CHAPTER I

E-text prepared by Al Haines

THE TEXAN

A Story of the Cattle Country

by

JAMES B. HENDRYX

Author of

"The Gun Brand," "The Promise," etc.

A. L. Burt Company

Publishers New York

Published by arrangement with G. P. Putnam's Sons

Made in the United States of America

Copyright, 1918

By

James B. Hendryx

Fourth Printing

This edition is issued under arrangement with the publishers

G. P. Putnam's Sons, New York And London

CONTENTS.

Chapter

A PROLOGUE

I. THE TRAIN STOPS

II. WOLF RIVER

III. PURDY

IV. CINNABAR JOE

V. ON THE FLAT

VI. THE RIM OF THE BENCH

VII. THE ARREST

VIII. ONE WAY OUT

IX. THE PILGRIM

X. THE FLIGHT

XI. A RESCUE

XII. TEX DOES SOME SCOUTING

XIII. A BOTTLE OF "HOOCH"

XIV. ON ANTELOPE BUTTE

XV. THE TEXAN HEARS SOME NEWS

XVI. BACK IN CAMP

XVII. IN THE BAD LANDS

XVIII. "WIN"

XIX. THE END OF THE TRAIL

THE TEXAN

A PROLOGUE

Exactly twenty minutes after young Benton dismounted from his big rangy

black before the door of a low adobe saloon that fronted upon one of the

narrow crooked streets of old Las Vegas, he glanced into the eyes of the

thin-lipped croupier and laughed. "You've got 'em. Seventy-four good

old Texas dollars." He held up a coin between his thumb and forefinger.

"I've got another one left, an' your boss is goin' to get that, too--but

he's goin' to get it in legitimate barter an' trade."

As the cowpuncher stepped to the bar that occupied one side of the room,

a group of Mexicans who had lounged back at his entrance crowded once

more about the wheel and began noisily to place their bets. He watched

them for a moment before turning his attention to the heavy-lidded,

flabby-jowled person who leaned ponderously against the sober side of the

bar.

"Who owns this joint?" he asked truculently, as he eyed with disfavour

the filthy shirt-sleeves rolled back from thick forearms, the sagging

vest, and the collarless shirt-band that buried itself in a fold of the

fat neck.

"I do," was the surly rejoinder. "Got any kick comin'?"

"Nary kick." The cowpuncher tossed his dollar onto the bar. "Give me a

little red licker," he ordered, and grinned at the sullen proprietor as

he filled his glass to the brim.

"An outfit," he confided, with slow insolence, "that'll run an eagle-bird

wheel ain't got no more conscience than a _hombre's_ got brains that'll

buck one. In Texas we'd shoot a man full of little holes that 'ud try

it."

"Why'n you stay in Texas, then?" growled the other.

The cowman drank his liquor and refilled the glass. "Most fat men," he

imparted irrelevantly, "are plumb mindful that they're easy hit, an'

consequent they're cheerful-hearted an' friendly. Likewise, they mind

their own business, which is also why they've be'n let grow to onhuman

proportions. But, not to seem oncivil to a stranger, an' by way of

gettin' acquainted, I'll leak it out that it ain't no fault of Texas that

I come away from there--but owin' only to a honin' of mine to see more of

the world than what Texas affords.

"The way to see a world," I debates, "is like anythin' else--begin at the

bottom an' work up. So I selects seventy-five dollars an' hits fer Las

Vegas."

The fat man pocketed the dollar and replaced it with a greasy fifty-cent

piece, an operation which the Texan watched with interest as he swallowed

his liquor.

"They ain't nothin' like eagle-bird wheels an' snake-liniment at two bits

a throw to help a man start at the bottom," he opined, and reaching for

the half-dollar, tossed it to a forlorn-looking individual who lounged

near the door. "Here, Greaser, lend a hand in helpin' me downward!

Here's four bits. Go lay it on the wheel--an' say: I got a hunch! I

played every number on that wheel except the thirteen--judgin' it to be

onlucky." The forlorn one grinned his understanding, and clutching the

piece of silver, elbowed into the group that crowded the roulette wheel.

The cowpuncher turned once more to the surly proprietor:

"So now you see me, broke an' among evil companions, in this here

God-forsaken, lizard-ridden, Greaser-loving sheep-herdin' land of sorrow.

But, give me another jolt of that there pizen-fermentus an' I'll raise to

heights unknown. A few more shots of that an' they ain't no tellin' what

form of amusement a man's soul might incline to."

"Y'got the price?"

"I ain't got even the makin's--only an ingrowin' cravin' fer spiritual

licker an' a hankerin' to see America first----"

"That hoss," the proprietor jerked a thumb toward the open door beyond

which the big rangy black pawed fretfully at the street. "Mebbe we might

make a trade. I got one good as him 'er better. It's that sor'l

standin' t'other side of yourn."

