III. WHAT IS THE STYLE OF THE APOCALYPSE?

This inquiry refers to the language, spirit and rhetorical structure

of the writing, to its rank as an effort of composition, and to its

peculiarities as expressive of the personal character and feelings of

its inspired writer. The previous inquiry has been answered in such

a way as to illustrate the points involved in the present one; and a

recapitulation of the simple results of that inquiry, will best present

the facts necessary for a satisfactory reply to some points of this.

First, the Apocalypse is a _prophecy_, in the common understanding of

the term; but is not limited, as in the ordinary sense of that word, to

a mere declaration of futurity; it embraces in its plan the events of

the past, and with a glance like that of the Eternal, sweeps over that

which has been and that which is to be, as though both were _now_; and

in its solemn course through ages, past, present, and future, it bears

the record of faithful _history_, as well as of glorious prophecy.

Second, the Apocalypse is _poetry_, in the highest and justest sense

of the word. All prophecy is poetry. The sublimity of such thoughts

can not be expressed in the plain unbroken detail of a prose narrative;

and even when the events of past history are combined in one harmonious

series with wide views of the future, they too rise from the dull

unpictured record of a mere narrator, and share in the elevation

of the mighty whole. The spirit of the writer, replete, not with

mere particulars, but with vivid images, seeks language that paints,

“thoughts that breathe, and words that burn;” and thus the writing

that flows forth is poetry,――the imaginative expression of deep, high

feeling――swelling where the occasion moves the writer, into the energy

of passion, whether dark or holy.

The character of the Apocalypse, as affected by the passionate feelings

of the writer, is also a point which has been illustrated by foregoing

historical statements of his situation and condition at the time of

the Revelation. He was the victim of an unjust and cruel sentence,

deprived of all the sweet earthly solaces of his advanced age, and left

on a desert rock,――useless to the cause of Christ and beyond even the

knowledge of its progress. The mournful sound of sweeping winds and

dashing waves, alone broke the dreary silence of his loneliness, and

awaking sensations only of a melancholy order, sent back his thoughts

into the sadder remembrances of the past, and called up also many of

the sterner emotions against those who had been the occasions of the

past and present calamities which grieved him. The very outset is in

such a tone as these circumstances would naturally inspire. A deep,

holy indignation breaks forth in the solemn annunciation of himself, as

their “brother and companion in tribulation.” Sadness is the prominent

sentiment expressed in all the addresses to the churches; and in the

prelude to the great Apocalypse, while the ceremonies of opening the

book which contains it are going on, the strong predominant emotion of

the writer is again betrayed in the vision of “the souls of them that

were slain for the word of God, and for the testimony which they bore;”

and the solemnly mournful cry which they send up to him for whom they

died, expresses the deep and bitter feeling of the writer towards the

murderers,――“How long, O Lord! holy and true! dost thou not judge and

avenge our blood on them that dwell on the earth?” The apostle was

thinking of the martyrs of Jerusalem and Rome,――of those who fell under

the persecutions of the high priests, of Agrippa, and of Nero. And

when the seven seals are broken, and the true revelation, of which this

ceremony was only a poetical prelude, actually begins, the first great

view presents the bloody scenes of that once Holy city, which now, by

its cruelties against the cause which is to him as his life,――by the

remorseless murder of those who are near and dear to him,――has lost

all its ancient dominion over the affections and the hopes of the last

apostle and all the followers of Christ.

Again the mournful tragedies of earlier apostolic days pass before him.

Again he sees his noble brother bearing his bold witness of Jesus; and

with him that other apostle, who in works and fate as much resembled

the first, as in name. Their blood pouring out on the earth, rises to

heaven, but not sooner than their spirits,――whence their loud witness

calls down woful ruin on the blood-defiled city of the temple. And when

that ruin falls, no regret checks the exulting tone of the thanksgiving.

All that made those places holy and dear, is gone;――God dwells there no

more; “the temple of God is opened in heaven, and there is seen in his

temple the ark of his covenant,” and all heaven swells the jubilee over

the destruction of Jerusalem. And after this, when the apostle’s view

moved forward from the past to the future, and his eye rested on the

crimes and the destiny of heathen Rome, the bitter remembrance of her

cruelties towards his brethren, lifted his soul to high indignation,

and he burst forth on her in the inspired wrath of a Son of Thunder;――

“Every burning word he spoke,

Full of rage, and full of grief.

