About the middle of the thirteenth century, and after the death of the

Emperor Frederic II., Italy was for the first time divided into a number

of petty sovereignties, unconnected by any system of general union, except

the nominal allegiance still due to the Emperor. This separation, while it

excited rivalry in arms, also created some degree of emulation in

learning. Many Universities were established for the study of theology and

the exercise of scholastic disputation; and though the classics were not

publicly diffused, they existed within the walls of the convent, and were

well known to the learned men of the period. Brunetto Latini, the teacher

of Dante, and author of the _Tesoro_, translated into Italian several of

Cicero’s orations, some parts of his rhetorical works, and considerable

portions of Sallust(545). Dante, in his _Amoroso Convito_, familiarly

quotes Livy, Virgil, and Cicero _de Officiis_; and Mehus mentions various

translations of Seneca, Ovid, and Virgil, which had been executed in the

age of Dante, and which he had seen in MSS. in the different libraries of

Italy(546).

It was Petrarch, however, who, in the fourteenth century, led the way in

drawing forth the classics from the dungeons where they had been hitherto

immured, and holding up their light and glory to the eyes of men. While

enjoying the reputation of having perfected the most melodious and

poetical language of Europe, Petrarch has acquired a still higher title to

fame, by his successful exertions in rousing his country from a slumber of

ignorance which threatened to be eternal. In his earliest youth, instead

of the dry and dismal works which at that time formed the general reading,

he applied himself to the reading of Virgil and Cicero; and when he first

commenced his epistolary correspondence, he strongly expressed his wish

that their fame should prevail over the authority of Aristotle and his

commentators; and declared his belief of the high advantages the world

would enjoy if the monkish philosophy should give place to classical

literature. Petrarch, as is evinced by his letters, was the most assiduous

recoverer and restorer of ancient MSS. that had yet existed. He was an

enthusiast in this as he was in every thing else that merited

enthusiasm—love, friendship, glory, patriotism, and religion. He never

passed an old convent without searching its library, or knew of a friend

travelling into those quarters where he supposed books to be concealed,

without entreaties to procure for him some classical MS. It is evident

that he came just in time to preserve from total ruin many of the

mouldering remains of classical antiquity, and to excite among his

countrymen a desire for the preservation of those treasures when its

gratification was on the very eve of being rendered for ever

impracticable. He had seen, in his youth, several of Cicero’s now lost

treatises, and Varro’s great work _Rerum Divinarum et Humanarum_(547),

which has forever disappeared from the world; and it is probable that had

not some one, endued with his ardent love of letters, and indefatigable

research, arisen, many similar works which we now enjoy, would soon have

sunk into a like oblivion.

About the same period, Boccaccio also collected several Latin MSS., and

copied such as he could not purchase. He transcribed so many of the Latin

poets, orators, and historians, that it would appear surprising had a

copyist by profession performed so much. In a journey to Monte Casino, a

place generally considered as remarkably rich in MSS., he was both

astonished and afflicted to find the library exiled from the monastery

into a barn, which was accessible only by a ladder. He opened many of the

books, and found much of the writing effaced by damp. His grief was

redoubled when the monks told him, that when they wanted money, they

erased an ancient writing, wrote psalters and legends on the parchment,

and sold the new MSS. to women and children(548).

But though, in the fourteenth century, copies of the classics were

multiplied and rendered more accessible to the world, and though a few

were made by such hands as those of Petrarch and Boccaccio, the

transcriptions in general were much less accurate than those of a former

period. The Latin tongue, which had received more stability than could

otherwise have been expected, from having been consecrated in the service

of the church, had now at length become a dead language, and many of the

transcribers did not understand what they wrote. Still more mistakes than

those produced by ignorance, were occasioned by the presumption of

pretenders to learning, who were often tempted to alter the text, in order

to accommodate the sense to their own slender capacity and defective

taste. Whilst a remedy has been readily found for the gross oversight or

neglect of the ignorant and idle, in substituting one letter for another,

or inserting a word without meaning, errors affecting the sense of the

author, which were thus introduced, have been of the worst species, and

have chiefly contributed to compose that mass of various readings, on

which the sagacity of modern scholars has been so copiously exercised. In

a passage of Coluccio Salutati’s treatise _De Fato_, published by the Abbé

Mehus, the various modes in which MSS. were depraved by copyists are fully

pointed out(549). To such extent had these corruptions proceeded, that

Petrarch, talking of the MSS. of his own time, and those immediately

preceding it, asks, “Quis scriptorum inscitiæ medebitur, inertiæque

corrumpenti omnia ac miscenti? Non quæro jam aut queror Orthographiam, quæ

jam dudum interiit; qualitercunque utinam scriberent quod jubentur. An si

redeat Cicero aut Livius, ante omnes Plinius Secundus, sua scripta

religentes intelligent?” So sensible was Coluccio Salutati of the injury

which had been done to letters by the ignorance or negligence of

transcribers, that he proposed, as a check to the evil, that public

libraries should be every where formed, the superintendence of which

should be given to men of learning, who might carefully collate the MSS.

