“Oh, my God!” said Davies again, biting his fingers unconsciously.

The crowd gathered about now more closely than ever, more

horror-stricken than gleeful at their own work. None apparently had

either the courage or the charity to gainsay what was being done.

With a kind of mechanical deftness now the negro was rudely lifted

and like a sack of wheat thrown into the wagon. Father and son now

mounted in front to drive and the crowd took to their horses, content

to clatter, a silent cavalcade, behind. As Davies afterwards concluded,

they were not so much hardened lynchers perhaps as curious spectators,

the majority of them, eager for any variation--any excuse for one--to

the dreary commonplaces of their existences. The task to most--all

indeed--was entirely new. Wide-eyed and nerve-racked, Davies ran for

his own horse and mounting followed. He was so excited he scarcely knew

what he was doing.

Slowly the silent company now took its way up the Sand River pike

whence it had come. The moon was still high, pouring down a wash of

silvery light. As Davies rode he wondered how he was to complete his

telegram, but decided that he could not. When this was over there would

be no time. How long would it be before they would really hang him? And

would they? The whole procedure seemed so unreal, so barbaric that he

could scarcely believe it--that he was a part of it. Still they rode on.

“Are they really going to hang him?” he asked of one who rode beside

him, a total stranger who seemed however not to resent his presence.

“That’s what they got ’im fer,” answered the stranger.

And think, he thought to himself, to-morrow night he would be resting

in his own good bed back in K----!

Davies dropped behind again and into silence and tried to recover

his nerves. He could scarcely realize that he, ordinarily accustomed

to the routine of the city, its humdrum and at least outward social

regularity, was a part of this. The night was so soft, the air so

refreshing. The shadowy trees were stirring with a cool night wind. Why

should any one have to die this way? Why couldn’t the people of Baldwin

or elsewhere have bestirred themselves on the side of the law before

this, just let it take its course? Both father and son now seemed

brutal, the injury to the daughter and sister not so vital as all this.

Still, also, custom seemed to require death in this way for this. It

was like some axiomatic, mathematic law--hard, but custom. The silent

company, an articulated, mechanical and therefore terrible thing, moved

on. It also was axiomatic, mathematic. After a time he drew near to the

wagon and looked at the negro again.

The latter, as Davies was glad to note, seemed still out of his

sense. He was breathing heavily and groaning, but probably not with

any conscious pain. His eyes were fixed and staring, his face and

hands bleeding as if they had been scratched or trampled upon. He was

crumpled limply.

But Davies could stand it no longer now. He fell back, sick at heart,

content to see no more. It seemed a ghastly, murderous thing to do.

Still the company moved on and he followed, past fields lit white

by the moon, under dark, silent groups of trees, through which the

moonlight fell in patches, up low hills and down into valleys, until

at last a little stream came into view, the same little stream, as it

proved, which he had seen earlier to-day and for a bridge over which

they were heading. Here it ran now, sparkling like electricity in the

night. After a time the road drew closer to the water and then crossed

directly over the bridge, which could be seen a little way ahead.

Up to this the company now rode and then halted. The wagon was driven

up on the bridge, and father and son got out. All the riders, including

Davies, dismounted, and a full score of them gathered about the wagon

from which the negro was lifted, quite as one might a bag. Fortunately,

as Davies now told himself, he was still unconscious, an accidental

mercy. Nevertheless he decided now that he could not witness the end,

and went down by the waterside slightly above the bridge. He was not,

after all, the utterly relentless reporter. From where he stood,

however, he could see long beams of iron projecting out over the water,

where the bridge was braced, and some of the men fastening a rope to a

beam, and then he could see that they were fixing the other end around

the negro’s neck.

Finally the curious company stood back, and he turned his face away.

“Have you anything to say?” a voice demanded.

There was no answer. The negro was probably lolling and groaning, quite

as unconscious as he was before.

Then came the concerted action of a dozen men, the lifting of the black

mass into the air, and then Davies saw the limp form plunge down and

pull up with a creaking sound of rope. In the weak moonlight it seemed

as if the body were struggling, but he could not tell. He watched,

wide-mouthed and silent, and then the body ceased moving. Then after a

time he heard the company making ready to depart, and finally it did

so, leaving him quite indifferently to himself and his thoughts. Only

the black mass swaying in the pale light over the glimmering water

seemed human and alive, his sole companion.