The Texan rested an arm upon the bar and leaned forward confidentially.

"Fatty," he drawled, "you're a liar." The other noted the hand that

rested lightly upon the cowman's hip near the ivory butt of the six-gun

that protruded from its holster, and took no offence. His customer

continued: "They ain't no such horse--an' if they was, _you_ couldn't own

him. They ain't no man ever throw'd a kak on Ace of Spades but me, an'

as fer sellin' him, or tradin' him--I'll shoot him first!"

A sudden commotion at the back of the room caused both men to turn toward

the wheel where a fierce altercation had arisen between the croupier and

the vagabond to whom the Texan had tossed his last coin.

"You'll take that er nothin'! It's more money'n y'ever see before

an'----"

"_Non_! _Non_! De _treize_! De, w'at you call t'irten--she repe't!

A'm git mor' as seex hondre dollaire--" The proprietor lumbered heavily

from behind the bar and Benton noted that the thick fingers closed

tightly about the handle of a bung-starter. The crowd of Mexicans

thinned against the wall as the man with ponderous stealth approached to

a point directly behind the excited vagabond who continued his

protestations with increasing vigour. The next instant the Texan's

six-gun flashed from its holster and as he crossed the room his eye

caught the swift nod of the croupier.

When the proprietor drew back his arm to strike, the thick wrist was

seized from behind and he was spun violently about to glare into the

smiling eyes of the cowpuncher--eyes in which a steely glint flickered

behind the smile, a glint more ominous even than the feel of the muzzle

of the blue-black six-gun that pressed deeply into his flabby paunch just

above the waistband of his trousers.

"Drop that mallet!" The words came softly, but with an ungentle softness

that was accompanied by a boring, twisting motion of the gun muzzle as it

pressed deeper into his midriff. The bung-starter thudded upon the floor.

"Now let's get the straight of this," continued the Texan. "Hey, you

Greaser, if you c'n quit talkin' long enough to say somethin', we'll find

out what's what here. You ort to look both ways when you're in a dump

like this or the coyotes'll find out what you taste like. Come on,

now--give me the facts in the case an' I'll a'joodicate it to suit all

parties that's my way of thinkin'."

"_Oui_! A'm play de four bit on de _treize_, an' _voila_! She ween!

Da's wan gran' honch! A'm play heem wan tam' mor'. De w'eel she spin

'roun', de leetle ball she sing lak de bee an', _Nom de Dieu_! She

repe't! De t'irten ween ag'in. A'm reech--But _non_!" The man pointed

excitedly to the croupier who sneered across the painted board upon which

a couple of gold pieces lay beside a little pile of silver. "A-ha,

_canaille_! Wat you call--son of a dog! T'ief! She say, 'feefty

dollaire'! Dat more as seex hondre dollaire----"

"It's a lie!" cried the croupier fiercely, "the thirteen don't repeat.

The sixteen win--you kin see fer yourself. An' what's more, they can't

no damn Injun come in here an' call me no----"

"Hold on!" The Texan shifted his glance to the croupier without easing

the pressure on the gun. "If the sixteen win, what's the fifty bucks

for? His stake's on the thirteen, ain't it?"

"What business you got, hornin' in on this? It hain't your funeral. You

Texas tin-horns comes over here an' lose----"

"That'll be about all out of you. An' if I was in your boots I wouldn't

go speakin' none frivolous about funerals, neither."

The smile was gone from the steel-grey eyes and the croupier experienced

a sudden chilling in the pit of his stomach.

"Let's get down to cases," the cowpuncher continued. "I kind of got the

Greaser into this here jack-pot an' it's up to me to get him out. He

lays four bits on the thirteen--she pays thirty-five--that's

seventeen-fifty. Eighteen, as she lays. The blame fool leaves it lay

an' she win again--that's thirty-five times eighteen. Good Lord! An'

without no pencil an' paper! We'll cut her up in chunks an' tackle her:

let's see, ten times eighteen is one-eighty, an' three times that

is--three times the hundred is three hundred, and three times the eighty

is two-forty. That's five-forty, an' a half of one-eighty is ninety, an'

five-forty is six-thirty. We'd ort to double it fer interest an'

goodwill, but we'll leave it go at the reglar price. So, just you skin

off six hundred an' thirty bucks, an' eighteen more, an' pass 'em acrost.

An' do it _pronto_ or somethin' might happen to Fatty right where he's

thickest." The cowpuncher emphasized his remarks by boring the muzzle

even deeper into the unctuous periphery of the proprietor. The croupier

shot a questioning glance toward his employer.

