Crassus left hardly any orations behind him, and he died while Cicero was

still in his boyhood; yet that author, having collected the opinions of

those who had heard him, speaks with a minute and apparently perfect

intelligence of his mode of oratory. He was what may be called the most

ornamental speaker that had hitherto appeared in the Forum. Though not

without force, gravity, and dignity, these were happily blended with the

most insinuating politeness, urbanity, ease, and gaiety. He was master of

the most pure and accurate language, and of perfect elegance of

expression, without any affectation, or unpleasant appearance of previous

study. Great clearness of exposition distinguished all his harangues, and,

while descanting on topics of law or equity, he possessed an inexhaustible

fund of argument and illustration. In speaking, he showed an uncommon

modesty, which went even the length of bashfulness. When a young man, he

was so intimidated at the opening of a speech, that Q. Maximus, perceiving

him overwhelmed and disabled by confusion, adjourned the court, which the

orator always remembered with the highest sense of gratitude. This

diffidence never entirely forsook him; and, after the practice of a long

life at the bar, he was frequently so much agitated in the exordium of his

discourse, that he was observed to grow pale, and to tremble in every part

of his frame(247). Some persons considered Crassus as only equal to

Antony; others preferred him as the more perfect and accomplished orator:

Antony chiefly trusted to his intimate acquaintance with affairs and

ordinary life: He was not, however, so destitute of knowledge as he

seemed; but he thought the best way to recommend his eloquence to the

people, was to appear as if he had never learned anything(248). Crassus,

on the other hand, was well instructed in literature, and showed off his

information to the best advantage. Antony possessed the greater power of

promoting conjecture, and of allaying or exciting suspicion, by opposite

and well-timed insinuations; but no one could have more copiousness or

facility than Crassus, in defining, interpreting, and discussing, the

principles of equity. The language of Crassus was indisputably preferable

to that of Antony; but the action and gesture of Antony were as

incontestably superior to those of Crassus.

Sulpicius and Cotta, who were both born about 630, were younger orators

than Antony or Crassus, but were for some time their contemporaries, and

had risen to considerable reputation before the death of the latter and

assassination of the former. Sulpicius lived for some years respected and

admired; but, about the year 665, at the first breaking out of the

dissensions between Sylla and Marius, being then a tribune of the people,

he espoused the part of Marius. Plutarch gives a memorable account of his

character and behaviour at this conjuncture, declaring that he was second

to none in the most atrocious villainies. Alike unrestrained in avarice

and cruelty, he committed the most criminal and enormous actions without

hesitation or reluctance. He sold by public auction the freedom of Rome to

foreigners—telling out the purchase-money on counters erected for that

purpose in the Forum! He kept 3000 swordsmen in constant pay, and had

always about him a company of young men of the equestrian order, ready on

every occasion to execute his commands; and these he styled his

anti-senatorian band(249). Cicero touches on his crimes with more

tenderness; but says, that when he came to be tribune, he stript of all

their dignities those with whom, as a private individual, he had lived in

the strictest friendship(250). Whilst Marius kept his ground against his

rival, Sulpicius transacted all public affairs, in his capacity of

tribune, by violence and force of arms. He decreed to Marius the command

in the Mithridatic war: He attacked the Consuls with his band while they

were holding an assembly of the people in the Temple of Castor and Pollux,

and deposed one of them(251). Marius, however, having been at length

expelled by the ascendancy of Sylla, Sulpicius was betrayed by one of his

slaves, and immediately seized and executed. “Thus,” says Cicero, “the

chastisement of his rashness went hand in hand with the misfortunes of his

country; and the sword cut off the thread of that life, which was then

blooming to all the honours that eloquence can bestow(252).”

Cicero had reached the age of nineteen, at the period of the death of

Sulpicius. He had heard him daily speak in the Forum, and highly estimates

his oratoric powers(253). He was the most lofty, and what Cicero calls the

most tragic, orator of Rome. His attitudes, deportment, and figure, were

of supreme dignity—his voice was powerful and sonorous—his elocution

rapid; his action variable and animated.

