SCENE: _The north side of the Nelson Column in Trafalgar Square.
The Curtain rises on an uproar. The crowd, which momentarily
increases, is composed chiefly of weedy youths and wastrel old
men. There are a few decent artisans; three or four "beery"
out-o'-works; three or four young women of the domestic servant
or Strand restaurant cashier class; one aged woman in rusty black
peering with faded, wondering eyes, consulting the faces of the
men and laughing nervously and apologetically from time to time;
one or two quiet-looking, business-like women, thirty to forty;
two middle-class men, who stare and whisper and smile. A quiet
old man with a lot of unsold Sunday papers under one arm stands
in an attitude of rapt attention, with the free hand round his
deaf ear. A brisk-looking woman of forty-five or so, wearing
pince-nez, goes round with a pile of propagandist literature on
her arm. Many of the men smoking cigarettes--the old ones pipes.
On the outskirts of this crowd, of several hundred, a couple
of smart men in tall shining hats hover a few moments, single
eyeglass up, and then saunter off. Against the middle of the
Column, where it rises above the stone platform, is a great red
banner, one supporting pole upheld by a grimy sandwichman, the
other by a small, dirty boy of eight. If practicable only the
lower portion of the banner need be seen, bearing the final words
of the legend_--
"VOTES FOR WOMEN!"
_in immense white letters. It will be well to get, to the full,
the effect of the height above the crowd of the straggling group
of speakers on the pedestal platform. These are, as the Curtain
rises, a working-class woman who is waving her arms and talking
very earnestly, her voice for the moment blurred in the uproar.
She is dressed in brown serge and looks pinched and sallow. At her
side is the_ CHAIRMAN _urging that she be given a fair hearing._
ALLEN TRENT _is a tall, slim, brown-haired man of twenty-eight,
with a slight stoop, an agreeable aspect, well-bred voice, and the
gleaming brown eye of the visionary. Behind these two, looking on
or talking among themselves, are several other carelessly dressed
women; one, better turned out than the rest, is quite young, very
slight and gracefully built, with round, very pink cheeks, full,
scarlet lips, naturally waving brown hair, and an air of childish
gravity. She looks at the unruly mob with imperturbable calm. The_
CHAIRMAN'S _voice is drowned._
WORKING WOMAN (_with lean, brown finger out and voice raised shriller
now above the tumult_). I've got boys o' me own and we laugh at all
sorts o' things, but I should be ashymed and so would they if ever they
was to be'yve as you're doin' to-d'y.
(_In laughter the noise dies._)
People 'ave been sayin' this is a middle-class woman's movement. It's a
libel. I'm a workin' woman myself, the wife of a working man. (_Voice_:
"Pore devil!") I'm a Poor Law Guardian and a----
NOISY YOUNG MAN. Think of that, now--gracious me!
(_Laughter and interruption._)
OLD NEWSVENDOR (_to the noisy young man near him_). Oh, shut up, cawn't
yer?
NOISY YOUNG MAN. Not fur _you_!
VOICE. Go'ome and darn yer old man's stockens!
VOICE. Just clean yer _own_ doorstep!
WORKING WOMAN. It's a pore sort of 'ousekeeper that leaves 'er doorstep
till Sunday afternoon. Maybe that's when you would do _your_ doorstep.
I do mine in the mornin' before you men are awake.
OLD NEWSVENDOR. It's true, wot she says!--every word.
WORKING WOMAN. You say we women 'ave got no business servin' on boards
and thinkin' about politics. Wot's _politics_?
(_A derisive roar._)
It's just 'ousekeepin' on a big scyle. 'Oo among you workin' men 'as
the most comfortable 'omes? Those of you that gives yer wives yer wyges.
(_Loud laughter and jeers._)
{ That's it!
VOICES. { Wantin' our money.
{ Lord 'Igh 'Ousekeeper of England.
WORKING WOMAN. If it wus only to use fur _our_ comfort, d'ye think
many o' you workin' men would be found turnin' over their wyges to
their wives? No! Wot's the reason thousands do--and the best and the
soberest? Because the workin' man knows that wot's a pound to _'im_ is
twenty shillin's to 'is wife. And she'll myke every penny in every one
o' them shillin's _tell_. She gets more fur _'im_ out of 'is wyges than
wot 'e can! Some o' you know wot the 'omes is like w'ere the men don't
let the women manage. Well, the Poor Laws and the 'ole Government is
just in the syme muddle because the men 'ave tried to do the national
'ousekeepin' without the women.
(_Roars._)
But, like I told you before, it's a libel to say it's only the well-off
women wot's wantin' the vote. Wot about the 96,000 textile workers?
Wot about the Yorkshire tailoresses? I can tell you wot plenty o' the
poor women think about it. I'm one of them, and I can tell you we see
there's reforms needed. _We ought to 'ave the vote_ (_jeers_), and we
know 'ow to appreciate the other women 'oo go to prison fur tryin' to
get it fur us!
(_With a little final bob of emphasis and a glance over shoulder at
the old woman and the young one behind her, she seems about to
retire, but pauses as the murmur in the crowd grows into distinct
phrases._ "They get their 'air cut free." "Naow they don't,
that's only us!" "Silly Suffragettes!" "Stop at 'ome!" "'Inderin'
policemen--mykin' rows in the streets!")