intrusted to them, and ascertain the most correct readings(550). To this

labour, and to the detection of counterfeit works, of which many, from

various motives, now began to be circulated, Coluccio devoted a

considerable portion of his own time and studies. His plan for the

institution of public libraries did not succeed; but he amassed a private

one, which, in that age, was second only to the library of Petrarch. A

considerable classical library, though consisting chiefly of the later

classics, particularly Seneca, Macrobius, Apuleius, and Suetonius, was

amassed by Tedaldo de Casa, whose books, with many remarks and emendations

in his own hand, were inspected by the Abbé Mehus in the library of

Santa-Croce at Florence(551).

The path which had been opened up by Petrarch, Boccaccio, and Coluccio

Salutati, in the fourteenth century, was followed out in the ensuing

century with wonderful assiduity and success by Poggio Bracciolini,

Filelfo, and Ambrosio Traversari, Abbott of Camaldoli, under the guidance

and protection of the Medicean Family and Niccolo Niccoli.

Of all the learned men of his time, Poggio seems to have devoted himself

with the greatest industry to the search for classical MSS. No

difficulties in travelling, or indifference in the heads of convents to

his literary inquiries, could damp his zeal. His ardour and exertions were

fortunately crowned with most complete success. The number of MSS.

discovered by him in different parts of Europe, during the space of nearly

fifty years, will remain a lasting proof of his unceasing perseverance,

and of his sagacity in these pursuits. Having spent his youth in

travelling through different countries, he at length settled at Rome,

where he continued as secretary, in the service of eight successive

Pontiffs. In this capacity he, in the year 1414, accompanied Pope John

XXIII. to the Council of Constance, which was opened in that year. While

residing at Constance, he made several expeditions, most interesting to

letters, in intervals of relaxation during the prosecutions of Jean Hus

and Jerome of Prague, of which he had the official charge. His chief

excursion was to the monastery of St Gal, about twenty miles distance from

Constance, where his information led him to expect that he might find some

MSS. of the ancient Roman writers(552). The earliest Abbots, and many of

the first monks of St Gal, had been originally transferred to that

monastery from the literary establishment founded by Charlemagne at Fulda.

Werembert and Helperic, who were sent to St Gal from Fulda in the ninth

century, introduced in their new residence a strong taste for letters, and

the practice of transcribing the classics. In examining the _Histoire

Litteraire de la France_, by the Benedictines, we find that no monastery

in the middle ages produced so many distinguished scholars as St Gal. In

this celebrated convent, which, (as Tenhove expresses it) had been so long

the Dormitory of the Muses, Poggio discovered some of the most valuable

classics,—not, however, in the library of the cloister, but covered with

dust and filth, and rotting at the bottom of a dungeon, where, according

to his own account, no criminal condemned to death would have been

thrown(553). This evinces that whatever care may at one time have been

taken of classical MSS. by the monks, they had subsequently been

shamefully neglected.

The services rendered to literature by Ambrosio of Camaldoli were inferior

only to those of Poggio. Ambrosio was born at Forli in 1386, and was a

disciple of Emanuel Chrysoloras. At the age of fourteen, he entered into

the convent of Camaldoli at Florence, and thirty years afterwards became

the Superior of his order. In the kind conciliatory disposition of

Ambrosio, manifested by his maintaining an uninterrupted friendship with

Niccolo Niccoli, Poggio, and Filelfo, and by moderating the quarrels of

these irascible _Literati_—in his zeal for the sacred interests,

discipline, and purity of his convent, to which his own moral conduct

afforded a spotless example—and, finally, in his enthusiastic love of

letters, in which he was second only to Petrarch, we behold the brightest

specimen of the monastic character, of which the memory has descended to

us from the middle ages. Though chiefly confined within the limits of a

cloister, Ambrosio had perhaps the best pretensions of any man of his age,

to the character of a polite scholar. The whole of the early part of his

life, and the leisure of its close, were employed in collecting ancient

MSS. from every quarter where they could be procured, and in maintaining a

constant correspondence with the most distinguished men of his age. His

letters which have been published in 1759, at Florence, with a long

preface and life by the Abbé Mehus, contain the fullest information that

can be any where found with regard to the recovery of ancient classical

MSS. and the state of literature at Florence in the fifteenth century.

