CHAPTER II

[Illustration: Chapter Two]

MY INTERPRETER AT MAZATLAN

On the fifth day out from San Francisco we make the harbour of

Mazatlan, on the Mexican coast. The courtesy of the Captain secures us

a good view from "the bridge" as we approach our first port. A great

white rock juts up in the bay like a fragment of some Titan's

fortress; a lighthouse stares out to sea from a cliff at the harbour's

entrance; the tall cocoa palms wave their fern leaves in the blinding

sunshine, and red-roofed houses huddle below the dome of the Cathedral

rising white above the town.

The harbour soon swarms with the countless boats of the natives coming

with fruit and wares to sell or hoping to earn a few _reales_ by

rowing the curious to the wharf.

Señor Noma engages the largest of these boats and invites as many as

it will hold to go ashore with him. He helps in Mrs. Steele, Baron de

Bach brings me, and we are soon followed by Captain Ball and his wife,

and Miss Rogers, a pretty girl with her photographic camera and her

mamma, who is an Episcopal clergyman's wife, and so proud of the

circumstance that the gentlemen have dubbed her "The Church of

England."

The Mexican oarsmen make one think of comic opera brigands, except

that they look rather dirtier and their speech is music without song.

We land at a rude wharf in the low sea wall and pass through groups of

dark-skinned natives who eye us with sleepy interest. Through narrow

streets we troop one after another towards the heart of Mazatlan.

It is oppressively warm, and Captain Ball begs us all to come into a

restaurant and get some cooling drink. Mrs. Steele and I have limes

and Apollinaris, while Señor Noma, true to his red-hot appetite,

tosses off a glass of mezcal, the fire-water of the Mexicans, the

most scorching beverage ever concocted.

"How would you like a true Megsican dinair, Mees?" says Señor Noma,

blinking a little as the liquid fire pours down his throat. "It ees

not bad."

"I should fancy it might be very interesting," I say.

"Well, then, if Madama Steele and the ladies and zhentlemen present

will do me so much honour I will await them at the Hotel Nacional at

seven o'clock. I must now see a friend. _Adios!_"

While the rest are taking leave Baron de Bach bows to me with his

glass of Rhine wine held out to touch mine. With a comparatively

serene face he mutters:

"You talk to efery one but me; I vould like to shoot dhem all."

"It mightn't do," I say, "even in Mexico."

He turns away with a frown between his fine, straight brows.

"Madame, vill you and Señorita come to drive? I know dthe place and

vill be intairpretair?"

"Yes," says Mrs. Steele. "I intend sending for a carriage; we can get

over more ground in that way, and we have so little time."

The Peruvian gives an order to the servant and shortly a vehicle

stands at the door. It is a lumbering old open carriage that has

evidently been grand in its day--with two white horses that match it

in age and decrepitude. In the best of spirits we drive off. The Baron

talks Spanish with the driver and answers all our million inquiries.

We learn that the best houses are built round a hollow square called a

_patio_, and the occasional glimpses through the opening of massive

doors into these courts reveal a sun-shiny garden of tropical fruits

and flowers. Roses everywhere fill the afternoon with fragrance, and

the strong aroma of ripening bananas and pines makes the hot air

heavy.

"Ees it like vhat you dthought?" asks the Peruvian.

"Much better in some respects," I say, "but the houses look

dreadfully dreary outside; they are more like prisons than homes, with

their great blank walls and here and there an arched and grated

window."

"And there's not a pane of glass in the town," says Mrs. Steele,

"lattices inside and wooden shutters without."

"Yes, and I've noticed ever so many pairs of bright eyes peering

through those lattices. Poor things!" I say feelingly, "I suppose a

Mexican girl of good family must have a very stupid time."

"Not in dthe slightes'," says the Peruvian with decision. "Vomans air

much better take care off; dthey air fery happy, I 'sure you," and

turning to me--"You vould like it yourself after a leedle."

"Indeed I shouldn't! And neither would the unfortunates who had charge

of me."

We pass a Catholic graveyard with high adobe wall and are at the

Hospital Municipal, our objective point. A dark young man in

ill-fitting clothes receives us and shows us about this primitive

refuge. The floors are tiled and all the appointments are rude, but

very clean.

Baron de Bach distributes his Mexican dollars so generously the dark

young man is quite overcome. He asks some question with solemn black

eyes fixed on me. The Peruvian laughs with slight confusion and I

catch "_Si_" in his reply. The dark young man puts another query.