VOICE (_louder than the others_). They sees yer ain't fit t'ave----
OTHER VOICES. "Ha, ha!" "Shut up!" "Keep quiet, cawn't yer?" (_General
uproar._)
CHAIRMAN. You evidently don't know what had to be done by _men_
before the extension of the Suffrage in '67. If it hadn't been for
demonstrations of violence----
(_His voice is drowned._)
WORKING WOMAN (_coming forward again, her shrill note rising clear_).
You s'y woman's plyce is 'ome! Don't you know there's a third of the
women o' this country can't afford the luxury of stayin' in their
'omes? They _got_ to go out and 'elp make money to p'y the rent and
keep the 'ome from bein' sold up. Then there's all the women that
'aven't got even miseerable 'omes. They 'aven't got any 'omes _at all_.
NOISY YOUNG MAN. You said _you_ got one. W'y don't you stop in it?
WORKING WOMAN. Yes, that's like a man. If one o' you is all right, he
thinks the rest don't matter. We women----
NOISY YOUNG MAN. The lydies! God bless 'em!
(_Voices drown her and the_ CHAIRMAN.)
OLD NEWSVENDOR (_to_ NOISY YOUNG MAN). Oh, take that extra 'alf pint
'ome and _sleep it off_!
WORKING WOMAN. P'r'aps _your_ 'omes are all right. P'r'aps you aren't
livin', old and young, married and single, in one room. I come from a
plyce where many fam'lies 'ave to live like that if they're to go on
livin' _at all_. If you don't believe me, come and let me show you!
(_She spreads out her lean arms._) Come with me to Canning Town!--come
with me to Bromley--come to Poplar and to Bow! No. You won't even
_think_ about the overworked women and the underfed children and the
'ovels they live in. And you want that we shouldn't think neither----
A VAGRANT. We'll do the thinkin'. You go 'ome and nuss the byby.
WORKING WOMAN. I do nurse my byby! I've nursed seven. What 'ave you
done for yours? P'r'aps your children never goes 'ungry, and maybe
you're satisfied--though I must say I wouldn't a' thought it from the
_look_ o' you.
VOICE. Oh, I s'y!
WORKING WOMAN. But we women are not satisfied. We don't only want
better things for our own children. We want better things for all.
_Every_ child is our child. We know in our 'earts we oughtn't to rest
till we've mothered 'em every one.
VOICE. "Women"--"children"--wot about the _men_? Are _they_ all 'appy?
(_Derisive laughter and_ "No! no!" "Not precisely." "'Appy? Lord!")
WORKING WOMAN. No, there's lots o' you men I'm sorry for (_Shrill
Voice_: "Thanks awfully!"), an' we'll 'elp you if you let us.
VOICE. 'Elp us? You tyke the bread out of our mouths. You women are
black-leggin' the men!
WORKING WOMAN. _W'y_ does any woman tyke less wyges than a man for the
same work? Only because we can't get anything better. That's part the
reason w'y we're yere to-d'y. Do you reely think we tyke them there low
wyges because we got a _lykin'_ for low wyges? No. We're just like you.
We want as much as ever we can get. ("'Ear! 'Ear!" _and laughter_.)
We got a gryte deal to do with our wyges, we women has. We got the
children to think about. And w'en we get our rights, a woman's flesh
and blood won't be so much cheaper than a man's that employers can get
rich on keepin' you out o' work, and sweatin' us. If you men only could
see it, we got the _syme_ cause, and if you 'elped us you'd be 'elpin
yerselves.
VOICES. "Rot!" "Drivel."
OLD NEWSVENDOR. True as gospel!
(_She retires against the banner with the others. There is some
applause._)
A MAN (_patronisingly_). Well, now, that wusn't so bad--fur a woman.
ANOTHER. N-naw. _Not fur a woman._
CHAIRMAN (_speaking through this last_). Miss Ernestine Blunt will now
address you.
(_Applause, chiefly ironic, laughter, a general moving closer and
knitting up of attention._ ERNESTINE BLUNT _is about twenty-four,
but looks younger. She is very downright, not to say
pugnacious--the something amusing and attractive about her
is there, as it were, against her will, and the more fetching
for that. She has no conventional gestures, and none of any sort
at first. As she warms to her work she uses her slim hands to
enforce her emphasis, but as though unconsciously. Her manner of
speech is less monotonous than that of the average woman-speaker,
but she, too, has a fashion of leaning all her weight on the end
of the sentence. She brings out the final word or two with an
effort of underscoring, and makes a forward motion of the slim
body as if the better to drive the last nail in. She evidently
means to be immensely practical--the kind who is pleased to
think she hasn't a grain of sentimentality in her composition,
and whose feeling, when it does all but master her, communicates
itself magnetically to others._ )
MISS ERNESTINE BLUNT. Perhaps I'd better begin by explaining a little
about our "tactics."
(_Cries of_ "Tactics! We know!" "Mykin' trouble!" "Public scandal!")
To make you understand what we've done, I must remind you of what
others have done. Perhaps you don't know that women first petitioned
Parliament for the Franchise as long ago as 1866.
VOICE. How do _you_ know?
(_She pauses a moment, taken off her guard by the suddenness of the
attack._)
VOICE. You wasn't there!
VOICE. That was the trouble. Haw! haw!
MISS E. B. And the petition was presented----
VOICE. Give 'er a 'earin' now she 'as got out of 'er crydle.