He sat down upon the bank and gazed in silence. Now the horror was

gone. The suffering was ended. He was no longer afraid. Everything

was summery and beautiful. The whole cavalcade had disappeared; the

moon finally sank. His horse, tethered to a sapling beyond the bridge,

waited patiently. Still he sat. He might now have hurried back to the

small postoffice in Baldwin and attempted to file additional details

of this story, providing he could find Seavey, but it would have done

no good. It was quite too late, and anyhow what did it matter? No

other reporter had been present, and he could write a fuller, sadder,

more colorful story on the morrow. He wondered idly what had become of

Seavey? Why had he not followed? Life seemed so sad, so strange, so

mysterious, so inexplicable.

As he still sat there the light of morning broke, a tender lavender

and gray in the east. Then came the roseate hues of dawn, all the

wondrous coloring of celestial halls, to which the waters of the stream

responded. The white pebbles shone pinkily at the bottom, the grass and

sedges first black now gleamed a translucent green. Still the body hung

there black and limp against the sky, and now a light breeze sprang up

and stirred it visibly. At last he arose, mounted his horse and made

his way back to Pleasant Valley, too full of the late tragedy to be

much interested in anything else. Rousing his liveryman, he adjusted

his difficulties with him by telling him the whole story, assuring him

of his horse’s care and handing him a five-dollar bill. Then he left,

to walk and think again.

Since there was no train before noon and his duty plainly called him

to a portion of another day’s work here, he decided to make a day of

it, idling about and getting additional details as to what further

might be done. Who would cut the body down? What about arresting the

lynchers--the father and son, for instance? What about the sheriff

now? Would he act as he threatened? If he telegraphed the main fact of

the lynching his city editor would not mind, he knew, his coming late,

and the day here was so beautiful. He proceeded to talk with citizens

and officials, rode out to the injured girl’s home, rode to Baldwin to

see the sheriff. There was a singular silence and placidity in that

corner. The latter assured him that he knew nearly all of those who

had taken part, and proposed to swear out warrants for them, but just

the same Davies noted that he took his defeat as he did his danger,

philosophically. There was no real activity in that corner later. He

wished to remain a popular sheriff, no doubt.

It was sundown again before he remembered that he had not discovered

whether the body had been removed. Nor had he heard why the negro came

back, nor exactly how he was caught. A nine o’clock evening train to

the city giving him a little more time for investigation, he decided

to avail himself of it. The negro’s cabin was two miles out along a

pine-shaded road, but so pleasant was the evening that he decided

to walk. En route, the last rays of the sinking sun stretched long

shadows of budding trees across his path. It was not long before he

came upon the cabin, a one-story affair set well back from the road and

surrounded with a few scattered trees. By now it was quite dark. The

ground between the cabin and the road was open, and strewn with the

chips of a woodpile. The roof was sagged, and the windows patched in

places, but for all that it had the glow of a home. Through the front

door, which stood open, the blaze of a wood-fire might be seen, its

yellow light filling the interior with a golden glow.

Hesitating before the door, Davies finally knocked. Receiving no answer

he looked in on the battered cane chairs and aged furniture with

considerable interest. It was a typical negro cabin, poor beyond the

need of description. After a time a door in the rear of the room opened

and a little negro girl entered carrying a battered tin lamp without

any chimney. She had not heard his knock and started perceptibly at the

sight of his figure in the doorway. Then she raised her smoking lamp

above her head in order to see better, and approached.

There was something ridiculous about her unformed figure and loose

gingham dress, as he noted. Her feet and hands were so large. Her black

head was strongly emphasized by little pigtails of hair done up in

white twine, which stood out all over her head. Her dark skin was made

apparently more so by contrast with her white teeth and the whites of

her eyes.

Davies looked at her for a moment but little moved now by the oddity

which ordinarily would have amused him, and asked, “Is this where

Ingalls lived?”

