SIENNA.

Sienna, resting on the top and brow of a hill, looks picturesque from

below. The railway station lies in a hollow, and the road up to town

is steep. We drove to the Grand Hotel, which, though not mentioned

in Bædeker, unless its name has been changed, is in by far the best

situation of any, its windows looking down upon the public park and

across to the fort or citadel; while, to add to its attractions, it is

kept by a worthy English landlady, and is consequently possessed of

all English comforts. We had an hour to see the town before dinner, at

which we enjoyed its famous Chiante wine presented in flasks.

* * * * *

The following morning, having engaged a guide from the hotel, we

desired him to take us to the places of most interest. Accordingly,

he led us through the long, narrow main street of Sienna, where there

is scarcely room for two carriages to pass, and no footways, and

all paved, according to Italian mode, with large flagstones. There

are shops in this street, and, I think, nowhere else, but of a very

inferior description. It terminates near the Collegio Tolomei, which

we entered to see a large gallery of the old masters, including some

good paintings, one especially by Perugino. From this we proceeded

to the cathedral, which is built in alternate courses of black and

white marble, the façade very richly ornamented. The interior, though

highly adorned, is not so rich in works of art as the Cathedral of

Pisa. The interior pavement, composed of marble mosaics, representing

Old Testament scenes, had unfortunately been so much worn by the

worshippers’ feet as to require to be boarded over for protection;

but a part of the boarding is removed, to allow the visitor to see

a portion as a specimen. We were shown into the library, which is

surrounded by huge illuminated tombs, some of which lie open for

inspection. It is a great lofty hall, ornamented by sculpture and by

large frescoes, executed by a fellow–pupil of Raphael, his great master

having been said to have had a hand in the designs. These frescoes are

very bright and perfect, and were among the best we saw anywhere in

Italy. Leaving the cathedral, and just looking in at the baptistery

below, we crossed over to the large open place called the Piazza

Vittorio Emanuele. Here a curious sight met our eyes. A dentist, who

had been driving through the town in a carriage and four, with a band

of music to congregate the people, stood on the box of the carriage

among a crowd of people, and was gratuitously extracting their decayed

teeth as fast as the unfortunates could pass up to him. The patient was

seated, a moment’s inspection, the tooth (probably the right one, not

impossibly occasionally the wrong one) was drawn and tossed into the

air among the crowd; the person so operated on descended, relieved, on

the other side, and in a twinkling another unhappy one took his place

to be similarly treated. We understood that the operator was paid from

some charitable source.

* * * * *

Several public buildings are situated in the Piazza, and among them

the town or public hall, containing many frescoes and paintings,

through which we were conducted. A very high, slender–looking tower or

campanile rises from it, and is one of the most prominent objects in

Sienna. Leaving the town–hall, we walked to the Instituto delle Belle

Arti, which contains a collection of old paintings, particularly of the

school of Sienna, principally interesting to the student; thence to the

large Church of St. Domenico, where are various paintings, and among

others, frescoes by Sodoma.

* * * * *

The places which we thus visited were among the principal in the

town, and they showed that several days might profitably be spent by

students and lovers of art at Sienna. Returning to the hotel to lunch,

we afterwards crossed the esplanade or public park to the citadel, and

enjoyed the views of the surrounding country from the battlements. The

walls are high, with deep fosses. I think it was here for the first

time we saw the Italian soldiery; and besides those stationed in the

fort, there was a large force in barracks outside the walls, in front

of which the soldiers were being drilled. The Italian soldier is of

small stature, generally young or even boyish–looking, as if newly

conscripted. The uniform—a curious mixture of hot and cold attire—is

a blue cloth surtout, and white canvas trousers and gaiters, with a

black–glazed, round, broad–brimmed hat, adorned with a bunch of cock’s

feathers, and stuck upon the one side of the head—a most unmilitary and

unbecoming head–gear. The undress, a cap covered with white canvas, is

an improvement.

* * * * *

The following morning we left for Rome. There is not much of interest

by the way, unless it be that the railway runs by the river Tiber

more than half the journey; but as we approached our destination, we

strained our eyes in eager longings to catch the first view of the

glorious old place. Rome, however, is not imposing at a distance.

Almost the only object which catches the eye is the dome of St.

Peter’s. At length we passed slowly through the Campagna, skirted

an ancient aqueduct and some other ruins, entered the walls of the

fortifications, and in a modern railway station were deposited in the

grand old Eternal City.

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