MISS E. B.--presented to the House of Commons by that great Liberal,
John Stuart Mill. (_Voice_: "Mill? Who is he when he's at home?") Bills
or Resolutions have been before the House on and off for the last
thirty-six years. That, roughly, is our history. We found ourselves,
towards the close of the year 1905, with no assurance that if we went
on in the same way any girl born into the world in this generation
would live to exercise the rights of citizenship, though she lived
to be a hundred. So we said all this has been in vain. We must try
some other way. How did the working man get the Suffrage, we asked
ourselves? Well, we turned up the records, and we _saw_----
VOICES. "Not by scratching people's faces!" ... "Disraeli give it
'em!" "Dizzy? Get out!" "Cahnty Cahncil scholarships!" "Oh, Lord, this
education!" "Chartist riots, she's thinkin' of!"
(_Noise in the crowd._)
MISS E. B. But we don't _want_ to follow such a violent example. We
would much rather _not_--but if that's the only way we can make the
country see we're in earnest, we are prepared to show them.
VOICE. An' they'll show you!--Give you another month 'ard.
MISS E. B. Don't think that going to prison has any fears for us. We'd
go _for life_ if by doing that we could get freedom for the rest of the
women.
VOICES. "Hear, hear!" "Rot!" "W'y don't the men 'elp ye to get your
rights?"
MISS E. B. Here's some one asking why the men don't help. It's partly
they don't understand yet--they _will_ before we've done! (_Laughter._)
Partly they don't understand yet what's at stake----
RESPECTABLE OLD MAN (_chuckling_). Lord, they're a 'educatin' of us!
VOICE. Wot next?
MISS E. B.--and partly that the bravest man is afraid of ridicule. Oh,
yes; we've heard a great deal all our lives about the timidity and the
sensitiveness of women. And it's true. We _are_ sensitive. But I tell
you, ridicule crumples a man up. It steels a woman. We've come to know
the value of ridicule. We've educated ourselves so that we welcome
ridicule. We owe our sincerest thanks to the comic writers. The
cartoonist is our unconscious friend. Who cartoons people who are of no
importance? What advertisement is so sure of being remembered?
POETIC YOUNG MAN. I admit that.
MISS E. B. If we didn't know it by any other sign, the comic papers
would tell us _we've arrived_! But our greatest debt of gratitude we
owe, to the man who called us female hooligans.
(_The crowd bursts into laughter._)
We aren't hooligans, but we hope the fact will be overlooked. If
everybody said we were nice, well-behaved women, who'd come to hear us?
_Not the men._
(_Roars._)
Men tell us it isn't womanly for us to care about politics. How do they
know what's womanly? It's for women to decide that. Let the men attend
to being manly. It will take them all their time.
VOICE. Are we down-'earted? Oh no!
MISS E. B. And they say it would be dreadful if we got the vote,
because then we'd be pitted against men in the economic struggle.
But that's come about already. Do you know that out of every hundred
women in this country eighty-two are wage-earning women? It used to
be thought unfeminine for women to be students and to aspire to the
arts--that bring fame and fortune. But nobody has ever said it was
unfeminine for women to do the heavy drudgery that's badly paid. That
kind of work had to be done by _some_body--and the men didn't hanker
after it. Oh, no.
(_Laughter and interruption._)
A MAN ON THE OUTER FRINGE. She can _talk_--the little one can.
ANOTHER. Oh, they can all "talk."
A BEERY, DIRTY FELLOW OF FIFTY. I wouldn't like to be 'er 'usban'.
Think o' comin' 'ome to _that_!
HIS PAL. I'd soon learn 'er!
MISS E. B. (_speaking through the noise_). Oh, no! _Let_ the women
scrub and cook and wash. That's all right! But if they want to try
their hand at the better paid work of the liberal professions--oh,
very unfeminine indeed! Then there's another thing. Now I want you to
listen to this, because it's _very_ important. Men say if we persist in
competing with them for the bigger prizes, they're dreadfully afraid
we'd lose the beautiful protecting chivalry that---- Yes, I don't
wonder you laugh. _We_ laugh. (_Bending forward with lit eyes._) But
the women I found at the Ferry Tin Works working for five shillings
a week--I didn't see them laughing. The beautiful chivalry of the
employers of women doesn't prevent them from paying women tenpence a
day for sorting coal and loading and unloading carts--doesn't prevent
them from forcing women to earn bread in ways worse still. So we won't
talk about chivalry. It's being over-sarcastic. We'll just let this
poor ghost of chivalry go--in exchange for a little plain justice.
VOICE. If the House of Commons won't give you justice, why don't you go
to the House of Lords?
MISS E. B. What?
VOICE. Better 'urry up. Case of early closin'.
(_Laughter. A man at the back asks the speaker something._)
MISS E. B. (_unable to hear_). You'll be allowed to ask any question
you like at the end of the meeting.
NEW-COMER (_boy of eighteen_). Oh, is it question time? I s'y, Miss,
'oo killed cock robin?
(_She is about to resume, but above the general noise the voice of
a man at the back reaches her indistinct but insistent. She leans
forward trying to catch what he says. While the indistinguishable
murmur has been going on_ GEOFFREY STONOR _has appeared on the
edge of the crowd, followed by_ JEAN _and_ LADY JOHN _in motor
veils._)
JEAN (_pressing forward eagerly and raising her veil_). Is she one of
them? That little thing!
STONOR (_doubtfully_). I--I suppose so.
JEAN. Oh, ask some one, Geoffrey. I'm so disappointed. I did so hope
we'd hear one of the--the worst.