It would appear from these Epistles, that though the monks had been

certainly instrumental in preserving the precious relics of classical

antiquity, their avarice and bigotry now rather obstructed the prosecution

of the researches undertaken for the purpose of bringing them to light. It

was their interest to keep these treasures to themselves, because it was a

maxim of their policy to impede the diffusion of knowledge, and because

the transcription of MSS. was to them a source of considerable emolument.

Hence they often threw obstacles in the way of the inquiries of the

learned, who were obliged to have recourse to various artifices, in order

to draw classical MSS. from the recesses of the cloister(554).

The exertions of Poggio and Ambrosio, however, were stimulated and aided

by the munificent patronage of many opulent individuals of that period,

who spared no expense in reimbursing and rewarding those who had made

successful researches after these favourite objects of pursuit. “To such

an enthusiasm,” says Tiraboschi, “was this desire carried, that long

journeys were undertaken, treasures were levied, and enmities were

excited, for the sake of an ancient MS.; and the discovery of a book was

regarded as almost equivalent to the conquest of a kingdom.”

The most zealous promoters of these researches, and most eager collectors

of MSS. during the fifteenth century, were the Cardinal Ursini, Niccolo

Niccoli and the Family of Medici.

Niccolo Niccoli, who was an humble citizen of Florence, devoted his whole

time and fortune to the acquisition of ancient MSS. In this pursuit he had

been eminently successful, having collected together 800 volumes, of which

a great proportion contained Roman authors. Poggio, in his funeral oration

of Niccolo, bears ample testimony to his liberality and zeal, and

attributes the successful discovery of so many classical MSS. to the

encouragement which he had afforded. “Quod autem,” says he, “egregiam

laudem meretur, summam operam, curamque adhibuit ad pervestigandos

auctores, qui culpâ temporum perierant. Quâ in re verè possum dicere,

omnes libros fere, qui noviter tum ab aliis reperti sunt, tum a me ipso,

qui integrum Quintilianum, Ciceronis nostri orationes, Silium Italicum,

Marcellinum, Lucretii partem, multosque præterea e Germanorum Gallorumque

ergastulis, meâ diligentiâ eripui, atque in lucem extuli, Nicholai suasu,

impulsu, cohortatione, et pæne verborum molestiâ esse Latinis literis

restitutos(555).” Several of these classical works Niccolo copied with his

own hand, and with great accuracy, after he had received them(556). The

MSS. in his hand-writing were long known and distinguished by the beauty

and distinctness of the characters. Nor did he content himself with mere

transcription: He diligently employed himself in correcting the errors of

the MSS. which were transmitted to him, and arranging the text in its

proper order. “Quum eos auctores,” says Mehus, “ex vetustissimis codicibus

exscriberet, qui suo potissimum consilio, aliorum vero operâ inventi sunt,

non solum mendis, quibus obsiti erant, expurgavit, sed etiam distinxit,

capitibusque locupletavit(557).” Such was the judgment of Niccolo, in this

species of emendation, that Politian always placed the utmost reliance on

his MS. copies(558); and, indeed, from a complimentary poem addressed to

him in his own time, it would seem that he had carefully collated

different MSS. of the same work, before he transcribed his own copy—

“Ille hos errores, unâ exemplaribus actis

Pluribus ante oculos, ne postera oberret et ætas,

Corrigit.”

Previous to the time of Niccolo, the only libraries of any extent or value

in Italy, were those of Petrarch, Coluccio Salutati, and Boccaccio. The

books which had belonged to Petrarch and Coluccio, were sold or dispersed

after the decease of their illustrious possessors. Boccaccio’s library had

been bequeathed by him to a religious order, the Hermits of St Augustine;

and this library was repaired and arranged by Niccolo, for the use of the

convent, and a proper hall built for its reception(559). Niccolo was

likewise the first person in modern times who conceived the idea of

forming a public library. Previous to his death, which happened in 1437,

he directed that his books should be devoted to the use of the public; and

for this purpose he appointed sixteen curators, among whom was Cosmo de

Medici. After his demise, it appeared that he was greatly in debt, and

that his liberal intentions were likely to be frustrated by the insolvency

of his circumstances. Cosmo therefore offered to his associates, that if

they would resign to him the exclusive right of the disposal of the books,

he would himself discharge all the debts of Niccolo, to which proposal

they readily acceded. Having thus obtained the sole direction of the MSS.,

he deposited them for public use in the Dominican Monastery of St Marco,

at Florence, which he had himself erected at an enormous expense(560).

