CHAPTER X

Vera was walking up and down her drawing-room at twenty minutes past

eight, dressed in one of those filmy white evening gowns with which her

wardrobe was always supplied, one of her mermaid frocks, as Lady Susan

called them. This one was all gauzy whiteness, with something green and

glittering that flashed out of the whiteness now and then, to match the

emerald circlet in her cloudy hair.

The tender carnation that had come from her walk was still in her

cheeks, still giving unusual brightness to her eyes.

She had been happy; she had put away dark thoughts. Life was gay and

glad once again, glad and gay as it had always been when she and Claude

were together. A load had been lifted from her heart, the vulgar terror

of the conventional wife, who could not imagine friendship without sin.

The things that she had heard that afternoon had given a new meaning to

life, had lifted her thoughts and feelings from the commonplace to the

transcendental; to the sphere in which there was no such thing as sin,

where there were only darkness and light, where the senses had no power

over the soul that dwelt in communion with souls released from earth.

She no longer feared a lover in the friend she had chosen out of the

common herd.

Lady Okehampton sailed into the drawing-room as the silvery chime of an

Italian clock told the half-hour. Her expansive person, clad in amber

satin, glowed like the setting sun, and her smiling face radiated good

nature.

She put up her long glass to look at Vera, being somewhat short-sighted

physically as well as morally.

"My dear child, you are looking worlds better than when I last saw you.

You were such a wreck at Lady Mohun's ball; looked as if you ought to

have been in bed, doing a rest cure--a ghost in a diamond tiara. I find

that when a woman is looking ill diamonds always make her look worse;

but to-night you are charming. That emerald bandeau suits you better

than the thing you wore at the ball. You haven't the aquiline profile

that can carry off an all-round crown."

Claude and Lady Susan came in together.

"My car nearly collided with his taxi," said Lady Susie, when she had

embraced her friend; "but I was very glad to see a man at your door.

From what you said this morning, I expected a hen-party. Now a big

hen-party is capital fun; but for three women to sit at meat alone! The

idea opens an immeasurable vista of boredom. I always feel as if I must

draw the butler into the conversation, and bandy an occasional joke

with the footmen. No doubt they could be immensely funny if one would

let them."

"It was an after-thought," said Claude. "Vera took fright at the

eleventh hour, and admitted the serpent into her paradise."

"No doubt Adam and Eve were dull--a perpetual _tête-à-tête_, tempered

by tame lions, must soon have palled; but at least it was better than

three women, yawning in each other's faces, after exhausting the latest

scandal."

"I think the early dinner in 'Paradise Lost' quite the dullest meal

on record," said Claude. "To begin with, it was vegetarian and

non-alcoholic. A man and his wife--the wife waiting at table--and one

prosy guest monologuing from the eggs to the apples."

"There is no mention of eggs. I don't think they had anything so

comfortable as a poultry yard in Eden; no buff Orpingtons, or white

Wyandottes, only eagles and nightingales," said Susie, and at this

moment the butler announced dinner in a confidential murmur, as if it

were a State secret. He was neither stout nor elderly; but in his tall

slimness and grave countenance there was a dignity that would have

reduced the most emancipated of matrons to good behaviour.

"I should never dare to draw _him_ into the conversation," whispered

Susie, as Claude offered his arm to Lady Okehampton. "Nothing would

tempt that perfect creature to a breach of etiquette."

The hen-dinner, relieved by one man, was charming. Not too long a

dinner; for one of the discoveries of this easy-going century is that

people don't want to sit for an hour and a half steeping themselves

in the savour of expensive food, while solemn men in plush and silk

stockings stalk behind their back in an endless procession, carrying

dishes whose contents are coldly glanced at and coldly refused. The

dinner was short, but perfect: too short for the talk, which was gay

and animated from start to finish.

Lady Susan and Mr. Rutherford were the talkers, Vera and her aunt only

coming in occasionally: Lady Okehampton with a comfortable common-sense

that was meant to keep the rodomontade within bounds.

Claude was an omnivorous reader, and had always a new set of anecdotes

and epigrams with which to keep the talk alive, anecdotes so brief and

sparkling that he seemed to flash them across the table like pistol

shots. French, German, or Italian, his accent was faultless, and his

enunciation clear as that of the most finished comedian; while in the

give and take of friendly chaff with such an interlocutor as Lady

Susan, he was a past master.

Vera did not talk much, but she looked radiant, the lovely embodiment

of youth and gladness. Her light laughter rang clear above Susan's,

after Claude's most successful stories. Once only during that gay

repast was a graver note sounded, and it came from the most frivolous

of the party, from Susie Amphlett, who had one particular aversion,

which she sometimes enlarged upon with a morbid interest.

Age was Susan's bugbear.

