal, so the

Marquesan satisfies himself with _popoi_, and likes it really better

than anything else.

Many times, when unable to evade the hospitality of my neighbors, I

squatted with them about the brimming _pahake_ set on their _paepae_,

and dipped a finger with them, though they marveled at my lack of

appetite. In the silence considered proper to the serious business of

eating, each dipped index and second finger into the bowl, and

neatly conveyed a portion of the sticky mass to his mouth, returning

the fingers to the bowl cleansed of the last particle. Little

children, beginning to eat _popoi_ ere they were fairly weaned, put

their whole hands into the dish, and often the lean and mangy curs

that dragged out a wretched dog's existence about the _paepaes_ were

not deprived of their turn.

If one accept the germ theory, one may find in the _popoi_ bowl a

cause for the rapid spread of epidemics since the whites brought

disease to the islands.

White Shadows in the South Seas · 第 11 / 39 章