majesties were received at the door by four deputies from the assembly.
They ascended the great staircase, passed through the chamber of the
national library, and were received at the door of the anti-chamber by
the president of their high mightinesses, and two other deputies. Having
entered the hall of the assembly, her majesty was conducted to her
tribune by two deputies. The king seated himself on his throne, and put
on his hat. On the right side, and behind his majesty, sat the grand
chamberlain, and the aid-de-camp general; on the left, the master of the
horse, and the grand master of the civil list. All the other officers of
state were ranged in proper situations. The members of the assembly
stood up in their places uncovered on the entrance of the king; but when
his majesty covered himself, they followed his example. The president
placed himself in his chair, directly opposite to the king. After the
king was seated on his throne, he directed the grand master of the
ceremonies to administer the oaths of allegiance to their high
mightinesses. The oaths were accordingly first taken by the president,
and afterwards by the other members, in the order of their seniority.
Each member approached to the foot of the throne, and was sworn on the
Holy Evangelists. When all the members were sworn, his majesty delivered
the following speech to the assembly:
“GENTLEMEN,
“When the national deputies came to offer me the throne which I ascend
this day, I accepted it, under the conviction that it was the wish of
the whole nation; that the confidence and the necessities of all
called me to it.
“Relying on the intelligence, zeal, and patriotism of the principal
public functionaries, and particularly on yours, gentlemen the
deputies, I have fearlessly weighed in my mind the misfortunes of the
nation in their fullest extent. Animated by the strongest desire to
promote the welfare of this good people, and entertaining a hope that
I should one day attain that end, I stifled those sentiments which,
till then, had been ever the object and happiness of my life. I have
consented to change my country, to cease to be solely and entirely a
Frenchman, after having passed my whole life in performing, to the
best of my ability, those duties which that name prescribes to all who
have the honor of bearing it.
“I have consented to separate myself, for the first time, from him
who, from my infancy, has possessed my love and admiration: to lose
the repose and independence which those whom Heaven calls to govern
cannot have: to quit him, the separation from whom would fill me with
apprehension, even in the most tranquil times, and whose presence
precludes danger.
“I have consented to all this, and, gentlemen, had I not done so, I
would nevertheless yet act the same part, now that by the ardour, joy,
and confidence of the people through whose country I have passed, they
have proved to me, that you were the true interpreters of the nation,
now especially, when I am convinced, that I may rely on your zeal,
your attachment to the interests of your native land, and on your
confidence in, and fidelity, towards me.
“Gentlemen, this is the first day of the real independence of the
United Provinces. A transient glance at past ages is sufficient to
convince us, that they never had a stable government, a fixed destiny,
a real independence. Under that famous people, whom they fought and
served by turns, as under the Franks and the Empire of the West, they
were neither free nor tranquil.
“Neither were they so afterwards, when subjected to Spain.
“Their wars, and their repeated quarrels until the union, added to the
glory of the nation, confirmed its qualities in point of frankness,
intrepidity, and honor, for which, indeed, it had been always
celebrated; but its efforts procured it neither tranquillity nor
independence, even under the Princes of Orange, who, though they were
useful to their country, as soldiers and statesmen, were always
disturbing it, by pretending, or endeavouring to obtain a power which
the nation denied them.
“Nor could Holland be considered in that state in later times, when
the elevation of ideas, and the general agitation of Europe, so long
suspended the repose of nations.
“After so many vicissitudes, so much agitation, so many calamities;
and at a time when the great states were enlarging themselves,
ameliorating and concentrating their governments and their forces,
this country could enjoy no real safety nor independence, but in a
moderate monarchical state; a form which had been acknowledged during
a long period, and by each nation, in its turn, as the most perfect,
and if not absolutely so, yet as much so as the nature of man will
admit. But, doubtless, if perfection were the lot of humanity, we
might then dispense with a government of this kind. Laws would then be
founded in wisdom, and obeyed without reluctance or obstacle; virtue
would reign triumphant, and insure its own reward; vice would be
banished, and wickedness rendered impotent; but illusions which favour
such romantic ideas of human nature, are transient; and experience
soon brings us back to positive facts.
“However, even monarchy itself is not sufficient for a country, which,
though powerful and important, is not sufficiently so for its
position, which requires forces of the first rank both by land and
sea. It will, therefore, be necessary for it to form a connexion with
one of the great powers of Europe, with which its amity may be
eternally assured, without any alteration of its independence.
“This, gentlemen, is what your nation has done; this is the object of
its constitutional laws, and also that of my taking upon me an
employment so glorious; this is my object in my placing myself in the
midst of a people, who are, and ever shall be mine, by my affection
and solicitude. With pride I perceive two of the principal means of
government and confidence offering themselves to me; the _honour_ and
the _virtue_ of the inhabitants.
“Yes, gentleman, these shall be real supporters of the throne; I wish
for no other guides. For my part, _I know no distinctions of religion
or party; distinctions can only arise from merit and services_. My
design is only to remedy the evils which the country has suffered. The
duration of these evils, and the difficulty of remedying them, will
only increase and realize my glory.
“To effect these objects, I have occasion for the entire confidence of
the nation, their complete devotion, and all the talents of the
distinguished men whom it contains, but particularly of you,
gentlemen, whose zeal, talents, and patriotism, are well known.
“I am at this moment appealing to the good and faithful Hollanders,
before the deputies of the provinces and principal cities of the
kingdom. I see them around me with pleasure. Let them bear to their
fellow-citizens the assurance of my solicitude and affection: let them
carry the same testimony of these sentiments to _Amsterdam_; that
city, which is the honour of commerce, and of the country: that city,
which I wish to _call my good and faithful capital_, though the Hague
will always remain the residence of the sovereign. Let them also carry
the same assurances to their fellow-citizens, and the deputies of that
neighbouring city, the prosperity of which I hope very soon to renew,
and whose inhabitants I distinguish.
“It is by these sentiments, gentlemen; it is by the union of all
orders of people in the state, and by that of my subjects among
themselves; it is by the devotion of each individual to his duties,
the only basis of real honour assigned to men; but principally by the
unanimity which has hitherto preserved these provinces from all
dangers and calamities, and which has ever been their shield, that I
expect the tranquillity, safety, and glory of the nation, and the
happiness of my life.”
The king has given general satisfaction by the choice he has made of the
persons he has nominated to fill the public offices; and if the wishes
of one who trespassed a little irregularly upon their shores can avail,
the brave, frugal, and indefatigable Hollanders will derive happiness,
and, when peace is restored to Europe, prosperity under their new
government.
The revenue attached to the stadtholderate was nominally 18,000_l._ per
annum; but by the great patronage and influence belonging to it, no
doubt it must have been considerably augmented, as also by the revenues
arising from other hereditary territories of the stadtholders; but after
all, the income of the stadtholderate was scarcely sufficient to support
the dignity of the situation, powerful and important as it at last
became. The king, in addition to his revenue, has an enormous private
fortune: the savings which he has effected in the state reconcile the
Dutch to this liberal, but perhaps not excessive allowance made for the
support of his dignity.
How the Hague could be called a village, in all its meridian splendor,
is a matter of surprise: it derived its name from s’Cravenhage, or the
Count’s Wood, on account of a wood which formerly grew here, and which
formed, some centuries since, a part of the domains of the Counts of
Holland. The following anecdote will show the simplicity which reigned
in this great and beautiful city in former times. When Louisa de Coligni
was coming to be married to Prince William at the Hague, the Dutch sent
an open post-waggon to meet her, and she entered the city seated on a
plank: towards the latter end of Prince Maurice’s days, and during
Frederic-Henry’s lifetime, the Hague became a very agreeable place, and
the resort of people of the first distinction.
In my rambles round this city, I was much impressed with the elegance
and spaciousness of the buildings; every object seemed to have partaken
of the spirit and magnificence of a court. But there was a solemnity in
the splendor. It reminded one of looking into a magnificent ball-room
after the greater part of the company had departed, and the lustres were
dying away. If the Orange family had been entitled to sympathy, the
scene would have led me to feel and think for them. Its noble buildings,
its spacious streets, gracefully built, shaded with trees, and divided
by canals, the variety of surrounding scenery, its proximity to the sea,
its elevated situation, and the purity of its air, render the Hague the
most charming town in Holland. The first place I visited was the palace
of the last of the stadtholders. It is a vast pile of houses, many of
them somewhat ancient, surrounded by a canal, without which and a pipe,
paradise itself would have no charms for a Dutchman: over the canal are
several draw-bridges; and the whole has a very pleasing effect seen from
the spot where I took the view of it. On one side of a quadrangle is
part of a new palace, built by the late stadtholder, and which, had it
been finished, would have been handsome and princely; but the troubles
in Holland have prevented its completion.
In part of this building there is a noble gothic hall, much resembling
Westminster-Hall, and very large; on each side little shops were
arranged, similar to those in Exeter ‘Change: it is converting into a
chapel for the king. There were here formerly the prince’s cabinet of
natural history and museum of rarities, consisting of a tolerable
collection of shells, petrifactions, precious stones, fossils, minerals,
and birds. This collection has been removed to Paris, although, from all
I could learn, scarcely worthy of so much trouble: it, however,
furnished the first elements of knowledge to Camper, one of the most
profound geniuses which the United Provinces ever produced, and also
Professor Pallas, who has been called the Pliny of Russia. The French
offered to re-sell this cabinet to the Dutch government, who declined
becoming the purchasers; a tolerable proof of its inferiority. The
prince’s cabinet of pictures was very select and valuable, and was
enriched by the productions of Titian, Holbein, Rembrandt, Vandyke,
Gerard Dow, Metzio, Polemburgh, and other illustrious artists. On the
confiscation of the property of the exiled Stadtholder, the Dutch
government, for the purpose of promoting the polite arts, formed this
collection of pictures, esteemed one of the most valuable in Europe,
into a national gallery, set apart an annual sum for the augmentation of
it, and deposited it in a fine suite of apartments in the House in the
Wood, where a director of ability, and assistants, were appointed to
superintend it: but the French soon afterwards transferred the best of
them to that magnificent depot of the fruits of conquest, the Louvre at
Paris. The first person sent by Napoleon to select for his gallery was
unequal to his office, and left some excellent works behind him, which,
upon “a second shaking of the tree” by another and more able inspector,
were collected, and sent off to that _colossal collector_ of works of
art. Amongst several landscapes by Vernet was the finest he ever
painted, the subject, the waterfall of Tivoli. It is a curious
circumstance that there is not one fine private collection at the Hague.
I was much delighted with the Voorhout, considered the principal street,
in which are many elegant and classical buildings, forming complete
contrasts to the leaning, mercantile structures of Rotterdam. In this
street the most elegant houses are those which formerly belonged to the
Prince Wielburgh, who married the last Prince of Orange’s sister, and to
the French ambassador, formerly occupied by the British minister: but
the most beautiful part of the Hague is the Vyverburg; it is a vast
oblong square, adorned with a noble walk or mall, strowed with broken
shells, and shaded by avenues of trees on one side, and on the other by
the palace, and a large basin of water called the Vyver, almost a
quarter of a mile in length, variegated by an island of poplars in its
centre. This mall is the place of fashionable resort, and, on the
evening of the day I saw it, was adorned with several groups of lovely
women attired in the French fashion, which generally prevails amongst
the genteel families in Holland. Besides these there are many other very
noble ones, and all remarkably clean, but the canals are almost all of
them green and stagnant, and at this season emitted an unpleasant
effluvia. Here, as in many cities in France, the armorial ensigns of
distinguished families, which used to dignify the front of their
dwellings, have been cut away, and many a shield remains despoiled of
its quarterings. Some of them, since the new order of things has
occurred, have been restored. In a square planted on all sides with
trees the parade is held.