“Rome shall perish; write that word

In the blood that she has spilt.

Rome shall perish,――fall abhorred,――

Deep in ruin as in guilt.”

In respect to the _learning_ displayed in the Apocalypse, some most

remarkable facts are observable. Apart from the very copious matters

borrowed from the canonical writings of the Old Testament, from

Isaiah, Ezekiel, Daniel, and other prophets, from which, as any reader

can see, some of the most splendid imagery has been taken almost

verbatim,――it is undeniable, that John has drawn very largely from a

famous apocryphal Hebrew writing, called the BOOK OF ENOCH, which Jude

has also quoted in his epistle; and in his life it will be more fully

described. The vision of seven stars, explained to be angels,――of the

pair of balances in the hand of the horseman, after the opening of the

third seal,――the river and tree of life,――the souls under the altar,

crying for vengeance,――the angel measuring the city,――the thousand

years of peace and holiness,――are all found vividly expressed in that

ancient book, and had manifestly been made familiar to John by reading.

In other ancient apocryphal books, are noticed some other striking and

literal coincidences with the Apocalypse. The early Rabbinical writings

are also rich in such parallel passages. The name of the Conqueror,

“which no one knows but himself,”――the rainbow stretched around the

throne of God,――the fiery scepter,――the seven angels,――the sapphire

throne,――the cherubic four beasts, six-winged, and crying Holy, Holy,

Lord God of hosts,――the crowns of gold on the heads of the saints,

which they cast before the throne,――the book with seven seals,――the

souls under the altar,――the silence in heaven,――the Abaddon,――the child

caught up to God,――Satan, as the accuser of the saints, day and night

before God,――the angel of the waters,――the hail of great weight,――the

second death,――the new heaven and earth,――the twelve-gated city of

precious stones,――and Rome, under the name of “Great Babylon,”――are all

found in the old Jewish writings, in such distinctness as to make it

palpable that John was deeply learned in Hebrew literature, both sacred

and traditional.

Yet all these are but the forms of expression, not of thought. The

apostle used them, because long, constant familiarity with the writings

in which such imagery abounded, made these sentences the most natural

and ready vehicles of inspired emotions. The tame and often tedious

details of those old human inventions, had no influence in moulding

the grand conceptions of the glorious revelation. This had a deeper,

a higher, a holier source, in the spirit of eternal truth,――the mighty

suggestions of the time-over-sweeping spirit of prophecy,――the same

that moved the fiery lips of those denouncers of the ancient Babylon,

whose writings also had been deeply known to him by years of study,

and had furnished also a share of consecrated expressions. That spirit

he had caught during his long eastern residence in the very scene of

their prophecy and its awful fulfilment. If this notion of his dwelling

for a time with Peter in Babylon is well founded, as it has been

above narrated, it is at once suggested also, that in that Chaldean

city,――then the capital seat of all Hebrew learning, and for ages the

fount of light to the votaries of Judaism,――he had, during the years

of his stay, been led to the deep study and the vast knowledge of

that amazing range of Talmudical and Cabbalistical learning, which is

displayed in every part of the Apocalypse. But how different all these

resources in knowledge, from the mighty production that seemed to flow

from them! How far are even the sublimest conceptions of the ancient

prophets, in their unconnected bursts and fragments of inspiration,

from the harmonious plan, the comprehensive range, and the faultless

dramatic unity, or rather tri-unity, of this most perfect of historical

views, and of poetical conceptions!

All these coincidences, with a vast number of other learned

references, highly illustrative of the character of the

Apocalypse, as enriched with Oriental imagery, may be found

in Wait’s very copious notes on Hug’s Introduction.