The girl nodded her head. She was exceedingly subdued, and looked as if

she might have been crying.

“Has the body been brought here?”

“Yes, suh,” she answered, with a soft negro accent.

“When did they bring it?”

“Dis moanin’.”

“Are you his sister?”

“Yes, suh.”

“Well, can you tell me how they caught him? When did he come back, and

what for?” He was feeling slightly ashamed to intrude thus.

“In de afternoon, about two.”

“And what for?” repeated Davies.

“To see us,” answered the girl. “To see my motha’.”

“Well, did he want anything? He didn’t come just to see her, did he?”

“Yes, suh,” said the girl, “he come to say good-by. We doan know when

dey caught him.” Her voice wavered.

“Well, didn’t he know he might get caught?” asked Davies

sympathetically, seeing that the girl was so moved.

“Yes, suh, I think he did.”

She still stood very quietly holding the poor battered lamp up, and

looking down.

“Well, what did he have to say?” asked Davies.

“He didn’ have nothin’ much to say, suh. He said he wanted to see

motha’. He was a-goin’ away.”

The girl seemed to regard Davies as an official of some sort, and he

knew it.

“Can I have a look at the body?” he asked.

The girl did not answer, but started as if to lead the way.

“When is the funeral?” he asked.

“Tomorra’.”

The girl then led him through several bare sheds of rooms strung in

a row to the furthermost one of the line. This last seemed a sort of

storage shed for odds and ends. It had several windows, but they were

quite bare of glass and open to the moonlight save for a few wooden

boards nailed across from the outside. Davies had been wondering all

the while where the body was and at the lonely and forsaken air of the

place. No one but this little pig-tailed girl seemed about. If they had

any colored neighbors they were probably afraid to be seen here.

Now, as he stepped into this cool, dark, exposed outer room, the

desolation seemed quite complete. It was very bare, a mere shed or

wash-room. There was the body in the middle of the room, stretched upon

an ironing board which rested on a box and a chair, and covered with

a white sheet. All the corners of the room were quite dark. Only its

middle was brightened by splotches of silvery light.

Davies came forward, the while the girl left him, still carrying her

lamp. Evidently she thought the moon lighted up the room sufficiently,

and she did not feel equal to remaining. He lifted the sheet quite

boldly, for he could see well enough, and looked at the still, black

form. The face was extremely distorted, even in death, and he could see

where the rope had tightened. A bar of cool moonlight lay just across

the face and breast. He was still looking, thinking soon to restore the

covering, when a sound, half sigh, half groan, reached his ears.

At it he started as if a ghost had made it. It was so eerie and

unexpected in this dark place. His muscles tightened. Instantly his

heart went hammering like mad. His first impression was that it must

have come from the dead.

“Oo-o-ohh!” came the sound again, this time whimpering, as if some one

were crying.

Instantly he turned, for now it seemed to come from a corner of the

room, the extreme corner to his right, back of him. Greatly disturbed,

he approached, and then as his eyes strained he seemed to catch the

shadow of something, the figure of a woman, perhaps, crouching against

the walls, huddled up, dark, almost indistinguishable.

“Oh, oh, oh!” the sound now repeated itself, even more plaintively than

before.

Davies began to understand. He approached slowly, then more swiftly

desired to withdraw, for he was in the presence of an old black mammy,

doubled up and weeping. She was in the very niche of the two walls,

her head sunk on her knees, her body quite still. “Oh, oh, oh!” she

repeated, as he stood there near her.

Davies drew silently back. Before such grief his intrusion seemed cold

and unwarranted. The guiltlessness of the mother--her love--how could

one balance that against the other? The sensation of tears came to his

eyes. He instantly covered the dead and withdrew.

Out in the moonlight he struck a brisk pace, but soon stopped and

looked back. The whole dreary cabin, with its one golden eye, the

door, seemed such a pitiful thing. The weeping mammy, alone in her

corner--and he had come back to say “Good-by!” Davies swelled with

feeling. The night, the tragedy, the grief, he saw it all. But also

with the cruel instinct of the budding artist that he already was, he

was beginning to meditate on the character of story it would make--the

color, the pathos. The knowledge now that it was not always exact

justice that was meted out to all and that it was not so much the

business of the writer to indict as to interpret was borne in on him

with distinctness by the cruel sorrow of the mother, whose blame, if

any, was infinitesimal.