"What's it all about?" says Mrs. Steele; "you promised to interpret."

"Oh, yes, if I must. Dthis zhentleman ask if dthis young lady ees my

wife and if she like roses."

"Oh, let us see the roses," says Mrs. Steele, calmly ignoring the

wretch's prevarication, for I know to the first question he said

"Yes." With my nose in the air I follow the rest into the rose garden

of the hospital, where all is so lovely I quite forget I am offended.

Oh, the rose trees and the wilderness of bloom!

The dark young man gathers for Mrs. Steele and the Baron de Bach for

me.

"You ask me vonce vhat kind was a Castilian rose. Look, Señorita, so

_weich so süss, so fein, wie die Castilien Frauen_," and he hands me a

pale pink rose, loose-petalled, fragile, and very fragrant. With great

bunches in our hands we leave the hospital garden, and I notice with

irritation that the dark young man in bidding me good-bye, long life

and happiness, salutes me as "Señora."

It is six o'clock and we drive towards the town. The narrow streets

are full of idlers in every attitude of picturesque languor. Mrs.

Steele sympathises deeply with the lean and patient little burros

with wooden racks on their backs holding on either side a clay jar

filled with water.

[Illustration: "LOOK, SENORITA!"--_Page 48_]

"Efery yar ees two media, about twenty-five cent your money. Vater ees

more dearer dthan vine," explains our interpreter.

We find all the rest of the company assembled at the Hotel Nacional in

the gallery on the ground floor that looks into the _patio_. Mrs.

Steele and I are shown by a native servant (half Indian, I should

think) into a room across the court, where we make a primitive toilet.

This is the very best hotel of Mazatlan, but the guest chamber is

guiltless of carpet or rug; the one high window, grated and latticed,

looks into the narrow street. A bed heavily draped with coarse

curtains stands in one corner, and under a cracked glass giving forth

a freckled and bilious reflection stands the deal toilet-table. A tin

pan does duty for bowl, a delightful old clay carafe holds the water,

and an abalone shell contains a bit of yellow laundry soap.

With these aids to beauty we reappear refreshed and ready for the dinner

that is spread in the half-open gallery. Only a trellis thickly mantled

with grape vines is between us and the garden; indeed, over the top of

this screen I can see, as I sit at the table, the vine-leaves rise and

fall in the soft air, and the more ambitious tendrils daintily

pencilled against the red sky of that lovely Mexican evening. An odd

dinner it is; but Señor Noma makes a most courteous host, and the dishes

are certainly rare and interesting--generally peppery beyond words to

describe and most of them liberally seasoned with garlic. But the

luscious fruits, the "_vino blanco_," and champagne cool our smarting

palates and reconcile us to our gastronomic ventures. At the beginning

of the meal, out of the meditative mood that has overtaken him, Baron de

Bach rouses himself to enter into earnest conversation with the little

Mexican boy who is helping to serve us. I notice the boy's snapping

black eyes and fine oval face, and how he nods with an added gleam as

he says "_Si! si!_" to every remark of the Baron's, and finally

disappears. In a few minutes he returns and presents a large bunch of

lovely orchids to Mrs. Steele. Then he exchanges a few words with the

Baron and is off again like a shot.

"Yust to show you dthat flowers can grow here _out_ of a hospital

garden," explains the Baron, bowing across the table to my friend and

adding under his breath:

"I haf send for odthers for you, Señorita."

Towards the end of this curious dinner the Mexican boy returns with a

great round native basket piled high with roses and strange rare

flowers I have never seen before--such wonderful fantastic conceits in

bloom that I can only look and clasp my hands about the dainty store.

Mrs. Steele recalls Hernando Cortes' wonder and delight at the flowery

surprises of the new world three hundred years ago.

"Ah, yes," says Señor Noma, who has caught the remark, "you see we haf

something worth your notice in this dark corner of America. If you

stay here longer you will find we haf many things you would like."

Baron de Bach is strangely quiet all the evening, but the unfailing

good temper of our host and the gaiety of the others keep us at the

table till the pale crescent of the new moon looks in over the vine

trellis to warn us of the waning hours.

"We must remember the Captain's caution to be back by eleven," says

Captain Ball, consulting his watch.

"Yes, but it ees scarce nine o'clock," says Señor Noma. "Mrs. Steele,

will you accept my escor'?" And our clever host, having won over the

only possible objector, leads the way out into the dim, mysterious

street.