There are many things in this view of the Apocalypse which

will occasion surprise to many readers, but to none who are

familiar with the views of the standard orthodox writers on

this department of Biblical literature. The view taken in the

text of this work, corresponds in its grand outlines, to the

high authorities there named; though in the minute details,

it follows none exactly. Some interpretations of particular

passages are found no where else; but these occasional

peculiarities cannot affect the general character of the view;

and it will certainly be found accordant with that universally

received among the Biblical scholars of Germany and England,

belonging to the Romish, the Lutheran, the Anglican, and

Wesleyan churches. The authority most closely followed, is

Dr. Hug, Roman Catholic professor of theology in an Austrian

university, further explained by his translator, Dr. D. G. Wait,

of the church of England, more distinguished in Biblical and

oriental literature, probably, than any other of the numerous

learned living divines of that church. These views are also

found in the commentary of that splendid orientalist, Dr. Adam

Clarke, a work which, fortunately for the world, is fast taking

the place of the numerous lumbering, prosing quartos that have

too long met the mind of the common Bible reader with mere

masses of dogmatic theology, where he needs the help of simple,

clear interpretation and illustration, which has been drawn by

the truly learned, from a minute knowledge of the language and

critical history of the sacred writings. This noble work, as

far as I know, is the first which took the honest ground of the

ancient interpretation of the Apocalypse, with common readers,

and constitutes a noble monument to the praise of the good and

learned man, who first threw light for such readers on the most

sublime book in the sacred canon, and among all the writings

ever penned by man,――a book which ignorant visionaries had too

long been suffered to overcloud and perplex for those who need

the guidance of the learned in the interpretation of the “many

things hard to be understood” in the volume of truth. The first

book of a popular character, ever issued from the American

press, explaining the Apocalypse according to the standard

mode, is a treatise on the Millennium, by the learned Professor

Bush, of the New York University, in which he adopts the grand

outlines of the plan above detailed, though I have not had the

opportunity of ascertaining how it is, in the minor details.

In reference to the tone assumed in some passages of the

statement in the text, perhaps it may be thought that more

freedom has been used in characterizing opposite views, than is

accordant with the principles of “moderation and hesitation,”

proposed in comment upon Luther and Michaelis. But where, in the

denunciation of popular error, a reference to the motive of the

inculcators of it would serve to expose most readily its nature,

such a freedom of pen has been fearlessly adopted; and severity

of language on these occasions is justified by the consideration

of the character of the delusion which is to be overthrown.

The statements too, which are the occasion and the support

of these condemnations of vulgar notions, are drawn not from

the mere conceptions of the writer of this book, but from the

unanswerable authorities of the great standards of Biblical

interpretation. The opportunity of research on this point has

been too limited to allow anything like an enumeration of all

the great names who support this view; but references enough

have already been made, to show that an irresistible weight of

orthodox sentiment has decided in favor of these views as above

given.

Some of the minute details, particularly those not authorized by

learned men, who have already so nearly perfected the standard

view, may fall under the censure of the critical, as fanciful,

like those so freely condemned before; but they were written

down because it seemed that there was, in those cases, a

wonderfully minute correspondence between these passages and

events in the life of John, not commonly noticed. The greater

part of this view, however, may be found almost verbatim in

Wait’s translation of Hug’s Introduction.

The most satisfactory evidence of the meaning of the great

mystery of the Apocalypse, is in the true interpretation of “the

number of the beast,” the mystic 666. In the Greek and oriental

languages, the letters are used to represent numbers, and thence

arose in mystic writings a mode of representing a name by any

number, which would be made up by adding together the numbers

for which its letters stood; and so any number thus mystically

given may be resolved into a name, by taking any word whose

letters when added together will make up that sum. Now the word

LATINUS, (Λατεινος,) meaning the Latin or Roman empire, (for the

names are synonymous,) is made up of Greek letters representing

the numbers whose sum is 666. Thus Λ-30, α-1, τ-300, ε-5, ι-10,

ν-50, ο-70, ς-200――all which, added up, make just 666. What

confirms this view is, that Irenaeus says, “John himself told

those who saw him face to face, that this was what he meant

by the number;” and Irenaeus assures us that he himself heard

this from the personal acquaintances of John. (See Wait’s note.

Translation of Hug’s Introduction II. 626‒629, note.)

Lives of the apostles of Jesus Christ · 第 89 / 177 题