“I’ll get it all in!” he exclaimed feelingly, if triumphantly at last.

“I’ll get it all in!”

THE LOST PHŒBE

They lived together in a part of the country which was not so

prosperous as it had once been, about three miles from one of those

small towns that, instead of increasing in population, is steadily

decreasing. The territory was not very thickly settled; perhaps a

house every other mile or so, with large areas of corn- and wheat-land

and fallow fields that at odd seasons had been sown to timothy and

clover. Their particular house was part log and part frame, the log

portion being the old original home of Henry’s grandfather. The new

portion, of now rain-beaten, time-worn slabs, through which the wind

squeaked in the chinks at times, and which several overshadowing elms

and a butternut-tree made picturesque and reminiscently pathetic, but

a little damp, was erected by Henry when he was twenty-one and just

married.

That was forty-eight years before. The furniture inside, like the house

outside, was old and mildewy and reminiscent of an earlier day. You

have seen the what-not of cherry wood, perhaps, with spiral legs and

fluted top. It was there. The old-fashioned four poster bed, with its

ball-like protuberances and deep curving incisions, was there also, a

sadly alienated descendant of an early Jacobean ancestor. The bureau

of cherry was also high and wide and solidly built, but faded-looking,

and with a musty odor. The rag carpet that underlay all these sturdy

examples of enduring furniture was a weak, faded, lead-and-pink-colored

affair woven by Phœbe Ann’s own hands, when she was fifteen years

younger than she was when she died. The creaky wooden loom on which

it had been done now stood like a dusty, bony skeleton, along with a

broken rocking-chair, a worm-eaten clothes-press--Heaven knows how

old--a lime-stained bench that had once been used to keep flowers on

outside the door, and other decrepit factors of household utility, in

an east room that was a lean-to against this so-called main portion.

All sorts of other broken-down furniture were about this place; an

antiquated clothes-horse, cracked in two of its ribs; a broken mirror

in an old cherry frame, which had fallen from a nail and cracked

itself three days before their youngest son, Jerry, died; an extension

hat-rack, which once had had porcelain knobs on the ends of its pegs;

and a sewing-machine, long since outdone in its clumsy mechanism by

rivals of a newer generation.

The orchard to the east of the house was full of gnarled old

apple-trees, worm-eaten as to trunks and branches, and fully ornamented

with green and white lichens, so that it had a sad, greenish-white,

silvery effect in moonlight. The low outhouses, which had once housed

chickens, a horse or two, a cow, and several pigs, were covered with

patches of moss as to their roof, and the sides had been free of paint

for so long that they were blackish-gray as to color, and a little

spongy. The picket-fence in front, with its gate squeaky and askew, and

the side fences of the stake-and-rider type were in an equally run-down

condition. As a matter of fact, they had aged synchronously with the

persons who lived here, old Henry Reifsneider and his wife Phœbe Ann.

They had lived here, these two, ever since their marriage, forty-eight

years before, and Henry had lived here before that from his childhood

up. His father and mother, well along in years when he was a boy,

had invited him to bring his wife here when he had first fallen in

love and decided to marry; and he had done so. His father and mother

were the companions of himself and his wife for ten years after they

were married, when both died; and then Henry and Phœbe were left with

their five children growing lustily apace. But all sorts of things had

happened since then. Of the seven children, all told, that had been

born to them, three had died; one girl had gone to Kansas; one boy had

gone to Sioux Falls, never even to be heard of after; another boy had

gone to Washington; and the last girl lived five counties away in the

same State, but was so burdened with cares of her own that she rarely

gave them a thought. Time and a commonplace home life that had never

been attractive had weaned them thoroughly, so that, wherever they

were, they gave little thought as to how it might be with their father

and mother.