As Lady Wortley Montagu, in her accustomed sprightliness of style, has
mentioned with some appearance of disgust, the white fishy faces of the
Dutch women, I beg to observe, that at the Hague I saw several very
pretty females: in general they possessed transparent delicacy of
countenance, but as generally wanted expression. An English gentleman
who had just returned from Italy, where he had been accustomed for
several years to the warm voluptuous brunettes of that beautiful
country, was uncommonly delighted with the fair faces of the Dutch
ladies; but female beauty does not begin to expand itself till after the
imprisonment and regimen of the nursery are past. Pretty and healthy
children are rarely to be seen in Holland: in general they look pale and
squalid, owing to an abominable system followed in rearing them; they
are accustomed for the first two or three months to respire the
atmosphere of a room, the windows of which are never opened to receive
the freshness of the morning air; to wash them with refreshing cold
water would be considered as certain infanticide; the miserable infant
is swathed round with flannel rollers, until it becomes as motionless as
a mummy; and over these ligatures there is always a vast flannel wrapper
folded three or four times round the body, and fastened at the bottom of
its feet: afterwards, for many months it is loaded with woollen
garments, and when at length it is permitted to try for what purpose
legs were originally constructed, it is cased in an additional wrapping
of flannel, to prevent the dreaded consequences of freely inhaling the
salubrious air.
As it was summer, I can only speak from information of an equally vile
and destructive custom, which obtains in the winter, of suffering the
children to sit over the chauffepies or stoves, which frequently
supplants the ruddy tints of health by a white parboiled appearance. I
saw several of these chauffepies, from which the little pots that in
cold weather contain the burning turf, had been withdrawn, used by the
ladies as footstools. Whilst the men warm themselves with the smoke of
tobacco from above, the ladies, to recompense themselves for not using
that indulgence, take care to fumigate themselves below, by placing, in
the proper season, these ignited stoves under their petticoats, and
resemble the glow-worm, which carries his fire in his tail: the cats and
kittens, from the genial warmth of the climate, are glad to take shelter
in this warm mysterious sanctuary. The ladies and the lower classes of
females are always remarkably neat about the feet; the petticoats of the
latter are in general very short, display a well-proportioned leg, clean
blue stockings, and a slipper without any heel-piece, or sabot.
In my way to the palace in the Wood, near this square, I passed by a
vast triumphal arch made of wood, painted to imitate stone, and adorned
with a number of complimentary inscriptions in Latin, in honour of the
king and queen, who passed through it on the 23d of June last, when they
made their public entry; and in a vast field adjoining to the wood was a
lofty temporary obelisk of the same materials, which formed one of the
principal objects of a magnificent fête recently given by the French
commander in chief in honour of their majesties, which was conducted in
the highest style of Parisian taste. The day when I visited the wood was
remarkably fine; this spot, so dear to the Dutch, is nearly two English
miles long, about three-quarters of a mile broad, and contains a fine
display of magnificent oaks growing in native luxuriance. Antony
Waterloo made the greatest part of his studies from this spot and its
environs. The ground upon which it grows, and the country about it,
undulate a little, a circumstance of agreeable novelty, and the whole is
a truly delightful walk, more romantic and umbrageous than our mall of
St. James’s, and surpassed only by the garden of the Thuilleries. This
wood has been held sacred with more than pagan piety. War and national
want, that seldom spare in their progress, committed no violations here.
Although the favourite place of royal recreation, yet, in the fury of
the revolution, not a leaf _trembled but in the wind_. Philip II. in the
great war with Spain, issued his mandate for preserving it: hostile
armies have marched through it without offering it a wound, and the axe
of the woodman has never resounded in it. Even children are taught or
whipt into veneration for it, so that their mischievous hands never
strip it of a bough. Once, however, it is recorded, that at a period of
great state necessity, in 1576, their high mightinesses sat in judgment
upon its noble growth, and doomed it to fall: the moment their decree
was known, the citizens flew to the meeting, remonstrated with a degree
of feeling which did honour to their taste; and upon learning that the
object of its doom was to raise a certain sum to assist in replenishing
the nearly exhausted coffers of the republic, they immediately entered
into a contribution, and presented the amount to the “high and mighty
masters” of the sacred grove.
It has been asserted by some travellers, that the Dutch treasure this
spot more from national pride than feeling, and that they are more
disposed to preserve than to enjoy it. To this remark I have only to
offer, that I saw a considerable number of equestrian and pedestrian
groups, who appeared to relish its shaded roads, and sequestered walks
with great delight. The royal residence is to the right at the end of
the wood. Upon my asking a Dutchman which path led to the “house in the
wood,” the only appellation by which, in the time of the Stadtholder, it
was known, he sharply replied, “I presume you mean the _palace_ in the
wood.” This building is merely fit for the residence of a country
gentleman, and has nothing princely about it, except the centry boxes at
the foot of the flight of stairs ascending to the grand entrance: two
tall and not very perpendicular poles, from the tops of which is
stretched a cord, suspending in the centre a large lamp, stand on each
side of the house in front of the palace; on the left are the
coach-houses and stablings, which are perfectly plain, and are just
separated from the court road by a small stunted plantation: there was a
very handsome carriage of the king’s in the coach-house, without arms or
cyphers, of a pale blue colour, which, with silver lace, is the colour
of the new royal livery. The carriage had every appearance of having
been built in England. Excepting this, I never before saw a carriage,
unless appropriated for state occasions, belonging to any crowned head
on the continent, that an Englishman of taste and opulence would be
satisfied with. Even the carriages of Napoleon, built in a city so
celebrated for its taste in design, and beauty of workmanship, as Paris,
are clumsy and unpleasant to the eye. Although it was Sunday, the sound
of workmen, actively engaged in modernizing the palace after the
Parisian taste, issued from almost every window. Some Dutchmen who were
contemplating the front of the house, shook their heads at this
encroachment of the sabbath. In consequence of the internal arrangement
not being finished, strangers were not admitted. The walks on the
outside of the gardens are formal and insipid; the gardens themselves
are handsomely disposed, and kept in great order, and the whole of the
premises is insulated by stagnant canals crossed with draw-bridges.
In this palace, amongst many other precious works of art, was the
celebrated picture of King William the Third, who appointed the famous
Godfrey Scalken, when he was in London, to paint his portrait by
candlelight: the painter placed a taper in the hands of his majesty, to
hold it in a situation most favourable to the designs of the artist,
during which the tallow melted and dropped on the fingers of the
monarch, who endured it with great composure, for fear of embarrassing
the painter, who very tranquilly continued his work, without offering to
pause for a minute: it is not much to the credit of the prince of the
country to record, that this blunt enthusiasm for his art lost poor
Scalken the favour of the court, and of persons of fashion, and he
retired to the Hague, where he had a prodigious demand for his small
paintings.
The furniture of this, which, as well as of the other palaces, was
superb, but old fashioned, was sold by the French, upon the pretence
that their arms were directed against the Prince of Orange personally.
In this palace the Stadtholder and his family used to indulge his
subjects in that ridiculous custom of eating before them on certain
days; a custom which was a fit appendage to another, that of keeping
dwarfs and fools about the royal person. How this stupid usage came to
be adopted at first I know not, for one would naturally think that the
situation least calculated to inspire awe and veneration, those great
supports of royalty, amongst subjects towards their rulers, would be
that in which a mere animal appetite is gratified. In England such
splendid folly has been long discontinued.
The plain manner in which the Prince of Orange and his family resided at
this palace, is thus described by the late ingenious Mr. Ireland. “The
reception we met with as strangers, was highly flattering. It was the
character of Englishmen that was our passport. Expressing our wish to
see the prince, the court being then full, we were addressed by a
gentleman (whom we afterwards found to be Lord Athlone) through whose
politeness we gained admission, and were with great affability noticed
by the prince. He is short in stature, with much elegance and
familiarity in his manner, not unlike our royal family. The princess and
her daughter, who is about eighteen, appeared in the room: their dresses
were very plain, and they had no other mark of superiority than a
train-bearer. So little ceremony is observed in the exterior of the
house, that just without the door of the apartment, where the prince was
giving audience (which was open), a woman was on her knees scrubbing the
staircase.”
Upon my return to my hotel at one o’clock, the dinner hour, I found a
very agreeable party, composed of foreigners from different countries,
and an excellent _table d’hote_: over the chimney-piece was a good
equestrian portrait of the famous Duke of Cumberland, who lodged at this
house occasionally during the campaigns of 1747. After dinner, in
company with a very amiable gentleman-like Englishman, whom I met at the
_table d’hote_, I set off in one of the carriages, many of which are
always ready to convey passengers, for about the value of six-pence
English, for Scheveling, a village which every traveller should visit,
on account of the beauty of the avenue leading to it, which is nearly
two miles, perfectly straight, and thickly planted with beech, limes,
and oaks; at the end of which superb vista the church of Scheveling
appears. On the sandy ground on each side of this avenue are several
birch thickets, and it abounds with the aiera canescens, hippophae
rhamnoides, a singular dwarf variety of ligustrum vulgare (Privet), the
true arundo epigejos of Linnæus (that is, calamagrostis), and a number
of heath plants, mixed with others usually found in marshes. Scarcely is
there so small a spot, where Flora presents such opposite variety, and
which the fluctuating moisture of the soil can alone account for. Among
the rarer species are convallaria multiflora, and polygonatum, with
gentiana cruciata, which is not a native of England.
The Dutch value this beautiful avenue as much as they do their Wood, and
great care is taken to preserve it from violation. At the entrance, in a
most romantic spot, is the turnpike-gate, where all passengers, except
the fishermen of Scheveling, pay a fraction of a farthing for permission
to enter; and here are stuck up orders, threatening with punishment
those who may attempt to injure in the smallest degree this consecrated
forest. At short intervals, cautionary inscriptions are placed in
conspicuous situations, to warn mischievous “apple munching urchins”
from cutting the smallest twig.
Constantine Huygens, brother of the celebrated mathematician and
mechanist of that name, had the honor of designing this avenue, in which
there are many stately trees, upwards of a century and a half old: a
terrible storm which took place a few years since, laid about fifty of
these noble objects low, to the great grief and consternation of the
country. Here, and perhaps here only, throughout Holland, the traveller
may be gratified by the sounds of a running brook. The foot paths on
each side were crowded with pedestrians of both sexes, in their holiday
clothes; and the slanting rays of a brilliant sun flashing through
openings in the branches of the limes, beech trees, and oaks, upon a
crowd of merry faces, jolting in the most whimsical carts and waggons,
to their favourite spot of carousal, had a very pleasing and picturesque
effect.
The village is very neat and pretty; at the end of the vista, large
sand-hills rising near the base of the church, preclude the sight of the
ocean, which, when they are surmounted, opens upon the view with
uncommon majesty. The beach, which we saw in high perfection on account
of its being low water, is very firm to the tread, and forms a beautiful
walk of nearly six miles in extent. The ocean was like a mirror, and
fishing vessels were reclining on the sand in the most picturesque
forms, just surrounded with water; their owners, with their wives and
children, were parading up and down in their sabbath suits, and the
whole sand for a mile was a fine marine mall, covered with groupes who
appeared as capable of appreciating the beauty of the scene, as the
worshippers of the Steyne at Brighton, or of the Parade at Bath. The
Dutch are said to have an antipathy to sea-air; but this I found not to
be generally true: certain it is, that they are not fond of sea-bathing,
otherwise this beach would be crowded with bathing, and the country
above it with lodging-houses.