MISS E. B. (_to the interrupter--on the other side_). What? What do you
say? (_She screws up her eyes with the effort to hear, and puts a hand
up to her ear. A few indistinguishable words between her and the man._)
LADY JOHN (_who has been studying the figures on the platform through
her lorgnon, turns to a working man beside her_). Can you tell me, my
man, which are the ones that--a--that make the disturbances?
WORKING MAN. The one that's doing the talking--she's the disturbingest
o' the lot.
JEAN (_craning to listen_). Not that nice little----
WORKING MAN. Don't you be took in, Miss.
MISS E. B. Oh, yes--I see. There's a man over here asking----
A YOUNG MAN. _I've_ got a question, too. Are--you--married?
ANOTHER (_sniggering_). Quick! There's yer chawnce. 'E's a bachelor.
(_Laughter._)
MISS E. B. (_goes straight on as if she had not heard_)--man asking: if
the women get full citizenship, and a war is declared, will the women
fight?
POETIC YOUNG MAN. No, really--no, really, now!
(_The Crowd_: "Haw! Haw!" "Yes!" "Yes, how about _that?_")
MISS E. B. (_smiling_). Well, you know, some people say the whole
trouble about us is that we _do_ fight. But it is only hard necessity
makes us do that. We don't _want_ to fight--as men seem to--just for
fighting's sake. Women are for peace.
VOICE. Hear, hear.
MISS E. B. And when we have a share in public affairs there'll be less
likelihood of war. But that's not to say women can't fight. The Boer
women did. The Russian women face conflicts worse than any battlefield
can show. (_Her voice shakes a little, and the eyes fill, but she
controls her emotion gallantly, and dashes on._) But we women know all
that is evil, and we're for peace. Our part--we're proud to remember
it--our part has been to go about after you men in war-time, and--_pick
up the pieces_!
(_A great shout._)
Yes--seems funny, doesn't it? You men blow them to bits, and then we
come along and put them together again. If you know anything about
military nursing, you know a good deal of our work has been done in the
face of danger--_but it's always been done_.
OLD NEWSVENDOR. That's so. That's so.
MISS E. B. You complain that more and more we're taking away from you
men the work that's always been yours. You can't any longer keep women
out of the industries. The only question is upon what terms shall she
continue to be in? As long as she's in on bad terms, she's not only
hurting herself--she's hurting you. But if you're feeling discouraged
about our competing with you, we're willing to leave you your trade in
war. _Let_ the men take life! We _give_ life! (_Her voice is once more
moved and proud._) No one will pretend ours isn't one of the dangerous
trades either. I won't say any more to you now, because we've got
others to speak to you, and a new woman-helper that I want you to hear.
(_She retires to the sound of clapping. There's a hurried
consultation between her and the_ CHAIRMAN. _Voices in the
Crowd_: "The little 'un's all right" "Ernestine's a corker," &c.)
JEAN (_looking at_ STONOR _to see how he's taken it_). Well?
STONOR (_smiling down at her_). Well----
JEAN. Nothing reprehensible in what _she_ said, was there?
STONOR (_shrugs_). Oh, reprehensible!
JEAN. It makes me rather miserable all the same.
STONOR (_draws her hand protectingly through his arm_). You mustn't
take it as much to heart as all that.
JEAN. I can't help it--I can't indeed, Geoffrey. I shall _never_ be
able to make a speech like that!
STONOR (_taken aback_). I hope not, indeed.
JEAN. Why, I thought you said you wanted me----?
STONOR (_smiling_). To make nice little speeches with composure--so I
did! So I---- (_Seems to lose his thread as he looks at her._)
JEAN (_with a little frown_). You _said_----
STONOR. That you have very pink cheeks? Well, I stick to that.
JEAN (_smiling_). Sh! Don't tell everybody.
STONOR. And you're the only female creature I ever saw who didn't look
a fright in motor things.
JEAN (_melted and smiling_). I'm glad you don't think me a fright.
CHAIRMAN. I will now ask (_name indistinguishable_) to address the
meeting.
JEAN (_as she sees_ LADY JOHN _moving to one side_). Oh, don't go yet,
Aunt Ellen!
LADY JOHN. Go? Certainly not. I want to hear another. (_Craning her
neck._) I can't believe, you know, she was really one of the worst.
(_A big, sallow Cockney has come forward. His scanty hair grows in
wisps on a great bony skull._)
VOICE. That's Pilcher.
ANOTHER. 'Oo's Pilcher?
ANOTHER. If you can't afford a bottle of Tatcho, w'y don't you get yer
'air cut.
MR. P. (_not in the least discomposed_). I've been addressin' a big
meetin' at 'Ammersmith this morning, and w'en I told 'em I wus comin'
'ere this awfternoon to speak fur the women--well--then the usual thing
began!
(_An appreciative roar from the crowd._)
In these times if you want peace and quiet at a public meetin'----
(_The crowd fills in the hiatus with laughter._)
There was a man at 'Ammersmith, too, talkin' about women's sphere bein'
'ome. _'Ome_ do you call it? You've got a kennel w'ere you can munch
your tommy. You've got a corner w'ere you can curl up fur a few hours
till you go out to work again. No, my man, there's too many of you
ain't able to _give_ the women 'omes--fit to live in, too many of you
in that fix fur you to go on jawin' at those o' the women 'oo want to
myke the 'omes a little decenter.
VOICE. If the vote ain't done us any good, 'ow'll it do the women any
good?
MR. P. Look 'ere! Any men here belongin' to the Labour Party?
(_Shouts and applause._)
Well, I don't need to tell these men the vote 'as done us _some_ good.
