FRANCESCA AND CARLOTTA RONDOLI

I

No (said my friend Charles Jouvent), I do not know Italy; I started to

see it thoroughly twice, and each time I was stopped at the frontier and

could not manage to get any further. And yet my two attempts gave me a

charming idea of the manners of that beautiful country. I must, however,

some time or other visit its cities, as well as the museums and works of

art with which it abounds. I will also make another attempt to penetrate

into the interior, which I have not yet succeeded in doing.

You don't understand me, so I will explain myself: In the spring of 1874

I was seized with an irresistible desire to see Venice, Florence, Rome,

and Naples. I am, as you know, not a great traveler; it appears to me a

useless and fatiguing business. Nights spent in a train, the disturbed

slumbers of the railway carriage, with the attendant headache, and

stiffness in every limb, the sudden waking in that rolling box, the

unwashed feeling with your eyes and hair full of dust, the smell of the

coal on which one's lungs feed, those bad dinners in the draughty

refreshment rooms are, according to my ideas, a horrible way of

beginning a pleasure trip.

After this introduction by the express, we have the miseries of the

hotel; of some great hotel full of people, and yet so empty; the strange

room, and the dubious bed! I am most particular about my bed; it is the

sanctuary of life. We intrust our almost naked and fatigued bodies to it

so that they may be reanimated by reposing between soft sheets and

feathers.

There we find the most delightful hours of our existence, the hours of

love and of sleep. The bed is sacred, and should be respected,

venerated, and loved by us as the best and most delightful of our

earthly possessions.

I cannot lift up the sheets of an hotel bed without a shiver of disgust.

What have its occupants been doing in it the night before? Perhaps

dirty, revolting people have slept in it. I begin, then, to think of all

the horrible people with whom one rubs shoulders every day, people with

suspicious-looking skin which makes one think of the feet and all the

rest! I call to mind those who carry about with them the sickening smell

of garlic or of humanity. I think of those who are deformed and

purulent, of the perspiration emanating from the sick, and of everything

that is ugly and filthy in man.

And all this, perhaps, in the bed in which I am going to sleep! The mere

idea of it makes me feel ill as I get in.

And then the hotel dinners--those dreary _table d'hôte_ dinners in the

midst of all sorts of extraordinary people, or else those terrible

solitary dinners at a small table in a restaurant, feebly lighted up by

a wretched composite candle under a shade.

Again, those terribly dull evenings in some unknown town! Do you know

anything more wretched than when it is getting dark on such an occasion?

One goes about as if almost in a dream, looking at faces which one has

never seen before and will never see again; listening to people talking

about matters which are quite indifferent to you in a language that

perhaps you do not understand. You have a terrible feeling, almost as if

you were lost, and you continue to walk on so as not to be obliged to

return to the hotel, where you would feel more lost still because you

are _at home_, in a home which belongs to anyone who can pay for it, and

at last you fall into a chair of some well-lit café, whose gilding and

lights overwhelm you a thousand times more than the shadows in the

streets. Then you feel so abominably lonely sitting in front of the

glass of flat _bock_,[5] that a kind of madness seizes you, the longing

to go somewhere or other, no matter where, as long as you need not

remain in front of that marble table and in the dazzling brightness.

And then, suddenly, you perceive that you are really alone in the world,

always and everywhere; but that in places which we know the familiar

jostlings give us the illusion only of human fraternity. At such moments

of self-abandonment and somber isolation in distant cities one thinks

broadly, clearly, and profoundly. Then one suddenly sees the whole of

life outside the vision of eternal hope, outside the deceptions of our

innate habits, and of our expectations of happiness, of which we indulge

in dreams never to be realized.

It is only by going a long distance that we can fully understand how

short-lived and empty everything near at hand is; by searching for the

unknown we perceive how commonplace and evanescent everything is; only

by wandering over the face of the earth can we understand how small the

world is, and how very much alike everywhere.

How well I know, and how I hate and almost fear those haphazard walks

through unknown streets; and this was the reason why, as nothing would

induce me to undertake a tour in Italy by myself, I made up my mind to

accompany my friend Paul Pavilly.

You know Paul, and how woman is everything, the world, life itself, to

him. There are many men like that, to whom existence becomes poetical

and idealized by the presence of women. The earth is inhabitable only

because they are there; the sun shines and is warm because it lights

upon them; the air is soft and balmy because it blows upon their skin

and ruffles the short hairs on their temples, and the moon is charming

because it makes them dream and imparts a languorous charm to love.

Every act and action of Paul's has woman for its motive; all his

thoughts, all his efforts and hopes are centered on them.

When I mentioned Italy to Paul he at first absolutely refused to leave

Paris. I, however, began to tell him of the adventures I had on my

travels. I assured him that all Italian women are charming, and I made

him hope for the most refined pleasures at Naples, thanks to certain

letters of introduction which I had; and so at last he allowed himself

to be persuaded.

The Works of Guy de Maupassant, Vol. 1 Boule de Suif and Other Stories · 第 54 / 112 题