Water is no novelty to a Dutchman, and he prefers, and there seems some
sense in his preference, his neat, commodious country-house, and his
gardens, and all the comforts of life about him, to the pleasure of
bathing and contemplating a waste of waters from the windows of a
cheerless inn or lodging-house. An English frigate, which lay off at a
considerable distance, excited a good deal of attention, and added to
the beauty of the scene. Upon quitting the beach we entered an inn which
overlooked the sand and was a place of great resort, every room of which
was crowded and filled with tobacco smoke. The state of Mr. Fox’s health
formed the leading feature of the political discourse. “Herr Fock,” as
he was called, was frequently repeated at every table. Opposite to where
we sat a young Dutch couple were making violent love; they kissed,
devoured dry salted fish, and drank punch with an enthusiasm, which
presented to our imagination the warmest association of Cupid and the
jolly god. John Van Goyen, who died in 1656, and was so justly
celebrated for the transparency of his colouring of water, made this
spot the frequent subject of his charming pencil. Dutch tradition dwells
with delight upon a cock and a bull story respecting the celebrated
flying chariot which used to sail upon those lands, and on the
surrounding country. It was said to have been made by Stevinus, for
Prince Maurice: it is thus described and commented upon in a curious old
description of Holland: “The form of it was simple and plain: it
resembled a boat moved upon four wheels of an equal bigness, had two
sails, was steered by a rudder placed between the two hindmost wheels,
and was stopt either by letting down the sails, or turning it from the
wind. This noble machine has been celebrated by many great authors, as
one of the most ingenious inventions later ages have produced. Bishop
Wilkins, in his Treatise of Mechanical Motions, mentions several great
men who described and admired it. Grotius mentions an elegant figure of
it in copper, done by Geyneus; and Herodius, in one of his large maps of
Asia, gives another sketch of the like chariots used in China.”
Incredible as this story appears, one would be disposed to think, that a
man of Grotius’s celebrity for learning and truth, would scarcely have
eulogized the invention, had he doubted its existence. Upon a level,
hard, straight road, uninterrupted by trees and buildings, such a piece
of ingenuity might perhaps prove successful as a mechanical experiment,
but utterly impossible ever to be made serviceable.
CHAPTER X.
HISTORICAL ANECDOTE OF SCHEVELING ... ANECDOTE OF LORD NELSON ... A
MARINE SCENE ... PASSION OF DUTCH FOR FLOWERS NOT SUBSIDED ...
VENERATION OF DUTCH FOR STORKS ... CAUSES OF IT ... QUAILS AND SWANS ...
HUMOROUS BLUNDER OF A DUTCH WAITER ... UNIVERSAL INDUSTRY ... DOGS AND
GOATS ... THE THEATRE ... THEATRICAL ECONOMY ... PRODIGAL
PROCREATION ... PRESENT STATE OF THE HAGUE ... STATE OF LITERATURE
THERE ... BRIEF ANECDOTE OF DANIEL MYTENS ... OF JOHN HANNEMAN ... OF
JOHN LE DUC, OR THE BRAVE.
The coast of Scheveling is considered very dangerous in rough weather:
the spires of the church here, and those of Gravesande and Monster,
three leagues to the south, serve for landmarks; yet, owing to the coast
of the province of Holland lying very low and flat, they are scarcely
discernible three or four leagues at sea: for want of sand-banks to
break the force of the sea, the coast is much exposed, and the fishermen
are obliged, after their return, to haul their vessels on rollers up the
beach beyond the water’s reach: this labour must be very great, for many
of them are from twenty to thirty-five tons burthen.
This place has been at different periods subject to dreadful irruptions
of the sea, particularly in the year 1574, when it broke in, and carried
away 121 houses: Scheveling has its portion of historic celebrity. In
1650, the expatriated Charles II. after a long exile, embarked from this
place for Scotland, to which he was invited, with a promise of
assistance in recovering the rest of his dominions. Clarendon, in his
History, vol. iii. p. 287, says, the king went from the Hague to
Scheveling, where “the States of Holland, at infinite hazard to
themselves from Cromwell and England, suffered their ship to transport
him. They gave all countenance to the Scotch merchants and factors who
lived in their dominions, and some credit, that they might send arms and
ammunition, and whatsoever else was necessary for the king’s service,
into that kingdom.” And this the States did “when the king was at his
lowest ebb, and was heartily weary of being in a place (Paris) where he
was very ill-treated, and lived very uncomfortably, and from whence he
foresaw he should soon be driven.” Having experienced the most romantic
vicissitudes after his escape from Worcester, this monarch, in the
disguise of a sailor, escaped to Dieppe in Normandy, in 1651; and he
again, in 1660, embarked at Scheveling on board of his own fleet, which
was waiting to receive him. The grateful monarch declared war against
his Dutch friends in 1672, and entered into a private league with the
French king to lay waste their provinces with fire and sword. From this
beach too the Stadtholder, his son the hereditary prince, and two or
three Dutch noblemen attached to the prostrate fortunes of the house of
Orange, embarked when they fled to England: the vessel they sailed in
was a small fishing cutter, navigated by five men; the princesses took
their departure in a similar conveyance the day before.
Another interesting event also is recorded as having occurred off this
coast, by Bishop Burnet, who in the History of his Own Times thus
relates this marvellous circumstance: “There was one extraordinary thing
happened near the Hague this summer (1672); I had it from many
eye-witnesses, and no doubt was made of the truth of it by any at the
Hague. Soon after the English fleet had refitted themselves, they
appeared in sight of Scheveling, making up to the shore. The tide
turned, but they reckoned that with the next flood they could certainly
land the forces that were on board, where they were like to meet with no
resistance. The States sent to the prince for some regiments to hinder
the descent. He could not spare many men, having the French near him; so
between the two, the country was given up for lost unless De Ruyter
should quickly come up. The flood returned, which the people thought was
to end in their ruin; but to all their amazement, after it had flowed
two or three hours, an ebb of many hours succeeded, which carried the
fleet again to sea; and before that was spent, De Ruyter came in view.
This they reckoned a miracle wrought for their preservation.” It is also
a curious circumstance that the reverse of this extraordinary effort of
nature enabled the immortal Nelson to lay his fleet so as to bear upon
the batteries by which the capital of Denmark was protected. The tide
had never been known, in the memory of the oldest inhabitant of
Copenhagen, to have risen so high as on the day when the battle first
commenced, and greatly contributed to his success in persuading the
gallant Danes that they were beaten.
De Ruyter, the Nelson of the Dutch, was distinguished for the boldness
of his designs and the celerity of his execution. In 1653, with Van
Tromp, he commanded the Dutch fleet against this country with the
greatest honour to his flag. The Moors presented him with a Barbary
horse, magnificently caparisoned, for his gallantly reaching his
destined port in the Salee roads, and for capturing five powerful
Algerine corsairs. The celebrated vice-admiral d’Estrés said of him in a
letter to Colbert, on account of his noble conduct in those hard-fought
engagements between the English, Dutch, and French fleets off the Texel,
“I should be very willing to purchase with my life the glory which De
Ruyter has acquired in these desperate actions.”
On our return we met groups of little girls, whose short petticoats, and
protuberances on all sides, looked very grotesque. Many of the Dutch
girls of the lower order wear twenty or thirty yards of flannel tied
round their hips. In the village is a pauper house for the poor and
aged, founded in 1614. On a week day, the road from Scheveling is more
characteristically gay, being covered with fishwomen running and singing
to the Hague, under loads of soles, cod, turbot, &c. to which place I
returned, highly delighted with my excursion. In the neighbourhood of
that city are several fine flower-gardens. The passion of the Dutch for
flowers is well known. M. Dutens, in his very entertaining and
interesting Memoirs of a Traveller in Retirement, says, that at the
kermis or fair held at the Hague in the month of May, “I was witness to
a circumstance I could not otherwise have believed, respecting the price
of flowers in Holland; I saw four hundred and seventy-five guineas
offered and refused for a hyacinth. It was to be sure the most charming
flower that ever was seen: it belonged to a florist at Haarlem, and
_another florist offered this price for it_. The reason which the owner
gave me for refusing the offer was, that his hyacinth was known to all
the amateurs of Europe, and that he sold the bulbs every year for more
than the interest of five hundred guineas. These bulbs produced the same
sort of flower in all its beauty.” This singular passion has not
subsided: at Haarlem fine narcissuses and jonquils sell for an immense
price, and parties are made every summer to visit the roses, which grow
in great perfection at Noordwyk.
Upon our return to the Hague, we visited a palace of the _ci-devant_
hereditary Prince of Orange; it forms three sides of an oblong square
towards the street; it was converting into a public office; behind are
some pretty gardens, one of which is less formal than Dutch gardens in
general. I concluded the day by walking round a great part of the town,
the whole of which is surrounded with avenues of trees, similiar to, but
not so fine as the boulevards of Rouen. In the fish-market, the next
day, I saw several storks, who were parading about in perfect security,
of which they seemed to be thoroughly satisfied, and were every now and
then regaled by the offal of the fish. The prejudices of the people have
consecrated these birds, on account of their being considered as the
_gardes du corps_ of republican liberty. The Greeks and Romans regarded
them with peculiar veneration; and in Thessaly the destroyer of one was
punished with exile. No animal but this discovers any token of fondness
for the authors of its existence after it has attained strength and
discrimination sufficient to provide for itself. The stork is well known
to evince an exemplary regard for its aged parents, whom it defends from
attack, and furnishes with food; and well did it deserve the Roman
appellation of “pia avis.” The Dutch frequently erect frames of wood
upon the tops of their houses to encourage these their favourite birds
to build their nests there. Perhaps another reason why these birds are
so much cherished is that which renders them popular in Germany, namely,
on account of their quick perception of fire, and the noise they make
when it takes place. If the Dutch really believed that the storks could
exist only in a pure republic, they must for some time past have
renounced their credulity, for these birds have survived the visits of
the French, and seem to have no objection to be enrolled amongst the
subjects of the new King. It is said that they assemble at certain
periods and hold consultations. Certain it is that the crows in England
frequently meet with all the appearance of a deliberative body. A
gentleman of distinguished talents and veracity assured me, that he once
observed a vast body of crows assembled near his country-house, that
after making a great deal of noise, one of them moved slowly into the
middle, soon after which the rest fell upon him and pecked him to death.
The quails are another species of privileged birds in Holland,
particularly in Guelderland, where they are preserved with superstitious
care in cages suspended on the outsides of houses. The swan too is much
venerated here, and the raven is greatly cherished at Nimeguen.
The traveller will be well remunerated for his trouble in ascending to
the top of the tower of St. Jacques, the only high devotional building
in the Hague, except the new church: to obtain permission to do so, it
is necessary to apply to the principal magistrate of the police, the
reason for which precaution I could not learn. The view from this
elevation is exquisitely beautiful; below, on one side lay expanded the
square, the venerable pile of the town palace, its superb basin, the
noble streets leading towards the wood, and the spires of distant
villages fading in midst of the horizon; whilst, on the other side,
stretched the avenues of Scheveling, terminated by the blue and
sparkling ocean.
A whimsical little penalty followed this gratification; at the hotel
where I resided, a Dutch waiter attended me, who imposed upon his master
to believe that he spoke English very fluently, in consequence of which
he was selected to wait upon all English and American visitors: the
English language of this personage was a ridiculous collection of the
heads, legs, wings, and tails of English words, mingled together with
all the confusion of a giblet-pye. Upon my expressing to this flippant
gentleman my wish to ascend the _tower_ of the church, he said,
interrupting me, “Oh, de _roof_, de _roof_.” I acquiesced, and away he
flew; about an hour afterwards he returned in high perspiration with a
billet, which instead of proving to be an order to view the town and
country from the _roof_ of the tower, was an acknowledgment of money for
the _ruif_ of the treckschuyt for Leyden the day following, viz. the
whole of the cabin which he had engaged and paid the amount of for me.