They know it. And it'll do us a lot more good w'en you know 'ow to use
the power you got in your 'and.
VOICE. Power! It's those fellers at the bottom o' the street that's got
the power.
MR. P. It's you, and men like you, that gave it to 'em. You carried the
Liberals into Parliament Street on your own shoulders.
(_Complacent applause._)
You believed all their fine words. You never asked yourselves, "_Wot's
a Liberal, anyw'y?_"
A VOICE. He's a jolly good fellow.
(_Cheers and booing._)
MR. P. No, 'e ain't, or if 'e is jolly, it's only because 'e thinks
you're such silly codfish you'll go swellin' his majority again.
(_Laughter, in which_ STONOR _joins._) It's enough to make any Liberal
jolly to see sheep like you lookin' on, proud and 'appy, while you see
Liberal leaders desertin' Liberal principles.
(_Voices in agreement and protest._)
You show me a Liberal, and I'll show you a Mr. Fycing-both-W'ys. Yuss.
(STONOR _moves closer with an amused look._)
'E sheds the light of 'is warm and 'andsome smile on the working
man, and round on the other side 'e's tippin' a wink to the great
land-owners. That's to let 'em know 'e's standin' between them and the
Socialists. Huh! Socialists. Yuss, _Socialists_!
(_General laughter, in which_ STONOR _joins._)
The Liberal, e's the judicial sort o' chap that sits in the middle----
VOICE. On the fence!
MR. P. Tories one side--Socialists the other. Well it ain't always so
comfortable in the middle. You're like to get squeezed. Now, I s'y
to the women, the Conservatives don't promise you much but what they
promise they _do_!
STONOR (_to_ JEAN). This fellow isn't half bad.
MR. P. The Liberals--they'll promise you the earth, and give yer ...
the whole o' nothing.
(_Roars of approval._)
JEAN. _Isn't_ it fun? Now, aren't you glad I brought you?
STONOR (_laughing_). This chap's rather amusing!
MR. P. We men 'ave seen it 'appen over and over. But the women can tyke
a 'int quicker'n what we can. They won't stand the nonsense men do.
Only they 'aven't got a fair chawnce even to agitate fur their rights.
As I wus comin' up 'ere I 'eard a man sayin', "Look at this big crowd.
W'y, we're all _men_! If the women want the vote w'y ain't they 'ere to
s'y so?" Well, I'll tell you w'y. It's because they've 'ad to get the
dinner fur you and me, and now they're washin' up the dishes.
A VOICE. D'you think _we_ ought to st'y 'ome and wash the dishes?
MR. P. (_laughs good-naturedly_). If they'd leave it to us once or
twice per'aps we'd understand a little more about the Woman Question.
I know w'y _my_ wife isn't here. It's because she _knows_ I ain't much
use round the 'ouse, and she's 'opin' I can talk to some purpose. Maybe
she's mistaken. Any'ow, here I am to vote for her and all the other
women.
("_Hear! hear!_" "_Oh-h!_")
And to tell you men what improvements you can expect to see when women
'as the share in public affairs they _ought_ to 'ave!
VOICE. What do you know about it? You can't even talk grammar.
MR. P. (_is dashed a fraction of a moment, for the first and only
time_). I'm not 'ere to talk grammar but to talk Reform. I ain't
defendin' my grammar--but I'll say in pawssing that if my mother 'ad
'ad 'er rights, maybe my grammar would have been better.
(STONOR _and_ JEAN _exchange smiles. He takes her arm again and
bends his head to whisper something in her ear. She listens with
lowered eyes and happy face. The discreet love-making goes on
during the next few sentences. Interruption. One voice insistent
but not clear. The speaker waits only a second and then resumes.
"Yes, if the women" but he cannot instantly make himself heard.
The boyish_ CHAIRMAN _looks harassed and anxious._ MISS ERNESTINE
BLUNT _alert, watchful._)
MR. P. Wait a bit--'arf a minute, my man!
VOICE. 'Oo yer talkin' to? I ain't your man.
MR. P. Lucky for me! There seems to be a _gentleman_ 'ere who doesn't
think women ought to 'ave the vote.
VOICE. _One?_ Oh-h!
(_Laughter._)
MR. P. Per'aps 'e doesn't know much about women?
(_Indistinguishable repartee._)
Oh, the gentleman says 'e's married. Well, then, fur the syke of 'is
wife we musn't be too sorry 'e's 'ere. No doubt she's s'ying: "'Eaven
by prysed those women are mykin' a Demonstrytion in Trafalgar Square,
and I'll 'ave a little peace and quiet at 'ome for one Sunday in my
life."
(_The crowd laughs and there are jeers for the interrupter--and at
the speaker._)
(_Pointing._) Why, _you're_ like the man at 'Ammersmith this morning.
'E was awskin' me: "'Ow would you like men to st'y at 'ome and do the
fam'ly washin'?"
(_Laughter._)
I told 'im I wouldn't advise it. I 'ave too much respect fur--me clo'es.
VAGRANT. It's their place--the women ought to do the washin'.
MR. P. I'm not sure you ain't right. For a good many o' you fellas,
from the look o' you--you cawn't even wash yerselves.
(_Laughter._)
VOICE (_threatening_). 'Oo are you talkin' to?
(_Chairman more anxious than before--movement in the crowd._)
THREATENING VOICE. Which of us d'you mean?
MR. P. (_coolly looking down_). Well, it takes about ten of your sort
to myke a man, so you may take it I mean the lot of you.