"Vill you haf zome Eendian dthings, _en souvenir_?" asks the Baron,

offering me his arm.

"Indian things!" I echoed, delighted. "I should like to see them

immensely, wouldn't you, Mrs. Steele?" and I explain. The notion is

received with enthusiasm, and Baron de Bach takes us to a little shop,

where some sinister-looking men and women show us glazed clay mugs

rudely decorated and often adorned with some Spanish name in scrawling

script. There are carafes with cups to match, pipes, whistles, and

animals in clay and little dishes of every description. The Baron buys

a great tray full of these things, and hires a barefooted "moso" to

carry them down to the wharf. We go on to the garden-planted Plaza

that had so attracted us by day. Now it is a blaze of light and

resonant with the strains of a Mexican band. Dark-visaged idlers

lounge on the long seats about the garden, and a constantly shifting

throng moves up and down on every side.

Affecting to show me a white flower that thrust its dainty head

through the garden's iron fence and filled the air with heavy, strange

perfume, Baron de Bach separates me a few moments from my friends.

"At last," he says, with a deep breath, looking around and seeing that

the others have passed on, "I haf you a moment alone. I haf been in

torture dthese seven hours."

"Very polite speech," I answer, peering through the garden's iron

palings, "seeing that you have been with me these seven sad hours."

"Ah, Señorita, it ees no use dthat I egsplain, you air zo fery

heartless. I do not find myself possible to make you out. You haf

pairhaps had too many tell you 'I loaf you'--you care not any more. I

haf travel dthe vorld ofer, many beautiful and clevair vomans haf loaf

me. I haf seen nefer a voman like you for not to care. Efery body loaf

you, you loaf nobody, and vhen a man say 'You air charmante,' you say

'Vill ve feeshe to-day?' If a man say 'You haf eyes wie die Sternen im

Himmel' you ask 'Hear you dthose bells of San Blas?' and vhen a man

say 'I loaf you to deestraction' you tell him 'I do so like dthose

qveer Megsican Eendians.'" The Baron strikes the pavement violently

with his stick. "Vill you marry von qveer Megsican Eendian, Señorita?"

I laugh at the funny conclusion and the Peruvian's excited face.

"Monsieur," I say, "I'm told that nearly every man says 'I love you'

to an average of eighteen women in a lifetime; he perhaps really cares

at various times for three, and the rest do well to let the mistake

pass unchallenged and soon forgotten. I am not especially

strong-minded myself, and I don't object to your talking a little

nonsense, for I find you very entertaining; but I won't deceive you

so far as to let you think I believe you."

A low volley of French so quick and excited that I cannot follow it is

the Peruvian's reply. I am a little bit uneasy at the look in his

face; the glow of ruddy health runs out like a fast-ebbing tide, and

although I have not understood his French, with the intuition of my

sex I comprehend his face, and I look around for the rest of the

party. He catches the glance and seems to struggle for self-control.

"Señorita, take my arm; ve shall valk. I vill hope to teach Señorita

zome day dthat Peruvians air no liars."

"Ah, Baron," I say deprecatingly, "I never meant that, you didn't

understand me--I----"

"No," he interrupts--"I know dthat often I understand you not and

zometimes it ees my so bad Eenglish dthat ees to blame. If I could

tell you all in Spanish you _must_ believe," and before all the people

in the Plaza he lifts the hand that lies on his arm and kisses it.

I flash a horrified look around, but no one seems to have noticed.

"Like you dthe Spanish tongue?" he asks quite unconcerned.

"Yes, very much," I say, glad to get him on some impersonal subject,

"it is the most musical in the world, I believe."

"You vould soon learn it," he says, "you understand many words now, I

know by your face. Can you say my name, I vondair; try! Federico

Guillermo."

"Federico Guillermo," I repeat imperfectly--"what a beautiful name!"

"Dthen Blanca vill call me 'Guillermo.' I like not 'de Baron de Bach'

from her lips. Besides ve use not titles in Peru."

Mrs. Steele and Señor Noma call us from the corner of the Plaza as we

approach.

"We've been round four times hunting for you; where in the world have

you been?" says Mrs. Steele, looking disapproving and a little out of

breath.

"Walking about here looking for you! I couldn't imagine where you

were," I say.

The others come up and we turn our faces towards the harbour. The

dusky oarsmen are waiting for us, and we are soon skimming over the

dark water--I with my hoard of flowers in my lap and my eyes fixed on

the great dim hulk of the _San Miguel_ anchored out in the bay.

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