The constitutional weakness of Cotta prevented all such oratorical

vehemence. In his manner he was soft and relaxed; but every thing he said

was sober and in good taste, and he often led the judges to the same

conclusion to which Sulpicius impelled them. “No two things,” says Cicero,

“were ever more unlike than they are to each other. The one, in a polite,

delicate manner, sets forth his subject in well-chosen expressions. He

still keeps to his point; and, as he sees with the greatest penetration

what he has to prove to the court, he directs to that the whole strength

of his reasoning and eloquence, without regarding other arguments. But

Sulpicius, endued with irresistible energy, with a full strong voice, with

the greatest vehemence, and dignity of action, accompanied with so much

weight and variety of expression, seemed, of all mankind, the best fitted

by nature for eloquence.”

It was supposed that Cotta wished to resemble Antony, as Sulpicius

obviously imitated Crassus; but the latter wanted the agreeable pleasantry

of Crassus, and the former the force of Antony. None of the orations of

Sulpicius remained in the time of Cicero—those circulated under his name

having been written by Canutius after his death. The oration of Cotta for

himself, when accused on the Varian law, was composed, it is said, at his

request by Lucius Ælius; and, if this be true, nothing can appear to us

more extraordinary, than that so accomplished a speaker as Cotta should

have wished any of the trivial harangues of Ælius to pass for his own.

The renown, however, of all preceding orators, was now about to be

eclipsed at Rome; and Hortensius burst forth in eloquence at once

calculated to delight and astonish his fellow-citizens. This celebrated

orator was born in the year 640, being thus ten years younger than Cotta

and Sulpicius. His first appearance in the Forum was at the early age of

nineteen—that is, in 659; and his excellence, says Cicero, was immediately

acknowledged, like that of a statue by Phidias, which only requires to be

seen in order to be admired(254). The case in which he first appeared was

of considerable responsibility for one so young and inexperienced, being

an accusation, at the instance of the Roman province of Africa, against

its governors for rapacity. It was heard before Scævola and Crassus, as

judges—the one the ablest lawyer, the other the most accomplished speaker,

of his age; and the young orator had the good fortune to obtain their

approbation, as well as that of all who were present at the trial(255).

His next pleading of importance was in behalf of Nicomedes, King of

Bithynia, in which he even surpassed his former speech for the

Africans(256). After this we hear little of him for several years. The

imminent perils of the Social War, which broke out in 663, interrupted, in

a great measure, the business of the Forum. Hortensius served in this

alarming contest for one year as a volunteer, and in the following season

as a military tribune(257). When, on the re-establishment of peace in

Italy in 666, he returned to Rome, and resumed the more peaceful

avocations to which he had been destined from his youth, he found himself

without a rival(258). Crassus, as we have seen, died in 662, before the

troubles of Marius and Sylla. Antony, with other orators of inferior note,

perished in 666, during the temporary and last ascendancy of Marius, in

the absence of Sylla. Sulpicius was put to death in the same year, and

Cotta driven into banishment, from which he was not recalled until the

return of Sylla to Rome, and his election to the dictatorship in 670.

Hortensius was thus left for some years without a competitor; and, after

670, with none of eminence but Cotta, whom also he soon outshone. His

splendid, warm, and animated manner, was preferred to the calm and easy

elegance of his rival. Accordingly, when engaged in a cause on the same

side, Cotta, though ten years senior, was employed to open the case, while

the more important parts were left to the management of Hortensius(259).