(_Angry indistinguishable retorts and the crowd sways._ MISS
ERNESTINE BLUNT, _who has been watching the fray with serious
face, turns suddenly, catching sight of some one just arrived at
the end of the platform._ MISS BLUNT _goes_ R. _with alacrity,
saying audibly to_ PILCHER _as she passes, "Here she is," and
proceeds to offer her hand helping some one to get up the
improvised steps. Laughter and interruption in the crowd._)
LADY JOHN. Now, there's another woman going to speak.
JEAN. Oh, is she? Who? Which? I do hope she'll be one of the wild ones.
MR. P. (_speaking through this last. Glancing at the new arrival whose
hat appears above the platform_ R.). That's all right, then. (_Turns
to the left._) When I've attended to this microbe that's vitiating the
air on my right----
(_Laughter and interruptions from the crowd._)
STONOR (_staring_ R., _one dazed instant, at the face of the new
arrival, his own changes_).
(JEAN _withdraws her arm from his and quite suddenly presses a
shade nearer the platform._ STONOR _moves forward and takes her
by the arm._)
We're going now.
JEAN. Not yet--oh, please not yet. (_Breathless, looking back._) Why
I--I do believe----
STONOR (_to_ LADY JOHN, _with decision_). I'm going to take JEAN out of
this mob. Will you come?
LADY JOHN. What? Oh yes, if you think---- (_Another look through her
glasses._) But isn't that--_surely_ its----!!!
(VIDA LEVERING _comes forward_ R. _She wears a long, plain, dark
green dust-cloak. Stands talking to_ ERNESTINE BLUNT _and
glancing a little apprehensively at the crowd._)
JEAN. Geoffrey!
STONOR (_trying to draw_ JEAN _away_). Lady John's tired----
JEAN. But you don't see who it is, Geoffrey----!
(_Looks into his face, and is arrested by the look she finds
there._)
(LADY JOHN _has pushed in front of them amazed, transfixed, with
glass up._ GEOFFREY STONOR _restrains a gesture of annoyance,
and withdraws behind two big policemen._ JEAN _from time to time
turns to look at him with a face of perplexity._)
MR. P. (_resuming through a fire of indistinct interruption_). I'll
come down and attend to that microbe while a lady will say a few words
to you (_raises his voice_)--if she can myke 'erself 'eard.
(PILCHER _retires in the midst of booing and cheers._)
CHAIRMAN (_harassed and trying to create a diversion_). Some one
suggests--and it's such a good idea I'd like you to listen to it--
(_Noise dies down._)
that a clause shall be inserted in the next Suffrage Bill that shall
expressly reserve to each Cabinet Minister, and to any respectable man,
the power to prevent the Franchise being given to the female members
of his family on his public declaration of their lack of sufficient
intelligence to entitle them to vote.
VOICES. Oh! oh!
CHAIRMAN. Now, I ask you to listen, as quietly as you can, to a lady
who is not accustomed to speaking--a--in Trafalgar Square--or a ... as
a matter of fact, at all.
VOICES. "A dumb lady." "Hooray!" "Three cheers for the dumb lady!"
CHAIRMAN. A lady who, as I've said, will tell you, if you'll behave
yourselves, her impressions of the administration of police-court
justice in this country.
(JEAN _looks wondering at_ STONOR'S _sphinx-like face as_ VIDA
LEVERING _comes to the edge of the platform._)
MISS L. Mr. Chairman, men and women----
VOICES (_off_). Speak up.
(_She flushes, comes quite to the edge of the platform and raises
her voice a little._)
MISS L. I just wanted to tell you that I was--I was--present in the
police-court when the women were charged for creating a disturbance.
VOICE. Y' oughtn't t' get mixed up in wot didn't concern you.
MISS L. I--I---- (_Stumbles and stops._)
(_Talking and laughing increases._ "Wot's 'er name?" "Mrs. or
Miss?" "Ain't seen this one before.")
CHAIRMAN (_anxiously_). Now, see here, men; don't interrupt----
A GIRL (_shrilly_). I like this one's _'at_. Ye can see she ain't one
of 'em.
MISS L. (_trying to recommence_). I----
VOICE. They're a disgrace--them women be'ind yer.
A MAN WITH A FATHERLY AIR. It's the w'y they goes on as mykes the
Government keep ye from gettin' yer rights.
CHAIRMAN (_losing his temper_). It's the way _you_ go on that----
(_Noise increases._ CHAIRMAN _drowned, waves his arms and moves his
lips._ MISS LEVERING _discouraged, turns and looks at_ ERNESTINE
BLUNT _and pantomimes "It's no good. I can't go on."_ ERNESTINE
BLUNT _comes forward, says a word to the_ CHAIRMAN, _who ceases
gyrating, and nods._)
MISS E. B. (_facing the crowd_). Look here. If the Government withhold
the vote because they don't like the way some of us ask for it--_let
them give it to the Quiet Ones_. Does the Government want to punish
_all_ women because they don't like the manners of a handful? Perhaps
that's you men's notion of justice. It isn't women's.
VOICES. Haw! haw!
MISS L. Yes. Th-this is the first time I've ever "gone on," as you call
it, but they never gave me a vote.
MISS E. B. (_with energy_). No! And there are one--two--three--four
women on this platform. Now, we all want the vote, as you know. Well,
we'd agree to be disfranchised all our lives, if they'd give the vote
to all the other women.
VOICE. Look here, you made one speech, give the lady a chawnce.