"I think of it when I wake in the night, like Camilla, in 'Great

Expectations,'" she said, looking round the table with frightened eyes,

as if she were seeing ghosts.

The grapes and peaches had been handed, and it was the confidential

quarter of an hour after the servants had gone.

"I don't like to give myself away before a butler," Susie said, as

the door closed on the last of the silk stockings. "Footmen are

non-existent: one doesn't stop to consider whether they are matter, or

only electricity; but a butler is a person and can think--perhaps a

socialistic satirist, seething with silent scorn for his mistress and

her friends."

"And no doubt an esteemed contributor to one of the Society Papers,"

said Claude.

"I am not afraid of Democracy, nor the English adaptation of the

French Revolution, though I feel sure it is coming," continued Lady

Susan, planting her elbow on the table in an expansive mood. "I am

afraid of nothing except growing old. That one terror swallows up all

trivial fears. They might take my money, they might steep me in poverty

to the lips, and if I could keep youth and good looks, I should hardly

mind."

Again she looked at the others appealingly, like a child that is afraid

of Red Riding-hood's wolf.

"Age is such a hideous disease--the one incurable malady. And we must

all have it. We are all growing old; even you, Vera, though you have

not begun to think about it. I didn't till I was thirty. As we sit

at this table and laugh and amuse ourselves, the sands are falling,

falling, falling--they never stop! Glad or sorry, that horrible disease

goes on, till the symptoms suddenly become acute--grey hair, wrinkles,

gout."

"But are there not some mild pleasures left in the years that bring the

philosophic mind?" asked Claude.

"Does that mean when one is eighty? At eighty one might easily be

philosophic. Everything would be over and done with. One would be like

old Lord Tyrawly, who said he was dead, though people did not know it."

"Some of the most delightful people I have known were old, and even

very old," said Claude, "but they didn't mind. That's the secret of

eternal youth, my dear Susie--not to mind: to wear the best wig you can

buy, and not to pretend it is your own hair: to wear pretty clothes,

especially suited to your years, sumptuous velvet and more sumptuous

fur, like a portrait of an old lady by Velasquez: never to brag of your

age, but never to be ashamed of it. The last phase may be the best

phase, if one has the philosophic mind."

"Oh, you," exclaimed Susan scornfully, "you are like Chesterfield. You

will have your good manners till your last death-bed visitor has been

given a chair. A fine manner is the only thing that time can't touch."

Vera saw her aunt looking bored, and smiled the signal for moving.

"Half a cigarette, and I shall follow," said Claude, as he opened the

door for the trio, "unless I am distinctly forbidden."

"Why should we forbid you? You are an artist, and you know more about

frocks and hats than we do, after years of laborious study," said Lady

Susan, and then, with her arm through Vera's as they went slowly up the

broad staircase, with steps so shallow that people accustomed to small

houses were in danger of falling over them, "Isn't he incomparable?"

she exclaimed. "There never was such a delightful failure."

"Poor Claude," sighed Lady Okehampton. "I suppose it is only the men

who fail in everything who have time to be agreeable. If a young man

has a great ambition, and is thinking of his career, he is generally

a bear. Claude has wasted all his chances in life, and can afford to

waste his time."

"It was a pity he left the Army," said Susan. "He looked lovely in his

uniform. I remember him as he flashed past me in a hansom, one summer

morning after a levée, a vision of beauty."

"It was a pity he got himself entrapped by a bad woman," said Lady

Okehampton with a sigh.

"His Colonel's second wife," put in Lady Susan. "Isn't it always the

elderly Colonel's second wife?"

Lady Okehampton gave another sigh.

"It was a disgraceful story," she murmured. "Let us try to forget all

about it."

Vera had flushed and paled while they were talking.

"But tell me about it, Aunt Mildred," she said, with a kind of angry

eagerness. "Where was the disgrace, more than in all such cases? A

wicked woman, a foolish young man--very young, wasn't he?"

"Not five and twenty."

"Where was the disgrace?"

"Don't excite yourself, child. Duplicity--an old man's heart

broken--Isn't that enough? An elopement or not an elopement; something

horrid that happened after a regimental ball. I know nothing of the

details, for it all took place while the regiment was in India, which

only shows that Kipling's stories are true to life. The husband would

not divorce her--which was a blessing--or Claude would have had to

marry her. He spoilt his career by the intrigue; but marriage would

have been worse."

Vera's heart was beating violently when Claude sauntered into the room

presently, and made his leisurely way to the sofa where she was sitting

aloof from the other two, who had just entered upon an animated

discussion of the last fashionable nerve-specialist and his methods.

"What has made you so pale?" Claude asked, as he seated himself by

Vera's side. "Was our walk through the streets too much for you? I

should never forgive myself if----"

"You have nothing to be sorry for. The walk was delightful. My aunt and

Susie have been talking of unpleasant things."

