FOREWORD

_By _CLARENCE H. WHITE

_President of the Pictorial Photographers of America_

To many people photography is merely a mechanical process. To an

increasing number, however, photography is being seen as an art, by which

personal impressions of nature or human life may be expressed as truly as

by the brush. These workers in photography see in it a medium by which

the action of light upon sensitive surfaces may be so controlled as really

to interpret scenes and persons in the individualistic spirit of a true

art. From every part of our country come evidences of the growing

appreciation of photography as a pictorial medium. Exhibitions in many

museums which have hitherto been indifferent to pictures made with the

lens have opened the eyes of the public to the possibilities of the

camera. Clubs of photographic workers in various cities have maintained

or fostered the movement. The lure of the moving picture has stimulated

the interest of countless multitudes in photography, and the occasional

presentation of fine pictorial work in this direction has given a prophecy

of better things to come. The time, therefore, seems ripe to present in

this book a collection of the work of American pictorial photographers in

all sections of the country. Many of these workers are members of the

organization known as the Pictorial Photographers of America; but the

appeal for photographic material for this book has been confined to no one

society or club, but has been widely inclusive of associations and

individuals, and it is believed that the work here presented is fairly

representative of the best American effort along these lines at the

present time.

It is the hope and intention of the organization that publishes this book

to stimulate interest in this branch of pictorial art. This is believed

to be the first attempt in America to give a comprehensive presentation of

the status of pictorial photography as illustrated by the product of many

of its best workers. As such it is commended to the consideration of

photographers both professional and amateur, of artists and art lovers,

and of the public generally.

Pictorial Photography in America 1920 · 第 4 / 15 题