In Holland, that bee-hive of industry, every available source of service
is made use of, so that dogs, and even goats, are not suffered to pick
the bone, or eat the bread of idleness. Most of the little wares and
merchandizes, and particularly fish, are drawn by the former, who are
properly harnessed for the occasion to little carts, whilst the latter
are yoked to infantine waggons and curricles, to air and exercise little
children in. It is really astonishing to see what weight these animals
will draw after them; nothing can exceed their docility, and for their
labour, the Hollander, who is remarkable for his humanity to the dumb
creation, feeds them well, and lodges them in his house very
comfortably. Owing to the great care paid to their dogs, the canine
madness seldom appears amongst them. On Sundays they are permitted to
refresh and enjoy themselves, and never show any disposition to escape
from their lot of industry. In their farms, cows and oxen are always
used in draft, and display every appearance of receiving the kindest
treatment from their masters.
The theatre at the Hague is tastefully arranged, and supplied with a
tolerable set of French comedians. The centre box is appropriated for
the royal family, and is elegantly fitted up. Before the conversion of
the republic into a kingdom, when the government resided in the hands of
the Batavian directory, the ornaments of the box which was allotted to
them, were very unworthy of the rank of the personages for whose
accommodation it was reserved: a piece of paper, on which was written,
“Le loge du directoire Batave,” and pasted on the box door, alone
announced the dignity of its destination. The usual national spirit of
economy used to display itself in the Dutch theatre, where, to prevent a
useless consumption of tallow, whenever the musicians quitted the
orchestra, they were bound by contract to extinguish the lights by which
they read their music. In many tradesmen’s houses at this day in
Holland, winter courtships are carried on in the dark, the union of warm
love and rigid economy being considered a very laudable conjunction.
If we are to give credit to the ridiculous story which is still believed
at a village called Loosduynen, about three miles from the Hague, the
ladies are far from being economical in breeding. A Dutch author has
gone so far as to declare, that he had seen the three hundred and
sixty-five children of the Countess of Henesberg, and with pleasant
minuteness describes them to be of the size of shrimps, and Erasmus
believed the story. Those who have the hardihood to differ from such
authorities, explain away the miracle by stating, that on the _third_
day of _January_, the beggar wished the countess, who expected to lie in
every hour, might have as many children as there had been days in the
year, and that she on that day was delivered of _three_ children.
The Hague was once celebrated for its many elegant, and especially for
its literary societies; the latter have declined, whilst those of France
have flourished and improved, amidst the frightful fluctuations of
revolutionary tumult. Erasmus, Grotius, and Boerhaave, have conferred
immortality upon the letters of Holland, as they would upon those of any
nation; but the literary glory of the country seems not to have spread
upon the demise of these illustrious sages. Hooft, Vondel, and
Antonides, are known in Holland, but not out of it; and we have heard
but faintly of Huygens, Graveszande, and Vandoveron in physic; of Voet
in jurisprudence, and Burman and Gronovius in the belles lettres.
It is certain, that if the Dutch poets are to be considered as favoured
by Apollo, a condescension which those who are best acquainted with
their productions much doubt, they have made more successful advances in
the most difficult of poetical composition. I have heard of three epic
writers; Antonides, before mentioned, who wrote an epic poem on the
river Y, on which the city of Amsterdam is erected; Rotzans, and the
author of Abraham de Aartsvader, or the history of Abraham the
Patriarch. The Dutch mention with great exultation the name of De Cotts,
who, like our Prior, united the characters of poet and statesman; his
sensibility is said to have been very acute, his fancy very luxuriant,
and his powers of versification very mellifluous. So attractive were the
Muses, that when he held the splendid office of lord keeper of the seals
in Holland and West Friesland, and stadtholder of the fiefs, he retired
to his native shades to tune his oaten reed, which entitled him amongst
his countrymen to the appellation of the Dutch Ovid: at the earnest
solicitation of their high mightinesses, he quitted his lyre and beloved
retreat, and appeared at the court of Cromwell in the character of
ambassador of the States to England, where he was received with that
politeness and attention which our country never fails to observe
towards strangers of merit and distinction. Having accomplished the
object of his mission, he retired from the bustle of life to his native
country, in the bosom of which he expired, beloved, honoured, and
lamented.
I was not much surprised to find that the splendor of the Hague was
principally confined to its buildings, although it has been so often, in
other times, celebrated for its magnificence and the expense of its
inhabitants: the revolution expelled its hereditary princes, dispersed
its nobles, and visited every description of society with more or less
distress. However, I was informed by those who were enabled to compare,
that it is again rearing its head. Before the revolution, sumptuous
equipages and various other characteristics of polished luxury were
displayed in almost every street; and the foreign ministers vied with
each other in costly splendor: during the operation of that political
hurricane scarce any other carriage was to be seen save a few crazy
fiacres, and every servant was stripped of his livery. At present,
society seems to be returning to many of its original habits, and some
handsome equipages appeared in different parts of the town; yet, upon
the whole, the first impression of its gloom was never effaced.
Upon inquiry after the present state of literature at this place, I
found it was considered at a very low ebb: the press of the Hague was
once justly celebrated, but has of late emitted little more than a few
pamphlets of inconsiderable merit. Before the revolution there were
several capital booksellers’ shops, of which I could only discover two;
the books in their shops, apparently the remains of declining literary
traffic, were neither very numerous nor very valuable. The booksellers
formerly found very ample encouragement in the affluence of the court,
and many petty German princes who selected the Hague for their
residence. It has been asserted that as the Hague contained the seat of
the executive government and of the representative bodies during the
revolution, it suffered much less than any other town in the republic;
but this I was well assured was not the case, because the commercial
towns still derived resources from their commerce and enterprize,
through the medium of neutral bottoms and other circuitous modes of
traffic, notwithstanding the severity of British blockades and the
vigilance of British cruisers.
The Hague has produced several very distinguished painters; amongst
others I must beg to mention Daniel Mytens, who was born in 1636, and
went to study at Rome, and afterwards employed himself in designing
after the antique, in copying the most celebrated paintings of the best
artists, and adding considerably to his improvement by an intimacy which
he formed there with Carlo Maratti and Carlo Loti. The dreadful habits
of dissipation to which Mytens was addicted, deplorably interfered with
his advancement in his profession. His imagination was lively, his
colouring agreeable, his composition good, and he designed with great
facility. After a long residence in Italy, he returned to the Hague,
where he was much admired and cherished by the lovers of the arts: his
eminent qualities were displayed in those works which he painted at
Rome, and upon his return to the Hague, where, not many years after, his
productions became greatly depreciated, from his constant indulgence in
the most intemperate excesses, to which he at length fell a victim in
the year 1688. He acquired much and deserved reputation for the sketch
of a very noble design for a ceiling of the painters’ hall at the Hague:
this work commenced, and left unfinished for some years; at length he
roused himself from his indolence, but it was only to show what ravages
it had made on his fine abilities, for he only injured the work which he
attempted to improve. Another distinguished artist, who has shed lustre
upon the Hague, is John Hanneman, who was born here in 1611; by some he
was said to have been a pupil of Vandyke. By others, and with greater
probability, that of Hubert Ravestein; and in the soft and delicate
tints of his carnations, he is considered to be very little inferior to
Vandyke: many of Hanneman’s copies of that illustrious artist are
mistaken for the originals.
Hanneman continued in England sixteen years, and upon his return to the
Hague became the favourite painter of the Princess of Orange: he was
also employed by the Prince of Nassau, for whom he painted, amongst
others, several historical pictures, which are now highly esteemed. The
third and last artist I shall mention is John le Duc, who was born at
the Hague in 1636, and was a disciple of Paul Potter, so justly
celebrated as a painter of cattle, whose works, however, are often
scarcely distinguishable from those of his pupil. His principal subjects
were the same as those of his master, viz. horses, sheep, goats, cows,
&c. He finished his pictures very highly, and possessed great facility
of pencil and purity of style. He was appointed director of the academy
of painting at the Hague in the year 1671. The desire of distinguishing
himself in arms induced him to exert all his interest to obtain a
company, and such was his gallantry in the field, that he obtained the
epithet of “Brave,” after which, unfortunately for the arts, he neither
painted nor designed.
CHAPTER XI.
VEGETABLE PROBLEMS ... APPROACH TO LEYDEN ... GENERAL DESCRIPTION OF
THAT TOWN ... THE TOWN-HALL ... CELEBRATED PICTURE OF LUCAS VAN
LEYDEN ... ANECDOTE OF THAT PAINTER ... ALSO OF KAREL DE MOOR ...
PICTURE OF THE SIEGE OF LEYDEN ... DESCRIPTION OF THAT HORRIBLE
SIEGE ... GENEROUS AND HEROIC CONDUCT OF THE DUTCH WOMEN ... ALSO OF
PETER ADRIAN ... THE MOUNT ... UNIVERSITY OF LEYDEN ... THE STUDENTS ...
ANECDOTES OF BOERHAAVE ... PETER THE GREAT ... GENIUS AND DIFFIDENCE ...
CONFIDENCE IN PROVIDENCE ... MONUMENT OF BOERHAAVE.
After spending some days very pleasantly at the Hague, I proceeded to
the Leyden treckschuyt, which lay at a great distance from the hotel,
where I found, from the blunder of the waiter before detailed, that I
was considered as a personage of considerable consequence, on account of
my having engaged the whole of the ruif to myself. The day was
brilliantly fine, and nothing could be more delightful than my passage
to Leyden: for two miles and a half the left bank of the canal presented
an unbroken succession of handsome country-houses and highly cultivated
grounds, which although laid out like so many vegetable problems,
abounded with a variety of forms, which, as they were clad in luxuriant
green, were very agreeable. Many of these spots were graced by the
acacia and Weymouth pine, to which the soil and climate seemed to be
congenial. On the other side were rich meadows, whose vivid green seemed
to rival that of the emerald, and corn-fields yellow with harvest.
Enchanted with the day and the scenery, I envied not the aquatic pomp of
Cleopatra, although
“The barge she sat in like a burnish’d throne
“Burnt on the water; the poop was beaten gold,
“Purple the sails, and so performed, that
“The winds were love-sick with them.”
The blunder of the waiter added not a little to the delights of my
passage, for I sat a solitary grandee upon the top of the cabin, without
a soul to interrupt the happy frame of my mind formed by the lovely
prospects on every side of me. In this agreeable manner three hours and
a half passed away with feathered fleetness, and at the end of a long
avenue of trees and a line of water, the spires and elevated buildings
of Leyden appeared. We stopped about half way from the Hague at
Leydehendam, a very neat pretty village, the neighbourhood of which
abounds with pleasure houses and gardens. The country as I approached
Leyden appeared to be thickly wooded, and displayed the novel variety of
a gentle undulation of ground. After passing through a beautiful
boulevard, and crossing some drawing bridges, I entered the elegant city
of Leyden through the white gate, and proceeded to a very comfortable
hotel in the principal street, called the Broad street, the length,
spaciousness, and beauty of which entitles it to the highest admiration:
there is no canal in it, and the buildings on each side are very
handsome, many of them splendid mansions. This seat of learning is
considered to be one of the handsomest in Holland, and next in size to
Amsterdam; the entrance to it is through seven stone gates, at each of
which is a draw-bridge: the town is surrounded with a rampart, and a
deep, broad canal, and is adorned by beautiful shady walks. The number
of bridges in this city is astonishing, they are said to exceed one
hundred and forty-five of stone and railed with iron. It has also many
canals, the most beautiful of which is the Rapenburg. It has been
compared by travellers to Oxford, but I cannot see any resemblance,
except in its being devoted to learning, and consequently presenting
many of those features of meditation and consequent tranquillity, which
are to be found in places destined to similiar objects: but in its
fortification, its buildings, streets, and canals, there is
unquestionably no resemblance. The channels or gutters of the Broad
street are covered with boards which open like a trap door, into which
the moment any dirt is lodged, it is removed by persons appointed for
that purpose; and lofty common pumps, with large brass ornaments
constantly scoured and kept bright, are placed in different parts of it,
to supply the inhabitants and to purify the street, of which they are
not a little proud. The fame of Lucas Van Leyden made the stadt-house or
town-hall the object of my first visit; it is a vast gothic building,
presenting a very long irregular front, in a very uncouth style of
architecture, surmounted by a small steeple, which is crowded with
carillons, and stands in the centre of the Broad street. As I ascended
the grand staircase, a painter was giving a finishing touch to some
large stone lions, which by way of blending them with the stone colour
of the rest of the building, he had painted _vividly red_. In one of the
apartments, which was very heavy and gloomy, I beheld the celebrated
production of Lucas Van Leyden, or Hugens, who was born here in 1494,
and died in 1533. This picture is in three divisions, the two external
smaller ones being made like folding doors, to close if necessary over
the middle one. The subject is the last judgment, for which vast sums of
money have been repeatedly offered to the magistrates of the town and
refused. I must confess I felt no more pleasure in contemplating this
picture than what arose from its great antiquity. There are a great
number of figures in it: the females are wholly destitute of beauty, at
the same time there is a freedom in the outline: many of their limbs
appear to be elongated, and every head seems to have been taken from the
same subject, and wholly destitute of expression; however, considering
the early period in which the artist flourished, it is a very curious
and valuable production. This painter was instructed in the principles
of his art by his father, Hugens Jacobs, an artist of some
consideration: it is said that Lucas from his infancy displayed
incessant application, and at the age of nine and twelve years
astonished the artists of his time by his works. After he had learned
the rudiments of his art under his father, he became a pupil of
Cornelius Engelbrecht; at the age of fifteen he painted the history of
St. Hubert, which elevated him to high distinction in his art. On
account of the principles of perspective not being known in his early
time, he proportioned the strength of his colouring to the different
degrees of distance, in which his objects were placed. He painted not
only in oil, but in destemper and on glass. A famous print of this
master’s engraving, the subject a bagpiper, is also mentioned, which
sold for a hundred ducatoons or twenty pounds sterling.