This library, for some time celebrated under the name of the _Bibliotheca

Marciana_, or library of St Marc, was arranged and catalogued by Tommaso

da Sarzana Calandrino, at that time a poor but zealous scholar in the

lower orders of the clergy, and afterwards Pope, by the name of Nicholas

V. The building which contained the books of Niccolo having been destroyed

by an earthquake in 1454, Cosmo rebuilt it on such a plan, as to admit a

more extensive collection. After this it was enriched by private donations

from citizens of Florence, who, catching the spirit of the reigning

family, vied with each other in the extent and value of their gifts(561).

When Cosmo, having finally triumphed over his enemies, was recalled from

banishment, and became the first citizen of Florence, “which he governed

without arms or a title,” he employed his immense wealth in the

encouragement of learned men, and in collecting, under his own roof, the

remains of the ancient Greek and Roman writers. His riches, and extensive

mercantile intercourse with different parts of Europe and Asia, enabled

him to gratify a passion of this kind beyond any other individual. He gave

injunctions to all his friends and correspondents, to search for and

procure ancient MSS., in every language, and on every subject. From these

beginnings arose the celebrated library of the Medici, which, in the time

of Cosmo, was particularly distinguished for MSS. of Latin

classics—possessing, in particular, full and accurate copies of Virgil,

Cicero, Seneca, Ovid, and Tibullus(562). This collection, after the death

of its founder, was farther enriched by the attention of his descendants,

particularly his grandson, Lorenzo, under whom it acquired the name of the

Medicean-Laurentian Library. “If there was any pursuit,” says the

biographer of Lorenzo, “in which he engaged more ardently, and persevered

more diligently, than the rest, it was in that of enlarging his

collections of books and antiquities. His emissaries were dispersed

through every part of the globe, for the purpose of collecting books, and

he spared no expense in procuring, for the learned, the materials

necessary for the prosecution of their studies(563).” In the execution of

his noble design, he was assisted by Ermolao Barbaro, and Paulo Cortesi;

but his principal coadjutor was Politian, to whom he committed the care

and arrangement of his collection, and who made excursions, at intervals,

through Italy, to discover and purchase such remains of antiquity as

suited the purposes of his patron. An ample treasure of books was

expected, during his last illness, under the care of Lascaris. When the

vital spark was nearly extinguished, he called Politian to his side, and

grasping his hand, told him he could have wished to have lived to see the

library completed(564).

After the death of Lorenzo, some of the volumes were dispersed, when

Charles VIII. of France invaded Italy; and, on the expulsion of the Medici

family from Florence, in 1496, the remaining volumes of the Laurentian

collection were united with the books in the library of St Mark.

It being the great object of Lorenzo to diffuse the spirit of literature

as extensively as possible, he permitted the Duke of Urbino, who

particularly distinguished himself as a patron of learning, to copy such

of his MSS. as he wished to possess. The families, too, of Visconti at

Milan, of Este at Ferrara, and Gonzaga at Mantua, excited by the glorious

example set before them, emulated the Medici in their patronage of

classical literature, and formation of learned establishments. “The

division of Italy,” says Mr Mills, “into many independent principalities,

was a circumstance highly favourable to the nourishing and expanding

learning. Every city had a Mæcenas sovereign. The princes of Italy

rivalled each other in literary patronage as much as in political power,

and changes of dominion did not affect letters(565).” Eight Popes, in

succession, employed Poggio as their secretary, which greatly aided the

promotion of literature, and the collecting of MSS. at Rome. The last

Pontiff he served was Nicholas V., who, before his elevation, as we have

seen, had arranged the library of St Mark at Florence. From his youth he

had shown the most wonderful avidity for copies of ancient MSS., and an

extraordinary turn for elegant and accurate transcription, with his own

hand. By the diligence and learning which he exhibited in the schools of

Bologna, he secured the patronage of many literary characters. Attached to

the family of Cardinal Albergati, he accompanied him in several embassies,

and seldom returned without bringing back with him copies of such ancient

works as had been previously unknown in Italy. The titles of some of these

are mentioned by his biographer, who adds, that there was no Latin author,

with whose writings he was unacquainted. This enabled him to be useful in

the arrangement of many libraries formed at this period(566). His

promotion to the Pontifical chair, in 1447, was, in the circumstances of

the times, peculiarly auspicious to the cause of letters. With the

assistance of Poggio, he founded the library of the Vatican. The scanty

collection of his predecessors had been nearly dissipated or destroyed, by

frequent removals from Rome to Avignon: But Nicholas more than repaired

these losses; and before his death, had collected upwards of 5000 volumes

of Greek and Roman authors—and the Vatican being afterwards increased by

Sixtus IV. and Leo X. became, both in extent and value, the first library

in the world.

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