Old Henry Reifsneider and his wife Phœbe were a loving couple. You

perhaps know how it is with simple natures that fasten themselves

like lichens on the stones of circumstance and weather their days to

a crumbling conclusion. The great world sounds widely, but it has no

call for them. They have no soaring intellect. The orchard, the meadow,

the corn-field, the pig-pen, and the chicken-lot measure the range of

their human activities. When the wheat is headed it is reaped and

threshed; when the corn is browned and frosted it is cut and shocked;

when the timothy is in full head it is cut, and the hay-cock erected.

After that comes winter, with the hauling of grain to market, the

sawing and splitting of wood, the simple chores of fire-building,

meal-getting, occasional repairing, and visiting. Beyond these and the

changes of weather--the snows, the rains, and the fair days--there are

no immediate, significant things. All the rest of life is a far-off,

clamorous phantasmagoria, flickering like Northern lights in the night,

and sounding as faintly as cow-bells tinkling in the distance.

Old Henry and his wife Phœbe were as fond of each other as it is

possible for two old people to be who have nothing else in this

life to be fond of. He was a thin old man, seventy when she died, a

queer, crotchety person with coarse gray-black hair and beard, quite

straggly and unkempt. He looked at you out of dull, fishy, watery eyes

that had deep-brown crow’s-feet at the sides. His clothes, like the

clothes of many farmers, were aged and angular and baggy, standing out

at the pockets, not fitting about the neck, protuberant and worn at

elbow and knee. Phœbe Ann was thin and shapeless, a very umbrella of

a woman, clad in shabby black, and with a black bonnet for her best

wear. As time had passed, and they had only themselves to look after,

their movements had become slower and slower, their activities fewer

and fewer. The annual keep of pigs had been reduced from five to one

grunting porker, and the single horse which Henry now retained was a

sleepy animal, not over-nourished and not very clean. The chickens, of

which formerly there was a large flock, had almost disappeared, owing

to ferrets, foxes, and the lack of proper care, which produces disease.

The former healthy garden was now a straggling memory of itself, and

the vines and flower-beds that formerly ornamented the windows and

dooryard had now become choking thickets. A will had been made which

divided the small tax-eaten property equally among the remaining

four, so that it was really of no interest to any of them. Yet these

two lived together in peace and sympathy, only that now and then old

Henry would become unduly cranky, complaining almost invariably that

something had been neglected or mislaid which was of no importance at

all.

“Phœbe, where’s my corn-knife? You ain’t never minded to let my things

alone no more.”

“Now you hush, Henry,” his wife would caution him in a cracked and

squeaky voice. “If you don’t, I’ll leave yuh. I’ll git up and walk out

of here some day, and then where would y’be? Y’ain’t got anybody but me

to look after yuh, so yuh just behave yourself. Your corn-knife’s on

the mantel where it’s allus been unless you’ve gone an’ put it summers

else.”

Old Henry, who knew his wife would never leave him in any

circumstances, used to speculate at times as to what he would do if

she were to die. That was the one leaving that he really feared. As

he climbed on the chair at night to wind the old, long-pendulumed,

double-weighted clock, or went finally to the front and the back door

to see that they were safely shut in, it was a comfort to know that

Phœbe was there, properly ensconced on her side of the bed, and that if

he stirred restlessly in the night, she would be there to ask what he

wanted.

“Now, Henry, do lie still! You’re as restless as a chicken.”

“Well, I can’t sleep, Phœbe.”

“Well, yuh needn’t roll so, anyhow. Yuh kin let me sleep.”

This usually reduced him to a state of somnolent ease. If she wanted a

pail of water, it was a grumbling pleasure for him to get it; and if

she did rise first to build the fires, he saw that the wood was cut and

placed within easy reach. They divided this simple world nicely between

them.

As the years had gone on, however, fewer and fewer people had called.

They were well-known for a distance of as much as ten square miles as

old Mr. and Mrs. Reifsneider, honest, moderately Christian, but too old

to be really interesting any longer. The writing of letters had become

an almost impossible burden too difficult to continue or even negotiate

via others, although an occasional letter still did arrive from the

daughter in Pemberton County. Now and then some old friend stopped with

a pie or cake or a roasted chicken or duck, or merely to see that they

were well; but even these kindly minded visits were no longer frequent.

Free, and other stories · 第 6 / 23 段