In the justice hall is a celebrated picture of Harel de Moor, who was
born in this town in 1656; the subject, Brutus condemning his sons, the
design, the colouring and finishing of which are very beautiful. De Moor
had great and highly merited honours paid to him by various princes and
distinguished personages, particularly by the emperor of Germany who
directed his ambassador Count Singendoff to engage him to paint the
portraits of Prince Eugene and the Duke of Marlborough on horseback,
with which his imperial patron was so gratified, that he conferred upon
him the honour of knighthood, and nobly rewarded him in a more
substantial manner for his admirable production: he had also the honour
of painting that mighty savage of the North, Peter the Great, Czar of
Muscovy. Under the picture of Brutus are some elegant Latin verses;
there is also a large picture representing the bravery of its citizens,
who are rendered immortal in the page of history for the heroic valour
they displayed during a siege, which in the year 1573, for five months,
visited this place with all the horrors of war, disease, and famine. The
historian can scarcely do adequate justice to these heroes. After the
Spaniards had been compelled to raise the siege of Alkmaar, they
determined upon directing their forces against Leyden, from the trenches
of which they were bravely repulsed by Count Louis of Nassau, brother to
the then Prince of Orange; but having been reinforced, they returned to
the attack; when the Spanish general, Francis Valdey, discovering that
he could not take the place by storm, resolved upon reducing it by
famine, and a scene of horror ensued which baffles the powers of the pen
to describe. The Spanish General, Frederic of Toledo, son of the
execrable Duke of Alva, repulsed a body of English auxiliaries who were
coming to the relief of the besieged, in consequence of which the
blockade was so vigilantly conducted, that the wretched inhabitants
could derive no provisions from without. In this dreadful dilemma, they
drew lots to determine which should fall each day to afford sustenance
to the rest with their bodies; and it is said that the spirit of
patriotism ran so high, that many of them anticipated this desperate
alternative, and voluntarily slew themselves to furnish food to their
brave fellow-citizens and soldiers. An extraordinary female patriot, of
the name of Kenneva, headed the women, led them to the ramparts, where
they assisted the nearly exhausted soldiery in working the cannon, and
displayed that enthusiastic courage which great occasions will generally
find lodged in that bosom which is the seat of every gentle, every
tender feeling, and ought only to heave with the tenderest emotions.
Many of them stabbed themselves, to assist in preserving the survivors,
and expiring exclaimed, “See, my poor valiant friends, your provision
for the rest of the day.” But notwithstanding these terrible sacrifices,
and supplies of human flesh, many thousands of the garrison and burghers
perished. The Spaniards, having been informed of their situation, again
summoned them to surrender, and allowed a truce of an hour for
deliberation, during which a consultation was held, the unanimous
determination of which was contained the following reply: “Tell your
arrogant general, that we shall not want the means of life whilst a left
arm remains upon any of our shoulders, and with our right we shall
continue to fight for our liberties to the last.” At length, broken down
by their frightful situation, and hopeless of relief, after having
exhibited prodigies of valor, and the sublimest acts of patriotism and
resignation, the miserable survivors of this ghastly scene of desolation
assembled round the house of Peter Adrian de Werf, the chief magistrate
of the city, a man of great influence amongst the people, and implored
him to sanction with his fiat the surrender of the place; but this noble
being preferring, like Cato, to perish rather than see his country in
the possession of a tyrant, thus addressed his emaciated brethren: “My
brave comrades! cut this body in pieces; it is better that I should die
_for_ you, than _by_ the enemy: my wounds disable me from further
service. Take courage, let me receive death from your hands, and let my
miserable frame furnish a wretched meal for some of you. Take me, and
may Leyden be victorious, and her glory immortal!” Deeply impressed by
such firmness and eloquence, his auditors turned their haggard
countenances aside, and with the convulsive energy of expiring nature,
rushed again to the rampart, and soon afterwards they were thrown into
an agony of joy by the arrival of two carrier pigeons, to whose feet
were tied stalks of corn and hemp, in which letters were concealed,
announcing that relief was at hand. The Dutch confederates, having no
other mode of relieving the inhabitants of Leyden, broke down the dykes
of the Maese and the Yssel, inundated the Spanish camp, and the
beautiful country which surrounds Leyden, and enabled Louis Brissot,
admiral of Zealand, to send many flat-bottomed boats, well armed, to the
succour of the besieged. This desperate measure compelled the Spanish
general to evacuate his camp, and to retire with such of his army as did
not perish by the waters, into their own country. This siege, which
commenced shortly after Easter, was raised the third of October, on
which day a supply of provisions was brought to the famished
inhabitants, who greedily devoured the food, amidst tears and convulsive
inarticulate exclamations to heaven for their delivery, and many of them
dropped down dead upon too rapidly satisfying their ravenous appetites.
After this signal deliverance, the Prince of Orange, although suffering
under severe illness, ordered himself to be carried in a litter to
Leyden, to condole with and express his admiration of its heroic
inhabitants: the interview, as well as many scenes which occurred during
the siege, must have afforded a fine subject for the pencil. He gave
them their option of being exempted for a certain period from taxes, or
of having an university founded in their town; when, with noble and
disinterested wisdom, they gave the preference to the latter. Never did
any seat of learning originate from a nobler cause: it may be said to
have been endowed by the blood of the brave. The clergy of Leyden, in a
public oration, still celebrate the anniversary of the glorious third of
October, in which the story of the siege, and the deliverance of the
town are feelingly recapitulated. I was surprised to find that such a
subject had not more frequently engaged the pencil of the many divine
artists which Holland has produced: the picture which led me to mention
the above story is, in my humble opinion, unworthy of the subject; the
figures are badly grouped, and express no one emotion which can affect
the mind. After quitting the stadt-house, the evening being very fine, I
ascended a large mount, which may be considered as a great curiosity in
Holland, in the centre of the town, where there is a fine view of it:
this mount is surrounded by a high wall, and is said to be the scite of
a castle built by Hengist, king of the West Saxons, on his conquest in
England, or, what is more likely, by one of the antient counts of
Holland. The town presented a very beautiful appearance from this spot,
but it is not elevated enough to enable the visitor to see the
surrounding country: the fruit-trees in the gardens which encompassed
the wall were loaded with very fine fruit, particularly pears, plumbs,
and apples. This place is much resorted to, on Sundays and holidays, by
the citizens and their families, to smoke and enjoy the beauty of the
prospect, and the refreshing sweetness of the air.
The next morning I visited the university of Leyden, which stands by the
Rapenburg canal: it is the most venerable seminary in Holland; and, by
the great number of learned and famous men which it has produced, does
honour to the luster of its origin. There is scarcely a science which
has not been improved and extended in this hallowed seat of learning;
which has to boast amongst its members the immortal name of the younger
Scaliger, who bequeathed to it his valuable Hebrew library; of the two
Hensius, father and son; the former of whom was invited by Pope Urban
the eighth to Venice, “to rescue,” as he expressed it, “that city from
barbarism;” and both of whom shone like stars of the first magnitude in
every branch of graceful literature; of Salmasius, the profound and able
competitor of our immortal Milton; of Boerhaave, whose consummate
knowledge of physic, attracted pupils from the most distant parts of
Europe; and of many other illustrious persons, who have shed honour and
distinction upon their country and the times in which they flourished.
The students board in town at different lodging-houses, wherever their
inclinations or resources may dispose them; they wear no regular habit;
when the professors appear in public, they wear a large black silk gown,
bordered with velvet, on which the word ‘Leyden’ is worked in silver. My
next visit was to the botanic garden, rendered immortal by the
illustrious Boerhaave, as that of Upsal, in Sweden, has been by Linnæus.
Haller says, in speaking of Boerhaave in the Leyden Botanical Garden,
“_sæpe vidimus ante Auroram optimum senen ligneiscalceis per hortum
repentem, ut comminus et cultum herbarum perspiceret, et flores
fructusque specularetur_.” We have often seen the good old man before
the morning dawn, crawling about the garden in the wooden slippers, that
he might immediately superintend the culture of plants, and speculate on
their flowers and fruits. This great man was born at Woerhout, near
Leyden, in 1668; at the age of fifteen he found himself without parents,
protection, advice, or fortune: he had then profoundly studied theology,
intending to devote himself to a clerical life; but the science of
nature presented all her attractions, and for some time wholly absorbed
his contemplation. In 1693 he was created doctor of physic, which he
then regularly practised. At this time he could scarcely exist by his
labours, and was compelled to teach the mathematics to procure the bare
necessaries of life, although he left at his demise the vast fortune of
two hundred thousand pounds. At length his genius dissolved the darkness
in which he was enveloped, many powerful friends gathered round him, and
procured for him the valuable appointments of professor of medicine in
the university of Leyden, of chemistry, and of botany. The Academy of
Sciences at Paris and the Royal Society at London, to each of which he
imparted his discoveries in chemistry, invited him to become one of
their members. Whilst Boerhaave presided in the chair, in chemistry,
medicine, and botany, the city of Leyden was considered the school of
Europe in these sciences. In 1715, when Peter the Great went to Holland
to study maritime affairs, he regularly attended the lectures of
Boerhaave. So widely diffused was his fame, that a mandarine in China
wrote to him a letter thus superscribed; “_To the illustrious Boerhaave,
physician in Europe_,” and it was regularly received. It was the daily
practice of this eminent physician, through his whole life, as soon as
he rose in the morning, which was generally very early, to retire for an
hour to private prayer, and meditation on some part of the Scriptures.
He often told his friends, when they asked him how it was possible to go
through so much fatigue, that it was _this_ which gave him spirit and
vigour in the business of the day. This he therefore recommended as _the
best rule_ he could give; for nothing, he said, could tend more to the
health of the body than the tranquillity of the mind, and that he knew
nothing which could support himself and his fellow-creatures, amidst the
various distresses of human life but a well-grounded confidence in the
Supreme Being, upon the principles of christianity: the truth of his
doctrine he finely illustrated in his severe illness in 1722, when the
course of his lectures and his practice were long interrupted. Of his
sagacity and wonderful penetration in the discovery and description of
such distempers as betray themselves by no symptoms to common eyes, such
surprising accounts have been given, as scarcely can be credited, though
attested beyond all doubt. Yet this great master of medical knowledge
was so far from feeling a presumptuous confidence in his mighty talents,
or from being inflated by his prodigious wealth, that his condescension
to the humblest being who approached him, and his unceasing professional
application were ever the theme of admiration and astonishment.