"What kind of things?"

"Of your leaving the Army. You have never told me why you threw up your

career."

"My career! There was not much to lose. The Boer War was over; my

regiment was in India all the time, and I never had a look in. Oh, they

have been telling you an ugly story about your poor friend; and it will

be 'The door is shut' again, I suppose."

"Why did not you tell me of your past life? I have told you everything

about mine."

"Because you had only nice innocent things to tell. My story would not

bear telling--and why should you want to know?"

"There should not be a wall between friends--such friends as we have

been--like brother and sister."

"Do brothers tell old love stories? Stale, barren stories of loves that

are dead?"

"Perhaps not. I oughtn't to have spoken about it. Come and talk to Aunt

Mildred. Her carriage has been announced, and she'll be huffed if we

don't go to her."

Claude followed meekly, and in five minutes Lady Okehampton had

forgotten that it was eleven o'clock, and that her horses had been

waiting half an hour. He had a curious power of making women pleased

with themselves, and with him. He always flattered them; but his

flattery was so discreet and subtle as to be imperceptible. It was

rather his evident delight in being with them and talking to them that

pleased, than anything that he said.

"Come to River Mead for next Sunday. It will be my last week-end party

before we go to Scotland," Lady Okehampton said to him before she bade

good night. "Vera and Susan are coming. We shall be a small party, and

there will be plenty of bridge."

Claude accepted the invitation as he took Lady Okehampton to her

carriage.

"I wish Provana were not so much away from his wife," she said. "It is

a very difficult position for Vera."

"Vera is not _la première venue_. She knows how to take care of

herself."

"That's what they always say about women; but is it true in her case?

She is very young, and rather simple, and knows very little of the

world."

"Not after six years as the wife of a financial Croesus?" murmured

Claude, while he arranged the matron's voluminous mantle over her

shoulders as carefully as if the outside atmosphere had been arctic.

He knew that the drift of her speech had been by way of warning for

him. Dear, inconsistent soul! It was so like her to invite him to spend

three days with her niece in the _sans gêne_ of a riverside villa, and

five minutes afterwards to sound a note of warning.

He walked along the lamp-lit streets with the light foot of triumphant

love. Vera's pale distress and unwise questioning had set his heart

beating with the presage of victory. Poor child! For his acute

perceptions, the heart of a woman had seldom been a mystery, and this

woman's heart was easier to read than most. Poor child! She had been

trying to live without him. She had fought her poor little battle,

with more of resolution and of courage than he would have expected

from a creature so tender. She had kept him out of her life for a long

time--time that had seemed an eternity for him, in his longing for

her; and then, at a word, at a smile, at the touch of his hand, she

had yielded, and had let him see that to be with him was to be happy,

and that nothing else mattered. Light love had been his portion in the

light years of youth; but this was no light love. He had sacrificed

his career for the sake of a woman; but the sacrifice had been forced

upon him, and it had killed his love. But now he was prepared for any

sacrifice--for the sacrifice of life-long exile, and strained means.

He thought of a home in a summer isle of the great southern ocean,

like Stevenson's; or, if gaiety were better, in some romantic city of

Spanish America. There were paradises enough in the world, there would

be no one to point the finger of scorn, where "Society" was a word of

no meaning.

He would carry his love to the world's end, beyond the reach of shame.

Nothing mattered but Vera. Yes, there was one who mattered. His mother!

But to-night he could not even think of her, or if he thought of her

it was to tell himself that if Provana divorced his wife, and he and

Vera were married, his mother would be reconciled to the inevitable.

Her religion would be a stumbling block. To her mind such a marriage

would be no marriage. To-night he could not reason, he would not see

obstacles in his path. Vera's pale looks and anxious questions had been

a confession of love, a forecast of surrender; and in the tumult of his

thoughts there was no room for hesitation or for fear.

He thought of his love now as duty. It was his duty to rescue this dear

girl from a loveless union with a hard man of business, old enough to

be her father, from splendours and luxuries that had become as dust and

ashes. He had known for a long time that she cared for him; but he had

never reckoned the strength of her attachment. Only this afternoon, in

her radiant happiness, as they walked through the unromantic streets;

only in her pale distress to-night, as she questioned him, had he

discovered his power: and now there seemed to be but one possible

issue--a new life for them both.

His mother's absence from London was an inexpressible relief to him.

How could he have met the tender questioning of the eyes that watched

over his life, and had learned how to read his mind from the time

when thought began? How could he have hidden the leaping, passionate

thoughts, the sense of a crisis in his fate, the ardent expectation,

the dream of joy, the fever and excitement in the mind of a man who is

making his plan of a new life, a life of exquisite happiness?

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