"Shell it out! You fool!" grunted that worthy. "Fore this gun comes out

my back. An', besides, it's cocked!" Without a word the croupier

counted out the money, arranging it in little piles of gold and silver.

As the vagabond swept the coins into his battered Stetson the Texan gave

a final twist to the six-gun. "If I was you, Fatty, I'd rub that there

thirteen number off that wheel an' paint me a tripple-ought or mebbe,

another eagle-bird onto it."

He turned to the man who stood grinning over his hatful of money:

"Come on, Pedro, me an' you're goin' away from here. The licker this

_hombre_ purveys will shore lead to bloodshed an' riotin', besides which

it's onrespectable to gamble anyhow."

Pausing to throw the bridle reins over the horn of his saddle, the Texan

linked his arm through that of his companion and proceeded down the

street with the big black horse following like a dog. After several

minutes of silence he stopped and regarded the other thoughtfully.

"Pedro," he said, "me an' you, fallin' heir to an onexpected legacy this

way, it's fit an' proper we should celebrate accordin' to our lights.

The common an' onchristian way would be to spliflicate around from one

saloon to another 'till we'd took in the whole town an' acquired a couple

of jags an' more or less onfavourable notoriety. Then, in a couple of

days or two, we'd wake up with fur on our tongue an inch long an' our

wealth divided amongst thieves. But, Pedro, such carryin's-on is

ondecent an' improvident. Take them great captains of industry you read

about! D'you reckon every pay-day old Andy Rockyfellow goes a rampin'

down Main Street back there in Noo York, proclaimin' he's a wolf an' it's

his night to howl? Not on your tintype, he don't! If he did he'd never

of rose out of the rank an' file of the labourin' class, an' chances is,

would of got fired out of that fer not showin' up at the corral Monday

mornin'! Y'see I be'n a-readin' up on the lives of these here saints to

kind of get a line on how they done it. Take that whole bunch an' they

wasn't hardly a railroad nor a oil mill nor a steel factory between 'em

when they was born. I got all their numbers. I know jest how they done

it, an' when I get time I'm a-goin' out an' make the Guggenhimers cough

up my share of Mexico an' the Rocky Mountains an' Alaska.

"But to get down to cases, as the preachers says: Old Andy he don't

cantankerate none noticeable. When he feels needful of a jamboree he

goes down to the bank an' fills his pockets an' a couple of valises with

change, an' gum-shoes down to John D. Swab's, an' they hunt up Charley

Carnage an' a couple of senators an' a rack of chips an' they finds 'em a

back room, pulls off their collars an' coats an' goes to it. They ain't

no kitty only to cover the needful expenses of drinks, eats, an'

smokes--an' everything goes, from cold-decks to second-dealin'. Then

when they've derove recreation enough, on goes their collars an' coats,

an' they eat a handful of cloves an' get to work on the public again.

They's a lot of money changes hands in these here sessions but it never

gets out of the gang, an' after you get their brands you c'n generally

always tell who got gouged by noticin' what goes up. If coal oil hists a

couple of cents on the gallon you know Andy carried his valises home

empty an' if railroad rates jumps--the senators got nicked a little, an'

vicy versy. Now you an' me ain't captains of industry, nor nothin' else

but our own soul, as the piece goes, but 'tain't no harm we should try a

law-abidin' recreation, same as these others, an' mebbe after some

practice we'll get to where the Guggenhimers will be figgerin' how to get

the western hemisphere of North America back from us.

"It's like this. Me an' you'll stop in an' get us a couple of drinks.

Then we'll hunt us up a hash-house an' put a big bate of ham an' aigs out

of circulation, an' go get us a couple more drinks, an' heel ourselves

with a deck of cards an' a couple bottles of cactus juice, an' hunt us up

a place where we'll be ondisturbed by the riotorious carryin's-on of the

frivolous-minded, an' we'll have us a two-handed poker game which no

matter who wins we can't lose, like I was tellin' you, 'cause they can't

no outside parties horn in on the profits. But first-off we'll hunt up a

feed barn so Ace of Spades can load up on oats an' hay while we're havin'

our party."

An hour later the Texan deposited a quart bottle, a rack of chips, and a

deck of cards on a little deal table in the dingy back room of a saloon.

"I tell you, Pedro, they's a whole lot of fancy trimmin's this room ain't

got, but it's quiet an' peaceable an' it'll suit our purpose to a gnat's

hind leg." He dropped into a chair and reached for the rack of chips.