MISS E. B. (_retires smiling_). That's _just_ what I wanted _you_ to do!
MISS L. Perhaps you--you don't know--you don't know----
VOICE (_sarcastic_). 'Ow 're we goin' to know if you can't tell us?
MISS L. (_flushing and smiling_). Thank you for that. We couldn't have
a better motto. How _are_ you to know if we can't somehow manage to
tell you? (_With a visible effort she goes on._) Well, I certainly
didn't know before that the sergeants and policemen are instructed to
deceive the people as to the time such cases are heard. You ask, and
you're sent to Marlborough Police Court instead of to Marylebone.
VOICE. They ought ter sent yer to 'Olloway--do y' good.
OLD NEWSVENDOR. You go on, Miss, don't mind 'im.
VOICE. Wot d'you expect from a pig but a grunt?
MISS L. You're told the case will be at two o'clock, and it's really
called for eleven. Well, I took a great deal of trouble, and I didn't
believe what I was told--
(_Warming a little to her task._)
Yes, that's almost the first thing we have to learn--to get over our
touching faith that, because a man tells us something, it's true. I
got to the right court, and I was so anxious not to be late, I was
too early. The case before the Women's was just coming on. I heard a
noise. At the door I saw the helmets of two policemen, and I said to
myself: "What sort of crime shall I have to sit and hear about? Is this
a burglar coming along between the two big policemen, or will it be a
murderer? What sort of felon is to stand in the dock before the women
whose crime is they ask for the vote?" But, try as I would, I couldn't
see the prisoner. My heart misgave me. Is it a woman, I wondered?
Then the policemen got nearer, and I saw--(_she waits an instant_)--a
little, thin, half-starved boy. What do you think he was charged with?
Stealing. What had he been stealing--that small criminal? _Milk._
It seemed to me as I sat there looking on, that the men who had the
affairs of the world in their hands from the beginning, and who've made
so poor a business of it----
VOICES. Oh! oh! Pore benighted man! Are we down-'earted? _Oh_, no!
MISS L.--so poor a business of it as to have the poor and the
unemployed in the condition they're in to-day--when your only remedy
for a starving child is to hale him off to the police-court--because
he had managed to get a little milk--well, I _did_ wonder that the men
refuse to be helped with a problem they've so notoriously failed at. I
began to say to myself: "Isn't it time the women lent a hand?"
A VOICE. Would you have women magistrates?
(_She is stumped by the suddenness of the demand._)
VOICES. Haw! Haw! Magistrates!
ANOTHER. Women! Let 'em prove first they deserve----
A SHABBY ART STUDENT (_his hair longish, soft hat, and flowing tie_).
They study music by thousands; where's their Beethoven? Where's their
Plato? Where's the woman Shakespeare?
ANOTHER. Yes--what 'a' they ever _done_?
(_The speaker clenches her hands, and is recovering her presence
of mind, so that by the time the_ CHAIRMAN _can make himself
heard with, "Now men, give this lady a fair hearing--don't
interrupt"--she, with the slightest of gestures, waves him aside
with a low "It's all right."_)
MISS L. (_steadying and raising her voice_). These questions are quite
proper! They are often asked elsewhere; and I would like to ask in
return: Since when was human society held to exist for its handful of
geniuses? How many Platos are there here in this crowd?
A VOICE (_very loud and shrill_). Divil a wan!
(_Laughter._)
MISS L. Not one. Yet that doesn't keep you men off the register. How
many Shakespeares are there in all England to-day? Not one. Yet the
State doesn't tumble to pieces. Railroads and ships are built--homes
are kept going, and babies are born. The world goes on! (_bending over
the crowd_) It goes on _by virtue of its common people_.
VOICES (_subdued_). Hear! hear!
MISS L. I am not concerned that you should think we women can paint
great pictures, or compose immortal music, or write good books. I am
content that we should be classed with the common people--who keep
the world going. But (_straightening up and taking a fresh start_),
I'd like the world to go a great deal better. We were talking about
justice. I have been inquiring into the kind of lodging the poorest
class of homeless women can get in this town of London. I find that
only the men of that class are provided for. Some measure to establish
Rowton Houses for women has been before the London County Council. They
looked into the question "very carefully," so their apologists say. And
what did they decide? They decided that _they could do nothing_.
LADY JOHN (_having forced her way to_ STONOR'S _side_). Is that true?
STONOR (_speaking through_ MISS LEVERING'S _next words_). I don't know.
MISS L. Why could that great, all-powerful body do nothing? Because,
if these cheap and decent houses were opened, they said, the homeless
women in the streets would make use of them! You'll think I'm not in
earnest. But that was actually the decision and the reason given for
it. Women that the bitter struggle for existence has forced into a life
of horror----
STONOR (_sternly to_ LADY JOHN). You think this is the kind of
thing---- (_A motion of the head towards_ JEAN.)
MISS L.--the outcast women might take advantage of the shelter these
decent, cheap places offered. But the _men_, I said! Are all who avail
themselves of Lord Rowton's hostels, are _they_ all angels? Or does
wrong-doing in a man not matter? Yet women are recommended to depend on
the chivalry of men.
