III

It was the year of Harpledon’s first “jumble sale” that all these odds

and ends of observation first began to connect themselves in my mind.

Harpledon had decided that it ought to have a village hospital and

dispensary, and Cranch was among the first to promise a subscription and

to join the committee. A meeting was called at Mrs. Durant’s and after

much deliberation it was decided to hold a village fair and jumble sale

in somebody’s grounds; but whose? We all hoped Cranch would lend his

garden; but no one dared to ask him. We sounded each other cautiously,

before he arrived, and each tried to shift the enterprise to his

neighbour; till at last Homer Davids, our chief celebrity as a painter,

and one of the shrewdest heads in the community, said drily: “Oh, Cranch

wouldn’t care about it.”

“How do you know he wouldn’t?” some one queried.

“Just as you all do; if not, why is it that you all want some one else

to ask him?”

Mrs. Durant hesitated. “I’m sure—” she began.

“Oh, well, all right, then! _You_ ask him,” rejoined Davids cheerfully.

“I can’t always be the one—”

I saw her embarrassment, and volunteered: “If you think there’s enough

shade in _my_ garden....”

By the way their faces lit up I saw the relief it was to them all not to

have to tackle Cranch. Yet why, having a garden he was proud of, need he

have been displeased at the request?

“Men don’t like the bother,” said one of our married ladies; which

occasioned the proper outburst of praise for my unselfishness, and the

observation that Cranch’s maids, who had all been for years in his

service, were probably set in their ways, and wouldn’t care for the

confusion and extra work. “Yes, old Catherine especially; she guards the

place like a dragon,” one of the ladies remarked; and at that moment

Cranch appeared. Having been told what had been settled he joined with

the others in complimenting me; and we began to plan for the jumble

sale.

The men needed enlightenment on this point, I as much as the rest, but

the prime mover immediately explained: “Oh, you just send any old

rubbish you’ve got in the house.”

We all welcomed this novel way of clearing out our cupboards, except

Cranch who, after a moment, and with a whimsical wrinkling of his brows,

said: “But I haven’t got any old rubbish.”

“Oh, well, children’s cast-off toys for instance,” a newcomer threw out

at random.

There was a general smile, to which Cranch responded with one of his

rare expressive gestures, as who should say: “_Toys_—in my house? But

whose?”

I laughed, and one of the ladies, remembering our old joke, cried out:

“Why, but the hobby-horse!”

Cranch’s face became a well-bred blank. Long-suffering courtesy was the

note of the voice in which he echoed: “Hobby-horse—?”

“Don’t you remember?” It was Mrs. Durant who prompted him. “Our old

joke? The wonderful black and white hobby-horse that Miss Lucilla

Selwick said she saw you driving home with when you first arrived here?

It had a real mane.” Her colour rose a little as she spoke.

There was a moment’s pause, while Cranch’s brow remained puzzled; then a

smile slowly cleared his face. “Of course!” he said. “I’d forgotten.

Well, I feel now that I _was_ young enough for toys thirty years ago;

but I didn’t feel so then. And we should have to apply to Miss Selwick

to know what became of that hobby-horse. Meanwhile,” he added, putting

his hand in his pocket, “here’s a small offering to supply some new ones

for the fair.”

The offering was not small: Cranch always gave liberally, yet always

produced the impression of giving indifferently. Well, one couldn’t have

it both ways; some of our most gushing givers were the least lavish. The

committee was delighted....

“It was queer,” I said afterward to Mrs. Durant. “Why did the

hobby-horse joke annoy Cranch? He used to like it.”

She smiled. “He may think it’s lasted long enough. Harpledon jokes _do_

last, you know.”

Yes; perhaps they did, though I had never thought of it before.

“There’s one thing that puzzles me,” I went on; “I never know beforehand

what is going to annoy him.”

She pondered. “I’ll tell you, then,” she said suddenly. “It has annoyed

him that no one thought of asking him to give one of his water-colours

to the sale.”

“Didn’t we?”

“No. Homer Davids was asked, and that made it ... rather more

marked....”

“Oh, of course! I suppose we all forgot—”

She looked away. “Well,” she said, “I don’t suppose he likes to be

forgotten.”

“You mean: to have his accomplishments forgotten?”

“Isn’t that a little condescending? I should say, his _gifts_,” she

corrected a trifle sharply. Sharpness was so unusual in her that she may

have seen my surprise, for she added, in her usual tone: “After all, I

suppose he’s our most brilliant man, isn’t he?” She smiled a little, as

if to take the sting from my doing so.

“Of course he is,” I rejoined. “But all the more reason—how could a man

of his kind resent such a trifling oversight? I’ll write at once—”

“Oh, _don’t_!” she cut me short, almost pleadingly.

Mrs. Durant’s word was law: Cranch was not asked for a water-colour.

Homer Davids’s, I may add, sold for two thousand dollars, and paid for a

heating-system for our hospital. A Boston millionaire came down on

purpose to buy the picture. It was a great day for Harpledon.

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