III

The next year, at just about the same period, I was seized, as one is

with a periodical fever, with a new desire to go to Italy, and I

immediately made up my mind to carry it into effect. There is no doubt

that every well-educated man ought to see Florence, Venice, and Rome. It

has, also, the additional advantage of providing many subjects of

conversation in society, and of giving one an opportunity for bringing

forward artistic generalities which appear profound.

This time I went alone, and I arrived at Genoa at the same time as the

year before, but without any adventure on the road. I went to the same

hotel, and actually happened to have the same room.

I was scarcely in bed when the recollection of Francesca which, since

the evening before, had been floating vaguely through my mind, haunted

me with strange persistency. I thought of her nearly the whole night,

and by degrees the wish to see her again seized me, a confused desire at

first, which gradually grew stronger and more intense. At last I made up

my mind to spend the next day in Genoa to try and find her, and if I

should not succeed, I would take the evening train.

Early in the morning I set out on my search. I remembered the directions

she had given me when she left me, perfectly--Victor-Emmanuel Street,

etc., etc., house of the furniture-dealer, at the bottom of the yard on

the right.

I found it without the least difficulty, and I knocked at the door of a

somewhat dilapidated-looking dwelling. A fat woman opened it, who must

have been very handsome, but who actually was only very dirty. Although

she was too fat, she still bore the lines of majestic beauty; her untidy

hair fell over her forehead and shoulders, and one fancied one could see

her fat body floating about in an enormous dressing-gown covered with

spots of dirt and grease. Round her neck she wore a great gilt necklace,

and on her wrists were splendid bracelets of Genoa filigree work.

In rather a hostile manner she asked me what I wanted, and I replied by

requesting her to tell me whether Francesca Rondoli lived there.

"What do you want with her?" she asked.

"I had the pleasure of meeting her last year, and I should like to see

her again."

The old woman looked at me suspiciously.

"Where did you meet her?" she asked.

"Why here, in Genoa itself."

"What is your name?"

I hesitated a moment, and then I told her. I had scarcely done so when

the Italian put out her arms as if to embrace me. "Oh! you are the

Frenchman; how glad I am to see you! But what grief you caused the poor

child. She waited for you a month; yes, a whole month. At first she

thought you would come to fetch her. She wanted to see whether you loved

her. If you only knew how she cried when she saw that you were not

coming! She cried till she seemed to have no tears left. Then she went

to the hotel, but you had gone. She thought that most likely you were

traveling in Italy, and that you would return by Genoa to fetch her, as

she would not go with you. And she waited more than a month, Monsieur;

and she was so unhappy; so unhappy. I am her mother."

I really felt a little disconcerted, but I regained my self-possession,

and asked:

"Where is she now?"

"She has gone to Paris with a painter, a delightful man, who loves her

very much, and who gives her everything that she wants. Just look at

what she sent me; they are very pretty, are they not?"

And she showed me, with quite Southern animation, her heavy bracelets

and necklace. "I have also," she continued, "earrings with stones in

them, a silk dress, and some rings; but I only wear them on grand

occasions. Oh! she is very happy, Sir, very happy. She will be so

pleased when I tell her you have been here. But pray come in and sit

down. You will take something or other, surely?"

But I refused, as I now wished to get away by the first train; but she

took me by the arm and pulled me in, saying:

"Please, come in; I must tell her that you have been in here."

I found myself in a small, rather dark room, furnished with only a table

and a few chairs.

She continued: "O! She is very happy now, very happy. When you met her

in the train she was very miserable, for her lover had just left her at

Marseilles, and she was coming back, poor child. But she liked you at

once, though she was still rather sad, you understand. Now she has all

she wants, and she writes and tells me everything that she does. His

name is Bellemin, and they say he is a great painter in your country. He

met her in the street here, and fell in love with her out of hand. But

you will take a glass of syrup?--it is very good. Are you quite alone,

this year?"

"Yes," I said, "quite alone."

I felt an increasing inclination to laugh, as my first disappointment

was dispelled by what Mother Rondoli said. I was obliged, however, to

drink a glass of her syrup.

"So you are quite alone?" she continued. "How sorry I am that Francesca

is not here now; she would have been company for you all the time you

stayed. It is not very amusing to go about all by oneself, and she will

be very sorry also."

Then, as I was getting up to go, she exclaimed:

"But would you not like Carlotta to go with you? She knows all the

walks very well. She is my second daughter, Sir."

No doubt she took my look of surprise for consent, for she opened the

inner door and called out up the dark stairs which I could not see:

"Carlotta! Carlotta! make haste down, my dear child."

The Works of Guy de Maupassant, Vol. 1 Boule de Suif and Other Stories · 第 62 / 112 题