(_The two policemen, who at first had been strolling about, have
stood during this scene in front of_ GEOFFREY STONOR. _They turn
now and walk away, leaving_ STONOR _exposed. He, embarrassed,
moves uneasily, and_ VIDA LEVERING'S _eye falls upon his big
figure. He still has the collar of his motor coat turned up to
his ears. A change passes over her face, and her nerve fails her
an instant._)
MISS L. Justice and chivalry!! (_she steadies her voice and hurries
on_)--they both remind me of what those of you who read the
police-court news--(I have begun only lately to do that)--but you've
seen the accounts of the girl who's been tried in Manchester lately for
the murder of her child. Not pleasant reading. Even if we'd noticed it,
we wouldn't speak of it in my world. A few months ago I should have
turned away my eyes and forgotten even the headline as quickly as I
could. But since that morning in the police-court, I read these things.
This, as you'll remember, was about a little working girl--an orphan
of eighteen--who crawled with the dead body of her new-born child to
her master's back-door, and left the baby there. She dragged herself
a little way off and fainted. A few days later she found herself in
court, being tried for the murder of her child. Her master--a married
man--had of course reported the "find" at his back-door to the police,
and he had been summoned to give evidence. The girl cried out to him in
the open court, "You are the father!" He couldn't deny it. The Coroner
at the jury's request censured the man, and regretted that the law
didn't make him responsible. But he went scot-free. And that girl is
now serving her sentence in Strangeways Gaol.
(_Murmuring and scraps of indistinguishable comment in the crowd,
through which only_ JEAN'S _voice is clear._)
JEAN (_who has wormed her way to_ STONOR'S _side_). Why do you dislike
her so?
STONOR. I? Why should you think----
JEAN (_with a vaguely frightened air_). I never saw you look as you
did--as you do.
CHAIRMAN. Order, please--give the lady a fair----
MISS L. (_signing to him "It's all right"_). Men make boast that an
English citizen is tried by his peers. What woman is tried by hers?
(_A sombre passion strengthens her voice and hurries her on._)
A woman is arrested by a man, brought before a man judge, tried by a
jury of men, condemned by men, taken to prison by a man, and by a man
she's hanged! Where in all this were _her_ "peers"? Why did men so
long ago insist on trial by "a jury of their peers"? So that justice
shouldn't miscarry--wasn't it? A man's peers would best understand his
circumstances, his temptation, the degree of his guilt. Yet there's no
such unlikeness between different classes of men as exists between man
and woman. What man has the knowledge that makes him a fit judge of
woman's deeds at that time of anguish--that hour--(_lowers her voice
and bends over the crowd_)--that hour that some woman struggled through
to put each man here into the world. I noticed when a previous speaker
quoted the Labour Party you applauded. Some of you here--I gather--call
yourselves Labour men. Every woman who has borne a child is a Labour
woman. No man among you can judge what she goes through in her hour of
darkness----
JEAN (_with frightened eyes on her lover's set, white face, whispers_).
Geoffrey----
MISS L. (_catching her fluttering breath, goes on very low_.)--in that
great agony when, even under the best conditions that money and
devotion can buy, many a woman falls into temporary mania, and not a
few go down to death. In the case of this poor little abandoned working
girl, what man can be the fit judge of her deeds in that awful moment
of half-crazed temptation? Women know of these things as those know
burning who have walked through fire.
(STONOR _makes a motion towards_ JEAN _and she turns away
fronting the audience. Her hands go up to her throat as though
she suffered a choking sensation. It is in her face that she
"knows."_ MISS LEVERING _leans over the platform and speaks with
a low and thrilling earnestness._)
I would say in conclusion to the women here, it's not enough to be
sorry for these our unfortunate sisters. We must get the conditions
of life made fairer. We women must organise. We must learn to work
together. We have all (rich and poor, happy and unhappy) worked so
long and so exclusively for _men_, we hardly know how to work for one
another. But we must learn. Those who can, may give money----
VOICES (_grumbling_). Oh, yes--Money! Money!
MISS L. Those who haven't pennies to give--even those people aren't so
poor they can't give some part of their labour--some share of their
sympathy and support.
(_Turns to hear something the_ CHAIRMAN _is whispering to her._)
JEAN (_low to_ LADY JOHN). Oh, I'm glad I've got power!
LADY JOHN (_bewildered_). Power!--_you?_
JEAN. Yes, all that money----
(LADY JOHN _tries to make her way to_ STONOR.)
MISS L. (_suddenly turning from the_ CHAIRMAN _to the crowd_). Oh, yes,
I hope you'll all join the Union. Come up after the meeting and give
your names.
LOUD VOICE. You won't get many men.
MISS L. (_with fire_). Then it's to the women I appeal!
(_She is about to retire when, with a sudden gleam in her lit eyes,
she turns for the last time to the crowd, silencing the general
murmur and holding the people by the sudden concentration of
passion in her face._)
I don't mean to say it wouldn't be better if men and women did this
work together--shoulder to shoulder. But the mass of men won't have it
so. I only hope they'll realise in time the good they've renounced and
the spirit they've aroused. For I know as well as any man could tell
me, it would be a bad day for England if all women felt about all men
_as I do_.
(_She retires in a tumult. The others on the platform close about
her. The_ CHAIRMAN _tries in vain to get a hearing from the
excited crowd._)
(JEAN _tries to make her way through the knot of people surging
round her._)
STONOR (_calls_). Here!--Follow me!
JEAN. No--no--I----
STONOR. You're going the wrong way.
JEAN. _This_ is the way I must go.
STONOR. You can get out quicker on this side.
JEAN. I don't _want_ to get out.
STONOR. What! Where are you going?
JEAN. To ask that woman to let me have the honour of working with her.
(_She disappears in the crowd._)
CURTAIN.