"It's a habit of mine to set facin' the door," he continued, as he

proceeded to remove the disks and arrange them into stacks. "So if you

got any choist just set down acrost the table there an' we'll start the

festivities. I'll bank the game an' we'll take out a fifty-dollar stack

an' play table stakes." He shoved three stacks of chips across the

table. "Just come acrost with fifty bucks so's we c'n keep the bank

straight an' go ahead an' deal. An' while you're a-doin' it, bein' as

you're a pretty good Greaser, I'll just take a drink to you----"

"Greasaire, _non_! Me, A'm hate de damn Greasaire!"

The cowpuncher paused with the bottle half way to his lips and

scrutinized the other: "I thought you was a little off colour an' talked

kind of funny. What be you?"

"Me, A'm Blood breed. Ma fader she French. Ma moder she Blood Injun.

A'm leeve een Montan' som'tam'--som'tam' een Canada. A'm no lak dees

contrie! Too mooch hot. Too mooch Greasaire! Too mooch sheep. A'm lak

I go back hom'. A'm ride for T. U. las' fall an' A'm talk to round-up

cook, Walt Keeng, hees nam', an' he com' from Areezoon'. She no like

Montan'. She say Areezoon' she bettaire--no fence--beeg range--plent'

cattle. You goin' down dere an' git job you see de good contrie. You no

com' back Nort' no more. So A'm goin' down w'en de col' wedder com' an'

A'm git de job wit' ol' man Fisher on, w'at you call Yuma

bench--_Sacré_!" The half-breed paused and wiped his face.

"Didn't you like it down Yuma Way?" Benton smiled.

"Lak it! _Voila_! No wataire! No snow! Too mooch, w'at you call, de

leezard! Een de wintaire, A'm so Godamn hot A'm lak for die. _Non_!

A'm com' way from dere. A'm goin' Nort' an' git me nodder job w'ere A'm

git som' wataire som'tam'. Mebbe so git too mooch col' in wintaire, but,

_voila_! Better A'm lak I freeze l'il bit as burn oop!"

The Texan laughed. "I don't blame you none. I never be'n down to Yuma

but they tell me it's hell on wheels. Go ahead an' deal, Pedro."

"Pedro, _non_! Ma moder she nam' Moon Eye, an' ma fader she Cross-Cut

Lajune. Derefor', A'm Batiste Xavier Jean Jacques de Beaumont Lajune."

The bottle thumped upon the table top.

"What the hell is that, a name or a song?"

"Me, das ma nam'--A'm call Batiste Xavier Jean----"

"Hold on there! If your ma or pa, or whichever one done the namin'

didn't have no expurgated dictionary handy mebbe they ain't to blame--but

from now on, between you an' me, you're Bat. That's name enough, an' the

John Jack Judas Iscariot an' General Jackson part goes in the discards.

An' bein' as this here is only a two-handed game, the discards is

dead---- See?"

At the end of an hour the half-breed watched with a grin as the Texan

raked in a huge pile of chips.

"Dat de las'," he said, "Me, A'm broke."

"Broke!" exclaimed the cowpuncher, "you don't mean you've done lost all

that there six hundred an' forty-eight bucks?" He counted the little

piles of silver and gold, which the half-breed had shoved across the

board in return for stack after stack of chips.

"Six-forty-two," he totalled. "Let's see, supper was a dollar an' four

bits, drinks two dollars, an' two dollars for this bottle of prune-juice

that's about gone already, an'--Hey, Bat, you're four bits shy! Frisk

yourself an' I'll play you a showdown for them four bits." The other

grinned and held a silver half dollar between his finger and thumb.

"_Non_! A'm ke'p dat four bit! Dat lucky four bit. A'm ponch hole in

heem an' car' heem roun' ma neck lak' de medicine bag. A'm gon' back

Nort'--me! A'm got no frien's. You de only friend A'm got. You give me

de las' four bit. You, give me de honch to play de t'irteen. A'm git

reech, an' den you mak' de bank, w'at you call, com' 'crost. Now A'm

goin' back to Montan' an' git me de job. Wat de hell!"

"Where's your outfit?" asked the Texan as he carefully stowed the money

in his pockets.

"Ha! Ma outfeet--A'm sell dat outfeet to git de money to com' back hom'.

A'm play wan leetle gam' coon can an' _voila_! A'm got no money. De

damn Greasaire she ween dat money an' A'm broke. A'm com' som'tam' on de

freight train--som'tam' walk, an' A'm git dees far. Tomor' A'm git de

freight train goin' Nort' an' som'tam' A'm git to Montan'. Eet ees ver'

far, but mebbe-so A'm git dere for fall round-up. An' Ba Goss, A'm

nevaire com' sout' no mor'. Too mooch hot! Too mooch no wataire! Too

mooch, w'at you call, de pizen boog--mebbe-so in de bed--in de pants--in

de boot--you git bite an' den you got to die! Voila! Wat de hell!"