He continued the undisputed sovereign of the Forum, till Cicero returned

from his quæstorship in Sicily, in 679, when the talents of that orator

first displayed themselves in full perfection and maturity. Hortensius was

thus, from 666 till 679, a space of thirteen years, at the head of the

Roman bar; and being, in consequence, engaged during that long period, on

one side or other, in every cause of importance, he soon amassed a

prodigious fortune. He lived, too, with a magnificence corresponding to

his wealth. An example of splendour and luxury had been set to him by the

orator Crassus, who inhabited a sumptuous palace in Rome, the hall of

which was adorned with four pillars of Hymettian marble, twelve feet high,

which he brought to Rome in his ædileship, at a time when there were no

pillars of foreign marble even in public buildings(260). The court of this

mansion was ornamented by six lotus trees, which Pliny saw in full

luxuriance in his youth, but which were afterwards burned in the

conflagration in the time of Nero. He had also a number of vases, and two

drinking-cups, engraved by the artist Mentor, but which were of such

immense value that he was ashamed to use them(261). Hortensius had the

same tastes as Crassus, but surpassed him and all his contemporaries in

magnificence. His mansion stood on the Palatine Hill, which appears to

have been the most fashionable situation in Rome, being at that time

covered with the houses of Lutatius Catulus, Æmilius Scaurus, Clodius,

Catiline, Cicero, and Cæsar(262). The residence of Hortensius was adjacent

to that of Catiline; and though of no great extent, it was splendidly

furnished. After the death of the orator, it was inhabited by Octavius

Cæsar(263), and formed the centre of the chief imperial palace, which

increased from the time of Augustus to that of Nero, till it covered a

great part of the Palatine Mount, and branched over other hills. Besides

his mansion in the capital, he possessed sumptuous villas at Tusculum,

Bauli, and Laurentum, where he was accustomed to give the most elegant and

expensive entertainments. He had frequently peacocks at his banquets,

which he first served up at a grand augural feast, and which, says Varro,

were more commended by the luxurious, than by men of probity and

austerity(264). His olive plantations he is said to have regularly

moistened and bedewed with wine; and, on one occasion, during the hearing

of an important case, in which he was engaged along with Cicero, begged

that he would change with him the previously arranged order of pleading,

as he was obliged to go to the country to pour wine on a favourite

_platanus_, which grew near his Tusculan villa(265). Notwithstanding this

profusion, his heir found not less than 10,000 casks of wine in his cellar

after his death(266). Besides his taste for wine, and fondness for

plantations, he indulged a passion for pictures and fish-ponds. At his

Tusculan villa, he built a hall for the reception of a painting of the

expedition of the Argonauts, by the painter Cydias, which cost the

enormous sum of a hundred and forty-four thousand sesterces(267). At his

country-seat, near Bauli, on the sea shore, he vied with Lucullus and

Philippus in the extent of his fish-ponds, which were constructed at

immense cost, and so formed that the tide flowed into them(268). Under the

promontory of Bauli, travellers are yet shown the _Piscina Mirabilis_, a

subterraneous edifice, vaulted and divided by four rows of arcades, and

which is supposed by some antiquarians to have been a fish-pond of

Hortensius. Yet such was his luxury, and his reluctance to diminish his

supply, that when he gave entertainments at Bauli, he generally sent to

the neighbouring town of Puteoli to buy fish for supper(269). He had a

vast number of fishermen in his service, and paid so much attention to the

feeding of his fish, that he had always ready a large stock of small fish

to be devoured by the great ones. It was with the utmost difficulty he

could be prevailed on to part with any of them; and Varro declares, that a

friend could more easily get his chariot mules out of his stable, than a

mullet from his ponds. He was more anxious about the welfare of his fish

than the health of his slaves, and less solicitous that a sick servant

might not take what was unfit for him, than that his fish might not drink

water which was unwholesome(270). It is even said, that he was so

passionately fond of a particular lamprey, that he shed tears for her

untimely death(271).

The gallery at the villa, which was situated on the little promontory of

Bauli, and looking towards Puteoli, commanded one of the most delightful

views in Italy. The inland prospect towards Cumæ was extensive and

magnificent. Puteoli was seen along the shore at the distance of 30

_stadia_, in the direction of Pompeii; and Pompeii itself was invisible

only from its distance. The sea view was unbounded; but it was enlivened

by the numerous vessels sailing across the bay, and the ever changeful hue

of its waters, now saffron, azure, or purple, according as the breeze

blew, or as the sun ascended or declined(272).

Hortensius possessed another villa in Italy, which rivalled in its sylvan

pomp the marine luxuries of Bauli. This mansion lay between Ostia and

Lavinium, (now Pratica,) near to the town of Laurentum, so well remembered

from ancient fable and poetry, as having been the residence of King

Latinus, at the time of the arrival of Æneas in Italy, and at present

known by the name of Torre di Paterno. The town of Laurentum was on the

shore, but the villa of Hortensius stood to the north-east at some

distance from the coast,—the grounds subsequently occupied by the villa of

the younger Pliny intervening between it and Laurentum, and also between

it and the Tuscan sea. Around were the walks and gardens of patrician

villas; on one side was seen the town of Laurentum, with its public baths;

on the other, but at a greater distance, the harbour of Ostia. Near the

house were groves, and fields covered with herds—beyond were hills clothed

with woods. The horizon to the north-east was bounded by magnificent

mountains, and beyond the low maritime grounds, which lay between the port

of Ostia and Laurentum, there was a distant prospect of the Tuscan

sea(273).