He often used to say, what will make many a practitioner in physic
tremble, that the life of a patient (if trifled with or neglected),
would one day be required at the hand of the physician. He used to call
the poor his best patients, nobly observing, that God would be their
paymaster; the lustre of his eyes bespoke the activity and vivacity of
his mind. He was always cheerful and desirous of promoting every
valuable end of conversation. He disregarded calumny and detraction; for
even Boerhaave had enemies, and never troubled himself to confute them.
“They are sparks,” said he, “which, if you do not blow, will go out of
themselves. The surest remedy against scandal is to _live it down_, by a
perseverance in well doing; and by praying to God that he would cure the
distempered minds of those who traduce and injure us.” He was never
over-awed by the magnificence or presence of great men, but boldly
persisted in proceeding in what he considered to be right, and left the
consequence to God. He was enabled, with unexampled celerity and
acuteness, to penetrate into the tempers and characters of persons at a
glance of his eye. A friend, one day, who had often admired his patience
under great provocations, asked him, if he ever knew what it was to be
angry? to which Boerhaave replied with the most perfect frankness, “that
he was naturally quick of resentment; but, that by prayer and
meditation, he had obtained complete mastery over his passions; this he
attributed, as he did every good thought, and every laudable action, to
his God.”
About the middle of the year 1737, he felt the first approaches of that
indisposition which was destined to bring him to his grave, viz. a
disorder in his breast, which was occasionally very painful, often
threatened him with immediate suffocation, and finally terminated in an
universal dropsy: during all the anguish which he suffered, his placid
temper and firmness of mind never forsook him; he attended at once to
the ordinary duties of life as if in full health, and prepared for that
death which his skill and experience enabled him to know was not very
distant.
About three weeks before his dissolution, when the Rev. Mr. Schultens,
one of the most learned and exemplary divines of his age, attended him
at his country-house, the Doctor desired his prayers, and afterwards
entered into a sublime discourse with him on the spiritual and
immaterial parts of the soul, which he illustrated with wonderful
perspicuity, by a description of the effects which the infirmities of
his body had upon his faculties, which, however, they did not so
oppress, or vanquish, but his soul was always master of itself, and
always resigned to the pleasure of its Maker, and then added, “He who
loves God ought to think nothing desirable but what is most pleasing to
the supreme goodness.” As death approached nearer, he seemed to be more
happy, amidst the increase of corporeal torments, and at length, on the
23d September, 1738, he sunk under them in his 70th year. His funeral
oration was spoken in Latin before the university of Leyden, to a
crowded audience, by his friend Mr. Schultens, amidst tears of genuine
regret and sympathy. The city of Leyden has raised a monument in the
church of St. Peter, to the sanative genius of Boerhaave, “Salutifero
Boerhaavii genio sacrum.” It consists of an urn upon a pedestal of black
marble, with a group representing the four ages of life, and the two
sciences in which Boerhaave excelled. The capital of this basis is
decorated with a drapery of white marble, in which the artist has shown
the different emblems of disorders, and their remedies. Upon the
pedestal is the medallion of Boerhaave; at the extremity of the frame, a
ribband displays the favourite motto of this learned man, “Simplex
vigilum veri.” Professor Allamand had destined a very fine piece of red
jasper to be employed in this medallion, but on account of the great
expense of cutting the stone his design was abandoned. His pictures
represent him as above the middle size, well proportioned, and of a
strong constitution; when age had silvered over his hair, his
countenance was said to have been extremely venerable and expressive,
and to have much resembled the head of Socrates, but with features more
softened and engaging. He was an eloquent orator, and declaimed with
great dignity and grace. He taught very methodically, and with great
precision, but always so captivated his auditors, that they regretted
the close of his discourses, which he often enlivened with a sprightly
turn of raillery; but it was ever refined, ingenious, and incapable of
offending. He used to say, “that decent mirth was the salt of life.” In
the practice of medicine he gave a decided preference to green over
dried herbs, thinking that there was more virtue in herbs when they had
their juices, than when decayed and withered. He was a great admirer of
simples, and consequently was not a great patron of the apothecaries.
When health would permit he regularly rode on horseback; when his
strength began to fail he walked, and upon his return home, music, of
which he was passionately fond, gladdened the hours of relaxation, and
enabled him to return to his labours with redoubled alacrity. Dr.
Johnson has written the following beautiful eulogium on this great man;
“A man formed by nature for great designs, and guided by religion in the
exertion of his abilities; determined to lose none of his hours, when he
had attained one science, he attempted another; he added physic to
divinity; chemistry to the mathematics, and anatomy to botany. He
recommended truth by his elegance, and embellished the philosopher with
polite literature; yet his knowledge, however uncommon, holds in his
character but a second place; for his virtue was more uncommon than his
learning. He ascribed all his abilities to the bounty, and all his
goodness to the grace of his God. May those who study his writings
imitate his life! and those who endeavour after his knowledge, aspire
likewise to his piety.”
CHAPTER XII.
THE BOTANIC GARDEN ... THE CELEBRATED ANCIENT PALM ... BUSTS AND
STATUES ... THEATRE OF ANATOMY ... LIBRARY AND PORTRAITS OF
DISTINGUISHED PERSONS ... MUSEUM OF NATURAL HISTORY ... ATTRACTIONS OF
THE UNIVERSITY ... ITS PRESENT CONDITION ... SEVERITY OF ITS
EXAMINATIONS ... ANECDOTES OF REMBRANDT ... HIS GENIUS AND
RAPACIOUSNESS ... A STRATAGEM ... CRITICISMS ON HIS WORKS ... MR.
DESENFAN’S SPLENDID GALLERY OF PAINTINGS ... JOHN OF LEYDEN ... HIS
AMBITION, CRUELTY, AND FATE ... DUTCH BOWING ... SAINT PETER’S
CHURCH ... ANECDOTE OF RUSSIAN PRISONERS.
The botanic garden is not very large; in the time of Boerhaave it must
have been small indeed, as its history represents it to have been
considerably enlarged since that period: in the frontispiece of his
Index Horti L. Bat. 1710, it is represented to be a petty square piece
of ground. It now occupies about four acres, and is in excellent order:
the trees and plants are marked according to the Linnæan system; but it
is infinitely inferior in value and arrangement to the botanic gardens
of Upsala and of the Dublin Society. Amongst the plants, I approached
with the reverence due to it, the venerable remains of vegetable
antiquity, in the shape of a palm, which stands in a tub in the open
air, supported by a thin frame of iron work; it is about fourteen feet
high, and was raised from seed by the celebrated Carolus Clusius, who
died professor at Leyden in 1609: the professor who attended me,
presented me with a bit of its bark, as a little relic. This tree and
the pot in which it grows, are also figured in the frontispiece of
Boerhaave’s Index before mentioned: it there appears to have been about
half as high as at present, and is said to be the palm mentioned by
Linnæus in his Prælectiones in Ordines Naturales Plantarum, p. 27,
published by Giseke in 1792, at Hamburgh, which Linnæus suspected to be
a chamærops, but which, as the ingenious Dr. Smith observes, his editor
rightly refers to the rhapis flabelli formis, Ait. Hort. Kew, v. iii. p.
473. It comes from China and Japan: there is a tree of this kind, and
about as large, in the botanic garden at Paris, and another at Pisa. In
this garden is also the ginkgo of the Chinese, a standard twenty feet
high; Strelitzia reginæ, Ait. Hort. Kew, v. i. p. 285, tab. 2, which has
never yet flowered in any garden out of England; the olea laurifolia, a
new species according to Mr. Van Royen; Royena lucida in flower, as
large as a moderate hawthorn tree, and thought to be very handsome; and
a singular plant from the Cape, supposed to be an echites, with a large
tuberous root raised high above the surface of the ground, two or three
weak stems a foot high, and large dark brown flowers. In the university
library is Rauwolf’s Herbarium, which is very magnificent, and the
plants well preserved; also Boccone’s Herbarium of the plants described
in his Fasciculus Plantarum, published by Morison at Oxford, in 1674;
these specimens are very poor: Herman’s Collection of Ceylon Plants is
also here, which are a part of the celebrated Herbarium, the rest of
which is at Copenhagen; also a volume of West India plants, belonging to
Herman, which are very scarce in Holland, and a fine collection of
mathematical instruments; amongst other things, a most pure and
brilliant prism of Brazil pebble, and a two-inch cube of Iceland
refracting spar, perfectly clear and free from blemish.
In a very long apartment in the gallery there are some busts and statues
in tolerable preservation, but of no great value; the best are busts of
Nero and Agrippina, Servilius and a Bacchus: they were presented to the
university by a citizen of the town. I was shown into a small room
containing some stuffed birds and beasts, which were in very poor
condition. The theatre of anatomy is very near the botanic garden; in it
is a valuable collection of anatomical and pathological subjects. This
hall is well worthy the notice of the traveller, as well for its
valuable contents, as for having furnished Europe with some of its best
physicians. This library is celebrated throughout Europe, for the many
valuable specimens of oriental literature with which it abounds,
exclusive of the books before mentioned. Golius, upon his return from
the East, and who afterwards filled with great reputation the Arabic
professorship of the university, has enriched this valuable depositary
of learning with many Arabic, Turkish, Chaldean, and Persian
manuscripts. I have before mentioned that Joseph Scaliger bequeathed his
valuable collection of Hebrew books to it. The precious manuscripts
contained here are said to exceed eight thousand. Since the last war
commenced, no addition of English publications has been made to this
library, which contains the Transactions of the Royal and Antiquarian
Societies of London, and the Histories of Gibbon, Robertson, and Hume.
To suffer an inimical disposition between two countries to erect a
barrier between intellectual communication is giving additional
barbarism to the ferocity of war. To the honour of England and France,
they have never permitted those melancholy conflicts which have so long,
and so fatally inflamed the one against the other, to check the free and
liberal interchange of philosophical discovery and literary
investigation. Whilst the respective governments have been engaged in
reciprocal schemes of vengeance, the learned societies of both countries
have communed with each other in the language of peace and liberality.
The king of Spain has presented this library with some magnificent
folios, descriptive of the antiquities of Herculaneum. The books are
principally bound in fine white parchment, and are gilded and decorated
with considerable taste and splendor. There are in this room several
excellent portraits of eminent men who have belonged to the university,
or who have been benefactors to it: the head of that elegant and
voluptuous poet Johannes Secundus, who died at the age of twenty-five,
distinguishable for its dark penetrating eyes, adust complexion, and
black hair and beard, is very fine. There are also very interesting
portraits of Janus Douse, who during the siege of Leyden exhibited the
most admirable heroism, by which he acquired the applause of the Prince
of Orange and the government of the town: this hero shone in letters as
well as arms; also of Erasmus at different stages of his life; of Hugo
Donellus, painted after death, in which all the appearances of mortality
are finely imitated with ghastly precision; also of Daniel Heinsius, and
a miniature of Sir Thomas More, by Hans Holbein. There are also several
medallion likenesses of distinguished Englishmen carved in ivory, such
as Milton, Marvel, Ludlow, Wickliffe, Harrington, &c. &c. executed by an
English refugee, who took shelter in Holland after the overthrow of the
Duke of Monmouth’s rebellion. There is a museum of natural history,
principally collected by Professor Allemand, containing some fine ores,
corals, and pebbles, and also some rare quadrupeds and amphibia: also a
young ostrich in the egg; the nautilus with the animal in it, and some
papilios. In the anatomical theatre are the valuable preparations of
Albinus, amongst them are specimens of the progress of ossification in
the fœtus. This university has also to boast of the works of Mr. Pestel,
professor of jurisprudence, for his admirable work, entitled Fundamenta
Jurisprudentiæ Naturalis. The constitutional regulations of this
university are conceived in a noble spirit of liberality. No offensive
obligations, no religious tests, no repulsive oaths, are imposed, no
insidious attempts at proselytism are exercised. Youths of every
religious persuasion mingle together in perfect harmony; like brothers
they aggregate to study, and not to quarrel about modes of faith.