The Texan laughed and reaching into his pocket drew out two twenty dollar

gold pieces and a ten which thudded upon the table before the astonished

eyes of the half-breed.

"Here, Bat, you're a damn good Injun! You're plumb squanderous with your

money, but you're a good sport. Take that an' buy you a ticket to as far

North as it'll get you. Fifty bucks ort to buy a whole lot of car

ridin'. An' don't you stop to do no gamblin', neither---- Ain't I told

you it's onrespectable an' divertin' to morals? If you don't _sabe_ coon

can no better'n what you do poker, you stand about as much show amongst

these here Greasers as a rabbit in a coyote patch. It was a shame to

take your money this way, but bein' as you're half-white it was up to me

to save you the humiliatin' agony of losin' it to Greasers."

The half-breed pocketed the coins as the other buttoned his shirt and

took another long pull at the bottle.

"Wer' you goin' now?" he asked as the cowpuncher started for the door.

The man paused and regarded him critically. "First off, I'm goin' to get

my horse. An' then me an' you is goin' down to the depot an' you're

a-goin' to buy that there ticket. I'm a-goin' to see that you get it

ironclad an' onredeemable, I ain't got no confidence in no gambler an'

bein' as I've took a sort of likin' to you, I hate to think of you

a-walkin' clean to Montana in them high-heeled boots. After that I'm

a-goin' to start out an' examine this here town of Las Vegas lengthways,

crossways, down through the middle, an' both sides of the crick. An'

when that's off my mind, I'm a-goin' to begin on the rest of the world."

He moved his arm comprehensively and reached for the bottle.

"You wait right here till I get old Ace of Spades," he continued solemnly

when he had rasped the raw liquor from his throat. "If you ain't here

when I come back I'll swallow-fork your ears with this here gat just to

see if my shootin' eye is in practice. The last time I done any fancy

shootin' I was kind of wild--kep' a-hittin' a little to one side an' the

other--not much, only about an inch or so--but it wasn't right good

shootin'."

The half-breed grinned: "A'm stay here till you com' back. A'm fin' dat

you ma frien'. A'm lak' you, _bien_!"

When the Texan returned, fifteen minutes later, the man of many names was

gone. "It's just like I said, you can't trust no gambler," he muttered,

with a doleful nod of the head. "He's pulled out on me, but he better

not infest the usual marts of midnight. 'Cause I'm a-goin' to start out

an' take in everything that's open in this man's town, an' if I find him

I'll just nachelly show him the onprincipledness of lyin' to a friend."

Stepping to the bar he bought a drink and a moment later swung onto the

big rangy black and clattered down the street. At the edge of the town

he turned and started slowly back, dismounting wherever the lights of a

saloon illumined the dingy street, but never once catching a glimpse of

the figure that followed in the thick blackness of the shadows. Before

the saloon of the surly proprietor the cowpuncher brought his big black

to a stand and sat contemplating the sorrel that stood dejectedly with

ears adroop and one hind foot resting lightly upon the toe.

"So that's the cayuse Fatty wanted to trade me for Ace of Spades!" he

snorted. "That dog-legged, pot-gutted, lop-eared patch of red he offers

to trade to _me_ fer _Ace of Spades_! It's a doggone insult! I didn't

know it at the time, havin' only a couple of drinks, an' too sober to

judge a insult when I seen one. But it's different now, I can see it in

the dark. I'm a-goin' in there an'--an' twist his nose off an' feed it

to him. But first I got to find old Bat. He's an Injun, but he's a good

old scout, an' I hate to think of him walkin' all the way to Montana

while some damn Greaser is spendin' my hard earned samolians that I give

him for carfare. It's a long walk to Montana. Plumb through Colorado

an' Wyomin' an'--an' New Jersey, or somewheres. Mebbe he's in there now.

As they say in the Bible, or somewheres, you got to hunt for a thing

where you find it, or something. Hold still, there you black devil you!

What you want to stand there spinnin' 'round like a top for? You be'n

drinkin', you doggone old ringtail! What was I goin' to do, now. Oh,

yes, twist Patty's nose, an' find Bat an' shoot at his ears a while, an'

make him get his ticket to New Jersey an'----

"This is a blame slow old town, she needs wakin' up, anyhow. If I ride

in that door I'll get scraped off like mud off a boot."

He spurred the black and brought him up with a jerk beside the sorrel

which snorted and reared back, snapping the reins with which he had been

tied, and stood with distended nostrils sniffing inquiringly at Ace of

Spades as the cowpuncher swung to the ground.

"Woke up, didn't you, you old stager? Y'ain't so bad lookin' when you're

alive. Patty'll have to get him a new pair of bridle reins. Mebbe the

whole town'll look better if it's woke up some.

"Y-e-e-e-e-o-w! Cowboys a-comin'!"