Hortensius had here a wooded park of fifty acres, encompassed with a wall.

This enclosure he called a nursery of wild beasts, all which came for

their provender at a certain hour, on the blowing of a horn—an exhibition

with which he was accustomed to amuse the guests who visited him at his

Laurentian villa. Varro mentions an entertainment, where those invited

supped on an eminence, called a _Triclinium_, in this sylvan park. During

the repast, Hortensius summoned his Orpheus, who, having come with his

musical instruments, and being ordered to display his talents, blew a

trumpet, when such a multitude of deer, boars, and other quadrupeds,

rushed to the spot from all quarters, that the sight appeared to the

delighted spectators as beautiful as the courses with wild animals in the

great Circus of the Ædiles(274)!

The eloquence of Hortensius procured him not only all this wealth and

luxury, but the highest official honours of the state. He was Ædile in

679, Prætor in 682, and Consul two years afterwards. The wealth and

dignities he had obtained, and the want of competition, made him gradually

relax from that assiduity by which they had been acquired, till the

increasing fame of Cicero, and particularly the glory of his consulship,

stimulated him to renew his exertions. But his habit of labour had been in

some degree lost, and he never again recovered his former reputation.

Cicero partly accounts for this decline, from the peculiar nature and

genius of his eloquence(275). It was of that showy species called Asiatic,

which flourished in the Greek colonies of Asia Minor, and was infinitely

more florid and ornamental than the oratory of Athens, or even Rhodes,

being full of brilliant thoughts and of sparkling expressions. This

glowing style of rhetoric, though deficient in solidity and weight, was

not unsuitable in a young man; and being farther recommended by a

beautiful cadence of periods, met with the utmost applause. But

Hortensius, as he advanced in life, did not prune his exuberance, or adopt

a chaster eloquence; and this luxury, and glitter of phraseology, which,

even in his earliest years, had occasionally excited ridicule or disgust

among the graver fathers of the senatorial order, being totally

inconsistent with his advanced age and consular dignity, which required

something more serious and composed, his reputation diminished with

increase of years; and though the bloom of his eloquence might be in fact

the same, it appeared to be somewhat withered(276). Besides, from his

declining health and strength, which greatly failed in his latter years,

he may not have been able to give full effect to that showy species of

rhetoric in which he indulged. A constant toothache, and swelling in the

jaws, greatly impaired his power of elocution and utterance, and became at

length so severe as to accelerate his end—

“Ægrescunt teneræ fauces, quum frigoris atri

Vis subiit, vel quum ventis agitabilis aër

Vertitur, atque ipsas flatus gravis inficit auras,

Vel rabidus clamor fracto quum forte sonore

Planum radit iter. Sic est Hortensius olim

Absumptus: caussis etenim confectus agendis

Obticuit, quum vox, domino vivente, periret,

Et nondum exstincti moreretur lingua diserti(277).”

A few months, however, before his death, which happened in 703, he pleaded

for his nephew, Messala, who was accused of illegal canvassing, and who

was acquitted, more in consequence of the astonishing exertions of his

advocate, than the justice of his cause. So unfavourable, indeed, was his

case esteemed, that however much the speech of Hortensius had been

admired, he was received on entering the theatre of Curio on the following

day, with loud clamour and hisses, which were the more remarked, as he had

never met with similar treatment in the whole course of his forensic

career(278). The speech, however, revived all the ancient admiration of

the public for his oratorical talents, and convinced them, that had he

always possessed the same perseverance as Cicero, he would not have ranked

second to that orator. Another of his most celebrated harangues was that

against the Manilian law, which vested Pompey with such extraordinary

powers, and was so warmly supported by Cicero. That against the sumptuary

law proposed by Crassus and Pompey, in the year 683, which tended to

restrain the indulgence of his own taste, was well adapted to Hortensius’

style of eloquence; and his speech was highly characteristic of his

disposition and habits of life. He declaimed, at great length, on the

glory of Rome, which required splendour in the mode of living followed by

its citizens(279). He frequently glanced at the luxury of the Consuls

themselves, and forced them at length, by his eloquence and sarcastic

declamation, to relinquish their scheme of domestic retrenchment.

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