Whatever may be the rank of the student, or from whatever country he may
come, he speedily adopts the decent, gentle, and frugal manners and
habits of the inhabitants. The long war and revolution in this country
have naturally withdrawn a great number of young men of rank and fortune
from this seminary, and prevented others from entering it. The students
do not now exceed two hundred. A considerable number of English
students, in a period of peace, used to flock to this illustrious
academy, which, as well as the beauty, tranquillity, cleanliness, and
salubrity of the city in which it stands, and the cheapness and perfect
freedom of living, and the charms of the surrounding country, holds out
the strongest attractions to the recluse and studious. The examinations
for academical honours are more severe than even for those of Trinity
College Dublin.
Amongst other circumstances which have concurred to crown Leyden with
celebrity, I must not omit to relate that its neighbourhood gave birth
to Rembrandt in 1606. His real name was Gerretz, but he is known by the
name of Van Ryn, an appellation given to him from the place where he
spent the youthful part of his life, on the borders of the Rhine. This
illustrious artist is one amongst the many instances which might be
produced, of the effect of accidental circumstances in early life
determining the character and formation of genius; he derived his
peculiarity of shade from the circumstance of his father’s mill
receiving light from an aperture at the top, which, and not his studying
under Jacob Pinas, gradually led him to use that breadth of shade for
which he was so eminently distinguished. At a very early period he
exhibited strong proofs of genius for painting, and by his productions
astonished his master Jacques Van Zwanenburg, in whose school he
continued three years. His father’s mill, and the circumjacent country,
first attracted his attention, which, with the heavy living objects with
whom he associated, so completely possessed his mind, that he seldom
selected any others which were beautiful or graceful. When very young,
one of his friends prevailed upon him to go to Amsterdam, and offer one
of his pictures for sale, which he did, and sold it to a very able judge
of genius in his line for one hundred florins. He went on foot with the
treasure under his arm, but returned in a carriage. This trifling
circumstance induced him to settle in that city, where he soon became
solicited by persons of the first distinction for his works. Here, from
the number of pupils who flocked to him, and the great demand for his
paintings, wealth poured in upon him copiously. For instructing each of
his pupils he received one hundred florins per annum, but becoming
avaricious as he became wealthy, he sold a great number of copies made
by them for his own pictures, in which he deceived the purchaser by
retouching several parts. The swindling tricks and stratagems by which
this great artist used to raise money, threw a deeper breadth of shade
than his pencil ever cast upon his canvass, over the brighter parts of
his genius. It is related that one of his pupils, well knowing his
rapacious disposition, painted a number of coins upon some cards which
he laid upon his master’s table when he was from home; on his return, he
ran eagerly to seize them and recovered the vexation of his
disappointment, only by admiring the dexterity of the deception.
Rembrandt was a great humourist. One day when he was painting a large
family picture, and one of the subjects was actually sitting to him, his
servant informed him of the death of his favourite monkey, which he felt
so sensibly, and whimsically, that he immediately ordered the dead body
to be brought in, and drew it as one of the group, which he would not
expunge, although the family refused to pay for the picture before it
was effaced. His finest historical pictures are those of Ahasuerus,
Esther and Haman; the woman taken in adultery; and St. John preaching in
the wilderness, which are said to be touched with inexpressible fire and
spirit. The imagination of this great artist was lively and active, and
his invention very fertile: he had a large collection of old draperies,
armour, weapons, and turbans, which he used sportively to call his
antiques; these he preferred to any of the works of the Grecian artists.
He had also a great number of the finest Italian prints, drawings, and
designs, many of them taken from the antiques, which afforded him
gratification, but do not appear to have ameliorated his taste. His
portraits are excellent, and resemble life as near to perfection as
possible, but his airs and attitudes are defective of grace and dignity.
Many of his heads display such minute exactness, that even the hairs of
the beard, and the wrinkles of old age, are given with the most
exquisite fidelity. The portrait appears to breathe upon the canvass. It
is a curious circumstance that his lights were produced by a colour
unusually thick, more resembling modeling than painting, but every tint
was so judiciously placed, that it remained on the canvass in full
freshness, beauty, and lustre. The etchings of Rembrandt are greatly
admired, and are regarded as prime treasures in the cabinets of the
curious in most parts of Europe: these productions rival his paintings,
every stroke of the graver exhibits expression and life: his genuine
works are rarely to be met with, but whenever they are presented for
sale, they produce incredible prices. In the splendid collection of Mr.
Desenfans, are some exquisite productions of this and other Flemish
masters; this collection is, upon the whole, the best in England, and is
exhibited to persons of respectability, without cost, by its liberal
possessor.
Amongst the curiosities of Leyden, I did not take the trouble of seeing
the shopboard of the celebrated John of Leyden, a character
distinguishable for its ambition, enterprize, and ferocity: those who
have furnished us with an account of this aspiring monster, relate that
his name was Bucold; that from being the son of a taylor, and brought up
to his father’s trade, he resolved upon becoming a king; that
accordingly he first tasted of royalty on the board of a strolling
company of comedians in the character of a prince, which affording him
much gratification, he connected himself with a baker of Amsterdam, a
fanatic, who called himself God’s vicegerent upon the earth, and
declared that he was sent to illuminate the world. This fellow, previous
to his becoming the associate of John of Leyden, assumed the name of
Thomas Munster, and impregnated a number of Germans with his religious
phrenzy, which aimed at the demolition of the doctrine of Luther: this
fanatic faction spread with incredible celerity, until the Elector of
Saxony, the Landgrave of Hesse, and the duke of Brunswick, resolved upon
drawing the sword against these furious zealots. The prophet Munster was
taken prisoner and lost his head; but soon after, as if inspirited by
this blow, John of Leyden took Munster at the head of a troop of
sanguinary bigots, and ordered himself to be proclaimed king. After this
ceremony was performed he committed the most horrible outrages: in the
name of God, he battered down all the churches, and changed the religion
of the country; he recommended polygamy, and kept a seraglio of sixteen
wives, one of whom endeavoured to assassinate the Bishop of Waldeck, who
fortunately seized the poniard from her hand, and plunged it into her
own bosom; and another, John himself put to death for hesitation in
complying with his wishes. When he appeared in the streets of Munster,
he wore a crown upon his head, carried a sword in one hand, and the New
Testament in the other, and was preceded on horseback by a group of
dancing boys, whilst the sides were by his mandates, crowded with the
prostrate terrified citizens, who were punished with instant death if
they stood, or remained covered in his presence. The reign of this petty
tyrant was brief: the Bishop of Munster besieged the town, which
suffered nearly the same horrors which I have described to have occurred
at Leyden, when the Spaniards sat down before it; the living fed upon
the dead, and a look that intimated a wish to surrender was punished
with instant death. The miseries which surrounded him, served only to
inflame the fanatical spirit of the monster; at last, however, the town
was taken by surprise, and John and the ministers of his bloody ambition
were conducted before the victorious prelate, to whom, after being
charged with the enormities which he had committed, he is said to have
replied, with the craft of a coward, in the following manner: “The
possession of my person has cost you much money and much blood, my death
will be a loss to you, my life may become a source of profit to you, put
me in an iron cage, set a price upon the exhibition of me, and send me
through Europe, thus will you in the end be the gainer by me.” The
bishop saw through his object which was the dastard preservation of his
forfeited life, and accordingly ordered him to be put to death with a
refinement of cruelty, at the relation of which human nature sickens,
abhorred as the victim was. Two executioners tore his flesh slowly
asunder with red hot pincers, and after the mitred conqueror and his
followers had glutted their eyes with his writhings, and their ears with
his screams, a javelin pierced his heart, and his mangled body was
thrown into a cage, and exposed to the birds of the air from the steeple
of St. Lambert’s church. It has been observed by some travellers, that
the Dutch are much given to a tremulous motion of the head. I saw no
instance of this national trait except, where I expected to find it,
among old and paralytic persons. The practice of bowing is not confined
to the Dutchman, though adduced against him as a sort of blemish by
every Englishman who extends his rambles no farther than Holland:
throughout Germany the same courtesy is displayed, and even among the
common Russian boors the practice of exchanging bows is quite common.
I was not much gratified with the church of St. Peter, the principal one
in the city; it is a large ponderous building, in the worst style of
gothic architecture. In this structure the English and Russian soldiers
were confined when taken prisoners at Alkmaar. The poor Russians, who
expected no quarter, looked upon the brass chandeliers which are
suspended in the body of the church, as the instruments of execution, to
each of which they thought of being fastened by the neck. The Russians,
in their first campaigns with the French, entertained the same
apprehension, and were most agreeably astonished on one occasion, which
presented a memorable display of French sagacity, to find that, instead
of being shot or guillotined, they were presented with new clothing of
the Russian uniform, and offered their liberty.
CHAPTER XIII.
THE PRESS OF LEYDEN ... ITS STAPLE TRADE ... ANECDOTES OF GERARD
DOUW ... OF JEAN STEEN ... HIS SINGULAR PAINTING OF THE DELUGE ...
ANECDOTES OF FRANCIS MIERES ... THE PICTORIAL CONTEST ... ANECDOTE OF
VANDERWELDE ... THE VILLAGE OF RHYNSBURG ... SINGULAR RELIGIOUS
ASSOCIATION ... A CURIOUS CUSTOM ... EXPLOSION AT LEYDEN ... CONDUCT OF
THE KING ... HAARLEM ... ITS CELEBRATED ORGAN DESCRIBED ... ANECDOTE OF
HANDEL ... MR. HENRY HOPE’S HOUSE.
In the streets of Leyden are several very handsome bookseller’s shops,
particularly Murray’s in the Braadstraat, where there are many valuable
publications, and particularly a fine collection of the classics, which
are sold at very reasonable prices. The press of Leyden, in the time of
Elzevirs, presented some of the most elegant specimens of typography, in
the many correct and beautiful editions which they have given of the
most renowned authors of antiquity. In beauty, variety, and profusion,
the Leyden press rivalled, and in many instances surpassed, that of the
Hague and Amsterdam; but since the period of the above bibliopolists, it
has gradually decayed. It may be easily imagined, that with the change
which has taken place in the political relations of Holland, the liberty
of the press is not what it used to be at Leyden, which was once
celebrated for its Gazette, a rival in reputation of that of Brussels:
the former was distinguished for its partiality to the Stadtholder, and
his well known attachments to the English cabinet; and the latter for
supporting the true interests of the country. The editors and
proprietors of the Leyden Gazette fled with precipitation, on the
irruption of the French into Holland; and the paper which is now issued
from Leyden, is of course the organ of the new government, and but
little enlivened with political discussion.
The staple trade of Leyden, the woollen manufactory, has suffered very
severely from the establishment of extensive looms in various parts of
Germany, from the last and present war with England, and from the
superiority of the manufactures of Yorkshire, which are in such high
estimation in America and Asia, that Dutch merchants trading to those
countries, found it more advantageous to send out English cloths. The
coarse cloths of Holland had formerly a brisk market amongst the East
and West India Companies: but from the above cause thousands of
manufacturers have been obliged to renounce their looms, and divert
their skill and industry to other sources of support; and in all human
probability the woollen manufactures of Leyden will never revive.