A citizen or two paused on the street corner, a few Mexicans grinned as

they drew back to allow the Gringo free access to the saloon, and a

swarthy figure slipped unobserved across the street and blended into the

shadow of the adobe wall.

"O-o-o-o-o-h, the yaller r-o-s-e of Texas!" sang the cowpuncher, with

joyous vehemence. As he stepped into the room, his eyes swept the faces

of the gamblers and again he burst into vociferous song:

"O-o-o-o-o-h, w-h-e-r-e is my wanderin' b-o-y tonight?"

"Hey, you! Whad'ye think this is, a camp meetin'?"

The Texan faced the speaker. "Well, if it ain't my old college chum!

Fatty, I stopped in a purpose to see you. An' besides which, by the

unalien rights of the Constitution an' By-laws of this here United States

of Texas, a man's got a right to sing whatever song suits him

irregardless of sex or opportunity." The other glared malevolently as

the cowpuncher approached the bar with a grin. "Don't bite yourself an'

die of hydrophobia before your eggication is complete, which it ain't

till you've learnt never to insult no Texas man by offerin' to trade no

rat-tailed, ewe-necked old buzzard fodder fer a top Texas horse.

"Drop that mallet! An' don't go reachin-' around in under that bar,

'cause if you find what you're huntin' fer you're a-goin' to see fer

yourself if every cloud's got a silver linin'. 'Tend to business now,

an' set out a bottle of your famous ol' Las Vegas stummick shellac an'

while I'm imbibin' of its umbilical ambrosier, I'll jest onscrew your

nose an' feed it to the cat."

Sweat stood out upon the forehead of the heavy-paunched proprietor as

with a flabby-faced grin he set out the bottle. But the Texan caught the

snake-like flash of the eyes with which the man signalled to the croupier

across the room. Gun in hand, he whirled:

"No, you don't, Toney!" An ugly blue-black automatic dropped to the

floor and the croupier's hands flew ceilingward.

"I never seen such an outfit to be always a-reachin'," grinned the

cowpuncher. "Well, if there ain't the ol' eagle-bird wheel! Give her a

spin, Toney! They say you can't hit an eagle on the fly with a six-gun,

but I'm willin' to try! Spin her good, 'cause I don't want no onfair

advantage of that there noble bird. Stand back, Greasers, so you don't

get nicked!"

As the croupier spun the wheel, three shots rang in an almost continuous

explosion and the gamblers fell over each other in an effort to dodge the

flying splinters that filled the powder-fogged air.

"Little black bull slid down the mountain,

L-o-n-g t-i-m-e ago!"

roared the Texan as he threw open the cylinder of his gun.

"H-e-e-e-e scraped his horn on a hickory saplin',

L-o-n-g t-i-m-e ago----"

There was a sudden commotion behind him, a swift rush of feet, a muffled

thud, and a gasping, agonized grunt. The next instant the huge acetelyne

lamp that lighted the room fell to the floor with a crash and the place

was plunged in darkness.

"Queek, m's'u, dees way!" a hand grasped his wrist and the cowpuncher

felt himself drawn swiftly toward the door. From all sides sounded the

scuffling of straining men who breathed heavily as they fought in the

blackness.

A thin red flame cut the air and a shot rang sharp. Someone screamed and

a string of Spanish curses blended into the hubbub of turmoil.

"De hosses, queek, m's'u!"

The cool air of the street fanned the Texan's face as he leaped across

the sidewalk, and vaulted into the saddle. The next moment the big black

was pounding the roadway neck and neck with another, smaller horse upon

which the half-breed swayed in the saddle with the ease and grace of the

loose-rein rider born.

It was broad daylight when the cowpuncher opened his eyes in an arroyo

deep among the hills far, far from Las Vegas. He rubbed his forehead

tenderly, and crawling to a spring a few feet distant, buried his face in

the tiny pool and drank deeply of the refreshing liquid. Very

deliberately he dried his face on a blue handkerchief, and fumbled in his

pockets for papers and tobacco. As he blew the grey smoke from his

nostrils he watched the half-breed who sat nearby industriously splicing

a pair of broken bridle reins.

"Did you get that ticket, Bat?" he asked, with a hand pressed tightly

against his aching forehead.

The other grinned. "Me, A'm no wan' no ticket. A'm lak A'm stay wit'

you, an' mebbe-so we git de job togedder."

The cowpuncher smoked for a time in silence.

"What was the rookus last night?" he asked, indifferently. Then,

suddenly, his eye fell upon the sorrel that snipped grass at the end of a

lariat rope near the picketed black, and he leaped to his feet. "Where'd

you get that horse?" he exclaimed sharply. "It's Fatty's! There's the

reins he busted when he snorted loose!"

