THE LEAST BITTERN AND SOME OTHER REED INHABITANTS

My experience with the Least Bittern leaves the eerie little creature a

half-solved mystery, and I think of it less as a bird than as a survivor

of a former geological period, when birds still showed traits of their

not distant reptilian ancestors.

The Bittern’s home is in fresh-water, cat-tail marshes, and he wanders

at will through the thickly set forest of reeds without of necessity

putting foot to the water below or flapping wing in the air above. His

peculiar mode of progression constitutes one of his chief

characteristics. The reeds in which he lives generally grow in several

feet of water, far too deep, therefore, to permit of his wading; while

his secretive disposition makes him averse to appearing in the open,

except after nightfall. It is impossible to fly through the cat-tails,

and so the bird walks and even runs through them, stepping from stem to

stem with surprising agility. I had heard of this habit, but the

description conveyed as little idea of the bird’s appearance as it is

feared this one will, and when for the first time a Least Bittern was

seen striding off through the reeds about three feet above the water,

the performance was so entirely unlike anything I had ever seen a bird

do before, I marveled that his acrobatic powers had not made him famous.

The feathered gymnast’s slender body—or perhaps one should say neck, for

the bird is chiefly neck and head—seemed to be mounted on long stilts,

with the aid of which he waded rapidly through the water, his head

shooting in and out at each stride.

The Least Bittern’s notes appear to be less known than his habits.

Nuttall, that exceptionally keen-eared bird student, was familiar with

them, but most writers have restricted themselves to the statement that,

when flushed, the bird utters a low _qua_, while some have even said he

was voiceless.

I should not be in the least surprised to learn that this uncanny

inhabitant of the reeds had a call fully as remarkable as the vocal

performance of his large relative, the American Bittern, but thus far in

my slight acquaintance with him he has been heard to utter only four

notes: A soft, low _coo_, slowly repeated five or six times, and which

is probably the love song of the male; an explosive alarm note, _quoh_;

a hissing _hah_, with which the bird threatens a disturber of its nest;

and a low _tut-tut-tut_, apparently a protest against the same kind of

intrusion.

[Illustration: 31. Least Bittern’s nesting site, showing reeds bent over

nest. One of four eggs can be seen.]

It was the markedly dovelike _coo_ which first introduced me to this

species. With William Brewster I was at the Fresh Pond marshes,

listening for the repetition of some strange calls which had excited the

curiosity of Cambridge ornithologists, and which proved to belong to a

Florida Gallinule,[B] when we heard the soft notes of a Least Bittern,

who soon rose from the marsh near by. A few days later the Bittern was

found in full song—if the _coo_ be its song—in the marshes of Presque

Isle in Erie Bay; but it must be confessed that a desire to secure

specimens of this, to me, strange bird left no opportunity to study its

habits, and the species was not again observed until June, 1898, in the

northern part of Cayuga County, New York. Here, under the guidance of an

observing local ornithologist, Mr. E. G. Tabor, an encounter was had

with a Least Bittern which made a unique page in my experience as a bird

student.

Footnote B:

See Brewster, Auk, vol. viii, 1891, p. 1.

It was on the border of Otter Lake, where the Least Bitterns nest in

small numbers in low bushes, or a mass of drift, or more often in the

fringe of cat-tails. The trail of a boat through the reeds and empty

nests, which before had held from three to five eggs, marked the

ill-directed work of the boy oölogists whose misspent zeal has resulted

in such a vast accumulation of eggshells and such an absence of

information about the birds that laid them. A visit to a more distant

part of the lake, where even thus early in the year the cat-tails were

five feet above water of over half that depth, saved the day, as far as

Least Bitterns were concerned. Paddling close to the reeds, a practiced

eye could distinguish the site of a Bittern’s nest, when the nest itself

was invisible, by the bowed tips of the reeds which the bird invariably

bends over it.^{31} The object of this habit is perhaps to aid in

concealing the eggs from an enemy passing overhead—a Crow, for

example—an attack by boat evidently not being taken into consideration.