Before I quit this celebrated city, I cannot help mentioning that, in
addition to the illustrious artists before mentioned, it gave birth to
Gerard Douw, who was born here in 1613, and entered at the early age of
fifteen into the school of Rembrandt, with whom he continued three
years, and from whom he obtained the true principles of colouring: his
pictures are generally small, and remarkable for their wonderful
brilliancy, delicacy, transparency, and exquisite high finishing.
Sandrart relates a curious anecdote of the laborious assiduity which he
displayed. Being with Bamboccio in the painting-room of Gerard Douw,
they were enraptured with the wonderful minuteness of a picture which
Douw was then painting, and were particularly struck with the finishing
of a broom, and could not refrain expressing their surprise at the
amazing neatness displayed in so minute an object; upon which Douw
informed them that he should spend three more days upon that very broom
before he could complete it to his satisfaction. The same author also
relates, that in a family picture of a Mrs. Spiering, Douw occupied five
days in finishing one of the hands that leaned over an arm-chair. This
disposition to elaborate execution, in which he far surpassed every
other Flemish master, so alarmed a great number of persons, that they
had not patience to sit to him, and hence he chiefly applied his fine
powers in works of fancy, in which he could introduce objects of
still-life, and gratify his inclination in the choice of his time. A
noble instance is related of the liberality of his great patron, Mr.
Spiering, the husband of the lady above-mentioned, resident of the king
of Sweden at the Hague, namely, that he allowed him a thousand guilders
a year, with no other stipulation than that Douw should give his
benefactor the preference of purchasing every picture he painted, for
which he always paid him to the full extent of his demand. He lived to a
great age, but his sight was so affected by the minuteness of his
performances that at the age of thirty he was obliged to use spectacles.
The finest picture from his hands considerably exceeded his usual size,
being three feet high by two feet six inches broad within the frame:
this matchless piece of art represents two rooms; in the first there
appears a very curious piece of tapestry, forming the separation of the
apartments, in which there is a very pretty-figure of a woman with a
child at her breast; at her side is a cradle, and a table covered with
tapestry, on which is placed a gilt lamp and some pieces of still-life;
in the second apartment is a surgeon’s shop, with a countryman
undergoing an operation, and a woman standing by him with several
utensils: the folding doors show on one side a study, and a man making a
pen by candlelight, and on the other side, a school with boys writing,
and sitting at different tables, which parts are lighted in a most
charming and astonishing manner, so that every feature and character of
countenance is distinctly, and most intelligibly delineated. Incredible
sums have been given, and still continue to be given for the works of
this master, in his own country, and in every polite part of Europe
where they are to be found. Some of his best works are now in the royal
gallery at Dresden.
I must not omit that comical, dissipated humourist and happy artist, Jan
Steen, who was born here in 1636, whose wit and drollery were only
surpassed by his wonderful powers in painting, in which such was his
astonishing faculty, that he seemed to be more inspired than instructed,
for he kept an alehouse for a considerable time, from the cellars of
which he drew more for himself than for his customers, and having
exhausted his barrels, he replenished them by the product of his art, to
which he never devoted himself but upon such occasions, and generally
discharged the bills of the brewers and wine merchants with pictures.
Although he might have lived in great affluence by his masterly pencil,
he was frequently reduced to the most deplorable penury by indolence and
dissipation; his faces alone completely indicated the rank and condition
of the person depicted. Great prices are now given for the works of this
artist, though they sold for small sums in his life time, on account of
his being obliged to sell upon the pressure of necessity. A
characteristic anecdote is related of this singular artist. In a picture
of the crucifixion, having introduced a numerous group of figures,
consisting of monks, old women, and dogs, at the foot of the cross, he
was asked to explain the reason of such an assemblage; to which he
replied, “the clergy and the old women are always the most eager in
their inquiries, when any thing curious occurs.” Some years since,
another instance of his eccentric turn of mind was sold for a
considerable sum at Amsterdam, viz. a painting of the deluge, which he
had delineated by introducing a large Dutch cheese, with the word Leyden
inscribed upon it, floating in the centre of a sheet of water, which, he
said, would incontestably prove that all the world was drowned. The name
of Jan Steen naturally introduces that of his great friend Francis
Mieres, who was born here in 1635, and was a pupil of Gerard Douw, who,
from the rapid progress he made in his studies, used to call him the
Prince of his Disciples: in rich transparency, an unusual sweetness of
colouring, and an elaborate but delicate touch, he nearly approached his
illustrious master. Mieres was generally paid a ducat an hour for his
works, and the Grand Duke of Tuscany paid him no less than a thousand
rix dollars for one picture. Unfortunately for this artist, he conceived
an uncommon friendship for the drunken, droll Jan Steen, which
frequently involved him in inconvenience, and disgrace. An anecdote is
related of Mieres, in consequence of this association, which in its
result did much honour to his feelings; being accustomed to pass whole
nights with his friend in the most joyous manner at a tavern, he was
returning home very late one evening from his company, when he fell into
a common sewer, which had been left open in order to cleanse it, where
he must have perished, had not a cobler and his wife, who were in a
neighbouring stall, heard his cries, and instantly ran to his relief;
having extricated him, although they were total strangers to him, they
took care of him for the night, and treated him with all the kindness in
their power: the next morning their guest returned to his lodgings,
strongly impressed with the humanity and hospitality of his new friends,
whom he resolved to reward in a manner worthy of their conduct; and
accordingly having painted a picture in his best manner, he returned to
his preservers and presented them with it, telling them it was the
production of a person whose life they had preserved, and directed them
to go and offer it to his friend and patron Cornelius Plaats, who would
give the full value for it. The woman, unacquainted with the real value
of the present, expected only a moderate gratuity for the picture, and
was overwhelmed with surprise when the liberal purchaser paid her eight
hundred florins for it. The grand Duke of Tuscany offered three thousand
florins for a picture of Mieres, representing a lady fainting, and a
physician relieving her. Francis Mieres left two sons and a grandson,
all of whom were distinguished artists. John Van Goyen the father-in-law
of Jan Steen, was also an artist of great celebrity: he painted a great
number of pictures, and his execution was marvellously rapid, of which
the following curious anecdote is recorded as a memorable instance:
Hoogstraten relates that Van Goyen, Knipbergen, and Parcelles, had
agreed each to paint a picture in one day, in the presence of several
other artists, their friends, to whose judgment was left the disposal of
a considerable sum of money subscribed for that purpose by the
contending artists, to be bestowed upon the person who produced the best
picture within that period. As soon as Van Goyen took the pencil,
without making any previous sketch, he first laid on the light colour of
the sky, then he rubbed on several different shades of brown, next
masses of light on the foreground in several spots; out of this chaos,
he produced trees, buildings, water, distant hills, vessels lying before
a sea-port, and boats filled with figures, with almost magical celerity,
and exquisite spirit, and finished the whole within the limited time, to
the astonishment of the beholders. Knipbergen proceeded with his work in
quite a different manner, for instead of beginning to colour his canvass
he sketched on his palette the design he had formed in his imagination,
and took much pains to give it all imaginable correctness, every rock,
tree, waterfall, and other object, was disposed in the manner it was
intended to be finished in the painting, and he attempted nothing more
than to transfer the sketch upon the canvass; this picture was also
finished in the time, and was allowed by the observers to possess much
merit. The method observed by Parcelles differed from both, for when he
took up his palette and pencils, he sat a long time in deep meditation
upon his subject, and having arranged his thoughts, he executed within
the time also, a sea-piece, admirably designed and delicately finished.
The judges were unanimous in deciding for Parcelles, observing, that
though the pictures of Van Goyen and Knipbergen were full of spirit,
taste, and good colouring, yet in the picture by Parcelles there was
equal merit as well in the handling as the colouring, and more truth, as
being the result of great thought and judicious premeditation. William
Vandervelde, the celebrated marine painter, was also born here in 1610:
the love of his art induced him to remove with his family to England, on
account of the superior elegance in the construction of British ships;
and he was successively patronised by King Charles II. and King James
II. Such was his enthusiasm, that, in order to unite fidelity with
grandeur and elegance in his compositions, he would boldly advance in a
small light vessel into the very heat of a naval engagement, and make
his sketches, in undaunted tranquillity, whilst the balls were flying
about him in all directions. Of this bold spirit he exhibited two very
memorable instances, before he came to England; one was in the severe
battle between the Duke of York and Admiral Opdam, in which the Dutch
admiral and 503 men were blown up; and the other, in that great battle,
which lasted three days, between Admiral Monck and Admiral de Ruyter,
during which engagements Vandervelde plied between the fleets, so that
he was enabled to represent every movement of the ships, and every
material circumstance of the action, with astonishing minuteness and
truth. There were formerly some good private collections of paintings in
this city, but the political storms of the country have dispersed them.
About a mile from Leyden there is a very valuable collection by some of
the most distinguished Dutch and Flemish masters, belonging to Mr.
Gevers, who has a noble mansion, and grounds very tastefully disposed;
and who upon all occasions is happy to permit strangers to visit his
cabinet, and to show them every hospitality.
Near this city, in the village of Rhynsburg, the assembly of a very
singular and equally liberal religious association is held, the members
of which are called after the name of the place, Rhynsburgians: this
meeting was established by three peasants, who were brothers, of the
name of John, Adrian, and Gilbert Van Code, who to an excellent and
profitable acquaintance with farming, which they followed, singularly
united a profound knowledge of languages, for which they were so
celebrated, that Prince Maurice, and Monsieur de Maurier, the then
French ambassador, honoured them with several visits, and conversed with
them in Latin, Greek, Italian, and French, in each of which they
astonished their visitors by their fluency and pronunciation: another
brother, William, filled the professorship of the oriental languages in
the university of Leyden. In consequence of the churches being left
without their pastors, on the expulsion of the remonstrant clergy in the
year 1619, the three first-mentioned brothers determined to supply their
places, and undertook to explain the Scriptures: they set an example of
genuine christianity which has been rarely displayed; and they taught
that every one had a right to worship God according to his own form of
faith, taking the Bible for his guide. This association meet every
Saturday, for the purpose of digesting the discourses of the ensuing
Sunday, when, with the sincerest humility, one of the fraternity
distributes the bread and wine. After the morning duties of the Sabbath
are passed, they reassemble in the evening to return thanks to the
Almighty for his favours, and at the same time particularize the
instances of his goodness. On Monday morning they part to attend to
their different temporal concerns, and at their taking leave, solemnly
impress upon each other the sacred obligation, and the blissful result
of a perseverance in the pious course which they have hitherto pursued.
Such benevolent and exalted principles attract persons of various
persuasions to the meeting, who assist in its solemnities, and partake
in the pure spirit of its devotion. The religion most followed previous
to the revolution, was the presbyterian and calvinistical; before the
revolution, none but presbyterians were admitted into any office or post
under government, except in the army. The republic, in its early stages,
displayed its wisdom in making the calvinistical persuasion predominant,
for the country at that period was too poor to erect magnificent temples
of worship, and support a train of prelates in the splendor bestowed
upon them in other countries, which were more rich, and had a population
adequate to the cultivation of the soil. It was of the highest
consequence to Holland to encourage population, and they could not more
effectually do it, than by a policy equally generous and enlightened,
which offered an asylum to all foreigners persecuted for their religion,
and discouraged all monastic institutions.
As I was one day roving in this city, I was struck with the appearance
of a small board ornamented with a considerable quantity of lace, with
an inscription on it, fastened to a house: upon inquiry, I found that
the lady of the mansion, where I saw it, had lately lain in, and was
then much indisposed, and that it was the custom of the country to
expose this board, which contained an account of the state of the
invalid’s health, for the satisfaction of her inquiring friends, who
were by this excellent plan informed of her situation, without
disturbing her by knocking at the door, and by personal inquiries: the
lace I found was never displayed but in lying in cases, but without it,
this sort of bulletin is frequently used in other cases of indisposition
amongst persons of consequence.