Again the half-breed grinned. "A'm bor' dat hoss for com' 'long wit'

you. Dat Fatty, she damn bad man. She try for keel you w'en you tak' de

shot at de wheel. A'm com' 'long dat time an' A'm keek heem in de guts

an' he roll 'roun' on de floor, an' A'm t'row de bottle of wheesky an'

smash de beeg lamp an' we com' 'long out of dere." The cowpuncher tossed

his cigarette away and spat upon the ground.

"How'd you happen to come in there so handy just at the right time?" he

asked with a sidewise glance at the half-breed.

"Oh, A'm fol' you long tam'. A'm t'ink mebbe-so you git l'il too mooch

hooch an' som'one try for do you oop. A'm p'ek in de door an' seen Fatty

gon' shoot you. Dat mak' me mad lak hell, an' A'm run oop an' keek heem

so hard I kin on hees belly. You ma frien'. A'm no lak I seen you git

keel."

The Texan nodded. "I see. You're a damn good Injun, Bat, an' I ain't

got no kick comin' onto the way you took charge of proceedin's. But you

sure raised hell when you stole that horse. They's prob'ly about

thirty-seven men an' a sheriff a-combin' these here hills fer us at this

partic'lar minute an' when they catch us----"

The half-breed laughed. "Dem no ketch. We com' feefty mile. Dat leetle

hoss she damn good hoss. We got de two bes' hoss. We ke'p goin' dey no

ketch. 'Spose dey do ketch. Me, A'm tell 'em A'm steal dat hoss an' you

not know nuthin' 'bout dat."

There was a twinkle in the Texan's eye as he yawned and stretched

prodigiously. "An' I'll tell 'em you're the damnedest liar in the state

of Texas an' North America throw'd in. Come on, now, you throw the

shells on them horses an' we'll be scratchin' gravel. Fifty miles ain't

no hell of a ways--my throat's beginnin' to feel kind of draw'd already."

"W'er' we goin'?" asked the half-breed as they swung into the saddles.

"Bat," said the other, solemnly, "me an' you is goin' fast, an' we're

goin' a long time. You mentioned somethin' about Montana bein'

considerable of a cow country. Well, me an' you is a-goin' North--as far

North as cattle is--an' we're right now on our way!"

CHAPTER I

THE TRAIN STOPS

"I don't see why they had to build their old railroad down in the

bottom of this river bed." With deft fingers Alice Marcum caught back

a wind-tossed whisp of hair. "It's like travelling through a trough."

"Line of the least resistance," answered her companion as he rested an

arm upon the polished brass guard rail of the observation car. "This

river bed, running east and west, saved them millions in bridges."

The girl's eyes sought the sky-line of the bench that rose on both

sides of the mile-wide valley through which the track of the great

transcontinental railroad wound like a yellow serpent.

"It's level up there. Why couldn't they have built it along the edge?"

The man smiled: "And bridged all those ravines!" he pointed to gaps and

notches in the level sky-line where the mouths of creek beds and

coulees flashed glimpses of far mountains. "Each one of those ravines

would have meant a trestle and trestles run into big money."

"And so they built the railroad down here in this ditch where people

have to sit and swelter and look at their old shiny rails and scraggly

green bushes and dirt walls, while up there only a half a mile away the

great rolling plains stretch away to the mountains that seem so near

you could walk to them in an hour."

"But, my dear girl, it would not be practical. Railroads are built

primarily with an eye to dividends and--" The girl interrupted him

with a gesture of impatience.

"I hate things that are practical--hate even the word. There is

nothing in all the world so deadly as practicability. It is ruthless

and ugly. It disregards art and beauty and all the higher things that

make life worth living. It is a monster whose god is dollars--and who

serves that god well. What does any tourist know of the real West--the

West that lies beyond those level rims of dirt? How much do you or I

know of it? The West to us is a thin row of scrub bushes along a

narrow, shallow river, with a few little white-painted towns sprinkled

along, that for all we can see might be in Illinois or Ohio. I've been

away a whole winter and for all the West I've seen I might as well have

stayed in Brooklyn."

"But certainly you enjoyed California!"

"California! Yes, as California. But California isn't the _West_!

California is New York with a few orange groves thrown in. It is a

tourist's paradise. A combination of New York and Palm Beach. The

real West lies east of the Rockies, the uncommercialized,

unexploited--I suppose you would add, the unpractical West. A New

Yorker gets as good an idea of the West when he travels by train to

California as a Californian would get of New York were he to arrive by

way of the tube and spend the winter in the Fritz-Waldmore."

"I rather liked California, what little I saw of it. A business trip

does not afford an ideal opportunity for sight seeing."