Certainly our appearance was in the nature of a surprise to a pair of

birds who had just completed their platformlike nest and were apparently

discussing future steps in their domestic affairs.

[Illustration: 32. Least Bittern’s nest; reeds parted to show eggs.]

As we approached, the female, who even before the eggs are laid seems to

have the home love more strongly developed than the male, bravely stuck

to her post, while the male marched off through the reeds in the manner

which has been described as so remarkable. When he paused, with either

foot grasping reeds several inches apart or clung to a single stalk with

both feet, he resembled a gigantic, tailless Marsh Wren.

[Illustration: 33. Least Bittern on nest mimicking its surroundings.]

The actions of the female were interesting in the extreme. Her first

move was an attempt at concealment through protective mimicry—a rare

device among birds. Stretching her neck to the utmost, she pointed her

bill to the zenith, the brownish marks on the feathers of the throat

became lines which, separated by the white spaces between them, might

easily have passed for dried reeds, and the bird’s statuelike pose, when

almost within reach, evinced her belief in her own invisibility.^{33,

34}

The pose recalled Hudson’s experience with a wounded Least Bittern

(_Ardetta involucris_, a near relative of our bird) in the marshes of La

Plata, where a bird at his feet, in the same position as the one before

me, was discovered only after careful search, and which, to the

naturalist’s amazement, slowly revolved as he walked around it, with the

presumable object of keeping its protectively colored breast turned

toward him.

[Illustration: 34. Least Bittern on nest mimicking its surroundings.]

My bird, however, was among fresh reeds, and while one can not doubt the

effectiveness of its attitude and color, when seen among dead reeds or

grasses, neither were of value among its green surroundings.

With the light on the wrong side and the reeds swaying violently in the

wind, we essayed to picture the bird, and the best of several attempts

made under these adverse conditions are here given.

Covering my hand with my cap I held it toward her, when, convinced that

her little trick had failed, she adopted new tactics, and struck at me

with force and rapidity, which made me thankful that my hand was

protected. Her bright yellow eyes glared with the intensity of a

snake’s, and her reptilelike appearance was increased by the length and

slenderness of her head and neck. Her courage was admirable; she not

only displayed no fear, but was actually aggressive, and with a hissing

_hah_ struck viciously at my hand each time it was placed near the nest.

As I quickly retreated on each occasion, and at length made no further

move toward her, she decided to withdraw, perhaps to join her cautious

mate, who from the reeds had been uttering a warning _tut-tut-tut_ at

intervals. Very slowly and watchfully she left the nest, and when she

had advanced a few feet through the reeds I again ventured to touch her

platform home, putting my hand, however, under it; but the motion

instantly attracted her attention, and, darting back to her post, she

was on guard in a moment. Then I left her, retiring from the field

fairly vanquished in my first hand-to-bill encounter with a wild bird. I

hope she laid a full complement of five eggs and from them reared five

birds worthy representatives of their mother.

A desire to renew my acquaintance with—or perhaps I should say advances

toward—this unbirdlike feathered biped, and to meet it under conditions

more favorable for the camera hunter, brought me the following year

(June 17, 1899), to the Montezuma marshes at the head of Cayuga Lake.

Here are endless forests of cat-tails in which dwell not only Bitterns,

Long-billed Marsh Wrens, and Red-winged Blackbirds, but also numbers of

Pied-billed Grebes and Florida Gallinules.

There is a mystery about a marsh akin to that which impresses one in a

primeval forest. The possibilities of both seem limitless. One hears so

much and sees so little. Birds calling from a distance of only a few

yards may remain long unidentified. A rustling in the reeds arouses

vague expectations.

The notes of marsh-inhabiting birds are in keeping with the character of

their haunts. They are distinctly wild and strange, and often thrilling.

The Rails, for example, all have singular, loud, startling calls. The

American Bittern is a famous marsh songster, but although several of his

common names are based on his calls, it is only recently that he has

actually been seen uttering them. The Gallinule resembles the hen in the

character, volume, and variety of its notes, and to it and not the

Clapper Rail should be given the name “Marsh Hen.” Indeed, its European

relative, from which it can scarcely be distinguished, is known as the

Moor Hen or Water Hen.