"You like Newport and Palm Beach, too."

The man ignored the interruption.

"But, at least, this trip has combined a good bit of business with a

very big bit of pleasure. It is two years since I have seen you

and----"

"And so you're going to tell me for the twenty-sixth time in three days

that you still love me, and that you want me to marry you, and I'll

have to say 'no' again, and explain that I'm not ready to marry

anybody." She regarded him with an air of mock solemnity. "But really

Mr. Winthrop Adams Endicott I think you _have_ improved since you

struck out for yourself into the wilds of--where was it, Ohio, or some

place."

"Cincinnati," answered the man a trifle stiffly. The girl shuddered.

"I had to change cars there once." Again she eyed him critically.

"Yes, two years have made a really noticeable improvement. Do the

Cincinnati newspapers always remember to use your whole name or do they

dare to refer to Winthrop A. Endicott. If I were a reporter I really

believe I'd try it once. If you keep on improving, some day somebody

is going to call you Win."

The man flushed: "Are you never serious?" he asked.

"Never more so than this minute."

"You say you are not ready to many. You expect to marry, then,

sometime?"

"I don't _expect_ to. I'm _going_ to."

"Will you marry me when you are ready?"

The girl laughed. "Yes, if I can't find the man I want, I think I

shall. But he must be somewhere," she continued, after a pause during

which her eyes centred upon the point where the two gleaming rails

vanished into the distance. "He must be impractical, and human,

and--and _elemental_. I'd rather be smashed to pieces in the Grand

Canyon, than live for ever on the Erie Canal!"

"Aren't you rather unconventional in your tastes----?"

"If I'm not, I'm a total failure! I hate conventionality! And lines

of least resistance! And practical things! It is the _men_ who are

the real sticklers for convention. The same kind of men that follow

the lines of least resistance and build their railroads along

them--because it is practical!

"I don't see why you want to marry me!" she burst out resentfully.

"I'm not conventional, nor practical. And I'm not a line of least

resistance!"

"But I love you. I have always loved you, and----"

The girl interrupted him with a quick little laugh, which held no trace

of resentment. "Yes, yes, I know. I believe you do. And I'm glad

because really, Winthrop, you're a dear. There are lots of things

about you I admire. Your teeth, and eyes, and the way you wear your

clothes. If you weren't so terribly conventional, so cut and dried,

and matter of fact, and _safe_, I might fall really and truly in love

with you. But--Oh, I don't know! Here I am, twenty-three. And I

suppose I'm a little fool and have never grown up. I like to read

stories about knights errant, and burglars, and fair ladies, and

pirates, and mysterious dark oriental-looking men. And I like to go to

places where everybody don't go--only Dad won't let me and---- Why

just think!" she exclaimed in sudden wrath, "I've been in California

for three months and I've ridden over the same trails everybody else

has ridden over, and motored over the same roads and climbed the same

mountains, and bathed at the same beach, and I've met everybody I ever

knew in New York, just as I would have met them in Newport or Palm

Beach or in Paris or Venice or Naples for that matter!"

"But why go off the beaten track where everything is arranged for your

convenience? These people are experienced travellers. They know that

by keeping to the conventional routes-----"

"Winthrop Adams Endicott, if you say that word again I'll shriek! Or

I'll go in from this platform and not speak to you again--ever! You

know very well that there isn't a traveller among them. They're just

tourists--professional goers. They do the same things, and say the

same things, and if they could think, they'd think the same things

every place they go. And I don't want things arranged for my

convenience--so there!"

Winthrop Adams Endicott lighted a cigarette, brushed some white dust

from his sleeve, and smiled.

"If I were a man and loved a girl so very, very much I wouldn't just

sit around and grin. I'd do something!"

"But, my dear Alice, what would you have me do? I'm not a knight

errant, nor a burglar, nor a pirate, nor a dark mysterious

oriental--I'm just a plain ordinary business man and----"

"Well, I'd do something--even if it was something awful like getting

drunk or shooting somebody. Why, if you even had a past you wouldn't

be so hopeless. I could love a man with a past. It would show at

least, that he hadn't followed the line of the least resistance. The

world is full of canals--but there are only a few canyons. Look! I

believe we're stopping! Oh, I hope it's a hold-up! What will you do

if it is?" The train slowed to a standstill and Winthrop Adams

Endicott leaned out and gazed along the line of the coaches.

"There is a little town here. Seems to be some commotion up

ahead--quite a crowd. If I can get this blamed gate open we can go up

and see what the trouble is."

"And if you can't get it open you can climb over and lift me down. I'm

just dying to know what's the matter. And if you dare to say it

wouldn't be conventional I'll--I'll jump!"

The Texan A Story of the Cattle Country · 第 1 / 19 章