But of all this marsh music none to my ear is more singular than the

call of the Pied-billed Grebe. It is mentioned in few books, and has won

the bird no such fame as the Loon’s maniacal laughter has brought him,

though as a vocalist the Grebe fairly rivals his large cousin. Like most

bird calls it is indescribable, but perhaps sufficient idea of its

character may be given to lead to its identification when heard. It is

very loud and sonorous, with a cuckoolike quality, and may be written

_cow-cow-cow-cow-cow-cow-cow-cow-cow-uh, cow-uh, cow-uh, cow-uh_. These

notes vary in number, and are sometimes followed by prolonged wailing

_cows_ or _ohs_ almost human in their expressiveness of pain, fear, and

anguish.

This is the love song of the male, and when he has won a mate she joins

him in singing, uttering, as he calls, a rapid _cuk-cuk-cuk_, followed

by a slower _ugh, ugh, ugh, ugh_.

The Gallinules were cackling in the reeds, where a nest with three

hatching eggs was found, but not a bird was seen. Red-winged Blackbirds

were chattering with excitement as they guided the first wing strokes of

their young, who perched on the reeds begged eloquently for food rather

than for lessons in flying.^{35}

[Illustration: 35. Young Red-winged Blackbirds.]

In a small island of cat-tails a pair of Grebes was calling, and after

the most careful stalking my companion saw the female respond to the

voice of her mate.

It was in this island—if a patch of cat-tails growing in three feet of

water can be called an island—that we found the first two of numerous

Least Bitterns’ nests, and here our camera studies were made. These

nests were typical in form and site; one contained five and the other

four^{32} eggs, from which the birds had apparently departed as we

pushed our boat toward them.

Less than twenty minutes later we again passed these nests and found, to

our surprise, that in one all four, and in the other two eggs had been

punctured, as if by an awl. Here was a mystery which my companion, who

was examining the second nest while I was studying the first, quickly

solved by seeing a Long-billed Marsh Wren actually make an attack on the

remaining three eggs, and a little later a bird of the same

species—perhaps the same individual, since the Bitterns’ nests were not

more than twenty yards apart—visited the first nest to complete its work

on the five already ruined eggs.

Our attempt to photograph the energetic little marauder failed, nor did

we succeed in learning the real cause of its remarkable destructiveness.

However, the fact that in one nest alone it drove its needlelike bill

into all five eggs without pausing to feast on their contents, would

imply that it was not prompted by hunger, and, much against our will, we

were forced to attribute the bird’s actions to pure viciousness; though,

it is true, there may have been another side to the story, in which the

Bittern was the culprit.

The owners of the four eggs did not return while we were present, and

the following day we found their nest empty—a mute protest against fate.

[Illustration: 36. Least Bittern eating her eggs.]

The female of the second nest discovered, in which only two of the five

eggs had been injured, proved to be a bird of character.

[Illustration: 37. Least Bittern on nest.]

While we waited in our boats at a distance of fifteen feet, and with

cameras erected on tripods at a third of the distance, she came walking

through the reeds uttering occasionally an explosive _quoh!_ After

circling about us several times she climbed to her nest, and at once

proceeded to investigate the condition of its contents. Soon she gave

evidence of the possession of both a philosophic and economic

disposition, not to mention other housewifely qualities, notably

cleanliness. Philosophy she exhibited by making the best of things as

she found them; economy by carefully eating^{36} the two broken eggs,

which a more thoughtless bird would have deserted or quickly discarded;

and cleanliness by carefully dropping over the edge of the nest the

shells remaining from her peculiar feast, and following them by bits of

nest lining which had been soiled by portions of the egg. This task

accomplished to her satisfaction, she gave further evidence of the

possession of a well-ordered mind by descending to the water, washing

her bill, drinking, and then returning to her remaining three eggs, on

which she settled herself^{37} as complacently as though she had met

with no loss, and there we left her in well-deserved privacy.

Bird studies with a camera · 第 18 / 37 题